REVIEW: Jake Shimabukuro, Ukulele

First thing I learned from this performance, we have all been pronouncing “ukulele” incorrectly. Look up how a Hawaiian pronounces ukulele and you will be surprised.

The ukulele is an absolutely beautiful instrument, and Jake showed us through covers and his own compositions. They came onto the stage playing “Time of the Season”. The Zombies have a magnificent version of this song because of the clarity and resonance of the vocals. The Ukulele has a strong plucking sound with every note that gives each note their own tempo and makes for a very clear segmented sound. It fit very well with Time of the Season. This strong plucking sound, resonated by the sound system and acoustics of Hill Auditorium, also made for an enchanting version of Elanor Rigby.

My favorite song of the night was called “Go For Broke”. Jake wrote this himself, and I urge you to check it out. It really is an astonishing piece and had me on my feet after he played it. It is a tribute to Hawaiian soldiers who died during Pearl Harbor. He makes great use of muted strings in this song. I was impressed by how many different sounds Jake was able to make on the ukulele without actually playing notes. It seemed like how he muted the strings with his fingers affected the sound, similar to if he was actually playing notes. Jake was also a master of shredding on his ukulele, something I thought was only possible on the guitar.

Jake brought two musicians with him, a guitarist and a bassist. The three fit together very well. It was very cool when the guitar and ukulele were playing the same notes. During these parts it was very clear how different the instruments actually sound. The ukulele always has a lighter tone. It is nice when they adjust songs to fit with this lighter tone. I enjoyed when he played a little Stairway to Heaven and wished he played the entire intro because I think this song would fit very well with the ukulele.

I enjoyed the authentic ukulele sound so much. My favortie songs were when it was just Jake on stage playing, or when Jake played his own compositions which featured his ukulele without too many affects. Jake played a lot of covers, including classic rock songs like “Little Wing” by Jimi Hendrix and pop songs like “Shape of you”. First, no not even the ukulele can make the song “Shape of you” listenable, it is a horrific song. Little wing is an incredible song, but it fits the guitar a lot better than the ukulele. Jake used effects to get his ukulele to sound like an electric guitar for a lot of these songs, I was not a big fan. They didn’t feel as special and didn’t allow Jake to really highlight how talented he is at playing the ukulele.

Here are some pictures below!

REVIEW: Aida Cuevas

My only previous Mariachi experience is with the movie Coco, so I was super excited for my first live experience to be with “The Queen of Mariachi”. I know that Latino culture is super fun and lively, but I didn’t anticipate how crazy the audience would be for a mariachi performance. I felt as though I was watching a soccer game. As soon as the band ran out everyone starting jumping in their seats whistling and screaming. When they first started playing, I couldn’t even hear the band because everyone around me was so loud. This wasn’t only to introduce the band, throughout the performance, usually, when Aida was not on the stage, the audience would be screaming and singing along with the musicians. When it was only the mariachi band performing it felt as though I was watching a bar band that was encouraging everyone at the bar to sing along. They were humorously dancing, joining arm over shoulder, and soloing on each of their instruments. Every instrument got a turn, but the most excitement happened during the accordion solo. My personal favorite was the bongos. I enjoyed the bongo solo, but I thought the most pivotal role of the bongo’s was supporting the other instruments during their solos. I thought that it was the bongo that gave the strongest mariachi feel to the music, and it was the tempo of the bongo that the audience would react too. I also enjoyed the violins because they wound very different than the violins I am used to hearing. They were a lot scratchier, at times sounding like a cat scrawling, but were still so much fun to listen too.

When Aida was on the stage there was a different mood amongst the audience. She was a spectacle for us to watch and adore. Aida performed visually as much as she did vocally. Her first outfit was a large red dress that resembled a rose. In this dress she song long beautiful notes while quivering her voice to emphasize sadness. I think quivering their voices in mariachi is how they show power in their notes, different than western music which often emphasizes how loud or high you are able to get your voice. I was surprised by how soft her voice was in the first half. I always expected mariachi to be very intense.  I actually enjoyed this part of the performance the most, the songs were gloomier and Aida poured so much emotion into every song. It looked like she even cried during some of the songs she sang.

When she came out the second time her outfit resembled the rest of the mariachi band. Uncoincidentally her singing matched the mariachi band as well. It was intense and powerful and most lively than the first half. I enjoyed that the mariachi band was livelier when Aida wore the mariachi outfit. There was a really fun portion when all the violinists were bouncing their bows on the strings creating an extremely lively feel.

The thing that impressed me the most was that no one had sheet music. In classical music they are always reading off sheets, but in mariachi they do not. I find it hard to believe that they memorize every note, which means they play off of feeling. It surely wasn’t improvising because everyone was always in sync.

PREVIEW: Candide

Come celebrate American composer, conductor, and pianist Leonard Bernstein’s 100th birthday with the University Opera Theatre and University Symphony Orchestra!

