Preview: Castle in the Sky

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What: Castle in the Sky

Where: The State Theater

When: Wednesday 22 October 2014 – 7pm

How Much: $8 students, $10 general admissions, $7.50 Michigan Theater Members

 

The third film in Michigan Theater’s ‘The Studio Ghibli Collection: A 30-Year-Retrospective,’ ‘Castle in the Sky’ is a masterpiece of creative genius.

Released in 1986, ‘Castle in the Sky,’ written and directed by Hayao Myiazaki, was the first film produced by Studio Ghibli.

The story takes place in a steam-punk world, where flying ships are common. Sheeta and Pazu, a young boy and girl, race to discover the fabled floating city of Laputa before a foreign army and pirates discover it and harness it’s great and terrible power as a war machine.

This wonderful film is one of my favorites of Myiazaki’s creations.

Review: Nausicaä of the Valley of the Wind – not as enthustastic as my colleague

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‘Nausicaä of Valley of the Wind’ begins after the apocalyptic Seven Days of Fire war, in which human’s have basically destroyed the world. All that remains are a few small kingdoms and the ‘Toxic Jungle’ inhabited by gigantic mutant insects, where everything is deadly to humans.

Princess Nausicaä has managed to enter the toxic jungle and relate to it in a familiar and friendly way, learning from it and searching for a cure for the humans and the plight of the world.

The Tolmekian Kingdom seeks to destroy the toxic jungle with the weapon that began the Seven Days of Fire in the first place. Nausicaä works to prevent the use of this destructive weapon and discovers the symbiotic relationship between the toxic jungle and human civilization, as it exists. The plants of the jungle serve to purify the toxic water, tainted by centuries of human contamination and the war.

Nausicaä saves the jungle and her kingdom in the valley of the wind and befriends the monstrous insects from the toxic jungle.

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‘Nausicaä of the Valley of the Wind’ was never one of my favorite Hayao Miyazaki films. However, his focus on a young female character as the savior of the planet is in keeping with many themes reverberating through Miyazaki’s films.

Released in 1984, ‘Nausicaä’ has themes of environmental preservation, the negative effects of human civilization on the planet and the dangers of nuclear warfare.

The box office success of this film lead to the establishment of Japanese anime company Studio Ghibli by Hayao Miyazaki, Isao Takahata and Toshio Suzuki, the latter two were producer of many Miyazaki films.

The State Theater’s ‘Studio Ghibli’ series continues on Wednesday 23 October, 7pm with ‘Castle in the Sky.’

REVIEW: Nausicaä of the Valley of the Wind

Hayao Miyazaki is someone that never ceases to amaze me.  This maverick in the anime film industry has one of the largest filmographies out there, and all of his movies are worthy of praise. Nausicaä of the Valley of the Wind is no exception.

Source: nausicaa.net
Even Nausicaa agrees.  Source: nausicaa.net

I walked into the State Theater with a sense of expectation. My first experiences with Studio Ghibli movies were when I was about nine years old. Toonami, a special weekend block on the old Cartoon Network, showed preview segments for what they called a “Month of Miyazaki.” If I remember well, the movies they showed over the course of that month were Princess Mononoke, Laputa: Castle in the Sky, and Nausicaä of the Valley of the Wind. Princess Mononoke, arguably Miyazaki’s best film, is very much about the interaction between humans and nature. Laputa: Castle in the Sky, on the other hand, is about the human fascination with technology. It’s interesting to note that the same underlying themes exist in nearly all Miyazaki films. Nausicaä of the Valley of the Wind thus felt like a portmanteau of Princess Mononoke and Laputa, as it combined Miyazaki’s fascination with technology (mainly aviation) and his feelings on the role of humans within nature. It’s curious too, that Nausicaä was one of his first films.

Nausicaä starts out in distress as a large insect called an Ohm is chasing after a local swordsman, Lord Yupa. Our title heroine comes to the rescue and stuns the Ohm, thus saving Lord Yupa’s life. We soon find out that the reason the Ohm was unhappy was that there were gunshots fired in its habitat. The rest of the movie focuses on this theme of humans within nature, with the trigger-happy Tolmekian army attempting to control the Earth’s natural resources for iron ore. This enrages the Ohms, who can be thought as a metaphor for mother Earth. Mother Earth comes out on top, as she does in all Miyazaki films, and peace is restored to the land. The cathartic ending resounded favorably amongst the audience, who were expecting nothing less from Studio Ghibli.

Nausicaä of the Valley of the Wind was released in Japan in 1984 and directed by Hayao Miyazaki, and based on Miyazaki’s Manga of the same name. It has received much critical acclaim and is regarded as the kickoff film for Studio Ghibli.

Preview: tUnE-yArDs in Pontiac, MI Tuesday

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What: tUnE-yArDs

Where: The Crowfoot Ballroom

When: Tuesday 21 October 2014 – doors open at 8pm

How Much: $18 advance, $20 at the door, 21+

A wonderfully strange musician from New England, Merrill Garbus creates drum loops and layers ukulele and vocals, in addition to electric bass played by Nate Brenner.

Garbus released her first album BiRd-BrAiNs as tUnE-yArDs in 2009, W H O K I L L in 2011, and her most recent Nikki Nack in 2014.

