PREVIEW: TEDx U of M 2017

In less than a week, the organizers of TEDxUofM will open the doors to: TEDxUofM 2017: Dreamers and Disruptors.

Although tickets are sold out, you will be able to watch a livestream here

Also, you can still arrive early for live music, interactive activities, coffee from RoosRoast, and pastries from Avalon Bakery all in the lobby area of the Power Center

This year has another incredible list of speakers, as well as performances by Groove and Midwest Territory Band

Where: The Power Center

Time: 6:00 PM

REVIEW: Peter and the Starcatcher

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Photo taken from https://www.facebook.com/umichsmtd/?fref=ts

Have you ever wondered what life was like for Peter Pan before he actually was Peter Pan?  How the Lost Boys, Tinkerbell, and Neverland came to be?  How Captain Hook lost his hand?  Your questions are bound to be answered in the tale of Peter and the Starcatcher; directed by Gillian Eaton, assistant directed by Martin McGuire, and musically directed by Brian E. Buckner, James Fischer, and Riley Palmer.

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Jeffrey James Fox as Black Stache (photo taken from https://www.facebook.com/umichsmtd/?fref=ts)

This lighthearted show swept the audience off their feet and into the adventure-filled life of Molly (Kourtney Bell), a young girl who is on a secret mission with her father (David Newman) to destroy what is called “starstuff”.  On Molly’s ship, The Never Land, she comes across three orphans, one of which is unnamed (Brooks Inciardi), and immediately befriends them.  Pirates, island natives, a crocodile, and mayhem are all prevelant throughout the journey.  The story of Peter Pan magically unfolds before your eyes in this easy-to-love show.

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Kourtney Bell as Molly and Brooks Inciardi as Boy (photo taken from https://www.facebook.com/umichsmtd/?fref=ts)

Shows run in the Power Center on December 8 @ 7:30pm, December 9 & 10 @ 8:00pm, and December 11 @ 2:00pm.  Reserved seating is $22 and $28, and students $12 with an ID.

Tickets can be purchased online at http://www.music.umich.edu/performances_events/productions/2016-2017/starcatcher.htm

 

REVIEW: Mark Morris Dance Group

The Mark Morris Dance Group performance was certainly a new experience for me. I have never been to such a mixed arts event in the past. Walking in, before the first people came on stage, before even the lights began to dim, you are immediately aware of the art of the performance because of the backdrop of the stage. There is this brilliant painting that sets the background for the entire performance, consisting of what appears to be large brush strokes sweeping across the canvas. The entire painting consists of only 3 colors, but as the lighting changes on stage, the painting changes colors as well. This sets the mood for the performance, as the rest of the dancers come out dressed in similarly bright colors.

At the beginning of the performance, a group of 4 musicians come on stage and perform a short piece that also begins immersing the audience into the world of Layla and Majnun. The music is accompanied by English captions above the stage, translating the story being told by the two singers in the group. Immediately, from the key of the music and the poetic quotations being presented in the captions, the audience gets a feeling for the tragic nature of this story.

Then, the entire music ensemble walks on stage. As the musicians begin playing, the dancers start to walk out two at a time. All of the female dancers are dressed in these brilliant pink flowing dresses, and the men are dressed in bright blue. This choice of colors perfectly contrasted the men from the women, as well as made the aesthetic of the stage come together beautifully with the painting in the backdrop. This can be seen in the image below, taken by Susana Miller.

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Photo by Susana Miller

Throughout the performance, one is entranced by the beautiful singing of Alim Qasimov and Fargana Qasimova, seated directly in the middle of the stage and surrounded by the music ensemble. They demonstrated an incredible control over their vocal range and ability to express such deep emotion in their voices. I do have to say I was biased towards focusing on the musicians more than the dancers, since my training is in music, not dance. This also meant I was new to the style of dance the Mark Morris group utilized. It was predominantly lyrical, trying to showcase the tragedy of this love story through the movements of the body. However, this also meant there was not a focus on showcasing skill, so the performance was much more centered on telling the story of Layla and Majnun rather than exhibiting the dancers. In this way, the choreography often included simple physical movements that demonstrated love and loss, repeated by each male/female pair in the dance group.

