Review: Hubbard Street Dance Chicago

I went to the Hubbard Street Dance Chicago performance on Tuesday night, October 27th, at the Power Center.  It was absolutely breathtaking.  The choreographer, William Forsythe, who is known for his “variously extended” and “warped” style of ballet, lived up to that world-renowned reputation. Each performance was executed with the same amount of grace and precision.  Since the choreography was outstanding and paired with the incredibly talented dancers, all three pieces left vivid memories in my head. 

“N.N.N.N” was extremely impressive because the dancers were on stage for twenty minutes without any music.  They emphasized their sounds—clapping, breathing, and sniffing— while making very swift and controlled movements.  That alone was enough to keep me engaged throughout the entire dance.  I found myself in awe thinking about how much practice and focus it must take to memorize sounds while doing moves that are so physically demanding.  It did not matter to me that the message was unclear.  I was mesmerized enough by the fact that if one of the four dancers missed a single move or sound that the entire dance would be thrown off.  They couldn’t talk and didn’t have an abundance of other dancers or music to make up for a miscommunication or wrong move.  When the curtain closed, I didn’t think it could get much better but it did.

The piece that sticks with me the most is “Quintett”.  In this performance, I could tell how extremely athletic the dancers have to be in order to dance so brilliantly. They were able to stay in character and focused while making fluid movements that took strength and agility.  My favorite dancer was the woman in an orange dress. I found myself following her even while the other four dancers were on the stage. I enjoyed how her motions, especially with her legs, were always elongated and dramatized.  When she kicked her legs up, it would be drawn out as if she was gracefully reaching for something on a shelf in front of her with her toes.  The song that they danced to in this piece was not what I would’ve expected to be paired with a classical tune.  At first I thought that the repetitiveness of the accompaniment would distract me from the dancers but it ended up fitting in very well.  This performance had the theme of love.  There was almost always one woman and one man dancing together.  The theme of love, along with their exhaustion, created an apparent strong connection between the dancers.  After this performance, I found myself smiling and couldn’t wait for the lights to turn on for intermission so that I could talk about what I loved and thought about the performance.

The enthusiasm that I had carried into the last dance, “One Flat Thing”.  This piece had me at the edge of my seat.  I knew that “One Flat Thing” was inspired by Captain Scott’s doomed trip to the South Pole so I was looking for signs of that.  There were tables set up on stage, 4×5.  I think that the tables were supposed to represent sheets of ice and obstacles that the voyagers had to face.  I think that the dancers were representing the people struggling to survive.  The play was really energetic right from the beginning, when dancers dragged the tables to the front, to the end, where all the dancers dragged the tables to the back.  Doing this demonstrating that they were in a very chaotic state.  The choreography, the back story, and the music created so much intensity.  The way that the performance ended with a “bang” left me dumbfounded and satisfied.

I was astounded at the end of every performance.  If the dance group comes back in the following years, it is not a performance that I would want to miss because seeing Hubbard Street Dance Chicago enhanced my appreciation for dance.  

For mind blowing explanations of the organizational structure of “One Flat Thing”, click here

