PREVIEW: Staging Unrest: Performance in times of crisis

Staging impactful and politically provocative theatre in times of social unease is the focus of this brilliantly crafted and much-needed presentation hosted by The School of Music, Theatre, and Dance. “Staging Unrest” is a panel, presentation, and discussion centered around the topic of how to stage and interpret art in a politically decisive climate, as well as the role of art in such a climate. The panel includes directors Malcolm Tulip and Dominika Knapik, designers Vince Mountain and Wolfgang Macher, and some of the members from the American and Polish cast. With a robust panel of many perspectives on performance on the stage including academic experts on theatre, this event is sure to be both moving and extremely important.

“Staging Unrest” will take place in the Walgreen Drama Center in the Newman Studio from 5-6:30 pm on Wednesday, September 19th 2018. The event is free; no ticket required.

REVIEW: Second City

Political comedy, improv brilliance, snippet skits, raunchy humor. Second City made The Ark erupt with laughter as they brought their impromptu comedy skills from Chicago to Ann Arbor.

Comedy is a great outlet for political commentary, and Second City had some fun with that with their skit involving a board game called Privilege, a mini scene involving Trump, and another skit of a talk game show called We’re Not Talking About That.

From a lesbian on an airplane to the Bass Man to a little boy and a potential step-father, from a game of Two Truths and a Lie to three bros teeing off to drama driver’s ed class, some of the skits were hit or miss, but they all elicited laughter and/or groans. A few easter eggs carried their way through the different skits, which strengthened the humor of the night. The few musical numbers were pleasant, especially the “I Cry” song that was particularly relatable.

Second City’s improv comedy was also on point. They played the classic improv game where two actors borrowed two phones from the audience and could only use texts as their lines. Their different quick, improvised scenes were also quick and witty. For being in Ann Arbor for only three hours, the Second City troupe caught on fast with the lingo and native culture of the city, except for a slip calling Zingerman’s a sub shop.

With the help of three audience members, Kim Kardashian and Matthew McConaughey star in the action rom-com film with a twist of sci-fi, Walking Chairs at Midnight. The cast later put on the trailer to this original movie after intermission, and I appreciated the fact that they brought that back and didn’t just leave it hanging after the audience participation.

Second City ended their show with some final improv. They definitely made being funny seem easy, but as they emphasized at the very end as they plugged their classes, it’s actually very hard and requires a lot of work. However, Second City did a great job of providing a night of carefree entertainment and quality comedy.

REVIEW: Dirty Rotten Scoundrels

Two men con their way into the heart of women to get money and jewelry and great big stuff. The French Riviera has been brought to Michigan with Ann Arbor Civic Theatre’s production of Dirty Rotten Scoundrels.

A2CT’s production included impressive props, set designs, and scene changes, with the Lydia Mendelssohn Theater providing vibrant color backgrounds. The French accents were sometimes hard to understand, and it was difficult hearing the lines over the pit at times. For the most part, the choreography was rather simple, but the vocal performance made up for it. The orchestra rocked the French jazz musical score that David Yazbek, who just won the Tony Award for The Band’s Visit, wrote, which stylistically added to the comedic vibe of the entire musical.

Dominic Seipenko dominated the stage as Freddy/Ruprecht, embodying the crass character greatly in his grand numbers “Great Big Stuff” and “All About Ruprecht.” He owned the role of the sleazy pupil in every moment. “Oklahoma” was stereotypically Southern, but it fit the comedic edge of the musical. Christine, portrayed by Hannah Sparrow, brings a glimmer of hope into the world with her beautiful performance of “Nothing is Too Wonderful to be True.” Though a microphone difficulty interrupted the reveal of the biggest scam in the musical, it was easy to figure out what happened (if you hadn’t called it already), and the ever-changing chemistry between the con artists onstage was certainly appealing.

Overall, Dirty Rotten Scoundrels was a fun show, and it looked like the cast had a fun time performing. The highlight was definitely Seipenko’s performance, who brought life to the stage and delivered his role perfectly. The audience seemed to love it, particularly among the older crowd, even receiving a couple standing ovations at the end. Now, I have to watch the 1988 comedy film to see where it all originated from.

