Review: NOiR Runway Fashion Show

NOiR’s 17th annual Runway Fashion Show last night, April 2nd, was all around amazing! NOiR introduced the audience to the elements: earth, air, water, and fire in different scenes. The element themes featured clothes from Isaiah, Zack, Vincent, Greatness the One, Bivouac, Renaissance, Windsor, Pitaya, Junae Raye, Jaust, and Motivation. In the final scene, NOiR, the models wore the brand, Dutch. I was impressed by how the show really captured NOiR’s effort to bring together Michigan’s diverse community.

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The first two sections, earth and air, the lingerie then formal scene, were great. I was stunned by how confident and how effortlessly fierce each model looked as they strutted down the runway. The models all looked as if they had been modeling for years. I commend NOiR for showcasing different body types, different races, different ethnicities, and different genders in every scene.

After the earth and air scenes, there was an intermission for raffle drawings. NOiR’s giveaways were no joke. They gave each attendee the chance to win a prize as a thank you for buying a ticket to the show. The prizes included a brand new Jim Harbaugh Autographed Football, 2 backstage VIP tickets to music matters Springfest Migos concert, a beats by Dre 2.0 pill, 5 Steve Madden handbags, free Domino’s pizza for a semester, Mary Kay gift bags, and a bduds gift card (which I won!!). The hosts interacted with the audience well and kept everyone entertained while the models changed by hosting a Milly Rock dance competition for a $100 visa gift card.

Succeeding the interactive intermission for the raffles, the rest of the show only got better. The music selection was perfect and I loved the outfits. My favorite parts of the show were the last two scenes, Fire and NOiR. In these two sections, the models complemented each other very well. I loved when two of the models came out and were in sync when they got to their moves at the end of the runway.

Before the NOiR finale, the president and vice president came out on stage. They spoke about the history of NOiR and pointed out that a few women from the program that all of their proceeds are going to this year, the Women-Inspired Neighborhood Network, were in the audience. I’m sure it was great for those women to see the hard work that NOiR put into the show and the packed tent full of students, families, and friends, supporting NOiR’s models and the cause they are walking for.

I could tell that NOiR’s members put a lot of time into the show because of how smoothly the show was conducted. There weren’t long pauses between scenes, the models always came out on time, and the videos that played between each scene were engaging and interesting to watch.

Although the weather didn’t turn out to be the greatest for the tent, the models for NOiR brought the heat. The show was very well executed and I can’t wait to go again next year!

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Please visit www.noirrunway.org/donate-1 to support a local program that helps disadvantaged mothers in Detroit gain resources and support during their pregnancy and beyond!

If you are interested in being part of NOiR in the future, I suggest following them on Facebook and Instagram for information on their next model call.

PREVIEW: The Oh Hellos @ The Ark

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With upbeat and swinging sounds, The Oh Hellos manage to be both fun and tender. Their songs have rising, crescendoing melodies and what starts as something sweet and simple will build until the whole band is a wall of sound. It’s the haunting kind of folk music. If you’re curious, I’d recommend checking out their Bandcamp page, where you can get their first two albums for free. They will be playing at The Ark, tonight, at 7pm and will be joined by The Collection. Unfortunately, tickets have been sold out for a couple weeks, but you can try to buy one off of someone!

Preview: NOiR Runway Fashion Show

The 17th annual NOiR Runway Fashion Show is happening tomorrow night! Come out and help this fashion philanthropy organization raise their goal of $4,000 to benefit a program that focuses on reducing infant mortality in Detroit.

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This highly anticipated event will be held on April 2nd in a tent at Ingalls Mall. NOiR is making it easy for everyone to get to the event. Take a FREE Lyft to the show and after-party by using Promo Code NOIRXVII! 

The show starts at 7:00pm!

VIP tickets are sold out but general admission tickets are still available for $15 here.

PREVIEW: The Imaginary Invalid

What: A brilliant satire on the medical profession put on by our very own Theatre Department

When: Thursday March 31 and April 7 at 7:30, Friday April 1 and 8 at 8:00, Saturday April 2 and 9 at 8:00, Sunday April 3 and 10 at 2:00

Where: Arthur Miller Theatre

How Much: $28 for General Admission, $12 for Students

Don’t miss it!!!!

REVIEW: Allegiant

(Please note: This review is written in such a manner as to not spoil the film for those who have yet to see it and/or who are yet to read the book.)

