REVIEW: G-Fest

With an almost full lower level at the Power Center for the Performing Arts, student performance groups across Michigan pulled together October 18 for G-Fest, a 2-hour extravaganza of singing, dancing, comedy, slam poetry, percussion and glow-stick dancing. Each act brought something fresh and new to the 5th Annual G-Fest. Alumni G-Men from the inaugural show had the honors of opening this one. Not only were the acts solidly executed, but the ever quirky, comical G-Men introducing them kept the show’s momentum running strong throughout the entire program. Personal favorite included when two G-Men made dubstep with their mouths, including dubbing the beats to Snoop Dogg’s “Drop it Likes it Hot” and Ginuwine’s “Pony.” I think this was when the crowd cheered the loudest the whole time, although each group received a respectable amount of loud, rambunctious applause, and for good reason.

The G-Mens opening number
The G-Men's opening number

The Harmonettes killed it in black pumps and blue jeans.
The Harmonettes killed it in black pumps and blue jeans.

I found myself feeling like I was an extra cast member in Pitch Perfect when the G-Men and Harmonettes sang in harmony and pitch together. The G-Men pulled off a catchy Spanish number to open the show, followed by a mash-up of Maroon 5’s “Harder to Breathe” and Adele’s “Skyfall.” Pure ear candy. In the second part of the show, the self-proclaimed always classy, sometimes sassy Harmonettes brought their girl power with Little Mix’s “Wings,” my favorite number from their set. To quote the movie, both groups were “aca-awesome.”

Asante looks dapper in his top hat and jacket.
Asante looks dapper in his top hat and white jacket.

Asante, the only solo act on the bill, sang two original compositions at the piano. He described the process of creating his own music by visualizing different keys as different colors and putting it all together. His two pieces complemented each other perfectly well, and had the venue feeling like a small intimate jazz club. As a senior in the School of Music, Theatre and Dance, he was one of my favorite acts for his ability to silence and mesmerize the crowd with his smooth voices and even smoother piano playing. He’s got showmanship down, looking and sounding mighty classy. I loved every minute of it.

The Michigan Raas Team
The Michigan Raas Team
Photonixs eye candy
Photonix's eye candy

The first dance group, Michigan Raas Team, performed to traditional Indian music wearing traditional Indian costumes. Their fluid movements had me wanting to get up and dance too, if I knew how to dance like that. G-Fest ended with Photonix, a group that dances with glow sticks to create visual art with trippy trance music in the background. It takes a whole lot of talent to wave glow sticks up and down to create something magical, and Photonix’s did just that in this out-of-this-world finale.

Grooves jamming out on trash cans
Groove's jamming out on trash cans

Before intermission, Groove beat their trashcans and quad drums made of plastic bins to perform several numbers of carefully crafted percussion numbers. The intensity and speed at which these performers can go is remarkable, and I can only imagine how much time and practice they endure to get it just right. These guys nailed it, and the best part is all their instruments are random, common items one wouldn’t expect to find in a formal show. Groove’s ingenuity, coupled with their urban allure, made for a stylistic success to round out the first half.

ComCos improv players provided plenty to laugh about.
ComCo's improv players provided plenty to laugh about.

Not only did talent lie in the musicality of performances, but in comics and poets, too. The first half featured six ComCo. members, campus’s oldest improv comedy group, playing various games with audience participation. They pulled off one of comedy’s greatest exercises, telling a story with someone else’s hands behind them guiding the action. Another game had the game master control the flow of dialogue, interrupting a “mother/daughter” pair whenever he didn’t like what they were saying and making them redo the line in a different way. The best part about the players was the sheer improvisation–these guys can think fast on their feet and that makes it all the more enjoyable and entertaining. One of the highlights of the night for me was being able to laugh at the absurdity of the situations the players acted out.

Four members of the Slam Poetry Club read their poems on stage, giving the audience chills with their themes of growing up, being there for someone in tough times and a poem chronicling Adam and Eve’s experience in couple’s therapy. Each poet slammed really well, slowing and quickening their voices at the appropriate times and really speaking from the heart. It takes a lot of guts to speak like that in front of such a large audience, and these kids nailed it.

I couldn’t have asked for a better Friday night listening to and seeing all the great talent this campus has to offer. Each group shined, and it made me even prouder to be a Michigan Wolverine. Even though G-Fest was just a sampling of the many performance groups on campus, it accomplished its goal of entertaining attendees. Bravo, everyone, for your amazing performances.

Review: October 19th, University Symphony Orchestra and University Philharmonia Orchestra

USO and UPO
USO and UPO

Hall Auditorium, October 19th

The first half of the program featured Christopher James Lees conducting the University Philharmonia Orchestra. First, the ensemble played Carmen Suite No.1 by Bizet. Each movement featured a famous theme from this popular opera. It was well played and cute. Then, David T. Little’s piece, Haunted Topography, was performed.
THIS PIECE WAS AMAZING!

