REVIEW: Ann Arbor Film Festival: ‘Disorder’ with ‘The Sole of the Foot’

Running back into Michigan Theater to catch the next screening, I sat down among a full crowd for two films, The Sole of the Foot (Robert Fenz, 2011) and Disorder (Huang Weikai, 2009).

The Sole of the Foot, a 34-minute film, focused on various real-life scenes in France, Israel and Cuba.  It specifically addressed the concept of borders and their ability to simultaneously keep some people “in”, while keeping other people “out”.  In France, Fenz focused on a North African community that was not well-accepted among those that lived within their vicinity,  in Israel, he portrayed the Israeli-Palestinian conflict, and in Cuba,”their right to rule themselves denied by foreign powers”.  There was artistic quality in that Fenz chose to incorporate different stylistic elements for each country he shot.  “Israel definitely featured more experimental shooting,” he said, as he explained the many bombings that occurred during his stay that became a bit of an obstacle.  “I was shooting from the window of our apartment”, and with that, he developed a fascination for the many winding, uneven walkways of Jerusalem.  The film, as a whole presented a tapestry of cultures, landscapes and people.

Disorder captures a chaotic China, and the problems that plague  its major cities due to increasing urbanization: pigs run wild on a highway, a baby is found in a park abandoned, a community is severely flooded, a supermarket is caught in possession of frozen bear claws…The black and white footage of these scenes compiled from amateur videographers creates a security camera ‘caught-on-tape’ effect that invites the viewer into a world full of ugly truths.  The absurdity that is Disorder almost produces a feeling of discomfort among the audience because the events are so inconceivable, and not to mention, uncontrollable.  The film portrays a reality, in which problems only seem to worsen because of a lack of cooperation between Chinese police and citizens, who many times find such upheavals to be a spectacle, rather than issues of concern.  Weikai’s work is truly brilliant in that it illustrates the dysfunction and dangers that harm Chinese society as a result of the country’s accelerated industrialization and expansion.

Watch the trailer here:

Disorder

Overall, this was my favorite screening yet.  Both The Sole of the Foot and Disorder illustrated realities in ways that immersed the audience in exploration and understanding of life as it is, beautiful and complex.

REVIEW: Ann Arbor Film Festival- ‘Time and the Other’

Yesterday I went back to Michigan Theater for the screening entitled ‘Time and the Other’.  This grouping was described as a collection of shorts capturing, “Tender itemized moments from life in the new economy.”  Below is the list of films shown:
I would have to say that the first film, Woman Waiting, made the most sense, and carried a theme very appropriate to life in the new economy.  The film featured one main character, a woman, who is assumed to be suffering from poverty.  In the first scene, the viewer watches her wake up get dressed and brush her teeth.  She then is seen in a phone booth, where she leaves a message for someone she plans to have a meeting with.  It is evident that she has no cell phone nor house phone, because of the trouble she has articulating where the woman can reach her.  She leaves a phone number in the message, although it is assumed that the number is probably not her own, because she stresses that she is available to drop by and meet with the woman later in the day.  The viewer finds out that the woman she is to meet with works at an apartment building, which could probably be a temporary housing shelter.  When the main character is handed a few papers to fill out and dismissed, she realizes there will be a long process before she can move in anywhere.  Another scene shows her at a gym, where she negotiates her way into getting a week free, after it becomes obvious that she cannot pay for any type of membership.  Throughout the film, she is waiting in various places.  She is never quite able to enjoy herself.  Below is a shot taken from the scene in the pool, where she gets in a free swim as part of her trial week at the gym.  However, she is unable to fully take advantage of it, without thinking that very soon, she will not have access to any luxuries at all.  In essence, Woman Waiting, is a depiction of one woman’s reality: her eventual fall into poverty, amidst the climate of economic crisis.
Another film I liked was Berlin Tracks, a 3-minute photographic, and “mesmerizing” (as aaff says) piece that creates a moving picture of railway tracks in Berlin, by night and day.  The photographs create a linear roller coaster for the viewer that is fast and dizzying, but beautiful and simplistic.
The other films, Non-Aryan, Aliki, and Arsenic were interesting as well.  Aliki portrayed the life of dying flamingoes on Lake Aliki, and Non-Aryan displayed photographs of a woman’s personal belongings and documents (which revealed that she was Jewish, and probably a victim of the Holocaust). Arsenic was so ambiguous, I couldn’t really describe in words, what the film was about, because the picture itself was a mysterious blend of images and sounds.  However,  while the festival exhibits many films that are of a more experimental genre, it’s expected.  As for the last film, Compositions in Departure,  I missed it in order to go buy tickets and come back in for the next screening.  Review to come!

