REVIEW: Almost, Maine

Almost, Maine

For two weekends running, the Department of Theater and Drama presented the romantic dramadie ‘Almost, Maine.’ Set in rural northern Maine, the play consisted of nine vignettes, each taking place somewhere in unorganized territory at 9 pm on the same cold, Friday night. The stories told of couples who lost their romance for one another and rekindled it (or not), or of long lost loves reuniting to find each other different (or the same), or of friends becoming lovers or strangers becoming friends: a hiker camping in a lonely man’s yard; a woman running into her ex-boyfriend at the bar on the night before her wedding; two male friends reconciling their heterosexual affection for each other; a woman who left town after high school and returned to find her sweetheart engaged; a pair of strangers who meet in a laundromat and discover what it feels like to love each other through pain. Each story line is independent of each other, but eventually they all intertwine and create the dynamic story of a rural town community.

It was last Thursday night and I had just arrived at home after my last class before fall break. I was exhausted and ready to watch some Netflix in bed when my housemate spontaneously invited me to join her as an audience member. I knew nothing about the play, just that the script was written by John Cariani of ‘Law and Order’ (so it must be interesting) and apparently it is the most frequently performed high school production in America. Oh, and of course, our good friend Maddie Sharton was performing in it. I always love supporting friends who are active in the arts and I haven’t seen many student theater pieces at U of M, so I decided to go on whim.

I am so glad I did! I was incredibly impressed by the skill of the actors and the professional quality of the entire production. The set design was very minimal. Each vignette featured maybe a simple bench and a lamp, or a pile of snow, or an open doorway, but it was always evident where the story was placing its audience. The lights were etherial and fantastic, very reminiscent of the Northern Lights, which played a key feature in several of the scenes. The language of the script was evident in its symbolism and word play but also very accessible and easy to follow. There was even a sense of magical realism in the playful, imaginary romantic coincidences. I liked how, because the story was built on sub plots, there was no main star. Every character played an equally important role in creating the heart warming tale. After seeing this one performance, I feel sure I will see several of these faces on the professional stage in a matter of years.

The cast was comprised of all BFA in Performing Arts students. It was produced and directed by faculty in the department. Click here for more about ‘Almost, Maine’ and check out the School of Music, Theater, and Dance Facebook page for more on upcoming events.

Preview: Cat Power: Not to be confused with Thunder Cats…

The Ark is a wonderful venue in Ann Arbor. They are skilled at bringing lovely musicians to the area and have recently been kicking off some new album tours, the most recent of which was Ingrid Michelson.
Cat Power has been performing on and off since the mid-90’s and has recently come out with a new album: “Sun.”
I was introduced to her music in 2007 in a mix CD from a crush. Her sound is somewhat reminiscent of MOBY. She has a beautiful voice and clearly has a finely tuned ear for music.

“Sun” is a blend of electronica, ethereal vocals, and computerized ticks. “Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. [3] [4] [5] Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “really slow guitar songs” she initially wrote for the album. [6]” (http://en.wikipedia.org/wiki/Cat_Power) “Really slow guitar songs” are what Cat Power has filled previous albums with. Her early music has a little Patty Smith flavor through out it’s execution. It is refreshing to experience an artist with such a past in the industry reinventing her sound for this album, the first original she has released in Six years. These style changes are not always well received within the music critic and listening community.

This show takes place on Saturday October 27th at the Royal Oaks Theater http://theark.org/3343.html

Learn more about this talented lady: http://www.catpowermusic.com/

Cat Power: Ruin: \”Sun Announcement\” – Video

Preview: El Ten Eleven: Post Rockin, Double Necking

This LA duo, El Ten Eleven, is coming to The Blind Pig on Saturday October 20th 9pm. $10 in advance, $12 at the door. 18+
Their sound is entirely musical, no vocals. Very rhythmic, using drums, keyboard, fretless, double necked bass and loop pedal in innovative ways to create a physically and mentally captivating sound. They are beautiful to watch and amazing to listen to. I highly recommend checking this group out after the Michigan State game on Saturday!

The Blind Pig Calendar:
http://www.blindpigmusic.com/calendar.html

El Ten Eleven – KEXP

REVIEW: Aspen Santa Fe Ballet

ASPEN SANTA FE BALLET

Last weekend, the Aspen Santa Fe performed at the Power Center. It was a rainy Sunday and I spent the morning eating brunch at a hole-in-the-wall cake shop on the Old West Side called Jefferson Market and then watching the matinée performance. The indulgent outing felt  both classic and obsolete: When was the last time I, a.) attended a ballet or b.) went to a matinée that was preceded by brunch on the town? My only justification was that going to the performance was required for my ballet class. But I am very glad that it was because the dance itself was truly a spectacle.

