REVIEW: Unorthodox

Wow. If you are looking for a show that you literally cannot turn off, then this is one you should watch. It is only 4 episodes, each an hour, and I watched all 4 of them in the same sitting (which I did not plan to do)! I even convinced my mom, who was watching with me, to stay up much later than she usually would and watch as well because we were both so fascinated with and invested in this show.

First off, the subject matter is interesting, as it is a society most do not get a glimpse at. The story follows a young ultra-orthodox woman who flees to Berlin after her unhappiness with her life in Williamsburg, New York in her secluded community. Although the story begins with her leaving, we get plenty of flashbacks to her old life, and get to watch some of the customs, choices, and frustrations of a group of people who tend to keep to themselves. The story focuses on her journey in Berlin, once she realizes that staying with her mother (who had also fled the community many years before) is not an option anymore.

One of the reasons I think I liked the show a lot was because the main character was so easy to empathize with, and so eager to learn about the world. She wanted to perform music, and she found such joy in both listening to it, watching it, and learning how herself. I am also a musically inclined person, and I really connected to that part of her. I also think she was appealing because of her fascination with everything she sees in the world, because she had lived in her small community her whole life and had never gone anywhere else, so everything was new to her. I loved her child-like fascination and joy at so much of what she saw in Berlin.

It was also very satisfying to watch her shed her old life and start new while literally and emotionally letting go of what had burdened her in her old life. You can see her becoming more happy and more her own person as the show goes on, with not only the way she dresses, but the way she interacts with those around her and her mannerisms. I loved watching her learn how to be unconstrained, and really have fun in the way that she wanted.

But what really kept me watching the show was the drama and thriller of the members of her community who went after her. This was not only her husband, who did a very good job of making me hate him, but a mysterious other member of the Orthodox community who seemed to have a shady past as well. As they followed her, we got to see sort of parallel stories where her and her husband learned some of the more ugly parts of life outside of their neighborhood. And the emotional scene when they finally found her was definitely one of my favorite parts of the mini-series, although there were a lot of really good, dramatic moments.

Overall, I would urge you to watch Unorthodox, and watch the “making of the show” after episode, which was an awesome compliment to the show. It caught my attention from the first episode until the end, and was full of drama, intrigue, and a unique perspective that is not often brought to light or discussed by the general public. Make sure you give yourself a 4 hour block though, because you will want to watch it all in one sitting as soon as you start!

PREVIEW: Unorthodox

Unorthodox follows the story of a young woman who tries to escape from her Orthodox community in Williamsburg, New York. The story follows her to Berlin, where her mother lives (who also fled the Orthodox community), and the adventure that she experiences as she wrestles to find her real place outside of the only place she’s ever lived. The Netflix miniseries is loosely based on the book Unorthodox: The Scandalous Rejection of My Hasidic Roots, an autobiography written by Deborah Feldman.

Each episode is only an hour long, and there are 4 of them, so it is a quick watch. However it already has high ratings, so I am excited to see it and tell you all what I think!

REVIEW: The Results of My Poor Judgement

Olivia O’Brien is no stranger to heartbreak pop – just one look at her flourishing discography reveals the 20 year old’s familiarity with penning infectiously catchy songs marked by the relatable angst that all young romance is home to. Those unfamiliar with O’Brien’s recent work will likely recognize these doleful vocals from her breakthrough collaboration with gnash in 2016, “i hate u, i love u”. With The Results of My Poor Judgement, O’Brien retains that earnest emotionality, yet with greater verve and a more mature outlook on love and heartbreak. According to O’Brien, this “micromixtape” is a set of three sonically consistent songs that should elicit the same emotion, which she commits to in “Was It All In My Head?”, “Josslyn”, and “Sad Together”. The Results of My Poor Judgement, released this year on February 7, follows her 2019 micromixtape It Was a Sad Fucking Summer in an inferred narrative sequence – while It Was a Sad Fucking Summer channels the sweet and sour sentiment of reflecting on a failed relationship, The Results of My Poor Judgement conveys a deeper understanding of post-heartbreak injury. Though O’Brien herself indicates that the contents of her micromixtapes are not experientially bound, as songs can be revived from old sound experiments that don’t fit into a full-length album, I interpret The Results of My Poor Judgement as the flurry of realizations one experiences near the ‘acceptance’ stage of a breakup.

The micromixtape opens with reflection and self-doubt; “Was It All In My Head?” is part straightforward pop, part mixed-feelings. O’Brien berates herself repeatedly throughout the song, “I must be crazy, insane/Get way too carried away/…Been romanticizing/About all these boys who ain’t never gon’ like me” while simultaneously questioning whether the relationship and her partner’s romantic sentiment were as authentic as she had perceived them to be. On the receiving end of mixed signals and desperate for a rational explanation, O’Brien concludes that yes, even in a reluctance “to move on”, the essence of the relationship was a complete mental fabrication.

