PREVIEW: All My Sons

All My Sons by Arthur Miller will be presented by the University of Michigan’s Department of Theatre & Drama this weekend in the Arthur Miller Theatre on North Campus. Arthur Miller was a prominent figure in twentieth-century American Theatre writing numerous plays including Death of a Salesman, The Crucible and A View from the Bridge.

All My Sons was inspired by true events and follows the story of Joe Keller, a businessman who sold defective airplane parts to the government during World War Two. As a result of these defective parts, 21 American pilots lost their lives and Joe’s neighbor/business partner was sent to jail while Joe was exonerated for the crime. This scandal is a common topic of neighborhood gossip, but Chris, Joe’s youngest son, is determined to move on with his life by marrying Annie. Yet, Chris’ mother Kate cannot let go of the past – defiantly believing that her eldest son Larry, a solider MIA presumed dead  and Annie’s sweetheart before his disappearance, is alive.

Remaining Performances: October 16, 17 at 8pm, October 18 at 2pm

General Admission by Floor $28 • Students $12 with ID

REVIEW: A Very Starkid Reunion

As I sat in the audience of the Power Center Thursday night, I heard high pitched chatter all around me, anticipation crawling up my spine. My last Starkid show had been in 2012, and this felt even more special for some reason. This time, Starkid was in their home turf. But then again – this time was different. I wasn’t just watching and enjoying this show. Notebook and pen in hand, I sat poised over my notebook.

My first two notes?

“The lights dim and I flinch.”

Why did I flinch?

“Screaming. All Screaming.”

The audience erupts into a dull roar as Darren Criss sits in the darkness, waiting for his cue to grace us with his beautiful voice.

This, my friends, is a Starkid show.

I’ve been a Starkid fan since at least 2009, my freshman year of high school. I thought I was clever making jokes about how that movie sucked royal hippogriff, and how when I went to college I’d be transferred to Pigfarts. I’m no ameteur. But even with all that preparation, I didn’t know what to expect for their reunion.

Of course, Darren opened with a much more polished rendition of “Goin’ Back to Hogwarts,” and I wondered vaguely how much rehearsal he really needed. Did he remember all of the words, or was relearning them like riding a bike; one shove and he was gone?

I continued wondering about the nostalgia, especially as the screams grew quieter during the second half of the concert. What did it feel like for Joe Walker and Brian Rosenthal to be bound together again in that damn turban? What was Jaime’s view from the stage, as she led the cast of Me and My Dick? Did Joey care that his vocals are being overpowered simply by the sheer will of screams?

Throughout the concert, performance, variety, whatever you may call it, I tuned out the screams and really tried to focus my critical eye on this phenomenon I loved. But there’s nothing to criticize. I could tell that these weren’t kids singing in the Walgreen Drama Center any more – all the vocals were polished, vowels open and consonants crisp. These were now seasoned professionals. I personally loved Brant Cox’s solo, when they performed “Beauty” from their 2011 musical Starship, and the subtle tweaks to writing, where Darren went off about there being another Spider Man and Meredith Stepien pointed out that Red Vines are disgusting (because they are), were nothing short of ingenious. No, the show wasn’t perfect, but since when has a Starkid show ever run smoothly?

Despite all the screaming and frustration at not picking my favorite songs (where was Granger Danger?!?!?), I remembered why I fell in love with Starkid. It wasn’t the jokes, it wasn’t the Harry Potter, it wasn’t even the perfection of Lauren Lopez. It was the honesty of all their performances, and how they made you feel like you could jump on stage and join them. And that’s how they took the stage at the Power Center, filled with joy, a bit of quirkiness, and hope.

It was clear Starkid wasn’t just reliving their old memories by recreating their favorite musical numbers from all their shows. Even through Brian Holden’s self-deprecating humor, it was clear Starkid was emphasizing that no, they hadn’t forgotten about where they came from. Even Darren in all his glory loved to come back hoMe.

“Michigan was our Hogwarts” they proclaimed, instantly making everyone in the audience who wasn’t a Wolverine immediately decide to apply to Michigan. I can’t lie, though, because despite its cheesiness, as a senior I felt their words ring true.

At the end of the night, I looked to the front of the audience, where Nick Lang, director, writer, actor, everyman sat watching his creation, pulled together in the span of mere days, a little over 12 hours rehearsal and prep put into making this show. He erupted in cheers, pulled onto stage by his castmates, his Starkids, his very best friends. As I watched, I thought I may feel just a tiny bit of what he felt: pride in what this group of quirky kids became, all because of one idea and the determination to see it through.

 

REVIEW: New York Philharmonic Concert 1

Alan Gilbert’s new Michigan gear, set in front of the long-time conductor of the New York Philharmonic, Leonard Bernstein. Photo courtesy of UMS.

All I can say is, wow. The New York Philharmonic gave life to all the repertoire they performed last night. An unbelievable amount of artistry filled up the full house of Hill Auditorium on Friday, October 9, the first concert of their five-year residency at the University Musical Society.

The New York Philharmonic makes orchestra playing sound easy. As a musician myself, I can assure you it’s not. Each phrasing was done naturally, each note was given different colors in appropriate timings, and each melody had so much life. Maestro Alan Gilbert handled the intricacies of Beethoven’s works with such grace, and the musicians responded with their virtuosic skills. In addition to that, Mr. Inon Barnatan, the soloist for Beethoven’s Piano Concerto No. 1 in C Major, Op. 15, glided through the keys to express the various characters in the piece with composure and meticulous technique. It was quite a show to see.

