REVIEW: Culture Night- A Journey Through Tradition

I didn’t know what to expect when I decided to attend Culture Night at Kochoff Hall. Sure, I’d read about the performances—a mix of traditions from around the world—but I was curious about how it would all come together. As someone from a different cultural background, I was eager to see how the evening would speak to me.

Photo credit: IGSA

The first act, a South Asian classical dance, immediately set a high bar. The dancer’s precise movements were mesmerizing, but what really struck me was her storytelling. Without speaking a word, she pulled the audience into a narrative that felt deeply emotional. I found myself leaning forward, completely absorbed in the graceful yet powerful choreography. It was the kind of performance that made me forget where I was for a moment.

Then came the African drumming ensemble, and the energy shifted completely. The beats were loud and unapologetically bold, reverberating through the hall. I couldn’t help but tap my foot and clap along. It wasn’t just music; it was a heartbeat that seemed to connect everyone in the room. I caught myself smiling at strangers during this performance, feeling an unspoken sense of unity.

The third act—a modern spin on European folk music—was surprising in the best way. I wasn’t sure how I’d feel about blending traditional violin with electronic beats, but it was a perfect harmony of old and new. It made me think about how cultures adapt and evolve while staying true to their roots. That realization felt personal, like it was challenging me to think about my own heritage in a new light.

Photo Credits: IGSA

The evening’s final performance, a Polynesian dance, was my favorite. The dancer moved with a grace that felt effortless, their body swaying like waves. I could almost hear the ocean and feel the island breeze through their storytelling. The vibrant costumes and the way they seemed to embody the spirit of their culture left me in awe. It was peaceful yet powerful—a perfect way to close the night.

But Culture Night wasn’t just about the performances. The energy in the room made it special. People from all walks of life were there, clapping, cheering, and sharing in the experience. The decorations and the warmth of the audience added to the magic, making the hall feel like a celebration of not just cultures, but community.

When I left Kochoff Hall, I felt different. I’d come expecting a show, but what I got was a deeper sense of connection—to the performers, to the audience, and to the idea that art transcends borders. Culture Night wasn’t just entertaining; it was a reminder that no matter where we come from, we can find common ground in celebrating the beauty of our differences.

REVIEW: Afro Soirée- The Performance

On December 20, Kochoff Hall B at the James Renick University Center became the center of Detroit’s creative energy during Afro Soirée: The Performance. The event featured three local artists—Amara Jones, Devin Soul, and Zara Monet—in a three-hour celebration of music and storytelling. It was more than just a concert; it was a showcase of Detroit’s vibrant music scene. As someone who loves live music, I came excited to revisit a familiar favorite while discovering new voices.

Amara Jones was the main reason I attended. Last year, I was deeply moved by her solo concert, where songs like “Ebb and Flow” and “City Lights” left a lasting impression. Her ability to write music that connects with people’s emotions made me eager to hear her again. This time, the addition of two other artists promised an even richer experience.

The evening opened with Devin Soul, whose soulful music immediately drew in the audience. His songs, “Heartstrings” and “Wanderlust,” felt personal and raw, like he was sharing pieces of his life with us. His performance was emotional and heartfelt, though sometimes it felt a little too slow, making it hard to keep the energy going. Still, the crowd listened closely, showing how much his words and music resonated.

Zara Monet followed, bringing a whole new energy to the stage. Her music blended R&B, hip-hop, and electronic sounds, creating an exciting and modern vibe. Songs like “Neon Dreams” and “Gravity” got the audience moving, and her confidence on stage was magnetic. While her music was fun and energetic, it sometimes leaned too much on the production, which made it harder to connect with her lyrics. Even so, Zara’s bold and creative style stood out as a highlight of the night.

When Amara Jones finally took the stage, it felt like a homecoming. She performed both familiar favorites like “Ebb and Flow” and new songs like “Aurora,” showing how much she’s grown as an artist. Between songs, she shared stories that made the performance feel personal and special. At times, her delivery felt rehearsed, which took away a bit of the spontaneity, but her heartfelt connection with the audience made up for it. Amara’s performance was the emotional heart of the night, reminding everyone why live music is so powerful.

What made Afro Soirée truly special was its sense of community. Each artist brought something unique, but together they painted a beautiful picture of Detroit’s music scene. It wasn’t just about individual performances—it was about celebrating a shared love for creativity and connection.

As I walked out of Kochoff Hall B, I felt inspired. Afro Soirée: The Performance wasn’t perfect, but it captured the heart and soul of Detroit’s music. Revisiting Amara’s music while discovering Devin and Zara deepened my appreciation for the city’s talent.

REVIEW: Hypnotize Your Mind

December nights have a way of making you crave something extraordinary, and walking into Kochoff Hall last Monday for “Hypnotize Your Mind” felt like just the thing I needed. The event featured the hypnotist Michael C. Anthony, a name that immediately piqued my curiosity. I’ve always been skeptical about hypnotism—was it just a gimmick or could it really pull you into another state of being? I couldn’t resist finding out for myself.

