REVIEW: Xylem’s Crazy Wisdom Open Mic

Poetry has never been something I can simply sit down and write. If ever I attempt to do this, I end up with an oversimplification of the same few themes (love, sadness, anger, death) every time. So, I’m forced to be the submissive partner in the relationship, listening to an idea whenever it decides to show up. In terms of neat scheduling, the pursuit of poem writing is majorly inconvenient.

But beyond my personal gripes lies a reluctant reverence for poets and their poems. There is difficulty in writing something in a tone from another dimension of being that also doesn’t make everyone in the world roll their eyes back into their heads.

In general, when people try to write a poem, they do not succeed. English teachers may yell at me for saying that it’s only possible to either succeed or fail at an art form, that that simple dichotomy could even exist. They may argue that instead of two boxes marked pass and fail there is a whole grey spectrum of middle ground. Personally, I would disagree; it is very clear to me when a poem is striking, while others are dull or trying too hard, or relying on overused subject matter.

At any open mic, there will be a real variety of performances. This is why I find these events so much more promising than a single artist presenting their work: no matter how many pieces there are that fall short, at least one will stick with you.

This is the thought I had when I walked into the cozy room in the second floor of Crazy Wisdom Bookstore and Tea Room. There were cookies and hand-clapper noisemakers (maybe snapping has gone out of style?), and the house was packed.

At least 15 or 20 people read or sang, coming from both comedic and tragic angles. Even I, possessed by something not of this world (probably), stood to read a poem I’d written for a class.

Most of the readings were good; in the writing world at least, most people who have confidence in their work have it for good reason. Of course, there are so many more good writers out there who lack confidence entirely. I’m certain that there were some of those talents among us who didn’t read.

My favorites from the evening are the ones I can remember now, a day later. One of the first was a poem about a serendipitous encounter with amazing lettuce at a Wendy’s, another a published piece by a reluctant reader, an extended metaphor of a jar of honey, a spot-on cover of “Oh Comely” by Neutral Milk Hotel. The audience was responsive, quick to laugh and clap when the writing called for it. A few of the writers came up twice, displaying the different facets of their writing styles. The room was warm with the glow of poetry and evidence that Crazy Wisdom pays their heat bill on time. In more ways than one, I felt the place a shelter from the cold.

Xylem Magazine hosts open mics often, as well as other events like writing workshops. Check out their website xylemmag.wordpress.com for more information!

 

PREVIEW: Here Be Sirens

Were you the weird kid in middle school who was obsessed with Greek mythology? Can’t believe that anyone hasn’t seen the Percy Jackson movies? Love listening to people scream-singing while wearing large wigs and formal clothing?

If you answered “yes” to any of these questions, you’ll just love Here Be Sirens, an opera telling the tale of the lives of a trio of sirens. Oftentimes, these creatures are made out to be one-dimensional monsters, evilness being their only characteristic. Composer, performer, and playwright Kate Soper approaches her main characters with a more open mind, giving them internal desires and dreams that conflict with the caricature that outsiders typically see.

Come on down to the Kerrytown Concert House this Thursday, November 29 at 8 PM to experience Soper’s masterpiece. Tickets are absolutely FREE with your passport to the arts ticket, or $10-35 if you are PTTA-less.

PREVIEW: Xylem’s Crazy Wisdom Open Mic

Some people look to celebrities for fashion or lifestyle inspiration, fawning over their manicured looks and multi-million dollar homes. Personally, I aspire to be half as cool as Beret Girl from An Extremely Goofy Movie.

You know her, that poet from the Bean Scene coffee shop. Definitely the ultimate cool girl, even though she’s a fictional character.

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Anyhow, if our dreams to become anything like her are to come to fruition, we need to first bust into the open mic scene.

We’re in luck: Crazy Wisdom Bookstore and Tearoom is hosting an open mic night Wednesday, November 28 from 7-9 PM. Bring your poems, your spoken word performance, those bars of slam poetry you’ve been waiting to give to the world. Or, you can just bring your ears and absorb the cool atmosphere, find a good book, and drink some tea. Whatever you choose, this is the place to be this Wednesday night.

PREVIEW: Master’s Recital–Jordan Smith on Flute

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Like the Pied Piper leading all the rats out of town with his captivating music, so will Jordan Smith untangle us from our parents’ hair and on back to school.

Allow yourself to drift back into the grind with the gift of flute music to make the process easier. Jordan Smith will be putting on his master’s recital, playing both centuries-old classical as well as contemporary selections written far more recently. Now, even though North Campus is a bit of a trek for those who were not forced to live there, the journey will be worth it. What’s more, it’s free.

So step onto a bus and come on over to soothe the dull ache of your looming exams. The show is Monday, November 26 at 7:30 PM at the Earl V. Moore Building, Britton Recital Hall. Be there or be square.

REVIEW: U-M Chamber Jazz Recital

Never before had I considered the mandolin or banjo to have a place in the jazz world. And I certainly did not expect to experience a solo of either of these instruments in any context outside of a renaissance festival or a square dance competition, respectively.

Boy, was I wrong.

The performance was split into three sets, each a different student group exploring a wildly different facet of the music genre.

The first erred on the side of folk, incorporating a sound more twangy than I’d have expected from jazz musicians. But the smoothness of the violin’s bow sliding across the strings and the low voice of the cello lurking under the melody rounded out the tunes they played, making the sound much more complex and multi-dimensional. And, I must stress, Noah Fishman on mandolin and Matt Davis on banjo went hard.

The next group played in the classic big-band style of jazz, bursting into the music the second they began with grand flourishes of slurred crescendos and bright moments of staccatoed frenzy. It was hard seeing the relatedness of the first and second groups, even though they were a part of the same genre, and shared a few of the same instruments. But rather than this near-dichotomy being a distraction, it worked as a testament to jazz’s dynamicity. It was disappointing to me, as a piano player, that the pianist Kaysen Chown was barely audible amidst the brash bass tones, as the higher pitch and lightness of the instrument would have complimented the music greatly.

The last group to play featured a jazz of the sultry kind; the high call of the saxophones (Peter Goggin on alto and William Wood on tenor) was almost erotic. The songs were rambling and suave, able to warm the mind and body simultaneously. I could find myself in some underground jazz club, surrounded by the coolest cats around, dressed in all black, perhaps sporting a beret.

When I walked out of the auditorium, I still felt warm, even despite the biting wind of the mid-November night. Maybe it was the well-heated building, but more likely it was an effect of the music. I strode back to my dorm with a strange new confidence derived from the sheer sophistication of the evening. This lasted nearly the whole walk home, ending abruptly as I tripped on a crack in the sidewalk (a testament to the exclusiveness of the genre, maybe; one can fall out of its favor with a single uncool move).

All in all, a good night, thanks to this group of talented SMTD students!

PREVIEW: U-M Chamber Jazz Ensemble

Jazz illicits an image of a smoky nightclub populated by a gaggle of elderly men in old-fashioned hats; the youth it used to enthral have aged, and have not been replaced by a new generation…or have they? The genre is in a strange place these days–it is somehow both the music of our grandparents and our own; its roots are deep and widespread and fully entangled in the rhythm and blues of both our Ella Fitzgeralds and our Daniel Caesars.

Come listen to the fusion of new and old 8 PM on Monday, November 19 in Stamps Auditorium at the Walgreen Drama Center. Michigan students will be performing both classic jazz hits as well as some of their own creations. There are no tickets, so make sure to come early to guarantee a seat!