REVIEW: THE BATMAN

The Batman, 2022 / Spoiler Alert!

 

If we look at the evolution of superhero movies decades later, I think it will be a pretty interesting anthropology resource. All superheroes symbolize justice but the social norm of justice changes over time. This happened in the new batman as well.

New society, new villains. The villains in this movie do not work on personal, fictional motivation like pride or psycopathy. Instead, in this movie, they are the ones who were harmed systematically. The villain is not lone genius anymore – they are people who urge others to turn to violence with them to break down the society, and the most vicious crisis was aroused when they worked as a group. This resembles the spread of hatred on the internet and violent crimes happening in consequence of those messages. The metaphor to the modern society was quite clear – the riddled even blatantly talked like a  youtube or user of another Social Media platform, thanking the viewers for their support. I was almost expecting a ‘please like and subscribe…’.

The classic hero changed with the society to address the new messages aginst the evil as well. Bruce Wayne, if I remember correctly from prior films, was torn between his identity as a billionaire and the mysterious superhero and the dilemma of the personal judgment of justice was his main worry. For this new Batman, however, whether it’s known who’s under the bat-mask is not such an existential problem. This batman seems to be more careless about it (he got almost unmasked by a curious policeman after he was unconscious due to a bomb explosion) and the Riddler even says that who’s under the mask “does not matter”. If the former batman hides deeper inside himself to solve his doubts, this one comes out. The scene where batman leads the civilian out of the water with the red light and help carry wounded citizens clearly showed that this batman demonstrates a new notion of peace-not one that is magically achieved by a lone superhero, but one that is led by a superhero symbol but that can be achieved together. This batmans stands with the people, and that reminded me of the appeal in the society to unite together to fight the wrong. Batman with the mysteriousness reduced, interacting with the people was a new change. Almost like a friendly neighborhood… No, that’s another guy.

This movie is dark-literally. It had a lot of rain in the scenes and ones that minimal light is used. This led to many visually highly satisfying scenes-my favorite was the one where the screen was all dark and the movement of the characters was illuminated only with the fire from the end of the gun. Also, I saw the rain as more than the weather- with the final crisis being the flood, water could mean the danger to the city, and the rain could represent that the city was in danger. In all, highly recommend this movie. Go check it out!

REVIEW: Star Wars: The Last Jedi

There are certain things that make me really glad that I’m alive at the point in history that I am. I’m glad to have grown up with Harry Potter, for instance, and to be alive at the same time as Paul McCartney. One of these things is that I’m glad to be able to go and see Star Wars movies in theaters.

Seeing a Star Wars movie in theaters is, I think, a great experience no matter which movie it is. There’s the wave of almost tangible happiness that washes over everybody with the opening notes of the theme song, and the yellow letters beginning to scroll out backwards through space. There’s the clapping and cheering whenever familiar characters like Leia (Carrie Fisher) and Luke Skywalker (Mark Hamill) show up onscreen.

Star Wars: The Last Jedi, the eighth episode overall and the second installment in the latest trilogy, delivered in pretty much every major way. We got to see interesting developments in terms of the characters that we already know and their relationships with each other, and we also received the pleasure of being introduced to new characters and new relationships.

One of the definite highlights of The Last Jedi was the addition of Rose (Kelly Marie Tran), who teams up with Finn (John Boyega) to try to sabotage an enemy ship that has the ability to track the rebel forces through light speed. Rose was charming and relatable (even fangirling over Finn’s hero status when we first meet her), and she’s also gritty and layered. She’s not afraid to let images get in the way of the way she sees things, and we actually get to see some of her backstory up close with the death of her sister, Paige (Veronica Ngo). She also acts as our introduction to one of the previously un-glimpsed sides of Star Wars: the back characters. Rose is a technician, normally a behind-the-scenes role in the Star Wars universe. For this reason, it makes a lot of sense in this movie to pair her with Finn, who was a background Stormtrooper before he joined the rebellion in The Force Awakens.

To me, The Last Jedi felt overall like an embrace of the idea that anybody can be a hero. Rose, for one thing, was brought to the forefront. Rey’s (Daisy Ridley) parentage, a lingering question for fans, was largely dismissed, which was a fresh turn in a franchise that has long been preoccupied with the power-infused lineage of Darth Vader’s family. Wealthy circles of society were outright criticized for their reliance upon forced labor, exploitation, and war profiteering. The film also ended with a glimpse of a young peasant boy using the Force to grab a broom, then looking up to the stars with a close-up of the Resistance insignia on his ring.

Finally, when Rey claims that the Force is “a power that Jedi have,” Luke Skywalker himself tells her that that is completely wrong. The Force is not exclusive to Jedi and Sith; it’s the balance between all things and all people. By removing the Force’s explicit attachment to the Jedi, and by showcasing heroes from all backgrounds and walks of life, The Last Jedi comes closer than any previous Star Wars movie to espousing what the series is all about: that anybody can be a hero if they decide to choose good over evil. Obviously, the Force doesn’t appear everywhere, but this movie shows us clearly that it can come from anywhere.

There are almost too many good things in The Last Jedi to count: the performances of newcomers Laura Dern, Kelly Marie Tran, and Benicio del Toro; the development of Kylo Ren (Adam Driver) as a villain and of his terrifically interesting relationship with Rey; the immortal strength of Leia and of Carrie Fisher. There’s the fun cameo from the eternally awesome Maz Kanata (Lupita Nyong’o), and the affection between pilot Poe Dameron (Oscar Isaac) and his droid BB-8, and the chemistry shared between pretty much every single character onscreen.

In short, Star Wars: The Last Jedi is doing pretty much everything right. It is a more than worthy follow-up to The Force Awakens and to the rest of the Star Wars franchise, and hopefully a very good indication of things to come.

PREVIEW: Blade Runner 2049

Blade Runner 2049 has gotten a lot of hype recently, with critics lauding the lead performances of Harrison Ford and Ryan Gosling. I first became interested in the movie when Ryan Gosling promoted it by hosting SNL, and since then it’s only come up more and more in conversation. Blade Runner 2049 is the follow-up to the 1982 film Blade Runner— thirty-five years have passed and a lot has changed, so it should be very interesting to see how the film responds to the franchise’s preexisting legacy. Most good sequels—of which there are notoriously few in the world—have to find a balance between remaining faithful to the original and taking the franchise in new directions. It should be very exciting to see whether or not Blade Runner 2049 delivers on this.

Blade Runner 2049 is currently showing at the Rave Cinema theater in Ann Arbor, and will be for much of the rest of the season.