The room buzzed with anticipation, an energy that was both infectious and slightly nerve-wracking. I found a seat near the back, hoping to observe quietly. When Anthony stepped onto the stage, his presence was magnetic. His humor and charm felt like a warm invitation, putting the audience instantly at ease—myself included. His ability to establish rapport with a diverse audience demonstrated his seasoned expertise.

Then came the moment of truth: the call for volunteers. Hands shot up across the room, and I couldn’t help but admire the courage of those who stepped forward. Watching them walk to the stage, I felt a mix of envy and apprehension. What would it feel like to surrender “control” so completely? Anthony’s voice, steady and calming, worked its magic as he guided the volunteers into a trance-like state. Their faces softened, their expressions subtly shifting as if they’d crossed into another realm. It was an astonishing display of how suggestion and trust could shape perception.

Image By Zaynab Oozeer

What followed was a series of scenes that were as entertaining as they were surreal. Volunteers became actors in a spontaneous and unscripted play, dancing to music only they could hear or reacting to imagined scenarios with remarkable sincerity. Anthony’s timing and adaptability shone through as he orchestrated these moments, skillfully maintaining both humor and control. It was clear that this wasn’t just about the volunteers but about his ability to shape their actions into a cohesive performance.

One moment stood out: a volunteer, previously rather shy, suddenly danced like no one was watching. It was hilarious and oddly inspiring. Afterward, I spoke with them. “It’s hard to describe,” they said. “It felt like I knew what I was doing, but I didn’t question it. It was fun, honestly.” Their reaction underscored the deeply participatory and transformative nature of the performance.

While the humor and spectacle were undeniable, what impressed me most was Anthony’s ability to balance entertainment with genuine human connection. Hypnotism, in his hands, felt akin to improvisational theater, where the participants were both the medium and the message. His skill in reading people and crafting an engaging narrative revealed a depth of artistry that extended beyond mere showmanship.

That said, the show occasionally leaned into predictable tropes of hypnotism—the exaggerated reactions and clichéd scenarios that risked feeling repetitive. While these moments elicited laughter, I found myself wondering how the performance might evolve with more inventive or unconventional scenarios.

By the end of the night, my skepticism hadn’t completely disappeared, but it had shifted. Hypnotism might not fit neatly into a definition of art, but it’s undeniably compelling. It’s about trust, connection, and maybe even a little magic. Leaving Kochoff Hall, I couldn’t help but smile, grateful for the chance to see the human mind in a whole new light. Anthony’s performance left me pondering not just the nature of hypnotism, but the ways in which we all navigate suggestion and belief in our everyday lives.

REVIEW: Through the Lens: The Henry Ford Estate’s Timeless Beauty

The Nature Photography event at the Environmental Interpretive Center on November 14th was an experience I’ll carry with me for a long time. It wasn’t just about wandering the trails of the Henry Ford Estate; it was about seeing this historic space through the eyes of the students who had captured it with their cameras. Their photographs didn’t just frame the estate—they transformed it, revealing a place I thought I knew in ways I hadn’t imagined.

The Henry Ford Mansion . Photo By Alexa Mckray

The student photographs lined the trails like quiet whispers of their perspectives, each one inviting me to pause and see the Henry Ford Mansion in a new light. The mansion, with its stately stone facade and commanding presence, became more than just a historic landmark through their eyes. One photograph caught the mansion bathed in the soft, golden hues of a sunset, the light making the stone seem alive, glowing with warmth.

Another portrayed it on a misty morning, its edges blurred and softened by fog, giving it an ethereal, almost dreamlike quality. Standing there, with the real mansion towering above me and these interpretations surrounding me, I felt like I was experiencing its many layers—its strength, its mystery, its quietness—all at once.

It was in the orchard where the students’ work really resonated with me. Walking among the bare, twisted trees, I stopped at a photograph of the last apple of the season, clinging stubbornly to its branch. Another image focused on the intricate lines of a gnarled trunk, its bark peeling to reveal the scars of time. These moments, frozen through their lenses, made me pause and look closer at the orchard itself—its beauty, its endurance, its history.

 

Images By Katrina Brown And Kai Richardson

The pond, still and reflective in the late autumn light, was another scene transformed by the students’ photographs. In one, the water was alive with lily pads under the green canopy of summer. In another, it was frozen and dusted with snow, radiating the stillness of winter. Standing there, I felt a deep appreciation for how photography can carry us through time and seasons, reminding us of nature’s constant transformation.

This event wasn’t just about the photographs—it was about the way they made me feel. They invited me to look closer, to see the familiar in a new light, and to connect with the estate in a deeply personal way. Each image wasn’t just a capture of a place but a piece of the student’s perspective, their way of seeing the world.

Walking those trails that day felt like stepping into a conversation—one between the students, the estate, and myself. Their work didn’t just show me the beauty of the Henry Ford Estate; it reminded me how much beauty there is in looking, really looking, at the world around us.