Overall, I fell in love with the beautiful colors of the stage and the voices of the singers and the talents of the musicians, but I found myself unable to stay focused on the dancers. My eyes kept drifting back to watch Alim and Fargana perform extraordinary cadenzas effortlessly. I would love to see the Mark Morris Dance Group perform in a more dance-central piece, but I was not able to experience the character and skill of the group in this performance.

by Kim Sinclair

PREVIEW: Mark Morris Dance Group

What? A performance of Layla and Majnun by the Mark Morris Dance Group, presented by UMS

Where? Power Center for the Performing Arts

When? Thursday October 13 at 7:30pm, Friday and Saturday October 14 and 15 at 8:00 pm

How much? Starting from $30

Why? The Mark Morris Dance Group is one of the most well-known dance companies in the world, and this September is their world premier of Layla and Majnun, a tragic and beautiful Persian love story. It is a performance not to be missed.

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by Kim Sinclair

REVIEW: Into The Woods

For those unfamiliar with the musical Into the Woods,

Mostly, the show follows a narrator telling the story of Cinderella, Jack (of the beanstalk), Little Red Ridinghood, a witch, a baker, and the baker’s wife. Their lives intertwine in the first act as the baker and his wife go on a quest to find objects to lift a spell that was placed on the baker by the witch. The end of Act 1 sees everyone getting exactly the happy ending they wished for, and Act 2 shows that the world is darker and more complicated than simply granting wishes.

This show is consistently one of my favorites (I have been familiar with it for nearly a decade), and Musket’s performance on Sunday afternoon offered a refreshing take on this beloved musical.

The large tree set pieces moved smoothly between engaging forest arrangements, despite reaching higher on the stage than the eye could see. Fog machines lived inside a few of the trees as well as upstage, and the liberal use of fog was much appreciated by this audience member. What’s the point of doing a show that takes place in the woods if you don’t fill the stage with fog at every available chance? That’s a trick question, because there is no point.

The orchestra played very well, especially considering the stamina that’s needed for a Sondheim score: even in scenes with the most dialogue, a song is not far behind. The cast was full of beautiful singers who excelled with the music as well.

A special commendation to the person or people behind deciding on Milky White’s costume. (Milky White is Jack’s best friend/cow whom he trades for magic beans.) Whether or not the designer was aware of the internet phenomenon of Low Budget Milky Whites, this trouble was avoided by dressing the cow actor simply in white clothes and wisely leaving it to him, the other actors, and the audience to project cow-ness onto the scenes.

The whole cast, obviously, was phenomenal. I was seriously impressed by how much fun they all seemed to be having. It’s hard to keep your energy up in a show that’s 2 hours and 45 minutes, especially for your last show, and especially when it’s a matinee, but if this cast was feeling tired it was impossible to tell. Their enthusiasm for the story was infectious.

If you’ve never seen a performance by Musket, I would recommend that you make an effort to see what they can do.

P.S. If anyone from the production is reading this, the narrator was the baker’s son, right? That’s what the ending was telling me? It was different from what I’m to, so I imagine that the difference meant something. He was wearing the same shirt as Jack, and the same hat as the baker/the mysterious man. And the baker gave him the story…because he’s the son! Right? If not, I’m sorry for reading too much into things, but if so, that was a beautiful ending.

 

 

PREVIEW: Into The Woods

Image from the event Facebook page

You’ve seen the movie, now see it live: Musket is presenting Into The Woods on March 27 and 28 at 8pm and March 29 at 2pm!

The entirely student-run theater organization will be performing the Sondheim musical at the Power Center for Performing Arts.

Don’t wait until the last midnight to get tickets! Buy yours in advance from the League Ticket Office for $7 for students and $13 for adults. At the door they’ll be $10 for students and $15 for adults.