REVIEW: Proving Up

Piercing vocals and eerie lighting fill the Power Center arena. Performers pace the stage, desperately chanting a seemingly impossible list of requirements for obtaining the deed to their land. Though physically distanced, each character’s life is hopelessly entangled with every other person on the stage. A show that had once started in warm yellow light devolves to a harsh inky blue, leaving audience members with a kind of uneasiness that can’t be shaken. This is emotional opera theatre in the age of a global pandemic. This is the University Opera Theatre & University Symphony Orchestra production, Proving Up.

Premiering just last night on December 16th, audiences across the region were given the chance to watch Proving Up, an opera included in SMTD’s winter digital series. Taking places in the early 1870s at the dawn of the Homestead Act, the opera follows a family of Nebraskan homesteaders in their quest to obtain the deed to their farmland– to “prove up”.

The chamber opera begins in a way that seems mostly normal to audiences. The orangey-yellow set feels warm and welcoming, inviting viewers into the family’s world and their quest for the American Dream. Almost obsessively, the family repeats the four requirements that need to be met in order to get their land deed: a house of sod, acres of grain, a five year history on the land, and a window of glass. The last requirement is the most elusive, as it is the very thing that leads to the family’s eventual demise. With every line, the atmosphere on stage grows colder– a mother makes a haunting confession, a father commits a desperate crime, and a ghostly set of sisters weave back in forth between reality and the beyond. Nothing about the world on stage is truly normal, and it is almost impossible while viewing to ignore the sense that the family is being controlled by events just outside of their sight. Though set in what may be a familiar period in American history, Proving Up is anything but expected.

As the opera continues, it becomes apparent that every creative decision made by performers and production team members alike was made with the audience’s discomfort in mind. Scenic Designer, Henry Pederson, has created a set that just slightly exposes the industrial innerworkings of the Power Center itself. Lighting Designer, Harrison Hoffert, lights the performers in a way that pointedly foreshadows their demise. Remaining in line with COVID-19 safety guidelines, the closest performers stand an achingly far 12 feet away from one another, even in times of immense emotional distress. Though subtle details exist throughout the show, it isn’t until the last two acts that audience members find such details coming together to reveal just how warped this world is. Left in an initial hazy confusion, an understanding of events doesn’t dawn on viewers until the true tragedy is centerstage.

Proving Up is a morbidly beautiful opera. The talented performers and members of the creative team work have worked harmoniously to create a cohesive yet grating environment for the heart of the show to live in. With every scene, viewers pick up on yet another detail in a complicated series of events, eventually resulting in an emotionally-charged finale that will leave some unsettled even hours after the curtain falls. This modern age opera expertly combines some of the best things that art has to offer: emotion, drama, and story-telling. Those looking for an evocative show must look no further: Proving Up draws on an intangible kind of fear that audience members will find nowhere else.

PREVIEW: Minari

Minari is an upcoming A24 and Plan B Entertainment film. Starring Steven Yeun, Han Ye-ri, and Youn Yuh-Jung, Minari follows a Korean-American family that moves to a farm in Arkansas in hopes of achieving their own American Dream. The film has premiered at several film festivals to critical acclaim, with nods towards director Lee Isaac Chung as well as actress Youn Yuh-jung. The film will not be released until February 12, but it is currently available as a limited release – I will be screening it through Film at Lincoln Center. I’m excited to see more foreign language films making their way towards American audiences, and I’m really looking forward to seeing Minari!

REVIEW: MUSKET’S NEWSIES

Newsies is a musical that is nostalgic and dear to my heart, and when I heard that MUSKET was going to present a virtual concert of it this year, I got so excited. And boy, did MUSKET pull through. Based on historical events of 1899, Newsies follows the stories of New York City’s newsboys as they fight against the injustices perpetuated by the city’s powerful newspaper publishers.

