REVIEW: Saki Mafundikwa

Saki Mafundikwa at TED talks February 2013

As a part of the Penny Stamps Speaker Series, this past Thursday featured Saki Mafundikwa.  Mafundikwa, originally from Zimbabwe, came to the U.S. to study and after establishing himself as a graphic designer, he returned to his home country of Zimbabwe to create the Zimbabwe Institute of Vigital Arts (ZIVA).

The talk began as an introduction of his own personal history and proceeded to discuss his journey to becoming a graphic designer.  He used to draw while he was younger, helping his mother with embroidery designs and assisting his father with the mechanical aspects of his watch repair business.  After seeking asylum from Zimbabwe during the rough political years, he received the opportunity to study in the U.S. during the early 80s.  During his time as an undergrad he found himself creating covers for campus journals and designing texts and typography for those who request it of him.  He also talked about how this hobby was fleshed out from taking drawing classes.  From life drawing, to still life, to practicing self-portraits, Saki emphasized the impact that repeated drawing and practice of making forms was important to his growth in the graphic design world.  He was accepted into the MFA program at Yale and continued to take electives in drawing while focusing on graphic design.  During his interview for the MFA program, he was asked if he had ever investigated African alphabets.  Saki realized that no, he had not.  He had only known the Latin-alphabet of his language.  This question lead to the direction and development of his studies in graduate school.  He focused on studying different African alphabets and what the symbols represented.  Not only did this process result in a thesis, but it also lead to his desire to write a book on African alphabets later on.

After graduating with an MFA from Yale, Saki began working as both a freelance graphic designer as well as for Random House designing book covers.  He found that he was often being called upon to design covers for books on African Americans.  While he enjoyed the work, it also made him question his relationship with his home country of Africa and what that meant to him now that he had spent so much time in America.  After taking up teaching positions at different Universities, Saki made the move to Zimbabwe to establish what he found his calling to be, creating a school of graphic design.  He wanted to bring the opportunity to people who had talent but did not have the money or other means to attend art school.  Saki has since successfully established a small school of graphic design students, with some of his alumni going on to graduate school in the United States as well, even his alma mater.  I think the most rewarding part of hearing his story was how he was bringing skills and the necessary education to his home country and how he was the cause of enabling more success stories such as his own in others.

Link to Saki’s TED talk: http://www.ted.com/talks/saki_mafundikwa_ingenuity_and_elegance_in_ancient_african_alphabets

REVIEW: Florencia Pita

Florencia Pita

If you’ve passed by the UMMA in the past month, you’ve probably noticed an incredibly curious landscape looking out at you from the windowed, first floor  gallery. Bright reds, spinning blues, swirling shapes and swirling constructions fill the space, drawing the eye in, maintaing mysterious and fantasy  no matter how long the viewer looks. Florencia Pita’s designs are all about organic exaggerations and whimsical, barely  recognizable figures. The Argentine-born artist is trained as an architect but works with furniture, jewelry, graphic design, sculpture, and more. Many of her foliage-like  configurations are inspired by the feminine form. Yet these representations are complex: both her  large scale architecture installations  and her minute scrupulous  jewelry designs often represen the same, flowery  forms. In this way, her work confounds scales and draws the viewer in infinitely.

In an interview with UMMA Academic Coordinator  David Choberka, I learned more about Florencia Pita’s inspirations and styles:

“She makes these cool, whimsical, conceptual, digital designs that are really interesting because of how she plays with scale—her flowery, colorful treelike structures could be anything from buildings to vases, furniture, jewelry or tableware. She makes these large-scale wall hanging appliqués based on children’s stories—one is inspired by Alice in Wonderland. The exhibition features a couple of her installation pieces, as well as models and digital representations of her work. She is developed an original piece for this exhibition, which is exciting. She has won a ton of awards and been featured in exhibitions all over the world. Her work really blurs the boundaries between visual art, architecture, and design, and is definitely worth checking out.”

Click here for more about Florencia Pita and her studio FP/Mod. To read about the exhibit, look at UMMA’s website. The exhibit is open during museum hours until the middle of June.