REVIEW: My Folky Valentine

The Ark’s “annual celebration of romance,” My Folky Valentine, had a different look this year due to the ongoing pandemic, but it did not dampen the spirit of the performance. Hosted by Annie and Rod Capps, the show also featured musical couples Catherine Miles & Jay Mafale and Robin & Jenny Bienemann.

The performance’s format was not what I expected but was nevertheless very effective, and in some ways catered to the virtual nature of the show. Rather than each duo performing an uninterrupted set, the show was completed in “rounds,” during which each couple played one song. This pattern was then repeated several times for the duration of the evening. In an environment where many are suffering from Zoom fatigue and a general attention deficit when it comes to looking at screens, this kept the show engaging and was a welcome departure from other virtual performances.

Most of the songs were written by the performers, except for the round in which it was designated that each duo would cover a song that was not original to them. Perhaps the most entertaining result of this round was a very unlikely mashup of “Rubber Ducky” (yes, the one from Sesame Street) and the jazz standard “All of Me,” performed by Robin and Jenny Bienemann. It was an understated rendition of the two songs that was unexpected, theatrical, and tongue-in-cheek, and as a result, extremely hilarious. During the same round, Catherine Miles and Jay Mafale performed “At Last,” and Annie and Rod Capps covered “My Funny Valentine,” the showtune-turned-jazz standard that the event’s title was a nod to. I found this round of covers particularly enjoyable because it included folk renditions of popular jazz tunes, and I appreciated the inventive ways in which the performers paid homage to the original songs while molding them into a new style.

Of course, the original songs were also a highlight of the evening, as the performers’ skills as singer-songwriters were on full display. Like my experience at the Ann Arbor Folk Fest, I was happy to find new music to listen to because of this online event, and I highly recommend anyone interested in folk music check out the work of all three of the duos featured at My Folky Valentine!

The show’s finale was a prerecorded and produced performance of “The Glory of True Love” by the late John Prine, featuring all three couples singing and playing together apart, courtesy of the magic of technology.

If you missed My Folky Valentine, it (as well as other past performances from The Ark Family Room Series) is available for viewing at https://theark.org/ark-family-room-series.

 

REVIEW: Caustic & Bitters – UMMA + Chill

Last night I attended an UMMA + Chill Group Chat, a guided virtual art tour and group talk put on by the UMMA during the winter season, paired with recipe for an alcoholic or non-alcoholic cocktail to add a fun element to the night. I was invited by a friend to join this themed event, Caustic & Bitters–we would be talking about humor as an artist’s tool and looking at examples from the UMMA collection. I popped onto the Zoom call of about 7 participants (some attending with housemates or friends) and settled in while music played and people filtered into the call.

George Cruikshank,
Monstrosities of 1825-26

The tour began quite abruptly with the cocktail-making. I was a little disappointed with this section of the event–a brand new recipe was created by the Bellflower Restaurant in Downtown Ypsilanti specifically for this group event, and I had prepared by purchasing the materials. However, the making of the drink was restricted to a quick 3-minute video at the beginning of the event, blowing through the process before I could even get to my kitchen. I must have missed a step from my memory, because what I ended up concocting tasted pretty awful. It ended up going down the drain, an unfortunate waste.

Dmitri Baltermants
Agfa, Berlin

What I did enjoy about the event, after I was able to mourn my mixology failure, was the art, which is what I was mainly there for. 

We started by looking at humor in art as a purposeful tool, in art that is meant to mock or emphasize differences, something that is extremely useful in political or social commentary. We spent a bit of time talking about how capturing the humorous in photography takes a different form than in other mediums, because the artist can really only use what they see (for example, facial expressions) and exaggeration is more complicated to produce.

