Tag: culture

REVIEW: The Inspired Show

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Every fall semester, Kappa Phi Lambda Sorority, Inc. hosts the Inspired Show; this year it was on Saturday, November 11th from 4-6 PM at the Ross Robertson Auditorium. On Instagram (@umichkpl), the sorority said this event “seeks to showcase a variety of cultural performances, mixing modern and traditional elements to bring Michigan exposure to various Asian performing arts,” which it certainly did.

There were 8 performances. In order they were:

Female Gayo (@femalegayo)

Photonix (@umphotonix)

Kappa Phi Lambda Sorority, Inc. (@umichkpl)

DB3 (@db3_umich)

Seoul Juice (@seouljuice.umich)

VeryUs (@veryus.umich)

Revolution (@revolutionyoyo)

Moli (@moli.umich)

K-Motion (@kmotion)

I’ve watched and reviewed the majority of these groups before, many of which performed at Celebrasia. However, although the Inspired Show was only a week later, Female Gayo had a completely new set that ended with an original choreography they made to the song Money by Lisa from Blackpink and had the fun addition of shooting dollar bills into the air at the end.

Photonix is a crowd favorite and I wish I got to see more of them. They use glow-in-the-dark items to create rhythmic visual art by manipulating neon lights to music in pitch blackness. Much of the choreography involves teamwork, which is super impressive since the team must work together without being able to see. My favorite parts are when they hit the floor to change colors on a beat drop. Unfortunately, I couldn’t capture their performance well enough on camera, so take the chance to see them in person if you can!

I saw the sisters of Kappa Phi Lambda perform at the Yardshow, but they prepared two additional choreographies for their event: hip-hop and cultural. Their cultural dance is pictured above and it was the highlight of the show for me. Many groups use fans or umbrellas as props, but it was the first time I’ve seen the beautiful white and red long sleeves they wore. In addition, the music they used was purely instrumental, which was a nice contrast to the other music throughout the show. It truly felt like a cultural dance rather than a dance that just uses cultural props.

The Ross Robertson Auditorium is a nice venue; the only thing I wish is that the lighting had a spotlight on the stage to give it a more immersive atmosphere. Nevertheless, it was nice being in a new and comfortable environment.

Although there are a lot of parallels to Celebrasia, I recommend attending the Inspired Show. It’s a good opportunity to see different performers, such as Photonix and Moli, and new choreographies like Female Gayo’s. All proceeds are donated to the Ann Arbor Community Center, so you can make a difference and have fun at the same time.

REVIEW: 17th Annual Multicultural Greek Exhibition

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*The image above features Lambda Theta Alpha Latin Sorority, Incorporated; sorry I didn’t have a good seat to take a picture from :,)*

I saw many familiar organizations from the Yardshow last semester at the Multicultural Greek Exhibition (MGX) on Saturday. Since this event was in a smaller and more private venue, I think I got to know more about the community; one art form I really appreciated seeing again is called a ‘salute’. It’s a tradition unique to many Latino-Greek organizations and is performed in a line formation. They described it as being different from a step or stroll, which are more dance-like, and compared it to a form of poetry expressed through both recitation and movement honoring past accomplishments and cultural history.

Saluting can be startling when seeing it for the first time due to its intense nature, and I hadn’t heard of it before last Saturday; when I first saw it at the Yardshow I didn’t even know that some of the performances I was watching were called a salute. I’m sure many others haven’t heard or seen a salute before either because of how integrated it is in Greek (specifically Latino-Greek) culture and there aren’t many opportunities to see them. I highly recommend it though, because it’s truly a special experience.

It’s impossible for me to capture the salutes I saw only in words, but in my best attempt to describe it the members were SO powerful with their facial expressions, had amazing coordination, showed unbreakable unity, and expressed passionate language. You truly see a whole other side to someone who is performing a salute. Their hard work is so impressive.

I did enjoy the other groups too! I’ve only been attending more serious dance-focused events recently, as in the performers and centered around dance performance, and coming to this event reminded me of how much fun it is for the audience AND the performers when they’re not even ‘dancers’.

While I don’t want to compare, I did prefer the Yardshow more, largely due to the location. Since it was indoors and in a smaller room, there wasn’t much awareness or accessibility to the general public that the event was happening. This meant that the amount and kind of audience were limited and the view I had of the stage wasn’t very good.

Still, it was a fun time and I’m glad I went! Shoutout to all the organizations that performed, especially Lambda Theta Alpha Latin Sorority, Incorporated for organizing it and doing such a good job hosting.

 

REVIEW: Đêm Việt Nam

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I had a blast at this year’s Đêm Việt Nam (DVN)! Pictured above was my favorite performance from the night – the opening act done by The Detroit Lion Dance Association. I didn’t expect to see an actual traditional lion dance; it was my first time watching one as well!

It was fascinating in multiple ways. Exclaimed gasps were heard throughout the venue when the two lions suddenly appeared in the aisles. Their dance incorporated humor and storytelling, and the lions themselves showed so much emotion through their movements and eyes alone. One highlight for me was when the lions pretended to drink alcohol and afterward stumbled onto the ground in a deep slumber; then the sound of the drums awakened them and they gathered their surroundings to the rhythmic beat of the instruments. The crowd favorite was the moments when the lions would rise to face either the audience or each other. I’m truly impressed by the stamina and hard work that must’ve been put into this performance.

 

Despite being a non-dance-based organization, I enjoyed the performances the members of VSA prepared. They incorporated a lot of character and I could tell the students had a lot of fun on stage. I realized at DVN how important lighting is and how it can increase the quality of a viewer’s experience. Darker lighting heightened anticipation in the room; brighter lighting gave playful energy; and pure silhouettes on a colorful background emphasized the movements of the dancers. I think these special effects helped show off the energy the performers wanted to showcase. In my opinion, it also relieved the pressure of giving an immaculate and in-sync performance. The Power Center is an amazing venue and I hope to watch more performances there.