The film adaptation of the concluding novel in Veronica Roth’s bestselling YA dystopian trilogy, Allegiant, hit theaters on March 18th. However, the Divergent film franchise isn’t ending here–a fourth film, Ascendant, is scheduled for summer 2017. And this is disappointingly obvious when watching Allegiant.

Starring Shailene Woodley (The Fault in Our Stars) as Tris, Theo James (Downton Abbey) as Four, and directed by Robert Schwentke (The Time Traveler’s Wife), Allegiant follows its protagonists as they leave their isolated, dystopian Chicago behind in order to explore the (possibly even more sinister) world beyond.

More than anything else, Allegiant feels like a prologue to Ascendant, which seems as if it will be comprised of almost entirely new material, diverging the film franchise from the course previously trodden by the books (if you don’t mind the pun). This could be a good thing since–I’ll come right out and say it–Allegiant (the book) is not very good. However, the film preceding this one in the Divergent franchise (Insurgent) is also not very good. So the only hope, really, for Allegiant (the movie) was that it would find a way to surpass its predecessors and get the franchise back on track for this all-new, concluding fourth installment.

In some ways, the filmmakers do accomplish this. They’ve remedied a number of the weaker plot points of the book while also (thankfully) moving away from the worst of the cheesy cinematic elements introduced in Insurgent. Likewise, the generally talented cast continues to do the best they can with the material available, and a number of set pieces are detailed and stunning in such a way as to make it clear that the crew cares a lot about this story.

Despite all of this, however, Allegiant cannot seem to help being weak. Even with the shakiest plot points and some of the cheese eradicated, a lot still remain. (In particular, a long-take of James broodily showering under mood lighting cheapens the tone more than it feels artistic.) Additionally, the CGI that seems to populate half the movie looks like something from a decade ago and, despite the cast’s best efforts, they cannot mask how melodramatic and lazy the writing is.

Really, the chief problem of Allegiant seems to be that it thinks it is one thing (artistic and introspective and deep) while in reality, at best, it is something else entirely (fun and action-packed and tongue-in-cheek comedic). What both the book and the film versions of this story seem to have forgotten is what made the Divergent series so good in the first place: not political messages, but snarky banter; not deep philosophical concepts, but a plethora of twists and nerve-wracking stunts.

Ultimately, this film feels like what a bunch of old guys probably think teen girls like, rather than anything that actually reflects this target demographic. Add to that the fact that Allegiant feels like it’s mostly just build-up for Ascendant, and the film is a disappointingly weak installment in an increasingly disappointingly weak film franchise.

Of course, I do have to give Allegiant credit, though, for managing to get a commendable number of attractive people on screen at once. A+ job on the hot guys. If only they did a little less angsty-staring and a little more franchise-saving.

Allegiant is in theaters now. Tickets are available for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave).

 

REVIEW: The Huntsman: Winter’s War

Monday night I went and saw an advanced screening of “The Huntsman: Winter’s War” at the State Theater. Since the movie does not actually premier until April 22nd, and I do not want to be responsible for any spoils, I will not be talking about any specifics of the movie. Instead I will discuss my impressions and feelings from seeing the movie and then encourage you to go see it for yourself. See if you agree!

I had the sense, especially during the beginning of the movie (probably the first 30 to 45 min), of being lost as to what the timeframe of the movie was. I hadn’t been sure when I went to go see the movie if this was a prequel or a sequel; one of the trailers mentions this is the story before Snow White but other shots in the trailer seemed to take place after the events of the film “Snow White and the Huntsman”. The movie starts obviously before Snow White’s story but I was not sure where the movie was going because events started clipping along right from the beginning; it was looking like it was going to be a short movie. But instead of ending, the film skipped 7 years ahead to AFTER Snow White’s story. The film is both a prequel AND a sequel!

Now while this is an efficient method to pack a lot of twists and turns, action scenes, characters, and special effects into one film, as I an audience member, I’m not sure how much it worked. You really did have to have seen the first film, because it’s the entire middle of the story that they are weaving and it was not shown. And they really did have more than enough material to be two separate movies; separating much shorter stories into two or three or even four movies has been a common strategy in Hollywood and for once, I think that might have been better for the story they were telling.

That being said, once I understood it was a prequel and sequel I found it more enjoyable. So I think simply better advertising over what audiences can expect would have solved much of my confusion. There were a fair number of comedic lines, loveable characters, and intrigue; It kept me constantly watching to follow the many turns. Audience members are in for a ride!