Umbrian; Italian,
Madonna and Child with St. Thomas Aquinas and a Bishop Saint

Something I did take away from the event is that sometimes, it’s okay to laugh at art that is not necessarily intended to be funny. It’s okay to look at unintendedly ridiculous aspects in pieces of otherwise serious art and find it humorous. For example, this 1400s Italian painting of Madonna and Child. Why do the baby Jesus and the saint in the back have the exact same face? How in the world is the baby being supported in Mary’s arms? I genuinely laughed out loud when we examined the details of the painting and pointed out these elements. 

In all honesty, I did expect a little more from the event. Overall, the event felt rushed and unengaging. It was the guide’s second theme tour of the day, which could have factored into the hurried nature of the ‘group chat’ part of the night, which didn’t seem to inspire much audience participation. While there were some comments and conversation starters from participants in the chat, the tour felt more like a lecture, which went against my expectations but still turned out to be an interesting event.

The freedom to find humor in anything is part of the beauty of the subjective experience of viewing art. This exercise helped me to fully grasp that concept. I can’t wait until I can wander the halls of the UMMA again, but until that time, I’m glad the UMMA is at least trying to expand access to their collection with virtual events like this one.

REVIEW: Play of the Month – 4 Genres by Ron Riekki

‘4 Genres’ is a short play written by Ron Riekki, produced as part of the Play of the Month series through Theatre Nova. Theatre Nova gives the opportunity for new works to be performed professionally, spotlighting the voices of new playwrights and making theatre more accessible and relevant to current times. ‘4 Genres’ was a perfect example of a playwright writing for the time and medium–I felt that Riekki really used Zoom as a tool rather than simply working around it, which brought something special to the performance.

Four characters reveal that they have been trapped within four respective genres in their Zoom boxes: horror, musical theatre, slapstick, and documentary. In order for their genre experience to end, they must say what they learned during their time there. After living in their respective realms, it’s clear they don’t seem to be enjoying it that much.

One by one, our characters reveal what they’ve learned. Our documentary character encourages the others to share, before he quietly bemoans that he’s disappointed that he feels he didn’t live through anything. While the other genres experienced running from vicious werewolves, learning about the power of friendship through song and dance, or slipping on banana peels, the man in the documentary says, he’s just sat there with a camera in his face. Sound familiar? 

It took me a while for the underlying messages of this short play to sink in and really take root. Since March of last year, I’ve so often felt like I’m living in the dark and dull page of a far-off future’s history book. How many times have I wished to be elsewhere, living in another time or realm free of the troubles COVID-19 has brought with it? But just as our documentary character realized: What we are living through is important. We are brave for having lived through this time. We are resilient and we’ve learned to adapt.

Like I said before, I applaud the writer and production team for really using Zoom for what it can do, in regards to effects and lending to commentary on our current times. My only perceived drawback to live Zoom performance is technical issues–lag between cast members, differences in sound quality, inability to hear overlapping lines. These are things that seem to be natural aspects of the Zoom culture most of us are experiencing right now, but they don’t always lend well to a scripted performance where every line counts. 

However, until we are able to see live shows again in person, I continue to appreciate how artists are working to keep theatre alive and growing through these difficult times.

For information on the next Play of the Month performance, go to Theatre Nova’s website: https://www.theatrenova.org/current-show

UMMA + Chill

PREVIEW: Caustic & Bitters – UMMA + Chill

Caustic: sarcastic in a scathing and bitter way.

Bitters: liquor that is flavored with plant extracts, used as an additive in cocktails or as a medicinal substance.

I received an unexplained Google Calendar invite a week or so ago from a good friend. “UMMA + Chill – Group Chat: Caustic & Bitters. 7pm 2/27.” I wasn’t quite sure what I was being invited to, but my weekend evenings have been painfully bare due to COVID, and every UMMA event I’ve ever attended has been well worthwhile, so I texted my friend and let her know I was coming. 

