Preview: “Pau Na Mula”! Cyro Baptista’s Beat the Donkey

Friends, Oh-I-am-only-halfway through-this-semester-and so-still-stressed-out  students and fellow musiclovers,

It’s a rarity that you get to become a kid again at a musical performance. This weekend, Cyro Baptista, the truely innovative percussionist will be performing at the Power Center with his eight member strong band. Cyro Baptista was here last month as a part of “the Luciana Souza trio” and he was amazing. He is like this mad scientist with such a passion for percussion and he oozes such positive energy and enthusiasm that you have to love him for that! His sense of humor and tendency to make jokes with his percussion too make him such a popular figure with kids and adults alike! But he is also known for his serious Brazilian Beats in the  music field.

Cyro Baptistas Beat the Donkey
Cyro Baptista's "Beat the Donkey"

Titled “Beat the Donkey”  from the Portuguese “Pau Na Mula” which means “Let’s go! Let’s do it”, Cyro’s show is a wild, imaginative and extremely entertaining one with a combination of all types of rhythm and sounds that you could possibly hear. In this show, the musicians adorn funky costumes  and do everything including impromtu dances to make sure that you don’t sit ramrod straight with passive looks on your faces!

Show times:

Saturday, March 13, 1 pm & 4 pm
Power Center

Tickets ($16) are available at the Michigan League Ticket Office or at the Box Office before the show.

Come, join this fun foot-tapping riot! It’s your time to be a kid again.

For [art]seen,

Krithika

Preview: Luciana Souza Trio

Luciana Souza Trio

Luciana Souza, vocals
Romero Lubambo, guitar
Cyro Baptista, percussion
Thursday, February 11, 8 pm
Rackham Auditorium

I am sure you are in the mood for some jazz with the weather being so crappy. Tonight, we have the charming Louciana Souza thrilling us with some amazing jazz! Brazilian singer Louciana Souza hails from a family of bossa nova exponents (remember Gal Costa?) and is known for her smooth and melodious voice. Her latest recording Tide was nominated for the 2010 Grammy in the Best Vocal Jazz category.

What sets her music apart is the innovation and creativity which takes the old and gives it a totally different touch while maintaining its integrity. She has  a solid base in jazz and her interpretations are well-known.  Her recording, The New Bossa Nova, got a lot of critical acclaim.

I love this genre of Latin Jazz as it somehow wraps melancholy and joy and establishes an unique equilibrium between the two states, not choosing one over the other. Also, the setting is so personal and it feels as if it is all  being performed only for you.

Tonight, Ms. Souza will be accompanied by Mr.Romero Lubambo who was here last fall with Ms. Costa . Mr. Lumbambo is one of the best guitarists in his genre and I totally look forward to his strumming.  And we have the amazing Brazilian percussionist Cyro Baptista too (he is another brilliant performer). 

Tickets for this must-see show is at the Michigan League ticket Office or at the box office before the show.

What can be more beautiful than a snowy evening with soul touching music? Come away with me to Rackham tonight!

Yours truly,

Krithika, for art[seen]

Krithika is making the most of the snow by building musical snowmen

PREVIEW: Gal Costa and Romero Lubambo

Gal Costa

What: Gal Costa and Romero Lubambo

Where: Hill Auditorium

When: Saturday, November 7, 8 pm

Tickets: http://ums.org/s_tickets/

According to Wikipedia, Gal Costa’s mother Mariah listened to classical music  for hours during her pregnancy so that  her unborn child would grow to appreciate music.  Little did she know that her daughter would go on to be Brazil’s most famous diva, with over 35 albums and a successful career in music spanning  over 40 years (and still counting).  I listened to a sample of her music on her website (http://www.galcosta.com.br/index.php?language=en). In her  deep full-bodied voice, Brazilian pop sounds so refreshing.  She will be performing alongside Romero Lubambo, whom Herbie Mann,the 1960s’ jazz music’s preeminent flautist, described as “the best Brazilian guitarist there is”. When artists get such glowing reviews, it is one’s duty to go check them out. Don’t you think so?

Krithika Srinivasan