Review: When we beat the donkey!

Cyro Baptista’s “Beat the donkey” can be best described as a delightful audiovisual smorgasbord of  all forms of sounds and grooves  that you can possibly fit in within an hour’s time. It had everything to capture the hard-to-get interest of tiny tots (a trait shared by many adults these days ) .

Cyro Baptista
Cyro Baptista

The eight member strong team, dressed in wild colors and costumes (one was wearing a chicken head and Cyro made a dramatic entry in a magician’s cape)  moved between various nameless instruments on stage  performing a different something every time. The background color of the stage kept changing to all bright colors ( like  a willowish green or an organza pink or a fiery ochre) and added that extra element to captivate the kids.

As for the program itself, there was a bit of everything! Cyro started out with a loud vigorous beating and his band members picked up and produced some really creative percussion sequences. There were Kodo style drums, an Indonesian dance with Gamelan music (the girl who did this was so graceful and beautiful!), a delightful tap dance, a lovely Brazilian song ( by a team member who belted out  really well), some amazing rock style keyboard playing (this guy is good!), some cool guitar action and of course the numerous instruments made from gigantic Coca-cola caps to leftover PVC pipes and recycled gas pipes .

Given that it takes so much to get our interest these days (nothing short of a 4D show), the performance might be considered “i would rather be taking an afternoon nap than listening to this loud what-do-you-call-it” by many adults. But it was a family performance, people! And the many kids jumping around and doing goofy moves in the well between the stage and the audience were obviously enjoying every moment.

It was so good to see an older kid show his moves to a toddler (who must have just started walking and was wobbling his baby arms around  with one of the loveliest smiles on his face) and I think that’s what Cyro’s band was aiming for!

Overall, a lovely evening,

For [art]seen,

Krithika

Preview: “Pau Na Mula”! Cyro Baptista’s Beat the Donkey

Friends, Oh-I-am-only-halfway through-this-semester-and so-still-stressed-out  students and fellow musiclovers,

It’s a rarity that you get to become a kid again at a musical performance. This weekend, Cyro Baptista, the truely innovative percussionist will be performing at the Power Center with his eight member strong band. Cyro Baptista was here last month as a part of “the Luciana Souza trio” and he was amazing. He is like this mad scientist with such a passion for percussion and he oozes such positive energy and enthusiasm that you have to love him for that! His sense of humor and tendency to make jokes with his percussion too make him such a popular figure with kids and adults alike! But he is also known for his serious Brazilian Beats in the  music field.

Cyro Baptistas Beat the Donkey
Cyro Baptista's "Beat the Donkey"

Titled “Beat the Donkey”  from the Portuguese “Pau Na Mula” which means “Let’s go! Let’s do it”, Cyro’s show is a wild, imaginative and extremely entertaining one with a combination of all types of rhythm and sounds that you could possibly hear. In this show, the musicians adorn funky costumes  and do everything including impromtu dances to make sure that you don’t sit ramrod straight with passive looks on your faces!

Show times:

Saturday, March 13, 1 pm & 4 pm
Power Center

Tickets ($16) are available at the Michigan League Ticket Office or at the Box Office before the show.

Come, join this fun foot-tapping riot! It’s your time to be a kid again.

For [art]seen,

Krithika

Review: Swedish Radio Choir

The Swedish Radio Choir
The Swedish Radio Choir

When thirty two voices  in different voice types come together  and sing without accompaniment (“a capella”) while precisely  maintaining tune and rhythm , it is just plain fascinating.  That’s how the Swedish Radio Choir started their scintillating performance.

The first piece “ Aftonen” was so beautifully done. I can never understand how a soprano and a bass standing together can sing their parts without getting distracted with the other’s pitch/tune. It seems really tough and must need tons of practice.

But anyway, after the first piece though, my interest waned. The rest of the first half were mostly based on religious pieces. I was really bored through the rest of the first half, all the while wondering as to how people can relate to such an art form. For example, Mahler’s piece, “Ich bin der Welt abhanden gekommen” was in German and it was tedious. Though an English translation was provided, I felt that the lyrics, a very important part of any music, somehow distracted focus from the music and since there was no accompaniment too, it was tough to digest.