Theater is already a form of art that requires so much creativity and innovation, but that need for thinking outside the box reached new levels this year. Even in the most “stripped down” theater performances, actors rely on their facial expressions to convey attitude and emotion. This year, MUSKET’s actors had to navigate how to portray their characters with a mask covering their nose and mouth. While seeing actors perform in masks felt very strange, I was impressed with how the actors used their eyes and their bodies to tell their stories. Furthermore, each mask had a playful illustration of a mouth on it that matched each character’s costume, which was such a creative touch.

Another component that usually contributes to storytelling in theater is the set design, or the backgrounds where the story takes place. Usually, the cast and crew of a show have the opportunity to work with a set that is designed specifically for that show, but this year, the Newsies team had to get creative. Their utilization of local, non-traditional performances spaces worked well, and their resourceful and artful use of the outdoors was truly beautiful. These visuals and storytelling were elevated by the amazing and evocative camerawork. For example, in “Something to Believe In,” the actors were singing romantically to each other, yet for most of the song, they were socially distanced and not even in the same frame. Although the actors could not hold each other in their arms, these moments were brilliantly shot and still felt intimate and loving. 

This production was simply so fun to watch. There was hardly a moment without movement, and the choreography was outstanding. The dancers were aerobic, energetic, and graceful, notably in “Seize the Day.” In addition to the engaging choreography, the cast of Newsies delivered such strong vocal performances throughout. “Watch What Happens” stood out to me as an especially memorable performance, but there wasn’t a weak moment in the entire virtual concert. The soloists’ voices sounded full and bright, and on ensemble numbers, harmonies were clean and locked in. 

Hats off to the sound technicians for getting all the voices and orchestra synched up and balanced, especially since I’m sure recording was complicated due to COVID restrictions. Whenever the technical aspects of a production are “invisible” (meaning you don’t notice them), that’s a good sign. And the sound on Newsies was seamless.

 

Overall, was it weird to see a socially distanced, shortened version of Newsies? Yes, of course it felt strange, but I am wildly impressed with the ingenuity of the cast and crew because they put together what I didn’t think was possible. Since March, I’ve missed live music and live theater, and Newsies brought me one step closer to experiencing that again. MUSKET’s production of Newsies felt immensely joyful, and joy is something I think we could all use right now. 

The Newsies playlist link is accessible here: https://www.youtube.com/playlist?list=PL7jQ4ZS5Biju4Yi4MvvL6_gEz1HN9XDhj

REVIEW: Trafficked with Mariana van Zeller

Trafficked with Mariana van Zeller is a new documentary series presented by National Geographic, following Mariana, a reporter, as she goes into dangerous black markets and interviews the people who profit from them. She explores how these people get their goods, the scammers’ motivations, and the inner workings of the trafficking world from multiple different points of view. The show premiers new episodes every Wednesday at 9/8c. So far, in this first season, only the first episode has come out. But it has got me hooked already!

Mariana goes into the inner world of scamming, in Jamaica and in Israel. In Jamaica, she learns how people get rich quick by phone calls telling people they won a new car, or millions of dollars, if they just send a deposit to the person doing the scam. And, not surprisingly, many of their victims who actually fall for it are older, white, American people. Mariana talks to several different scammers, women and men, who hide their faces and have their voices distorted so as not to be recognized by the police force that specifically hunts down those who scam. What was interesting to me was that a lot of the Jamaican people explained that they felt they were getting reparations that they never received from their people being enslaved, used, and not taken care of by the United States, which I think is a pretty solid argument. They also said that it is a really easy way to make money, as high-paying jobs, or really, any jobs at all, are somewhat scarce. It was very intriguing, and Mariana also commented on this, that the people who scam and take thousands of dollars from others do not seem remorseful or guilty at all. In fact, some of them even seem proud of what they do.