REVIEW: Ann Arbor Film Festival- ‘Always Elsewhere’

Thursday night I headed to the Michigan Theater for my first Ann Arbor Film Festival screening (I plan to go to more this weekend).  I had looked through the program schedule online (http://aafilmfest.org/49/index.php/events.) earlier this week to discover that many of the showings were groupings of shorts according to theme.  Perfect! I thought, I love shorts.  I had been to the Sundance shorts that were shown at the Michigan Theater ( in addition to Cedar Rapids) a few months ago, and was excited to return for some more film fest entertainment.

The screening that night entitled, “Always Elsewhere” featured 5 shorts.  Arriving early, my friend and I walked in and visited a few of the tables in the theater lobby.  Arbor Teas and RoosRoast were offering locally-produced and delicious tea and coffee with a suggested $1 donation.  “This is just what I wanted”, I said to the woman at the Arbor Tea stand as I decided on some Jasmine Green.  “I was just contemplating sneaking in a hot drink from Starbucks”.  She laughed and told me that Arbor Tea would be offering different flavors every night, along with RoosRoast.

My friend and I entered the screening room in the back (not the main theater) for the showing.  Below are the films we saw:

If I were to pick a favorite, I would say that I liked Immokalee, My Home the best.  The film documented the harsh realities of Guatemalan, migrant farm workers in Florida, in which three narrators tell their stories of their arrival to the US, their subjectivity to unfair labor conditions, and their longing to return home.  The film is narrated in Spanish and in an indigenous language native to Guatemala with English subtitles. The filmmaker really experimented with color and composition.  As the migrant workers told their story, images of their daily routine were blurred and unfocused, emphasizing the tedious and monotonous nature of their work.  As they described their home in Guatemala compared to their living situations in the US, a juxtaposition between color and black and white photographs was created.  The viewer eventually discovers that their desire to return home can never be fulfilled, because of the ’embarrassment of returning home with nothing.’  In the end, the migrant workers discuss their importance to the changing face of North America.  The viewer then sees close-ups of their faces, and reflects on the reality of their lives;  they have journeyed to the states in efforts to achieve an unattainable dream, but the culture they carry with them is ever-reminiscent in the stories they tell.

Two other interesting films were Castaic Lake and Forsaken.  Castaic Lake was a 30-minute short, in which the camera surveyed leisurely activity at a small lake within Los Angeles County.  Capturing the fragmented happenings within the lake’s surroundings, McCaffrey observed these interactions, often from a distance, but focused on a few characters by interviewing them and telling their story (why they were at the lake, what they did there).  Forsaken was a 7-minute black and white, silent film that combined photographs of a juvenile detention center to produce a flashy movement of the room’s appearance and emphasized the neglected, run-down space.  Sansing focused on a blowing curtain and aged, confidential probation documents, with which he photographed to create visuals of what still remained.

Both McCaffrey and Sansing were in attendance for a Q&A after the screenings. They both had focused on their subjects over a long period of time.  It was obvious that they were very drawn both to the lake and the detention center.  “I just love abandoned buildings and places”, Sansing said.  “California is really lacking abandoned buildings, so I often find myself venturing to the east coast to discover them.”  Sansing said he was also working on more photography of the detention center which will be published as a book.  To me, both McCaffrey and Sansings’ films were created from seeming obsessions that suggested they were, in fact, ‘always elsewhere’, captivated by the worlds their films portrayed.

PREVIEW: The 25th Annual Putnam County Spelling Bee

In the mood for a musical this weekend?  You’re in luck!  MUSKET is presenting The 25th Annual Putnam County Spelling Bee on March 25-27:  Friday at 8pm, Saturday at 8 pm, and Sunday at 2 pm.  All shows will be at the Power Center.  It’s the first time ever that this musical has been produced on campus–we’ve got some really ambitious performers in our midst!  It’s a Tony Award-winning, comical musical about 6 awkward adolescents competing in–you guessed it–a spelling bee, and the stakes are ridiculously high.  The original recording was also nominated for a Grammy.

