REVIEW: Collage Concert

Now in its 38th time, Collage Concert by the School of Music, Theater, and Dance on January 17, 2015 put together another incredible show featuring many departments within SMTD. This unique performance, in which one act followed another without pauses, showed how interconnected different disciplines of art can be.

On a performance style like that of Collage, where works from old and new come together to create one performance experience, Maestro Gustav Meier (former professor at Eastman School of Music and U-M School of Music) states:

“…[A] quartet called the Five Century Ensemble, a soprano, a tenor, cello, and harpsichord, … performed music from every period with the last note of each work overlapping the first note of the next composition. … We were all just stunned. It never occurred to me that such a programming technique could happen. What a contrast — old music, new music — so close together.” (Quoted from The Instrumentalist, February 1980)

At the University of Michigan that night, in our own Hill Auditorium, we created a gigantic Five Century Ensemble — or rather, Five Century and Disciplines Ensemble. We are lucky to be at a school where many departments are top-notch in their fields, and the School of Music, Theater, and Dance is no exception. However different the appearances may be, all performances were tied to the core of artistry.

This kind of performance requires a lot of careful planning, both logistically and artistically. First of all, there are hundreds of performers in Collage, who are all students with different, busy lives. Organizers have to connect with all of them to make sure they are at the right place at the right time. In addition to this, the lighting cues can be complex, and stage setups can require special knowledge. I wonder if the logistics coordinators for this performance got to sleep at all in the past few days with all of this in mind. All of these were executed perfectly, at least to my knowledge.

Artistically, the directors put together a program that just flows. There is no worry about the quality of the performances, as the individual acts are very strong. However, the program — which included various types of music, skits, and dance works — somehow needs to make sense without any gaps for applauses and reset. With that said, the performace order was truly stunning, especially in the first half. My most favorite was a reading and stunt of Shakespeare’s “Henry V” by Ian Johnson and Ben Reitemeier, going into Gandolfi’s Flourishes and Meditations on a Renaissance Theme, played by the Symphony Band. The music seemed to compliment the Shakespeare play so perfectly. Many other surprising yet understandable combinations happened throughout the two-hour show.

I have been on two sides of the Collage: performer and audience. I performed in the Collage last year as a Symphony Band member, and it was such a wonderful experience. Now, I am happy to see the performance from the other side, sharing the surprises with the general public. It excites me that I share practice rooms with these students, and I can only imagine how great they will become in the future in their arts. (And perhaps me too — hopefully?)

PREVIEW: Knox Hamilton @ The Blind Pig

Knox Hamilton is a new Indie-Alternative band straight out of Little Rock, Arkansas. As they describe themselves: “Fueled by the similar staples within their collective musical taste, the members of Knox Hamilton blend laid back guitar riffs and catchy bass lines with rhythmic drum beats and soaring vocals to produce a sound that’s as likely to make you want to visit the beach as it is to move your feet.”

Does that sound fun? Based on their single “Work it Out,” it should be awesome.

Where: Ann Arbor’s The Blind Pig
When: January 20th @ 8 pm
How: Walk, bike, or row your boat on over!
Cost: $12

You can follow them on Twitter: @knoxhamilton

And check out their web site here!

PREVIEW: Collage Concert

Collage_Poster

Collage Concert is an eclectic collection of performances representing all departments of the School of Music, Theater, and Dance. Unlike in other performances, all the acts in the Collage Concert are presented without pauses. Solo organ, dance pieces, jazz combo, theater company, choir… You name it, they’ll have it. If you are thinking of attending just one performance by SMTD this year, this is the one — it’s a night of virtuosic performances that would never fail to amaze you.

WHEN: Saturday, January 17 at 8pm

WHERE: Hill Auditorium

TICKETS: $10 with student ID; available online or in person at the League Ticket Office

 

PREVIEW: eighth blackbird

 

Image courtesy of amazon.com

What do you get when you combine a classical chamber music ensemble with the energetic verve of a rock band and a sprinkling of theatrical spunk? The enthusiastic, thought-provoking, and genre-bending genius of eighth blackbird, a Chicago-based ensemble of clarinet, cello, violin, percussion, flute, and piano! “The blackbirds are examples of a new breed of super-musicians. They perform the bulk of their new music from memory. They have no need for a conductor, no matter how complex the rhythms or balances… [They are] stage animals, often in motion, enacting their scores as they play them.” (Los Angeles Times). As part of the fantastic UMS series this winter, eighth blackbird is sure to blow us away. They even will feature two works by composers who made their mark with bands such as The National and Arcade Fire!

What: eighth blackbird

Where: Rackham Auditorium

When: Saturday, January 17 at 8:00 pm

How Much?: Student Half-Price Tickets are $21.00. Recommended to buy tickets ahead at the UMS Ticket Office in the Michigan League.

And while you wait for the show to begin, familiarize yourself with eighth blackbird on YouTube!

Still Life with Avalanche 

Philip Glass & eighth blackbird

 

 

REVIEW: Help! I’ve Fallen and I Can’t Turn Up!

Image Courtesy of giphy.com

Last Saturday night in the MLB Auditorium 3, I knew I was in for a treat when I noticed the marathon of “Infomercials” playing on the wall. The Dicks and Janes, one of the 15 renowned U-M A Cappella groups, were promising a night of fun, diverse musical choices, and perhaps just a teensy bit of harmless daytime TV-bashing. While we waited for the singing extravaganza to begin, the audience was subjected to awful real life horrors that I wish did not exist (I urge you to explore these hilarious videos, perhaps in private, so no one can make fun of you over your shoulder):

What a creative way to lift students’ finals week spirits!