In Israel, Mariana investigates a different kind of scamming- fake stocks. Many undercover companies, sitting in plain sight in the hubbub of Tel Aviv, set up a very legitimate looking website and convince people to invest in stocks that do not exist. As soon as it seems like the people will not put in any more money, the company disappears from communications and keeps the money for themselves. One man who is interviewed explains that he knows what he is doing is wrong, but he is so entrenched in the company and knows so much that if he were to try to leave, he would probably be killed. Mariana goes undercover in this half of the episode, and pretends to interview for a job at one of the scamming companies. From her hidden camera, we see the boss tell her that she does not need any experience in finance, just a strong want to make a lot of money, and proceeds to boast about the thousands of dollars she will make in a month.

This first episode was extremely interesting, and gave insight into a world I had never known anything about. I cannot wait to see what other dark corners of the world she explores and what else will be unearthed!

Watch the first episode here:  https://www.nationalgeographic.com/tv/shows/trafficked-with-mariana-van-zeller

REVIEW: Quarantine With Pops Orchestra

I really enjoyed this performance by the students of the Pops Orchestra! I was a bit confused by the bit in the beginning because the show started with the orchestra trying to make orchestral music over Zoom. Then the director shared his screen with a video of the orchestra playing, and it was great! Between each musical performance, they had the director reading a bedtime story to a Pixar character spoon. There were a couple of jokes throughout that I think either went over my head or did not translate over video. But I still really enjoyed the music very much. Each performance was a video taken with the students spread far apart and wearing masks (unless they played an instrument with a mouthpiece) in a large hall.

 

The pieces were comfortingly familiar, which was a welcome change from the fact that most orchestral performances I attend contain all unfamiliar tunes. The first piece, Crocodile Rock by Elton John, really made me smile, as I had not heard that song in a long time! The different instruments blended well, and the students clearly had a lot of talent, so I knew it was going to be a good show. They also did a lot of Disney tunes, including a Pixar medley, a How to Train Your Dragon Medley, a Moana medley, and more. I had never heard these pieces done by an orchestral group, and I think they were really well performed. The Moana medley was particularly fantastic, with the harmonies of the flutes accompanying the brass instruments very nicely. I also love Moana very much so this was a great inclusion in their performance in my opinion!

I was also amazed by the breadth of pieces performed by such a small group of students! Although many of the songs were Disney based, they seemed like really hard pieces. They also picked up on a couple of different genres, from swing/jazz in the La La Land piece, to more Irish-sounding tunes in the How to Train Your Dragon piece, to more modern music in the Moana medley. I especially enjoyed the piece from La La Land, because I think the music in that movie is absolutely gorgeous. And the students who played that song absolutely killed it. I really appreciated all the different instruments and how nicely they played together, even thought they had to be spaced apart 6 feet, wearing masks, and performing without an audience. I really appreciate them doing this during quarantine so we could all enjoy the music!

PREVIEW: Proving Up

On Wednesday, December 16th, University Opera Theatre & University Symphony Orchestra will premiere a digital production of the opera, Proving Up. Composed by Missy Mazolli, this deeply unsettling work follows a family in their quest to bring their ‘American Dream’ to fruition. Taking place in 1870s Nebraska at the dawn of the Homestead Act, the chamber opera brings audience members on a thrilling rollercoaster of emotions as they watch the family desperately try to obtain a deed to their land by “proving up”.

 

The performance was filmed in early November over several nights at the Power Center for the Performing Arts. During this time, all cast and crew members followed strict health precautions according to the University of Michigan COVID-19 safety guidelines to ensure that no one was put in danger by participating. I was lucky enough to work in the lighting booth for this incredible production, and doing so gave me an inside perspective into the immense amount of work that goes into producing a show of this caliber. Every single person involved in this production poured their hearts and souls into creating a high-quality arts event despite the circumstances.

 

Proving Up will be posted to the SMTD YouTube channel on Wednesday, December 16th at 8:00pm EST and will be available to view free of charge for one month. The opera is short, running for approximately 80 minutes, and is sung entirely in English. As the semester’s finals come to a close, this intimate work is an excellent indulgence for those looking for an artistic change of pace.