 

Guy/Girl traditional – this was another one of my favorite performances; the chemistry between the dancers was very charming and I loved all the romantic nuances hidden within their dance moves alongside the use of the hats

 

Fans – an example of how the background shift can change the atmosphere of a performance. The dark red was very alluring and the dark green let the shape and colors of the fans standout

 

Traditional Melody – one of the ending acts that incorporates multiple traditional dances and outfits

The event was an appropriate length: not too long that it was tiring or too short that it felt disappointing. I liked the intermittent mini-skits that helped create smooth transitions between different performances too. I even found myself smiling at the heartwarming atmosphere between the club members.

I’m already looking forward to next year’s DVN and hope you guys consider attending in the future too!

REVIEW: FASA’s Philippine Culture Night

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The featured image above is a performance on a musical instrument called a kulintang, and the weaving of the mallets represents the motion of weaving a basket.

Saturday night, the Michigan Union was bustling with activity for FASA’s long-awaited PCN. Everybody was elegantly dressed in long gowns and suits. The audience consisted of not only students, but friends, families, alumni, special keynote speakers, and even Filipino American student associations from Universities in Grand Rapids, Oakland County, and Dearborn.

FASA prepared multiple acts, such as various live singing performances (including a featured performance from FASOU, a student band from Oakland University), traditional instrumental music accompanied by dance, a poem reading, and many more.

 

A cover of “All I Ask” by Adele

This was the most memorable live music performance for me. The students covering the song showcased so much musical talent in their harmonies and synchrony with one another, and they’re not even an established music group. I don’t even see the same chemistry or skill in groups that focus on live singing.

 

The traditional music ensemble

 

The fan dance performed alongside the ensemble

What interested me the most about this dance is the lack of facial expressions on the dancers. Normally, facial expressions are a key focus in dance, because it’s the most blatant way to express emotional depth. In this case, the poker faces created a very elegant atmosphere.

 

Dance incorporating modern music with a cultural twist

This was another performance that really stood out to me. It was so much fun seeing how modern and cultural art can collaborate with each other. As they performed the traditional dance steps, students showcased goofy and joyful facial expressions in contrast to the fan dance performed just previously.

 

FASA’s band

 

A hip-hop dance to American and Philippine pop music to end the night

 

Unfortunately, there were serious sound issues at PCN. The mics often rang and that really took away from the experience. In addition, the technical difficulties dragged the event to become an hour longer due to frequent awkward pauses between and even in the middle of performances. Overall, it was an amazing, lively, and lovely event to attend. However, I’m not sure if I would come back to PCN next year because of how long it was. That doesn’t mean I wouldn’t consider going again, though, and I highly encourage anybody interested to attend the event next year!

PREVIEW: FASA’s Philippine Culture Night

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We’re still in the beginning of the semester but various organizations are already throwing events. You’ve probably heard of the one coming up this Saturday: FASA’s Philippine Culture Night. Their pre-sale tickets went live last semester and sold out within 30 minutes! After various struggles and being put on a long waitlist, I finally managed to get my hands on a ticket to the overflow room. Unfortunately my seat isn’t the best, so I’m not sure if I’ll be able to get any good pictures.

Here’s the description written on their instagram account: “This year’s PCN is themed Hiraya: Bridging the Generational Gap. With this theme, we want to honor our parents and those who came before us by highlighting our intergenerational differences in dreams, journeys, and aspirations. With this, we hope to spur forward-thinking conversation through dance,  performances, speeches, and more.” – @fasa_umich

Before coming to the University of Michigan, I didn’t know many Filipino people or anything about Filipino culture. It’s amazing to see how large and passionate FASA is as a community: FASA has been practicing at the Mason Hall posting wall for months now, and their dance team is extremely large. I believe modern and cultural dances will be performed on Saturday night, and it’s what I look forward to seeing the most at their event. This will be my second time exposing myself to Filipino culture (the first time being a traditional music ensemble performance), and I look forward to learning more!

I’m still unsure if tickets are viable at this point, but good luck to those trying!

PCN will be from 5:30-9:30 PM (doors open at 5 PM) in the Michigan Union, Rogel Ballroom (second floor).

REVIEW: Sa re ga ma pella

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Sa re ga ma pella by Maize Mirchi featured 8 songs, an intermission with Indian snacks, a dance performance by Michigan Taal and a really really excited audience.

The acapella singers did a good job harmonizing and it was nice to know some songs were independently set up by students. The introductions of the new members between songs was one of my favorite parts. The introductions were short, sweet and really funny. We got to know a lot about the companionship shared between the members of Maize Mirchi. The audience consisted of parents and friends of the performers and they were really engaged with the performances and cheering their loved ones on.

A point I would like to highlight is the cultural fusion of this group. They are an acapella group with a touch of Indian culture. I would say their group shows a kaleidoscope of Indian American culture. Less than half of the songs were in an Indian language and some of these were half English half Hindi. The western Indian mix was well carried by the performers. Their coordination really hit the sweet spot!

The soloists showed a very authentic image of Indian American culture and by the excitement of the audience it was obvious their supporters liked it. I think the song selection could have been improved to show more diversity but it was an entertaining show regardless.

The performance after the intermission by Michigan Taal was short and sweet. The size of the stage was very small but they did not let it hinder them. They had an exciting diversity of dances and their energy was infectious.

Being at the acapella concert was like being at an intimate event for family and friends where everyone knew each other and supported performers.

If you like Indian American culture and acapella then Sa Re Ga Ma pella can’t hit it more on the head than anything else!