Men, Women, and Children Review

This is a film about how technology and the internet affect all of us- whether that be men, women, and children. There are probably a multitude of ways in which our phones and internet affect our lives. Whether it is my friend who is in medical school and posted on Facebook that he couldn’t pass his medical school classes without the internet. Then there are my feminist friends (who are deeply concerned with gender politics) who say that thanks to GPS on our phones, the answer to the age-old question of who should ask for directions –is ask Siri!
This film explores different avenues internet technology has permeated our lives. The first trope this film brings to my mind is the Kris Jennerization effect the internet has on parenting, and moreover people’s careers. In this film, a high school student named Hannah is an aspiring actress. She even goes to a casting call for a reality TV show. Her mom is like a Kris Jenner who exploits her daughter’s sexuality by taking salacious pictures of her and posting them on a website. She believes that this will expose her daughter more, bring advertisers to the website, and this in turn will bring them more money for photo and modeling shoots. The reason I said that this story line reminds me of Kris Jenner, is because Kris Jenner uses the platform of the internet to catapult her daughters’ images to the world- and sometimes with the help of salacious photos and photo shoots revolving her daughters.
Another trope of how internet technology permeates our lives is by giving us access into our children’s lives. Brandy Beltmeyer is a normal 21st century high school student in this movie who wants to use the internet to stay in touch with friends. BUT, her mother Patricia Beltmeyer will have NONE of this. And obsessively monitors all her social media activity, to the point of deleting her social media accounts. Brandy, eventually succumbs to making a secret Tumbler account so that she can maintain a friendship with her friend Tim- an ex-football player.
Patricia represents the helicopter, overprotective, smothering parent in the 21st century. Smothers and have always existed throughout the dawn of time. And they will be damned if a little thing like social media will get their way of tightening their grip on their children. Even if this means knowing their children’s social media passwords, and checking every word posted on social media websites. Jennifer Garner portrays the rigid, uptight Patty Beltmeyer convincingly.
Then there is the matter of relationships and the internet. First there is the loveless couple (the husband is portrayed by Adam Sandler) who end up cheating on each other thanks to websites such as Ashley Madison. Then there is their son who sees so much pornography on a daily basis that well he cannot get ‘high’ from the regular amount of porn he sees! Tim, the ex-football player finds companionship through Brandy thanks to her use of a secret tumbler account. It should be noted that Tim also uses the internet to heavily play online video games as a way to cope with an injury which prevents him from rejoining football, and also a way to cope with the loss of his mother who left the family.
The narratives and stories in the subplots are captivating; and a lot of these stories are interwoven (e.g. Tim and Brandy) and it is interesting to see how one of these subplots affects the other. I furthermore like, how the messages characters post on the internet interface on the screen so, the audience can fully see and feel the larger than life/3-d effect these messages have on their character’s mind and emotions.
Perhaps my only complaint for this movie is the title. This movie is so much about how technology/the internet encompasses our life in helping us enhance our careers, helping us maintain our friendships, accessing information, giving us the first glimpse into pornography, and even being the last resort in rekindling our marriages and being yet another tool in tightening the leash onto our children. Though many of these things happen to men, women and children (the title of the film)-the title of the film should reflect the seeping quality of technology in our lives.
One last reason I love this film is because it has the Jason Reitman touch to it. And what I love about director Jason Reitman is that he really isn’t afraid to show the times that we live in and the often mundane aspects of our lives- and highlight them, build stories regarding them, which captivates us and holds our interests. He did this with the movie up in the Air regarding joblessness and the recession and now with internet and internet based communication in this film. None of his films have murders, war, or really crazy things going on, yet his films are interesting and make the viewer want to keep on watching. That said, I hope that you can go out and truly see this film- it will hold your interest.

Men, Women, Children Preview

In this day and age where our lives are often ruled by
iPhones/androids/smartphone/cellphones- or basically anything that is digital and connected to the
internet- we often don’t have a bird’s eye view of who all of these forms of communication fully affect
human relationships. We live by these vessels of technology but we don’t see ourselves living in the
midst of such technology. Well, that is until now. This movie also manages to interweave several
storylines of people in a town, the struggles and triumphs of their existences, as well as how their lives
interact with each other. If you are looking for a story about the ups and downs of human life, and how
our iPhones and Smartphones affect the ride called life, then this is the movie for you.