David T Little
David T Little

David T. Little attended University of Michigan as a Masters Student in Composition less than a decade ago. Now he is one of three composers to ever have been commissioned by the Metropolitan Opera, and is currently nominated for a Grammy. Many of his works are connected by a theme about the horrors of war and this piece, Haunted Topography, is no exception. Before the piece began, David T. Little explained his inspiration. One of his friends ran a group called Vet2Vet which helps veterans help other veterans. A story David T. Little heard was about a mother of a dead veteran who could not start the grieving process because she had no idea where her son died. David T. Little’s friend used his connections to help identify where her son had been killed and the mother was able to heal. This piece, Haunted Topography was Little’s musical response to that story.

It started off with a haunting piano solo vibraphone accompaniment. The vibraphone, occasionally doubling the piano, gave the impression of a person was playing a piano in a very old, completely empty house. Different instruments slowly entered, leading to an amazingly textured climax of the piece. At the end, after the pieces had slowly drifted, the timpani and vibraphone continued on. The vibraphone, once playing along, had turned into a death knell as the timpani imitated the sounds of war, and death’s resounding march. This incredible piece stole the show. The composition was incredible and the Philharmonia did an amazing job performing it.

The University Philharmonia Orchestra followed this contemporary piece with something completely different, Haydn’s Symphony no. 2. Emulating typical baroque and classical performance style, Christopher James Lees conducted from his seat, playing harpsichord in the middle of the orchestra. In order to see him, all of Philharmonia, besides the cellos, had to stand, which gave the piece a unique energy. It was quite enjoyable and a good way to lighten the mood before Intermission.

The University Symphony Orchestra played with professional precision, per usual. Wagner’s Overture to Tannhäuser was immaculately performed, although a little emotionally removed and stilted. Lutoslawaski’s Concerto for Orchestra was a 20th Century piece also inspired by the terrors of war. However, while Haunted Topography had reflected on the emotional journey of those affected by war, Lutoslawaski aimed to recreate war’s terror on the musical stage. There were an incredible amount of players on stage for both of these pieces since both call for a very large orchestra. I think of the side effects of the amount of players was a lack of extremes in dynamics. There was a lot of forte with very little juxtaposition which took away from the emotional content of each orchestra piece.

Overall, an amazing concert.

Review–Stamp Nation performs at the Diag

This Wednesday evening, Stamp Nation, a newly formed student organization, performed a concert on the diag featuring all student performers. The concert featured performers from a variety of genres: everything from acoustic guitar, to funk music, to hip-hop. The decision to perform at the diag was a great idea. Students walking by who were uninformed about the concert discovered it firsthand. I also admire the performers’ confidence—it takes a lot of guts to perform in such a public setting, in an environment where the audience is free to leave at any time. Performers had different levels of experience. For some, it was the first live performance they’d ever participated in, and they stuck to covering songs by favorite artists. Others, like student Brandon Canniff, performed music they had written themselves.
The Stamp Nation club deserves a lot of credit for organizing the event successfully. The club is a meeting point for students with interest in music at various levels of prior experience. Some of the bands at the concert actually formed after meeting at the club. The club also arranged for speakers, provided by the university, in order to conduct the concert.
Stamp Nation faced one challenge Wednesday night: concert had difficulty maintaining stable audience numbers for the entirety of the concert. I suspect this is because of the weather, but luckily, Stamp Nation plans to set up another concert near the end of winter term, when the weather has improved.
Although relatively new, the club has big plans for the future. They plan to create a music mentorship program. Students looking for instruction will be set up with a tutor skilled in the musical style the student wants to learn. Stamp Nation also discussed the possibility of setting up an online page compiled with music their members have recorded. I wish them the best in their efforts and hope they continue to attract student interest, if they continue to grow, they will be an excellent resource for aspiring student musicians. Keep an eye out for concert footage—the club also arranged for the concert to be filmed.

I had trouble tracking down online samples of student music. I did find aspiring hip-hop artist Brandon Canniff’s soundcloud page—here’s a link to an album he produced this summer.

PREVIEW: Blue Jasmine

When: Oct.19-20, 22-24

Where: State Theater

Cost: $8 for students $10 general

What: Blue Jasmine, the latest film by Woody Allen!

image from wikipedia
image from wikipedia

If you are a Woody Allen fan, don’t miss this film! Personally, I’m also really excited to watch this film because one of my favorite actresses, Cate Blanchett, plays the lead, Jasmine. Jasmine is a socialite experiencing a hard time that is quite different from her former life of luxury, turning to her sister in San Francisco, struggling and trying to rebuild her life.

For film schedule: http://www.michtheater.org/shows/blue-jasmine-2/

Bring your friends and family to enjoy this film!

PREVIEW: TONIGHT! University Symphony and Philharmonia Orchestra

When: Tonight, October 18 at 8pm.
Where: Hill Auditorium
How Much: FREE!!!!!!!
What: The two University Orchestras collaborate tonight to play a spooky piece by U-M alum David T. Little as well as Witold Lutoslawski’s Concerto for Orchestra. If 20th music is not your thing, you can still enjoy Bizet’s Carmen Suite No. 1, Haydn’s Symphony No. 27,”Brukenthal”, and Wagner’s Overture to Tannhäuser! Come and support your fellow students tonight! It’s guaranteed to be a unique musical experience!
USO UPO concert