The show was visually stunning, incredibly professional, tightly rehearsed, and impressively physical. The presentation was a breath taking combination of artistry and athleticism that I have rarely seen. The costumes revealed a great deal of skin and muscle on both males and females that really made me wonder how many crunches they all do per day. Half the drama of the show was simply the chiseled appearance of their abs and buns. I’m serious.

The piece was comprised of three acts; Square None (2012), Stamping Ground (1983), and Over Glow (2011). Each act differed from the next in its score, its choreography, its costumes design, and its lighting scheme, but it was clear that they were intended to be a part of a unified, coherent performance.

The first piece used grey lighting and darker musical tones while the second used no music and bright lighting. The first two appeared to make commentary on modern culture: the first was structured around bionic, wind-up-doll-like gestures. The second was very animalistic and primitive, using the body as a drum to make rhythms rather than electronic sound. (The second piece was by far my favorite; it was the most animated, relatable, and story-like whereas the other were more theoretical and abstruse). The last piece was the prettiest, with pastel colors and graceful lifts, leaps, and pirouettes. It was lovely to watch, but was my least favorite act because it felt sort of flat in comparison to the creativity in the previous two.

One thing I have not mentioned yet is the fact that this kind of ballet is not like Swan Lake or The Nutcracker. It’s not classical ballet, its neo-classical; its contemporary. It uses the same structure and techniques as ballet (straight legs, delicate fingers, turned out feet) but also incorporates movement that more resembles modern dance. Contemporary ballet allows for a greater breadth of movement and does not adhere as strictly to the lines set forth by the original forms of classic ballet. In many ways, especially after seeing Aspen Santa Fe’s performance, I find myself drawn to this genre. It is still both pretty and recognizable, but also fluid, creative, and unusual.

Sunday brunch and a matinée at the Power Center is one of the easiest assignments I’ve ever been given. Oh, and one last fun fact about the costume design from Square None was that it was designed by Project Runway celebrity contestant Austin Scarlett. Who knew.

PREVIEW: Théâtre de la Ville: Ionesco’s Rhinocéros

How many plays can you think of where the action involves a struggle for identity? A fair few, I would imagine. How many that involve a struggle to maintain identity in a world where everyone around you is turning into rhinoceroses? Just one: Rhinocéros by absurdist playwright Eugene Ionesco. At once a tragedy and a rollicking comedy, Rhinocéros shows us the journey of one man’s transformation from an apathetic man with nothing to live for to a man who sees with startling clarity what it is he must do: resist the tyranny of the majority. A parable about fascism and France’s involvement with it, Rhinocéros is a play rich with both Ionesco’s brilliant sense of the stage and his facility with words.

What: Rhinocéros by Eugene Ionesco

Where: Power Center

When: Tonight – Saturday, October 13 7:30 PM

Note: The performance will be in the original French with English supertitles.

Rhino is watching.

Preview: Battle of the Bands: A Roman Blood Bath

Mark your calendars for this epic battle of Spartan proportions, which will take place on November 16th: Pendleton Hall in the Union
Although this event will not take place until November is bears mentioning now for those of you who have a band and are interested in joining the fray!
New Beat Happening (NBH), a student group on campus, holds this event every fall to showcase local talent from around Michigan and the University. NBH brings a bigger performer to campus in the Winter semester for general student enjoyment and moral boosting, not to mention potentially introducing you all to something you wouldn’t have otherwise been exposed to. (In the past NBH has brought: Atlas Cloud, Girl talk…..) Although this cannot be guaranteed by NBH, due to the finicky tendencies of musicians, the winner of November’s Battle of the bands may be able to open for Winter’s headlining band. If not NBH may be able to offer the Battle winner their own headlining show on campus, to be adored by all who are fortunate enough to bask in their glory.
If you would like to throw your band’s, or your own solo-performing, name in the ring for this Battle please send a sample of your music to:

nbh.battle.2012@gmail.com

and wait with bated breath to see if you will be chosen to battle against fellow musicians for the title of:
New Beat Happening’s 2012 Battle of the Bands Victor!