REVIEW: The 25th Annual Putnam County Spelling Bee

Six children with distinct personalities battle to become the champion of the 25th Annual Putnam County Spelling Bee. Griffin Silva, Lolly Duus, Diego Roberts Buceta, Chan Yu Hin Bryan, Camille Mancuso, and Emily Goodrich embodied these children in their goofy and youthful portrayal of Chip Tolentino, Logainne SchwartzandGrubenierre, Leaf Coneybear, William Barfee, Marcy Park, and Olive Ostrovsky respectively. Four audience members were also brought onstage to participate along with the Bee, an aspect of every production of this musical that truly makes every single show ever unique. As the audience members were gradually eliminated near the beginning, the final participant was serenaded off the stage by the comfort counselor Mitch Mahoney. Additionally, the show took its course as a pure Ann Arbor/University of Michigan production. During “Pandemonium,” a Bird appeared, and references to mumps were made as well.

Everyone had their own insecurities and anxieties that displayed onstage in a theatrical yet realistic way. As they struggled with those anxieties, losing the Bee meant something different for everyone. From Leaf Coneybear’s acceptance that he is smart to Marcy Park’s realization that it’s okay to not be perfect and the best at everything, all the kids leave the Putnam County Spelling Bee stronger and better.

Familial relationships was a large part of the character development. Logainne SchwartzandGrubenierre’s two dads put so much pressure and expectations on her, and Olive’s yearning for her parents came out during Olive’s “The I Love You Song”, where her mother and father appear telling Olive how much they love her. This moment is heartbreaking, especially in the context of the word “chimerical”, meaning “existing only as the product of unchecked imagination,” but Olive’s own love remained undeterred, and she she encourages William Barfee to win the Bee after she misspells her word in the finals.

Throughout the course of the musical, the audience got highly invested in every single participant and every one of his or her special quirks. Whenever a bell rang signaling the elimination of a student, people gasped and murmured “oh no,” because even though we all knew this was a scripted show that had a single winner, we were still rooting for every single one of the children.

Probably the star of the show was Amelia Dahmer, playing the official word pronouncer Douglas Panch in the most humorous and enjoyable way, eliciting thunderous laughter from the crowd with her bluntness and ridiculousness. Overall, this entire show is ridiculous, yes, but it contains the perfect balance of nonsensical silliness and touching self-discovery to make The 25th Annual Putnam County Spelling Bee a J-O-Y to watch.

REVIEW: Fantastic Beasts: The Crimes of Grindelwald

If I were to summarize my reaction to Fantastic Beasts and Where to Find Them in two words, they would be: disappointing and utterly unmagical (oops, I cheated about the two-word rule… kind of like J.K. Rowling did in writing the movie).

I had pretty high expectations for this movie after the first Fantastic Beasts movie, which was filled with beautiful animations of magical creatures within Newt’s briefcase, exciting romances and unexpected friendships, and an engaging, clear narrative. The first movie was an introduction into the series with fun explorations of the relationship between the magical and non-magical communities when Newt’s magical creatures accidentally get released in New York. None of the magic or excitement holds true for the second movie. It has a horribly meandering plot with an excess of characters who are poorly introduced and developed; the focus of the main characters and their relationships doesn’t continue well from the first movie; and, honestly, the whole movie was confusing, badly plotted, and, above all, kind of boring.

Fantastic Beasts: Crimes of Grindelwald starts off with the escape of Grindelwald. Albus Dumbledore, once a close friend of the rising villain, requests that Newt be the one to find Grindelwald, whose main mission is to bring back power to the magical community and have them overtake non-magical peoples. Newt hesitantly agrees, though many different people have dispatched on a mission to track down Grindelwald: Tina, the aurar and Newt’s love interest from the first movie; Credence, the emotionally troubled and morally ambiguous young boy; and, strangely, a completely random new character, the head of a prominent African magical family. All these people have their own convoluted motivations. Either way, by the end of the movie, Grindelwald does present himself to the patched-up and disorientingly written cast of characters; choices must be made and battle lines drawn.