“Josslyn” is undoubtedly the highlight of the micromixtape – the song is a satisfyingly pounding barrage of “screw-you” sentiment, aimed to evoke guilt in amateur and serial cheaters alike. Galvanized over the fury of being cheated on, O’Brien flippantly asserts “But know we’re off and we’ll never be on again/I hope that it was worth it fucking Josslyn/Don’t wanna fight I just never wanna talk again/I hope that it was worth it fucking Josslyn”. Though fans question the origin of the title and partake in virtually tearing the anonymous ‘Josslyn’ apart, O’Brien expresses clear disapproval over this socially-ingrained practice of shaming the “other-woman” and not the disloyal partner themselves. In an interview with Zach Sang, O’Brien asserts that the anger in “Josslyn” is intended for the cheater and the cheater only – resentment towards the “other woman” is wrongfully displaced and perpetuates placing unhealthy trust in those who have failed you.

Whether you’re in the midst of a messy breakup or ambivalent to relationship drama in general, I would recommend giving The Results of My Poor Judgement a deep listen.

REVIEW: Childish Gambino Album: 3.15.20

The newest album by an artist who is ever-changing his style was released earlier this month. And it was certainly out there, even for Childish Gambino.

First, the album cover is absolutely blank. Just a white square. This is different for him, as most of Gambino’s album covers are rich, dark colors with some sort of tribal or naturalistic art on them. This album title is also unlike his others, with only a date written. That is just the album at first glance, without even listening.

Moving on to the songs, they are all marked by their time stamp in the album, much like a symphony might mark itself by its movements. I think this was a bold statement to make, as many of the songs do not quite flow into each other as one might expect in a symphonic piece. Two songs are marked by words: “Algorhythm”, and “Time”, the second and third songs, respectively. These did not stand out to me as being particularly different than the other pieces, so I am unsure of the meaning of that. Other than those two, the pieces are each titled by their song-ending time slot, through the whole album which ends with “53.49”.

I cannot say I really disliked almost any of the songs, but the biggest turn-off for me was when the songs transitioned into their endings, which were jarring and not always musical. I kept getting into the groove of each piece and then as the piece ended deciding I did not like it as the final 30 seconds or so were at odds with the rest of the song. Most of the songs did not contain full verses or  choruses, or many words at all, for that matter.  Most of the words included were just small phrases repeated in different chords. However, the songs were all very musical, unique and interesting, which is something that Childish Gambino excels at. While I did have some difficulty finding meaning in all of the songs, I certainly could enjoy the vibe of each one and its overall mood.

One thing I did particularly like about this album is its overall mood. I could see myself listening to this in several situations. It is definitely chill enough for just hanging out and talking over the album, in a group situation. But the songs were definitely interesting enough to keep my attention enough that I could see myself listening to it by myself in the car as well.

My favorites on the album had to be 19.10, 42.26, and 47.48. Time and 12.38 are the songs that have been the most popular overall in the album and are currently his number 4 and 5 songs on Spotify. If you are a fan of Childish Gambino, I would definitely give this album a listen. It has some of his classic aggressive rapping, along with some more relaxed tunes, and it is all certainly as engaging as his music always is, surprising me with each song.

REVIEW: CALM

5 Seconds of Summer released their new album, CALM, on Friday. 5SOS organized a worldwide listening party for the release, which I thought was really cool. On Instagram, they posted a list of times to start listening to the album based off fans’ location, and then went live on their account to listen along with their fans around the world. I’ve listened to the entire album multiple times since then. At first, I couldn’t decide if I liked CALM or not, but it’s really grown on me since then.

Overall, the album plays around with vocal layering and harmonies, something that 5SOS has not done much of before. According to the Apple Music, the album is an homage to their early twenties. Luke Hemmings, the band’s singer, breaks down each track in the album description on Apple Music. Because of this, I could understand many of the songs a little better, and I felt the emotion and passion behind each song. I’m going to go track by track to review this album, since each song deserves its own moment.

Red Desert: The track begins with a vocal chorus, all layered on top of each other, and the result is a haunting sound. The beat picks up as instruments get introduced, and to me, the sound feels like I’m driving a classic convertible car down a long stretch of highway through the desert. It’s not one of my favorite songs, but I can connect with it. The lyrics are about running away from something and hoping that escaping to the “desert” will heal the wounds. The song is a solid opening to the rest of the album, both thematically and musically.

No Shame: This is probably one of my favorite songs on the album. It speaks to being in the spotlight, and the media culture surrounding a band with the type of mass-following that 5SOS has. For some reason, it reminds me of The Police, but if The Police were a pop group in 2020.

Old Me: A big part of adulthood and growing up is making mistakes and learning from them. This song reflects that, with the mindset that the speaker is grateful for his “old me” for getting him to where he is today. I really relate and connect to it, since I’ve been thinking about my past and the choices the got me to where I am today. It’s easily another favorite of mine from the album.

Easier: This track is bass and percussion heavy, giving the music a playful contrast from the higher vocal range that the song is sung in. The song is about being stuck at a crossroads, and having to make a decision between staying with someone or leaving them. It’s one of the strongest sounds on the album, and the first single released from the album.