PREVIEW: Dirty Rotten Scoundrels

What happens when two lifelong French con men try to one-up the other in an attempt to prove who is the ultimate con artist by swindling $50,000 from an American heiress? Based on the 1988 comedy film featuring Steve Martin and Michael Caine, the Ann Arbor Civic Theatre is bringing the Broadway musical of the same name to the Lydia Mendelssohn Theatre. The jazz musical comedy Dirty Rotten Scoundrels will be sure to keep you tapping your toes and laughing the entire time. Performances are September 6-9, with a 7:30pm show on Thursday, 8pm show on Friday and Saturday, and a 2pm matinee on Sunday. Tickets are $15 for students or FREE with a Passport to the Arts.

REVIEW: Big Fish

It is a story of love. It is a story of dreams. It is a story of being misunderstood and one of wanting to understand. Big Fish is a story filled with stories, and it’s one definitely worth watching.

The 12 chairs version of this musical performed at the black box theatre of The Encore created an intimate setting for this musical exploring the truths and exaggerations behind a faltering relationship between father and son, between a dreamer and a realist. As Will questions everything he knows about his father, he dives deep into the stories he’s grown to doubt.

It all starts with a witch who tells Edward Bloom how he dies. The aura around this scene gave me chills. With Anna Birmingham killing it as the witch surrounded by four dancing creatures and green lighting and music to set the mood, I would’ve freaked out just like Zacky Price. The town of Ashton is too small for a man like Edward Bloom, creating a big fish in a small pond. Edward sets out to see the world and befriends a giant named Karl and a circus ringmaster who is secretly a werewolf, only to come across love at first sight when he sees Sandra, winning her over at Auburn University with daffodils. His adventures are wondrous and empowering — just enough so for Will to become skeptical of the tales he once loved.

The entire cast rocked every song and dance move, from the Alabama Stop to the “Little Lamb from Alabama” routine. In the number “Stranger,” Billy Eric Robinson as Will nailed the longing of a son that just wants to know who his father really is before it’s too late and as he prepares for fatherhood himself. Emmi Bills and David Moan’s beautiful love duet “Daffodils” captured the chemistry that lets the audience see how Edward’s dream finally came true as he finds his soulmate, and Bills’s touching rendition of the ballad “I Don’t Need a Roof” perfectly reinforced that love. Ridiculous laughter was provided by Connor Giles and James Fischer as the hilarious brother duo Don and Zacky Price. Moan pulled off the often rapid transition between acting as a sick, dying man and as an exuberant young man with his entire life ahead of him and his sights set to the skies. Together, all 12 members of the cast created a beautiful story that stretches your imagination.

Stories are a source of inspiration, and as Will reconciles this with the father he never knew, he realizes that the man who’s like a stranger to him is a man who is just finding a way to leave a memorable legacy for the family he loves.

If you’re in the area for the next month, be the hero of your own story and go out to The Encore in Dexter to watch this talented cast tell this story you don’t want to miss.

PREVIEW: Big Fish

Alternating between two timelines of the present-day real world and the storybook past, Big Fish is the story of Edward Bloom, a traveling salesman, and his son Will as they grapple with mortality and their faltering father-son relationship that has been riddled with tall tales. Based on Daniel Wallace’s 1998 novel Big Fish: A Novel of Mythic Proportions and the 2003 film Big Fish written by John August and directed by Tim Burton, Andrew Lippa has merged the two with music and lyrics to create a musical as mystical as its plot.

Celebrate the end of finals week, the 2017-2018 school year, and the coming of summer with a musical that will stretch your imagination and warm your heart. From April 26 to May 20, The Encore Musical Theatre Company will be performing Big Fish from April 26 to May 20, so there are many chances to see the amazing talent The Encore has to bring! Tickets can be bought at https://www.theencoretheatre.org/tickets/.