I  looked around and there were a lot of people looking around too. It was clear that this art form wasn’t that interesting to all but for the devoted few. I was so bored that I contemplated leaving during the intermission. But my intention to see it through till the end was rewarded by the excellent and intriguing,Mouyayoum” by contemporary Swedish composer Anders Hillborg . This was the highlight of the evening. This is a wordless work that featured 16 distinctly different vocal parts combining together into a mesmerizing soundscape- it was brilliant. You will be absolutely hypnotized when you hear this and this is the gold test for a great choir. The Swedish Radio Choir was just astounding in this. I loved the sopranos the best.

For over one hour, the singers delivered complex notes and there was never a note out of place. I was thoroughly impressed by their stamina and skill, developed by years and years of  rigorous practice, I am sure.

The guest choirmaster, a fellow Swedish native, Ragnar Bohlin was amazing and I loved the way he conducted “Mouyayoum”.

As I left from the performance, I wondered if this art form of Choral music was a dying art.  Would the future generations thrill in listening to this kind of music? In this age, where you rarely hear anybody performing without accompaniment, it was a rarity to hear these lovely voices in unison. This is how it all began before we made instruments and a  clear melodious voice is such a soothing sound for the ear.

That the Sweidsh Radio Choir is indisputably one of the best choirs around came through very clearly from the flawless performance. But  I guess, choral music of the religious kind is just not my cup of tea.

For [art]seen,

Krithika

The 100th post: Preview of Swedish Radio Choir :-)

I am so excited that this is the 100th post for [art]seen. To me, writing about the different art events that I go to, has helped me understand and enjoy the performances even better. Yeah for [art]seen!

So this sunday, FEb 21, the Swedish Radio choir are going to be in town. Made up of 32 professional singers and  sponsored by Sveriges Radio, this choir is one of the world’s best a cappella choirs that have a very wide a cappella and symphonic choir repertoire.They are the go-to choir for all the leading symphony orchestras in the world.

Maestro Ragnar Bohlin
Maestro Ragnar Bohlin

This tour is led by conductor Ragnar Bohlin, a Stockholm native who also serves as choral director for the San Francisco Symphony. He is another choral legend whose accomplishments are so many that it will take a long time to list them. He is one of the best in the field today.

The Swedish Radio Choir made its UMS debut in 2001 and their rendition of Verdi’s Requiem was a great hit. This time, the program starts with the sure crowd pleaser, Alven’s Aftonen (Evening). Also on the program are many choral pieces from various composers like Mahler, Bach and Sandström ,to name a few. This will be a treat for all of you who like a healthy dose of classical music to make your day.

When: Feb 21,2010 @ 4:00 pm

Where: Hill Auditorium

Tickets at the League Ticket Office or online at ums.org.

Yours truly,

Krithika, for [art]seen

Preview: All’s well that ends well

You can never get enough of Shakespeare. I caught a part of a soap the other day at the airport and suddenly it struck me as to how many of the twists were taken straight out of a Shakespearen play. We owe so much to the Bard of Avon- for his immense contributions to the English language, his insight into human nature, his amusing and wise quotes and so much more!

This week, University of Michigan’s Musical Theater Department, presents “All’s well that ends well“. Much as I adore Shakespeare, the play “All’s well that ends well” leaves me a bit unhappy as there are parts of it that I just don’t get.

“All’s well that ends well” is about a lowborn beauty Helena who falls in love with a foppish count, Bertram. Due to a set of circumstances,  Bertram ends up marrying Helena but he “hates” her.  Bertram lays down certain conditions that need to be fulfilled for Helena to become his true wife and goes out to the battlefield. The rest of the play is about how Helena tricks Bertram into accepting her after fulfilling all his ridiculous conditions.

Well, what I can’t get about this play is why a smart woman would go behind an apparently foolish guy who doesn’t see the value in her? Maybe it was so in Shakespearen times!

Ok, so if I don’t like the play that much, why am I going? Well, on paper, it is very tough to understand why Bertram would refuse Helena or why Helena would still want Bertram. But on stage, this confusion can be sorted out by the acting of the performers (which I will tell you in my review!). Will director Malcolm Tulip help smooth the hate-to-love transition convincingly and make it believable? That is what I am looking forward to!