REVIEW: Threads of Justice and Legacy: Lester Johnson Art at the Stamelos Gallery

Visiting the Stamelos Gallery at the Mardigian Library on Monday was a powerful experience that gave me a deeper appreciation for Lester Johnson’s work. Stepping into the space filled with his vibrant pieces, I felt the energy of his journey as an artist, a journey that is deeply rooted in the history and culture of Detroit and the broader African-American experience.

The exhibition, FOUR: Lester Johnson’s Selected Works, is a captivating reflection of his life and creative evolution. As I stood in front of his large-scale totem sculptures, I couldn’t help but think about how Johnson’s work is so deeply connected to his childhood in Detroit’s Westside, a historically rich Black community. Growing up just blocks from the iconic Blue Bird Inn, a hub for jazz legends like John Coltrane and Miles Davis, it’s clear how the rhythms and melodies of Detroit’s jazz scene shaped his creative vision. Johnson’s art is infused with the spirit of this music, often created with it playing in the background, as he seeks to channel its energy and emotion into his sculptures and paintings.

Courtesy of Lester Johnson
26 Wood, Fiber, and Fabric Totems. Courtesy of Lester Johnson

One piece that particularly struck me was the 26 Wood, Fiber, and Fabric Totems, which are a tribute to Rosa Parks and Judge Damon J. Keith. These works, rich in color and texture, tell a story of resilience and community. The fabric, woven with African-inspired patterns, speaks to the ways in which culture can bind people together, even in the face of adversity.

For Johnson, fabric is more than just material—it’s a symbol of the strength and unity that communities, particularly Black communities, have built over time despite systemic challenges. The totems were a poignant reminder of the importance of honoring the past while continuing to fight for justice.

As I walked through the gallery, I was also reminded of how much Johnson’s personal experiences shaped his artistic direction. His move into papermaking in the 1980s, influenced by Al Loving and Lynn Forgach, marked a turning point in his work.

I could sense the new textures and depth in pieces like Lynn’s Song and Nerfetiti, where paper became a medium for exploring his longstanding fascination with primal cultures and natural materials. The three-dimensionality of the work felt so immersive, like I could reach out and touch the cultural stories embedded in the fibers of the paper itself.

Courtesy Of Lester Johnson
Lynn’s Song and Nerfetiti. Courtesy of Lester Johnson

 

The most moving aspect of Johnson’s work is its ability to connect deeply with the viewer. Each piece tells a story—not just of the artist’s journey, but of the shared human experience. Whether it’s the universal struggle for justice or the celebration of the cultural legacies that shape our lives, Johnson’s art invites us to reflect on what unites us as individuals and as communities. My visit to the Stamelos Gallery was a reminder that art isn’t just about what we see on the surface; it’s about the stories, struggles, and triumphs that are woven into every brushstroke, every piece of fabric, and every sheet of paper. Johnson’s work is a testament to the power of creativity to honor the past and inspire the future.

 

REVIEW: The 5th Annual Pass The Mic

On October 23 2024, “Pass the Mic” invited everyone into a space full of real emotions, honesty, and a bit of magic. Hosted by the Hopwood Program, this yearly event brought students from all over the University of Michigan to share their writing—poems, stories, and essays.

Throughout the night, we heard all kinds of stories, each one reflecting the writer’s unique life and feelings. There were poems about deep loss, struggles with mental health, and even the simple sweetness of peaches and plums. Listening felt like getting a glimpse into each person’s world, as they opened up and shared real pieces of their lives.

From the Dearborn campus, Vincent Intrieri shared a powerful story about his own life experiences. From open-heart surgery, his time in the Navy, and moments in a hospital room with his girlfriend and nephew, he crafted his life into lines that made up his living. His words felt raw and genuine. “Living felt worth it again and I eventually found my voice,” he said. For him, that was his way to heal and reclaim his story. We were right there with him, almost reliving it.

Then, a poet from the Flint campus shared a love story in a different kind of way. Peaches and Plums, it was called. Each stage of the relationship was tied to the stages of eating a peach or a plum—like the sweetness of a peach when you first bite into it to the tartness of a plum halfway—capturing the ups and downs of love. The poem ended on a bittersweet note, capturing love’s simple but complicated beauty. While the author explained they did end up staying friends, a love story is a love story, even if it’s between friends. It was like “unraveling a love story through the sweetness and messiness of fruit.”

Finally, from Ann Arbor, another author shared a piece about loss and nature. Their words felt like a quiet tribute, with landscapes that mirrored their sadness. “I rest my head on the hook of your neck mother.” You could feel the weight of the words the more they spoke. The poem felt dreamy and light, as if they were letting nature carry their grief. Losing someone is a natural process, and the poem was a gentle reminder that it would all be okay. Trees grow back!

By the end of the night, I felt like I’d been part of something special. “Pass the Mic” was more than just an event; it was a space for people to share their stories and connect. Each voice mattered, and each story—no matter how different—was heard. It was a night to remember.