Bernstein’s opera is adapted from a satirical novella of the same name by Voltaire. It follows the title character, an optimistic young man named Candide, on his adventures across the globe, and is known for its emotional power.

Performances will take place at the Power Center on Nov. 8 at 7:30 PM, Nov. 9 & 10 at 8 PM, and
Nov. 11 at 2 PM. Tickets are $24 or $30 for the general public, and $12 with a student ID. This event is also on the Passport to the Arts, so grab one to get a ticket for free! For more information, visit https://events.umich.edu/event/52126.

If you would like to see one of the works of an American musical great right here at the University of Michigan, don’t miss the School of Music, Theatre and Dance’s performance of Candide!

 

PREVIEW: MACfest

This Friday, November 9th at 7:30pm, MACfest returns to Rackham Auditorium.

If you’re looking for a place to get a little fun and flavor for the wide world of Michigan singing without instrumental accompaniment, then this is the show for you! The Michigan A Cappella Council’s many diverse groups will present a taste of their finest work at their first combined concert of the year. Each group will perform one song from a set they develop, to be performed in its entirety at their own individual fall semester concerts later in the year.

An excellent opportunity to see what each group is made of in a congenial and non-competitive environment, MACfest is sure to deliver some incredible talent, lively environment, and maybe even a few laughs to lighten up your Friday night.

Tickets will be sold online at http://www.michiganacappella.org/event-info/macfest and at the door. Prices are $7 for children under 12 and $10 for the general public. Doors will open at 7 pm.

PREVIEW: Weaving

“Stay true to yourself” seems to be the advice of the century as society becomes more accepting of different identities and supportive of individual aspirations. However, what happens when that advice starts to affect your closest relationship? Weaving, a new play by Hodges Adams, follows the friendship of Vero and Bastian, as well as their inner lives, as they each come to terms with their identities and the turmoil that comes with it. This LGBT coming-of-age story about books, love, feminism, and friendship is being performed by the RC Players on November 9 and 10 at 8pm in East Quad’s Keene Theater with a suggested ticket price of $5.

REVIEW: King Lear

This production of King Lear was absolutely fantastic.  Although I was watching it on the screen, I felt a strong connection to everything happening on stage. The camera work was incredible, I didn’t miss a single word or motion on an actors face. The lighting, music, and scene transitions of the play was dramatic and engaging. If the Michigan Theater is ever showing a performance live in HD, know that it is the next best substitute to being at the theatre house yourself.

As a warning, this review is not going to be a synopsis of what happened in the play. That is available on SparkNotes. I’m going to write about my thoughts/interpretation, and this review is meant for those familiar with what happened in King Lear.

Although King Lear is very popular today, for many centuries King Lear was not played because of how depressing and dark it is. When King Lear first became popular in the 19th century, it wasn’t Shakespeare’s original version, but an adapted version that had a happy ending where Kind Lear and his youngest daughter Cordelia survive. I am glad that the original version came to popularity because there is so much to learn from the dark nature of King Lear. The word “see” was repeated throughout the play in different ways. It is because seeing with your eyes and seeing with your heart is different. When the Duke had vision, he was blind as to the love of his sons, but when his eyes were plucked out he was able to see the mistake he made trusting Edmund over Edgar. King Lear was blinded by his pride as king, blinded by everyone bowing to him that he couldn’t recognize what authentic admiration. He had grown to believe praise is equivalent to love. However, when he lost everything because of his evil daughters, he is then able to see how foolish he was disinheriting Cordelia. There is a lot we can learn from this in our own lives. It’s hard to get the full effect of Shakespeare’s lessons without actually watching his plays, but simply said, don’t let pride overtake your love of others.

My favorite character was the fool. It seems that in King Lear the crazier the character the wiser they are or become. The fool is an absolute ass, making dumb jokes and a mockery of himself constantly, but he is also the wisest. He tells King Lear how foolish was he was to entrust everything to his evil daughters, and that while he is a fool, King Lear has no more title. He does this with the analogy of cracking an egg and then drinking the inside, leaving the king with two empty shells.

My only complaint was that it was hard to understand at times. Not because of the language, it is a given that understanding Shakespearean English is a tough task, but I am referring to the British accents of the actors. Ian McKellan as King Lear had a strong british accent, after King Lear had gone mad and his speech became more slurred it became especially difficult to understand what he was saying.

My favorite character was Edgar. I liked that he was very mysterious. Edgar has very few lines before meeting King Lear when he is portrayed as someone who has gone mad and is absolutely crazy. We then learn that his craziness is all part of his ploy to hide and disguise himself from his father who has placed a warrant on his head. However, it is also Edgar who forgives his father and exposes the evil plans of his brother Edmund. Edgar is also the only character to get sweet revenge when he kills Edmund in a duel. This is one of the few moments where I felt happy and that justice exists.