PREVIEW: The Exonerated

The School of Music, Theatre & Dance is putting on a documentary play called The Exonerated. The play interweaves six true stories about wrongfully convicted survivors of death row. It was composed from real interviews, public records, letters, and case files. The narrative weaves between first-person monologues and scenes from courtrooms and prisons.

This is a really important example of art exposing relevant problems in our society, legal system, and justice system. This provocative narrative exposes injustice and has sparked public debate. In 2003, it won Drama Desk for Unique Theatrical Experience and the Outer Critics Circle Award for Outstanding Off-Broadway Play. In 2005, the play was made into a movie.

(Photos by Peter Smith Photography)

Date: February 22 & 23 at 8 PM, February 24 at 2 PM

Price: General Admission by Floor $20 • Students $12 with ID

Location: Walgreen Drama Center – Arthur Miller Theatre

More Info: https://events.umich.edu/event/52131

 

PREVIEW: Third Place Concert Series presents: Zelasko // LaBonte // Rosen

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The way a singer’s voice can move is astounding: it will swallow you up whole, soar high above the heavens, drop to the depths of the sea, travel to the ends of the earth, dilly dally in the swirling of an Arctic spring, drive air into the lungs of every living thing…and it will do it all in the span of a second or two.

Looking for a beautiful musical experience without forking over $1,000 for VIP Ariana Grande seats? Come over to Blom Meadworks on 100 S Fourth Ave (Suite 110) on Sunday, February 24 at 7 PM. There is no charge for admission, only a suggested donation of $5/person.

 

PREVIEW: Lords of Chaos

The world of music is an incredibly varied place, with hundreds of distinct genres used to express the whole spectrum of human emotion from grandest elation to deepest sorrow. Instruments range from the angelic harp to the piercing bagpipe, and the infinite patterns a song can have allow for new musical ideas that stretch into eternity.

Performance and image can be a big part of music, bringing a physical manifestation to the sound and ideas it expresses. Some dress as gentle flower children, others otherworldy beings. Others strive to bring the underworld up through the earth to their fans’ waiting arms, burning churches and incorporating real animal parts in their stage costumes.

Now playing at the State Theater is Lords of Chaos, a documentary on the rise and fall of 90s Norwegian death metal band Mayhem. Whether or not you’re a fan of the genre, anyone will be captured by their disturbing story.

Showtimes include:

2/22: 9:10 PM

2/23: 11:35 PM

2/24: 7:30 PM


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PREVIEW: Love and Information

Are you doing anything tonight? Because Love and Information is going on at 7:30pm. The play features 57 hilarious vignettes that explore human connections affected by the bombardment of information from the internet and social media. I don’t know about you, but I could use a good laugh now during the busy semester.

The play is written by Caryl Churchill who is considered England’s best living playwrights, and she’s famous for her provocative and relevant plays. So not only will the play address important social issues but it will also be framed in a humorous way.

(Photo credit to Peter Smith Photography)

Aside from Love and Information, other works by Churchill will also be performed during the Caryl Churchill Festival. See below for more information.

Caryl Churchill Festival: a weekend of free staged readings and lectures celebrating the 80th birthday of this important playwright.

Schedule:

Friday, February 22

  • Newman Studio, Walgreen Drama Center, at 7pm
    • Student reading of Top Girls, directed by Bruna d’Avila,
    • Short intermission
    • Student reading of The Skriker, directed by Skylar Siben

Saturday, February 23

  • 3pm at Lydia Mendelssohn Theatre
    • Faculty stage reading of Escaped Alone, directed by John Neville-Andrews with Priscilla Lindsay, Janet Maylie, Gillian Eaton, and Pamela Lewis.
    • Tea served by Friends of Theatre
  • 4pm at Lydia Mendelssohn Theatre
    • “Caryl Churchill at 80” lecture by Professor Leigh Woods
  • 7pm at Newman Studio, Walgreen Drama Center
    • Student reading directed by Maggie Shea
    • Short intermission
    • Student reading of Cloud Nine, directed by Marty McGuire

Student readings are courtesy of Basement Arts

PREVIEW: Yo-Yo Ma: Culture, Understanding, and Survival

Yo-Yo Ma is one of the most famous classical musicians of all time and is probably the most famous cellist. He is internationally renowned and has won 18 grammys. You’ve definitely heard his name before, but now you can also hear him speak! He is coming to give a talk at Michigan about his career and belief in the power of culture to generate trust and understanding.  Using examples from his life he will talk about the role of culture in shaping our future.

I know talks can be boring, and it’s a little deterring that there is a price tag to this event with no reception following, but seeing Yo-Yo Ma is a once in a lifetime opportunity. This guy was awarded the National Medal of Arts and was a recipient of the Presidential Medal of Freedom. I am also secretly hoping that he will also have a cello on him, and play some music for everyone to hear.

REVIEW: Las Cafeteras

This group boldly marched on the Michigan Theater stage yelling and rallying everyone in the audience to start standing, clapping and dancing. They did this while strumming a tune on their jarna jarocha’s (an instrument that looks like a blend between a guitar and a ukelele). I stayed sitting because I prefer when bands run on and immediately start playing great music that ignites everyone to naturally stand, or after proving their worth rally everyone to stand up. However, my bad mood quickly changed when the music started playing because it was very fun and upbeat music. Music that would be very hard to be upset while listening too.

This concert had a lot of ups and downs for me. Which I will explain in the following paragraphs.

I enjoyed the lead male singer’s voice. It was harsh, nasally, and whiney, but all in a good way.  It was very unique and could be the voice of a TV shows opening song. He also acted as the hype man of the group. After seeing a couple of latino shows this year, I realize that it is custom for the audience to break out into big applause and start hollering when the singer yells a phrase they like. He did a good job at this role I assume because even though I don’t understand Spanish, he got the people sitting behind me very exuberant.

I was not a big fan of the lead females singers voice, but only in the context of the music. She has a very beautiful voice, it is airy, fragile, and soft, which is great, but didn’t fit the style of the music well and didn’t sound good when harmonizing with the other singers. I even had trouble hearing her sometimes.  Granted there were songs, always the slower and stiller ones, where her voice sounded beautiful. These were actually by far my favorite songs of the night.

There were some good songs. Whenever the lead female singer was singing a song with the lyrics “I Love You”, which mentioned above also happened to be the slower songs, it was very pleasant and beautiful. They played an Afro-mexican song that had great instrumentals. My personal favorite song had a Spanish name that translated to “The Most Beautiful Ugly Person” or “Long Live the Ugly”. My favorite musician of the night was the lead jarana player. He had the ability to play extremely fast, and was the only one who offered some instrumental variety. My favorite scene was when the lead singer started tap dancing to one of the songs while simultaneously showing the lyrics in sign language to the audience.

Most of the songs sounded like they had the exact same tune, background, and beat. It was like I was listening to one song for most of the night which got a little boring. I also did not enjoy the rapping, which dominated the second half of the performance. I thought it sounded childish with the tuney music in the background, and none of the English lyrics were very clever, it was all pretty cliche. It felt like the whole thing was a freestyle they came up with on the spot (to their credit some of it was).

As both an up and down for me, the group was very political. They talked/sang about migration, healthcare for all, Trayvon Martin and other victims of racism and police brutality, environmental issues, and our current presidency. It was mainly just generic chanter, which I didn’t care to hear unless it directly related to a song. I did really enjoy one line that was said: “We got to get organized, how can we get organized if we can’t dance together”.