Though the plot sounds promising in theory, its execution was the worst I’ve ever seen of Rowling’s writing. There were too many characters in this movie– Albus Dumbledore, the African auror I’d mentioned, Credence, his new girlfriend Nagini (where did she come from anyway?– there was absolutely no substantial context given for this), Newt’s brother, Newt’s brother’s fiance (both characters who were abruptly and poorly introduced into the mix), and at some point, even Nicholas Flamel (I can’t even comment on how disorienting his appearance was)– all this, I must add, in addition to our four main characters, Jacob, Tina, Queenie, and Newt. None of the characters were developed in the movie, and their relationships even less so.

The biggest problem to the plot was the sudden introduction of new and seemingly tangential information by the third quarter of the movie. It was inorganic and confusing to the audience. More shocking was how important this sudden information was to the end of the movie. Perhaps Rawling was attempting to set the stage for the next few movies, but the attempt was too ambitious– it was a grossly oversized cast of characters, a confusingly patched-up plot, and an unsatisfactory ending. Rowling, I think, works best in prose and novels, where there is ample space to develop all the narrative aspects to their fullest.

Despite having a distaste for this movie, I can still say that I’m too enchanted by the wizarding world to quit consuming Rowling’s media anytime soon. I hope, at least, that the next movie is much, much better than this one.

PREVIEW: Twelfth Night

Twelfth Night is a comedy written by Shakespeare and it is being performed by the University of Michigan’s Department of Theatre and Drama. It is taking place at the Power Center and you can see the show at the following times:

Dec. 6 at 7:30 PM
Dec. 7 &8 at 8 PM
Dec. 9 at 2 PM

The Themes: One of the most “modern” of Shakespeare’s plays, Twelfth Night’s themes are about the fickleness of love, the arbitrary nature of relationships, and the re-thinking of sexuality. Twelfth Night explores the nature of desire and how perception is clouded by desire. What is disguise and what is truth is never absolutely certain; they are often in the eye of the beholder when we fall in love.

The Plot: It is a romantic comedy about twins Viola and Sebastian, who are separated during a shipwreck. Believing her brother dead, Viola disguises herself as a man and enters the service of Duke Orsino. The Duke believes himself to be in love with Olivia, a beautiful countess. Olivia, however, is swiftly falling for the disguised Viola. In the meantime, Viola is developing feelings for the Duke. When Sebastian, who is not dead after all, arrives in town, confusion reigns supreme. Unrequited love and mistaken identities abound as the foursome journeys towards a joyous discovery.

PREVIEW: UM Slam Poetry December show

This is a student event ran by UM Slam Poetry club and is at the Kalamazoo room in the Michigan League at 7pm on Thursday, December 6th.

Slam Poetry is a writing style that has taken off in popularity in our generation. The only poetry recitals/shows I ever see (or hear of) are slam poetry shows. Come watch U of M’s best performers and be part of a generational literary movement. No matter how you are feeling: depressed, angry, happy, remorseful, forgotten, there will be a slam poem for you.

If you enjoy writing slam poetry, any one can perform at this event. You can perform in a judge-free open mic or be an actual competitor and get some direct feedback.  If you don’t want to read but still want to be involved, anyone in the audience can volunteer and be a judge of the poems.

Because I am so excited I attached my two favorite slam poems. Performed and written by college students.

PREVIEW: The Book of Mormon

The majority of what I know about The Book of Mormon is thanks the vague tunes my roommate has been singing to me over the past month since we bought the tickets to see the show. So, I can’t claim to have a very expansive knowledge – but I love going into any show, film, or story unknowing. I also know that I’ve heard about this show since I was in middle school. It’s been a long time in the works, and I’m ready to see the captivating, comical, and often controversial, experiences of two missionaries unfold.