I’ll be catching the last of the UMMA + Chill winter events tomorrow evening, a virtual guided museum tour and mini cocktail-making lesson. The tour will be guided by Isabelle Marie Anne Gillet, a UMMA Stenn Fellow in Public and Digital Humanities and Museum Pedagogy, with the theme of humor as an artist’s tool to “undermine the superficial meaning of what is depicted and subvert or even confuse expectations.” I haven’t been on a museum tour, in-person or virtual, in a good while, so I’m very excited to spend the evening with the UMMA collection and some friends from the comfort of my own living room.

Today along with my regular grocery shopping, I picked up ingredients for a cocktail designed by the Bellflower Restaurant, which we will be learning how to mix during the guided tour. The prep email also included the option to purchase pre-made kits directly from the restaurant, and also a non-alcoholic mocktail recipe. 

Tomorrow evening, I plan to put on a nice outfit and kick back on my couch to enjoy a virtual guided tour with my friends through Zoom–a sophisticated Saturday night in.

REVIEW: Virtual Life Drawing with Anti Diet Riot Club

About a week ago I had stumbled upon information for Anti Diet Riot Club’s life drawing sessions. Anti Diet Riot Club is a London-based organization that fights against diet culture and works to empower individuals to love themselves and their bodies. Loving their message, and interested in seeing what a virtual life drawing session would be like, I took the leap and registered.

a layered sketch from the session

The event, held on the 4th Wednesday of each month, is advertised as “NOT a serious art class” and is instead meant to be an exploration of creativity as a way to challenge perfectionism and what we’ve come to see as typical beauty standards. Studies have shown a correlation between attending life drawing sessions and positive body image.

My artistic skills with a pencil and paper are typically limited to stick figures and simple doodles, but I sat down with my paper and markers ready to take on the challenge of drawing the human body. 

As soon as I logged into the Zoom call, I was met with a gallery full of smiling participants of all ages, in their respective Zoom squares. There were about 140 participants in the Zoom call, and we did a check-in through the chat. Most people were calling from England, but as I typed that I was calling from the States, I was excited to see that people from all over the world were joining in on this drawing class–Scotland, Poland, Germany, France, and a few people from the US, joining from Colorado and New York. 

three sketches from the drawing ‘games’ we did

The session was guided with silly drawing ‘games’ to help “kick the perfectionist out–” beginning with a simple, 1-minute timed sketch of our amazing model, Lucie. Any worries or hesitations I had about my drawing abilities disappeared once we started flowing through the exercises. Drawing without looking down, drawing with the non-dominant hand, drawing using only triangles or circles, using bold colors, and having a set amount of time for each sketch took the focus off of creating “perfect” art and left space for simply admiring the human form and putting it on paper, to the best of my untrained ability.

The session reminded me, in quite an emotional tidal wave, of how objectively beautiful the body is. Seeing the body, and especially types of bodies that aren’t often recognized in mainstream media, as a piece of art helped to mute the ingrained judgements that often blare, unwelcomed, at the thought of my own body’s ‘flaws.’ Artistically appreciating the details of a real and ‘imperfect’ body made a clear and powerful difference in the way I felt about myself after the session versus before.

If you are interested in joining next month’s session, tickets are available at Eventbrite (also linked below) and cost £5 – £8 (roughly $7 – $12 US). I will definitely be joining again, and for now I move into the rest of my day wrapped in confidence, compassion, and self-love.

my final drawing for the session, using color

https://www.eventbrite.com/e/virtual-life-drawing-with-anti-diet-riot-club-tickets-134033550959?aff=ebdssbonlinesearch&keep_tld=1

 

PREVIEW: Radical Acts: A Conversation with Sheryl Oring and Sherrill Roland

American systems of justice and incarceration have a disturbing past and present, rife with injustice. Speakers Oring and Roland have worked in performance/social art surrounding the place of art in social change. Over the past few decades, the two have worked together and individually on projects like I Wish To Say and The Jumpsuit Project.

In a conversation put on by STAMPS, the two will discuss the importance of making this kind of art in today’s intense social climate. Join the discussion Thursday, February 25th at 1pm. Register here and you’ll be sent an email with the link to join the meeting.