On a certain level, it does show a smarter woman who knows what she wants (why is not ours to question) and gets it and I do love that part. As is typical of Shakespearen comedies, there is a lot of laughs and double entendres in this play. So, do come to the play and may it all end well!

What: Play “All’s well that ends well”

Where: Arthur Miller Theatre at U-M’s Walgreen Drama Center, 1226 Murfin Avenue

When:

Friday-Saturday, February 19-20, at 8 p.m.

Sunday, February 21 at 2 p.m.

Tickets at the League Office or online at the U-M Musical Theatre web site.

Yours truly,

Krithika, for [art]seen

Review: Schubert Piano Trios…When love was in the air!

When it is Valentine’s Day, it is just impossible not to think of love. The “I love you” balloons, entwined hands, red roses, heart shaped everything, and of course, listening to a Schubert Piano Trio- it is just so difficult not to think of love.

It was a prefect setting to contemplate about love- a beautiful afternoon at the Rackham Auditorium with the best artists to perform a serenade for you and you only.  The program for the day comprised of both the Schubert piano trios- the B-flat Major and the E-flat major. Normally, these don’t get performed together. So everyone was excited.

The three artists entered and they took their positions. And the evening started with the mellow sound of the cello followed closely by the violin. Just three minutes into it, and that’s when I fell in love- with Schubert!

Schubert the genius composer
Schubert, the genius composer

Schubert composed both his piano trios close to his death (and after the death of Beethoven). So Beethoven’s shadows are seen in these compositions. But what is so impressive about each of the pieces in addition to their clear structure  is that if there is a musical definition of love,beauty and life- then this is it! It just doesn’t get better than this.

Let’s consider the B-flat Major. The Allegro Moderato was so pleasant and fluid. The long sustaining notes for the cello echoed by the violin and the piano punctuating each melody and everything complementary to everything else- it was so beautiful. The second movement embarks into a sense of longing and almost contented sighing with solos and duets that were just unbelievable. The third movement goes back into this happy phase- almost playful. The fourth movement was more passionate and aggressive with the piano parenthesising each melody played by the violin and cello and it ended on a triumphant gleeful note.

Artistled Recording
Artistled Recording

The E-flat Major followed after the intermission and it was a revelation. Each movement was so beautiful that it was just too good to be true. It gave a feeling that you get when you look at the pristine beauty of the majestic mountains of Yosemite  from the Tunnel view for the first time or when you look down at the Colorado river from the highest point at Guano point in the Grand Canyon or at a sunset over Lake Michigan at the Sleeping Bear dunes park! It was a piece where each melody seems to cite an instance of happiness and urges you to be happy.

To me, the E-flat Major is a joyous celebration of all there is to love and life when you have not an iota of doubt about a prosperous future or benevolent heavens.You just can’t help feeling happy when you listen to it.  The feeling you get when you look a baby’s smile or feel your mother’s touch- it is so so beautiful!It somehow directly connects to that part of the brain that creates happiness.The ending seemed as if a level of matured happiness has been achieved and it was a quiet joyous conclusion!With these pieces, you feel “safely” joyous as it is set in a familiar structure and yet there is so much going on.

David Finckel,Wu Han, Philip Setzer
David Finckel,Wu Han, Philip Setzer

It is definitely to the credit of the musicians that they were able to bring out of the genius of the composer by executing it so flawlessly. There was a harmony among these musicians and the mastery exercised by each musician over his or her field made the concert what it was- an absolutely beautiful evening!

There was an encore when they played a slow movement from Mendelssohn’s piano trio. Already you could see the difference in beauty between Mendelssohn and Schubert!It’s like looking at the beauty of two different rose buds.

I love the signing that UMS sets up these days after the concerts. It gave a chance to interact with the musicians. These world-class musicians are so down-to-earth and easy-going.

Overall, it was an enthralling evening…when love was definitely in the air in the garb of music.

Yours enamored,

Krithika

Check out the “Schubert piano trios” cd! It is definitely worth it.