Music by tUnE-yArDs has been featured in Orange is the New Black, Weeds and The Good Wife.

tUnE-yArDs touring members are:
Merrill Garbus – vocals, ukulele, percussion (2006-present)
Nate Brenner – bass (2009-present)
Jo Lampert – vocals (Nikki Nack tour)
Dani Markham – percussion, vocals (Nikki Nack tour)
Abigail Nessen-Bengson – vocals (Nikki Nack tour)

REVIEW: Last Days in Vietnam – The Exodus

There was a sea of humanity.  This phrase echoed the first time you heard it.  Then it was resounded again in images of overcrowding groups of Vietnamese civilians trying to enter the gates of the U.S. embassy, and again boarding commercial ships, then fighting for a place on a helicopter air lift.

Graham Martin, U.S. ambassador to South Vietnam, was one of the central characters in the story of the days leading up to the Fall of Saigon.  Along with his position, Graham Martin was also the authority in case an evacuation of the U.S. embassy would be required.  In the beginning of the film, there seemed to be a sense of healing and imminent peace.  It was a calm time in the capital of Saigon.  The Paris Peace accords had just been signed and President Nixon had promised that in the event the North Vietnamese came to occupy the South, the U.S. would respond with full force.  President Nixon represented an intimidation factor for the North Vietnamese government.  They believed him to be a madmen, and it felt like the North Vietnamese army would not act in violation of those accords.

What followed were the seas of people from the opening scenes, surrendering everything physical they owned, surrendering the city of Saigon itself, to escape.

“You start out telling jokes in Vietnamese and making them laugh in Vietnamese.  Soon, you start dreaming in Vietnamese.”  This is a loose quotation from one of the U.S. marines stationed at the U.S. embassy in Saigon.  He, along with many other U.S. citizens in Vietnam believed, during those early peaceful days of the signing of the Paris Peace accords, that their job was only to keep the embassy operational.  It did not occur to them that the North Vietnamese would ever come.  The U.S. embassy was filled with dreamers.

First were the friends of U.S. workers at the embassy.  Vietnamese spouses of Americans, children of Vietnamese-American couples, these groups of people were the first to leave.  Then as the North Vietnamese began their advancement and the U.S. maintained their silence, a growing number of Vietnamese looked for ways of escape.  Martin more than anyone wanted to believe that the U.S. would come through on their promise in the Paris Peace accords.  He did not want to leave the country his son had died fighting for.  But the American people were tired of the war in Vietnam, and President Ford could garner no votes from congress to provide the military and financial support required for the aid of South Vietnam.  Once the bombings started, the panic mounted, and everyone associated with the U.S. knew they need to get out was real.

Bing Cosby’s ‘White Christmas’ was airing on the radio the day following the initial bombing of the only air strip in Saigon, the day before the Fall of Saigon.   Evacuation was on everyone’s mind now, and it was in the safe evacuation of oneself and one’s family that the only comfort could be found.  South Vietnamese were getting airlifted from the grounds of the embassy to U.S. ships off the coast.  Pilots, whose own captains had either left already or deserted, used what they had, taking their helicopters to bring themselves and their families out to the American ships where safety was guaranteed.  Some made daring leaps of trust and faith and U.S. troops responded with as much empathy as they could muster.  There just wasn’t enough space or resources.  There was not enough time.

What was the fate of those South Vietnamese left in Saigon?  The 30th of April 1975, South Vietnam surrendered.  Large groups of under-supplied South Vietnamese troops disrobed down to their underwear and burned their identification cards.  Politicians destroyed any evidence of their association with the South Vietnam government.  Just like that, no one left behind wanted to have any association with the identity of being South Vietnamese.  The exact numbers are not known, but many were executed and large numbers were placed in re-education camps where they were forced to do manual labor for a few years to a life sentence.  The outlook was not bright.

And on the ships filled with U.S. troops and refugees, they rose the flag of South Vietnam and sang the national anthem of a country in which the freedom to sing and have such pride was now limited to boats at sea.  The movie told a story not only of displacement and exodus, but of camaraderie and the significance of relationships between individuals being more powerful than governments or military power.


http://upload.wikimedia.org/wikipedia/commons/d/df/South_Vietnamese_flag_parade.jpg

PREVIEW: Autumn Fest – Performance with a Purpose

Where can you find ComCo, Angels On Call, Groove, the Compulsive Lyres, the Michigan Magician Society, Arabian Dance Ensemble and the Violin Monster all sharing the same stage? Autumn Fest, of course!

What: The second annual variety show put on by Appreciate + Reciprocate, a University of Michigan student organization which raises money for the LSA Emergency Scholarship Fund.

When: Wednesday, October 22 at 8:00 pm

Where: Lydia Mendelssohn Theater in the Michigan League

How Much: $3 in advance and $5 at the door

Buy your tickets at the Mason Hall Posting Wall, October 16-17th and 20-22nd 9am-4pm, and join the Facebook event for a reminder.

All of the profits from the show will go to support Appreciate + Reciprocate’s newly established scholarship, which benefits Michigan students who suffer from financial crises, so no student has to drop out due to costs! For the price of one ticket, you can sample many great local talents, as well as treat yourself to a dose of good karma.

For more information about Appreciate+Reciprocate, check out http://www.umichappreciate.org.