REVIEW: Paddington in Peru

Gather ’round, marmalade enthusiasts and curious movie-goers: Paddington is back! This time, our favorite conscious, talking bear trades in the drizzle of London for the vibrant hues of Peru. Paddington in Peru is pretty much a fluffy, cinematic hug, and don’t we all need that every so often? 

When a mysterious letter arrives at the Brown family’s doorstep, it whisks Paddington and company off on an adventure across the Atlantic, landing them in the lush and dynamic landscapes of Peru. 

From extravagant natural vistas to the bustling streets filled with vibrant culture, Paddington in Peru offers plenty of visual delights. The cinematography expertly transports the viewer into the jungles of Peru. You’re not necessarily sweating in the Peruvian heat alongside Paddington, but you are definitely in one of those Disney World rides where they spray water and various smells to pretend you’re there. And, of course, the humor is as charming as ever. Paddington’s knack for both unwittingly causing chaos and saving the day never fails to elicit laughs, especially alongside Antonio Banderas (who looks as handsome as ever).

Now, let’s address the furry elephant in the room: the recasting of Mary Brown. Sally Hawkins played a beautiful Mary in the first two movies. It was sad to see her go. Emily Mortimer, who you may recognize from Aaron Sorkin’s The Newsroom, attempts to bring her own into the role. Although her portrayal brings a bright sharpness to the character that affirms she’s more complex than the stereotypical “mother of the house”, her Mary fails to land as sweet as the orange marmalade that Paddington eats. 

Paddington, for all his bear-related antics, continues to be a paragon of kindness and reminds us of the beauty in community and friendship. One of the most memorable quotes from the film reminds us that, “on your search to help others, you’ll find yourself.” Even if you find yourself in an unfamiliar land, you can still help others in both unprecedented and everyday ways: in marmalade sandwiches and simple acts of kindness.

It’s hard not to leave the theater with a sense of hope, even as the credits roll. In a world that sometimes feels upside down, Paddington brings solace and delivers powerful lessons wrapped in simple bear-sized packages. Muddling through life with a sense of optimism and a love for marmalade sandwiches isn’t the worst way to cope with the chaos around us.

So, as you drive to your local cinema, whether you’re 5 or 95, prepare for a bear-y good time. Just remember to pack your own marmalade sandwiches.

Review: Kiki’s Delivery Service

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Released in Japan in 1989, ‘Kiki’s Delivery Service’ was written, produced and directed by Hayao Miyazaki as an adaptation of the novel of the same name by Eiko Kadono. The film was brought to the US in 1997 by The Walt Disney Corporation.

The story follows Kiki, a young witch, who goes to town with her black cat, Jiji, to make a living on her mandatory year away from her family to train. Kiki makes friends with the villagers as she delivers packages around town. A young by named Tombo follows her around. He is an inventor of flying machines and admires her flying abilities.

Kiki has a crisis of identity as she momentarily loses an the ability to fly and has a harder time understanding her feline companion. Kiki regains self confidence after she saves Tombo and others from an airship accident. She remains in the town and resumes her delivery service in contentment.

 

The film is very much about coming of age, moving away from home and the familiar to grow from a child into a young adult.

There are noticeable differences in plot between the Japanese and American versions of this film. In the American version, Kiki reunites with Jiji which does not occur in the original Japanese. Cultural references are also changed to become more timeless and thus more relatable over time.

 

The next film in The State Theater Ghibli Series will show on Wednesday 5 November at 7pm, ‘Grave of the Fireflies.’