Teeth: To be honest, I don’t like this song. I feel like this song would be better suited for a fun rock musical. Or a TV show that’s also a musical. When I listen to it, I imagine it being performed on a stage, with the band in full costume. I wish the album had more acoustic confessional songs, and I think these lyrics would be much better for one of those. The music and the lyrics just don’t work well together. The sound is reminiscent of 80s bands like The Police, which is one of the things about this song that I do like.

Wildflower: If the first ten seconds of this song didn’t exist, I would love it. It’s a fun, upbeat, “hey, I like you” song, except the dramatic vocal layering in the first few seconds just don’t match the vibe of the song. Luke Hemmings described it as “big stadium vocal” that has the ability to be “a big, positive, euphoric anthem and not be lame”. I could honestly see this song fitting perfectly as the opener to a stadium set on their next tour.

Best Years: A confessional about recognizing mistakes and wanting to be better for a loved one. It’s not my favorite, but not one of my least-favorites either.

Not in the Same Way: This song is amazing. The harmonies paired with the beat in the pre-chorus is just an audible treasure. The song itself is about a relationship in which two people are trying to figure out what they are to each other. As a result, the music is fast-paced and chaotic, but it works so well. 5SOS found their stride, and this song proves that. 10/10.

Lover of Mine: Hemmings wrote this song with his girlfriend, so of course it’s a love song. The music makes the song seem darker than it actually is. It reminds me of rain, in a way. The best way I can describe this song is that it encapsulates the feeling of lounging on the couch with a lover on a rainy day.

Thin White Lies: The lyrics grapple with the internal conflict of white lies building up until you don’t recognize yourself anymore: “I don’t think I like me anymore / Will someone tell me who I was before?”. I don’t love the song as a whole, but I love the lyrics.

Lonely Heart: I wanted this love this song. The intro and chorus are hauntingly beautiful: just Hemmings singing with a guitar. The chorus picks up and gives the song more of a pop vibe. I wanted the whole song to stay like the beginning, and was disappointed that it did not. It’s still a pretty good song overall.

High: This is finally the acoustic track I’ve been craving from 5SOS. The lyrics are self-indulgent, but in a way that really works: “I hope you think of me high / I hope you think of me highly / When you’re with someone else”. While it’s not an upbeat album, it’s the perfect end to an album about the toils of being a twenty-something year old. It wrestles with the question, what impression do we leave on others?

5 Seconds of Summer, from their Instagram page (@5sos). From left to right: Michael Clifford, Luke Hemmings, Ashton Irwin, Calum Hood.

REVIEW: Dark Waters

If you decide to watch this movie, settle in for a long film and make sure you know your lawyer jargon before watching! Maybe grab some popcorn as well.

The film is based on a New York Times article about a top lawyer for chemical companies who ends up working against his own clients. When he is faced with an ethical dilemma about people and animals being harmed by a mystery chemical in their town’s water supply and rivers, he must make the decision to help the common people and possibly ruin his own career, or to keep on the trodden path and look the other way. This movie hit particularly hard, I think, because of what is still ongoing in Flint, Michigan and their struggles with the contaminated water there.

To begin, this movie certainly has a lot of famous actors, some of whom I had to look up where I knew them from because they were just tip-of-the-tongue familiar. Anne Hathaway played a significant role, as the wife of the main character. She didn’t have a ton of screen time, but when  there were scenes where she was a focus, she certainly shined. She played her very emotional role well, and was also a major badass, as we have seen her do before in previous movies. Mark Ruffalo also conveyed his emotional turmoil and increasing stress well, as the movie followed his character into an unending court case that is still going on today. I was also excited to see some smaller roles with actors I really like, including Bill Pullman, William Jackson Harper and Victor Garber.

One thing I thought was difficult to follow was a lot of the lawyer jargon and information that I did not know, not being someone who works in law or business. My parents (who both work in business) definitely had to answer some of my questions about what was going on. I don’t think that it pulled away too much from my understanding of the film overall, but it was certainly helpful to know a lot of the more professional terms and subject matter that were going on during the movie. I think that they brushed over a lot of these important topics, assuming that people watching the movie would know, when in fact this makes the film less accessible to a wider audience who may want to watch it and be able to follow along with all of the plot points.

At the end of the movie, before the credits, the film included information about the real case that is still being fought, and about the real people involved. Some of them even had cameos in the movie, which was really cool to see. It also made the case all the more real, and made me continue to think about a few of the more standout themes that were outlined in the movie. The fact that major companies are really not working for us, but for their own gain, and will do anything to keep their cash flowing is quite scary, and this movie certainly brought that to light in a very stark and obvious way. It also made me think about what harmful chemicals could be still allowed into our food and everyday household items, that we could be ingesting every day. This movie was certainly thought provoking, and I would recommend it to anyone who is a fan of social advocacy and fighting for the people.