Grab your last-minute tickets to the Tony Award-winning musical, The Book of Mormon, showing at the Fisher Theatre in Detroit, now through December 9th!

https://www.broadwayindetroit.com/shows/the-book-of-mormon

 

REVIEW: Green Book

“Traveling while black,” a guide that outlined restaurants, motels, and other establishments that were accepting of black people traveling in the south during the 1960s. In a time of legal discrimination, “Green Book” was a handbook that blacks used for their mere protection and safety due to the color of their skin. Based on a true story, Green Book is a film that takes the audience on a journey as an Italian-American male and African-American male spend two months time together on the road to the deep south and back. Directed by Peter Farrelly, Green Book embarks the true story of a world-class pianist and his personal identity crisis while co-existing in America during an extremely isolating time.

 

Dr. Don Shirley, played by Moonlight star Mahershala Ali, has set out to go on a two-month tour, performing world-class compositions for wealthy, white Americans. To aid in this tour, Dr. Shirley hires a chauffeur, but more so a personal bodyguard. Word around town is that Tony Vallelonga (played by Viggo Mortensen) is the best man for this job. Currently a laid-off bouncer at The Copacabana Nightclub, Tony is well-known in his hometown in the Bronx as “Tony Lip.” This reputation is something he is proud of — for he is acknowledged for his cunning way of finessing people with his swift words and persuasion. Tony’s character is highly unadmirable and Farrelly makes us aware of this. It’s clear that Tony is racist, a thief, a liar, he’s violent, and ultimately is an ill-mannered mess (countless scenes of him sloppily eating, smoking, or both simultaneously). Despite these characteristics, the film spins these into the attributes of someone who is laid-back, carefree, obedient by any means necessary, and a humorous family man. Because of this angle, the audience is forced to want to support Tony throughout his adventure with Dr. Shirley. Contrastingly enough, Dr. Shirley is presented as the complete opposite in every way imaginable. He has no family, he’s extremely uptight, and lives in a bougie apartment above Carnegie Hall full of authentic and eclectic design. His vernacular is top-notch, his intellect is unmatched, his poise and mannerisms are highly distinguished, and his patience is extremely thin for someone like Tony.

 

Considering these dynamics, it’s rather easy to predict the elements of the film. Interestingly enough, the majority of conflicts and emotions came from the interactions between these two characters, rather than the political/racial climate while they were traveling. This makes it difficult to fully identify what one may actually be satisfied with after watching the film. In some ways, there could have been much more emphasis on the actual happenings of discrimination. Furthermore, this inevitably presents a huge obstacle from steering away from the typical white savior perspective. In this regard, it’s hard to ignore Spike Lee’s Do The Right Thing. In many ways, Green Book relates to this film with its Italian-American vs African American conflicts. There is a strong tension led by stereotypes and grossly identified misunderstandings. Another theme that revealed from both of these films was the hierarchy of oppression — both of these races countering each other with respective struggles and biases that they face. However, Green Book introduces the topic of the hierarchical class structure. Tony demands that he’s more black than Dr. Shirley because of his lifetime upbringing in the Bronx, where he is a working-class man for his family and enjoys the typical “black foods,” while frowning upon the luxuries that Dr. Shirley has earned.

 

Green Book is an emotional journey more than anything. Throughout its bursts of anger, it’s complemented with spouts of joy. Where it may be full of tears, it’s backed by minutes spent laughing hysterically. This film attempts to tackle a challenging topic, so much so that it could have been more aggressive in recognizing that many of these problems still exist as we near the year of 2019. There were scenes of white saviourship orchestrated by Tony as his personal bodyguard but it’s almost unreasonable to have expected anything less. One may leave this film feeling slightly incomplete with the unravelings of Dr. Shirley’s personality and identity crises. Overall, Green Book is a compelling story about friendship and the tenacious mindset that “Genius cannot change people. It takes courage to change people’s hearts.”