Another reason that made this night’s concert special was the surprise after the program. After receiving standing ovation from the entire audience, Maestro Alan Gilbert goes backstage, and comes back on stage with a Michigan hat. Although I was all the way up in the balcony, I could see the block M on his hat. Then, he takes the baton and conducts the special arrangement of “The Victors” as an encore. It was such a treat — there was even a section that made “The Victors” sound like another movement from Beethoven’s Seventh Symphony that they had performed right before! Although I must say, it was weird leaving Hill Auditorium singing “The Victors” to myself instead of Beethoven 7; it was probably the least amount of maize and blue I saw in the audience while listening to this song, too.

Speaking of what people wore to the performance, many people were dressed fancily — the dresses, ties, and neatly ironed shirts were quite nice to see. However, I am happy with what I wore to the performance: a comfortable top with a scarf, skinny pants, and casual boots. I’d say it was somewhere between casual and business casual.

I did this on purpose. I wanted to really take on the words posted on the UMS website:

UMS has no formal dress code and we encourage you to wear whatever you feel comfortable in. Jeans and tennis shoes are perfectly acceptable, although some patrons prefer to dress more formally.

I’m a student. While I like dressing up, I can’t afford to dress up for every concert that I go to — and I’m sure I’m not the only one. I think the beauty of the performances at Ann Arbor is how younger and older audiences come to the same performances. Alongside the old couples with upscale clothing, I see students coming right out of class with backpacks and sneakers. Readers, take note — you do you, as long as you don’t distract others in the audience. Arts at Ann Arbor are more accessible than you may think.

PREVIEW: New York Philharmonic Residency

 

Photo: Chris Lee

One of the best orchestras in the United States, the New York Philharmonic, is coming to town later this week and offering a bunch of festivities in the next few days.

The New York Philharmonic is visiting Ann Arbor for an adventurous five-year residency program with the University Musical Society (UMS) and the School of Music, Theater, and Dance (SMTD). As a result, the New York Phil personnel will be offering a lot of master classes, concerts, lectures, and even a halftime show at the Homecoming football game (!) in the next few days. Check them out:

THURSDAY, OCTOBER 8

Keynote Address: Orchestras in the 21st Century: A New Paradigm
6:00 pm, Rackham Auditorium, FREE

Join Maestro Alan Gilbert, the musical director of the New York Philharmonic, as he gives his keynote speech on the role of orchestras in the 21st century.

New York Philharmonic Residency Kickoff: Side-by-Side Concert
7:30pm, Rackham Auditorium, FREE

Eight students from the School of Music are playing chamber music with the New York Philharmonic musicians in this free concert. They have been rehearsing a lot and are sounding great already!

FRIDAY, OCTOBER 9

Public Master Classes
Time Varies, School of Music Moore Building (1100 Baits Dr.), FREE

Many musicians from the New York Philharmonic are giving master classes throughout the day. Check the link above to see if your favorite musician is giving one! All are open to public.

Lecture: 21st Century Orchestras and Social Impact
1:30 pm, Room R1240 of Ross School of Business, FREE

Come hear the President of the New York Philharmonic, Matthew VanBesien, talk about his view on how the orchestra can make a huge impact despite its challenges today.

New York Philharmonic – Performance 1
8:00 pm, Hill Auditorium

Friday night’s performance will consist of classical favorites including two works by Beethoven. Student tickets ($12 and $20) are slim, if not sold out, for this concert as of this writing.

SATURDAY, OCTOBER 10

New York Philharmonic – Performance 2
8:30 pm, Hill Auditorium, FREE with the Passport to the Arts

Saturday night’s performance explores some newer works, including one by the New York Philharmonic composer-in-residence, Esa Pekka Salonen. Student tickets ($12 and $20) are available at ums.org as well as the Michigan League Ticket Office, or you can also get a FREE ticket using the Passport to the Arts if redeemed before the night of the event!

SUNDAY, OCTOBER 11

Interview and Discussion with Vince Ford, director of digital media at the New York Philharmonic
9:30 am, Britton Recital Hall at the School of Music (1100 Baits Dr.)

Come hear Vince Ford, Director of Digital Media, talk about how digital media can be a great tool for marketing in this age. There will be breakfast served before the event as well.

Public Master Classes
Time Varies, School of Music Moore Building (1100 Baits Dr.), FREE

There will be another round of master classes by the musicians of the New York Philharmonic on Sunday. Check them out at the link above!

New York Philharmonic – Performance 3
3:00 pm, Hill Auditorium

The third and final performance by the orchestra for this year will feature “On the Waterfront” by Leonard Bernstein – the legendary composer and long-time conductor at the New York Philharmonic. This concert will be preceded by Dig In with UMS, where you can meet your fellow concertgoers in a casual setting with food and activities.

 

This is a very unique opportunity to see such a high-class orchestra for multiple days in multiple settings. Don’t miss out, Ann Arbor!

PREVIEW: A Very Starkid Reunion

starkid

STARKID IS BACK! And you should definitely be excited. After five years away from the University of Michigan campus, Team Starkid is back in town for a much needed reunion. Don’t know who Starkid is? Blasphemy! Team Starkid is a theatre group formed by then-students-now-graduates of the University of Michigan, made famous when they uploaded their musical-parody A Very Potter Musical  to YouTube and became insta-famous. Besides making fun of beloved childhood books, Starkid produces hilarious original musicals (I recommend Starship) and dabbles in a bit of everything (comedy, stand-up, silliness..etc.). Although I’m not quite sure what to expect, bring your wands and pink sunglasses, because we’re going back to Starkid. Proceeds from ticket sales of A Very Starkid Reunion will go to a scholarship in honor of the School of Music, Theatre, and Dance’s 100 year anniversary.

Where: Power Center for the Performing Arts
When: Thursday, October 8th, 7:30pm
Tickets: $35/$25*

*Note – this show is almost sold out – I stress almost.