But wait, there’s more…

If you come to the Dicks and Janes concert within the next 30 minutes, we’ll throw in two free performances featuring Sha Bop Shoppe A Cappella and Groove.  The Sha Bop Shoppe is an after-school all-girls ensemble at Pioneer High School. They specialize in performing popular songs, such as Fleet Foxes’ “White Winter Hymnal” which was hauntingly beautiful, as well as “Until the Morning” by Thievery Corporation, which they stopped mid-way through to “speed up a bit” and remix it with their own spunk and soul. If it isn’t impressive enough that they are already dipping their feet in a university venue, add in the fact that they are also sensational choreographers, which means that they create their own choreography movements to flow in sync with their singing. The Sha Bop Shoppe girls definitely will have a powerful vocal presence in a few years in whichever university they choose to attend, so hold on to your boots!

But…the creme de la creme, the reason we were all suffering through the commercials for, was to see…the Dicks and Janes! The minute that they ran on stage and began to sing, the room came alive. Throughout the show, the setlist alternated from hit songs of 2014 (Reflections, Clarity, Say Something, and Latch) to old classics (Happiness is a Warm Gun, Proud Mary, Don’t Mean a Thing). The variety showcased not only the collective group’s range in interest and amazing ability to creatively interpret the pieces (each of the songs are arranged by a Dick or Jane him/herself), but also displayed each individual soloist’s remarkable skills and talents.

I was especially impressed by the energy created in “Clarity.” Originally a high-speed electronic dance song, I was curious how the Dicks and Janes (DJ’s) could recreate that sound. But somehow they did! I’m not a singer myself, so I’m not sure how they accomplished the feat, but they did it stunningly. The crisp “kssss” of every accelerating percussive beat, the siren-like croon of the synthesizer, the pulsing bass…all imitated the feel of “Clarity,” with the voice of DJ member Hannah Sparrow at the center. Perhaps, the DJ’s were a little too good at the house music vibe, for sometimes they turned up the volume a little too much and I could barely hear Hannah. The DJ’s know how to make the MLB Auditorium into a good time, even if they can’t turn up!

Shine the spotlight on Austin Montgomery, another DJ member, and prepare to be amazed. He soloed twice, as he is the token falsetto of the group. He sung his soul out in “Latch,” with perhaps even more energy than Sam Smith himself. And he was able to take Helena Ratte’s playful arrangement of “Happiness is a Warm Gun,” and morph it into a 50’s barber shop sound.

Because I’ve never sung A Cappella, I look on with awe at how the DJ’s start with a silent stage and slowly build on each other with only their voices. They’re like an orchestra, I guess, something I’m more familiar with. But yet, because they are standing and have hands free (no bows or horns to hold), there is a special energy that is present. I literally got shivers when soloist Lyndsey Burke belted out Tina Turner’s “Proud Mary” and felt twinges in my heart just from the dramatic facial expressions shown in “Say Something.” I could feel every note, like the DJ’s were handing each one to me. Here you are, have another! their words seemed to say. The DJ’s gave me something that night that is special to a cappella singing. The sound of humanity, streaming through the voice to the ear. No phones, no instruments, no car horns to interrupt the experience; just good ole’ human to human connection. And maybe with a quick infomercial or two.

Call 1-800 999-2288 to get your DJ singer absolutely free! And while you wait, watch this hilarious infomercial video, Save a Suffering Freshman, that the Dicks and Janes made themselves!

 

 

 

REVIEW: Rossini’s William Tell

Photo credits: Teatre Reggio Turin Orchestra
Photo credits: Teatre Reggio Turin Orchestra

For four hours on Tuesday night, I was not an undergraduate student driven by pre-exam stress in Ann Arbor, Michigan. Teatro Regio Torino Orchestra and Chorus, coupled with phenomenal acoustics at Hill Auditorium, made me feel like I was in an opera house in Italy. It was one of the most memorable concert experience I have ever had.

Teatro Regio Torino Orchestra and Chorus hail from Turin, Italy, under the baton of Maestro Gianandrea Noseda. First led by Maestro Arturo Toscanini at the end of 19th century, they are one of the most historical and prestigious opera companies in the world. I was very excited when I found out that the entire opera company was travelling overseas to give a performance in Ann Arbor. (Fun fact: Teatro Regio Torino’s first-ever North America Tour included only 4 cities: Chicago, Toronto, Carnegie Hall in New York, and Ann Arbor.)

This was my first time seeing an opera performed unstaged, in concert setting. While it was sometimes difficult to follow the plot because they did not act or wear any costumes, I liked watching an opera this way because I got to observe everyone involved in the performance — orchestra, chorus, and soloists — react to each other’s music-making. The soloists were truly amazing, too. Special shoutout goes to Ms. Angela Meade, who played the role of Matilde. She has a resonant voice that fills up the large auditorium, expressivity that truly shows, and ability to do some crazy virtuosic passages with no difficulty at all. To all performers, “wow” is all I can say.

It was really unfortunate that the performance was on a Tuesday night during the last days of classes. I couldn’t help but notice many seats in the auditorium empty, while they totally deserved a full house. I hope they come back to Ann Arbor again with some other amazing operatic repertoires!