Tickets are $7 for students, $13 for adults, available at the Michigan League Ticket Office.  It’s not sold out yet, but anything put on by the music school is pretty much guaranteed to be popular–grab a seat, and enjoy!

PREVIEW: Ann Arbor Film Festival

This week jumpstarts the 49th annual Ann Arbor Film Festival. Festivities begin today, Tuesday March 22nd and continue until Sunday March 27th. Over the course of six days, the Film Festival will screen a total of 188 films and live performances, each showcasing the work of independent and experimental filmmakers. Tonight a selection of short films, varying in cinematic genre, will be screened at The Michigan Theater’s Main Auditorium (located on 603 E. Liberty St. Ann Arbor, MI 48104). The Opening Night Premier represents seven shorts, ranging from animation, documentary, experimental, and independent cinema. Tickets cost $9 but student prices may be honored. To avoid waiting in line, tickets can be purchased online at: http://brownpapertickets.com/event/161932. For more information on the films, filmmakers, and events, visit the Ann Arbor Film Festival’s website at http://www.aafilmfest.org/.

Review: Martin McDonagh’s The Cripple of Inishmaan: Guilty of Laughter

This Sunday night I went to the Power Center (my favorite campus venue) to see the Druid and Atlantic Theater Company production of Martin McDonagh’s The Cripple of Inishmaan. It was crazy funny! We laughed so hard at the dry Irish humor. The actors were so talented. No matter how much we laughed or what crazy things they did on stage, not a one of them ever broke character. And they did some pretty ridiculous things, including breaking eggs on heads, being incredibly boring to the point of laughter, and beating on each other.

The play is set on the small island of Inishmaan in 1934. There is nothing of interest happening on the island, so the people are forced to consider things such as sheep being born without ears to be interesting. Also in this category of things that should be reported; Cripple Billy is staring at cows again, a goose bit a cat, the egg man’s eggs didn’t lay today, and, what’s this? A team of Hollywood moviemakers are on the next island filming a movie? This really is big news! In fact, it’s the biggest news that the town gossip/self-proclaimed news carrier John Patine Mike has ever had. So big that a group of townspeople are sailing over to the island to see the filming and hopefully get a chance at acting in it. Billy Claven, called Cripple Billy by most on account of his severe deformities, is one interested in going. After winning the heart of the boatman with a doctor’s note reporting his eminent death, he sails with the group. Fortune smiles on him and Billy go’s to America for the chance of starring in a film about a cripple in Ireland. What a chance!

Throughout the production, constant jokes, insults, and egg throwing keeps the audience laughing and saying “I can’t believe they just said that!” Constantly people praise their homeland with the phrase “Ireland must not be such a bad place if dentists/Frenchmen/colored fellas/earless sheep/Americans want to come here.” The younger brother of the love interest, Helen McCormick, constantly talks of sweeties from America and his obsession with telescopes. Helen chucks eggs, swears like a sailor, and is the village slut that no one knows about (in order to maintain the name of the actual one and to avoid competition). The aunts that adopted Billy both have their quirks. One eats the sweets of their shop when stressed, the other talks to rocks when she’s worried. John Patine Mike has tried and failed to kill his mother for 65 years by giving her constant alcohol. There is so much comedy and brilliant writing in this production that it’s hard not to laugh, even when the setting makes the word “Cripple” a joke. You sort of feel guilty laughing when the characters, even his loving aunts, make fun of Billy’s disabilities. But then you remember the setting and realize it is realistic; what would have actually happened, and it’s okay to laugh.

The play was a wonderful way to spend a Sunday afternoon and I would thoroughly enjoy it if the Druid and Atlantic Theater Company returned to the Power Center in the future. It takes an open mind and a taste for dry humor to understand the comedy of this play. It also takes a sensitive character to understand the sadness, emotion, and tragic life that Cripple Billy leads. I would strongly advise going to plays like this. Everyone can learn and laugh a little from such a production and I am very happy to have attended.

As always,
This is Danny Fob: Artist and Art Reviewer