Wild Review

Let’s address What We Notice First: This is Reese Witherspoon like you have never seen before
So in the first minutes of the film, you see Reese Witherspoon dressed in not so glamorous clothing, taking off her boot, and revealing a bloodied and blackened toe! The boot falls off the cliff, and she sends the other shoe over the cliff as well. Then you hear her saying, “You f—ing b—ch.”
And then you think about Legally Blonde and you do a double take. This is the same actress?
True Reese has done meaty film roles when she acted in for instance, Vanity Fair and Walk the Line. But, she hasn’t acted in anything so gritty, and unglamorous as Wild. It is a vision to see her in this light.
This film is a feminist film at its height
Perhaps my favorite aspect of this film is that it is a film which showcases feminism at its best. It does show a woman all by herself going cross country to redeem herself after years of spiraling downwards into drug addicted behavior, cheating on her husband a countless number of times, and at one point even becoming pregnant with one of her adulterer’s children. Traditionally women have often been designated to be with someone- a husband, a father, or even among the company of other women. But women, haven’t traditionally been recommended by society to be alone. You are told that you need a man for money, a house, and for protection. What Cheryl does- going out in the wilderness by herself is unheard of.
And there are definitely times, when the filmmakers make sure that people get this message. First, it is when Cheryl goes to check-in at the motel and the motel clerk (For the record, it’s Carolyn from Mad Men- Roger’s secretary) says that you have to list an emergency contact, and Cheryl says that she is here by herself and the clerk, says no you cannot be. You have to have an emergency contact. This back- and forth exchange goes on for a while, until Cheryl finally lists her ex-husband as her contact. But, this exchange showcases to viewers, how society is telling a woman that she must have somebody— how she be totally without somebody? How can she truly be by herself as Cheryl says she is.
Another instance, this film test’s society’s (and possibly viewer’s assumptions) is when Cheryl is picked up by the farmworker and taken to his house for dinner. His wife has made a lot of food, and as the three of them sit down for dinner, Cheryl tells them of her solo journey. The wife says, “Oh my husband would never let me do that.” And the husband chimes in, “You are right, I wouldn’t.” I think the message the filmmakers want us to walk away with are that women still need men’s permission when it is time for them to do something different than ‘wifely’ tasks like cooking.
Perhaps this is the cornerstone of the feminist elements of this film is when Cheryl runs into a man who is a reporter and who works for a paper called The Hobo Times. He says that he would like to interview a female hobo for the paper. And every time Cheryl says, I am not a hobo, he asks her another question about being a female hobo. It’s pretty hilarious! Eventually this conversation prompts Cheryl to say that when can a women ever leave? We are either somebody’s wife or somebody’s mother. The reporter then asks/tells her that she sounds like a feminist. And her response of course is, Yes, I am.
Chery’s story is truly unprecedented. Here is a woman, who fends for herself, makes her own food, and travels in the elements- without much help from others. If this film cannot convince a sexist, that women need men like a bicycle needs a fish- then I don’t know what can.
This film really plays with sexuality
From the orgasmic breathing as Reese hikes to the top of the cliff in the beginning of the film, to when a fellow hiker questions her 12 condoms in her backpack, to the men who eye her ravenously on the trail ( and later even show up unannounced)—this film has a sexual feel to it. Sometimes the sexual feeling which permeates this film- has a predator and prey pull to it.
Disappointments in the movie
I remember reading up on the movie before seeing it on the big screen. I also remember Reese Witherspoon discussing how Cheryl Strayed had sexual experiences with different men and how she (Reese) found this empowering. In fact, Reese went onto explain how these stories’ from Cheryl’s life helped Reese have conversations with her daughter about female sexuality; and how sometimes as a girl/woman growing up, “.. you just need to be with those guys ( sexually). We all have different needs and sometimes you need to sleep with those men at that point in your life. “
But honestly, I didn’t see Cheryl have a lot of “free healthy sex” relationships with many men outside the confines of marriage. Don’t misunderstand me, sex within the confines of marriage is absolutely fine, and with such a caring husband like Cheryl’s that’s even better! But, since sex outside of marriage has been traditionally looked down upon for women, and this film has been hailed as a feminist film—so I guess I wanted to see more of that.
Perhaps, the only twice I saw her have healthy free sex, was towards the end of the movie when she is done with the trail and she has sex with a guy she meets at a concert. And he graciously accepts her physical scars and seems caring.
The other times she had sex, were times in my mind when she shouldn’t have sex. This is because they all seemed to be from times when she cheated on her husband. Her husband in my eyes, was a saint. He stayed with Cheryl for many years despite the fact that she cheated on him; when she was high out of her mind on the street, he picked her up, he dealt with her shouts, and when they were no longer together he was her emergency contact, and even mailed her packages at different rest stops along the Pacific crest trail.
When she worked as a waitress a few times it looked like she took some customers to the back of the alley and had sex with them. And it really bothered me to see this because first of all, we as the audience didn’t know if these men were married or not. So by sleeping with her they could be committing adultery.
Furthermore, WE as the audience know that she is married, so it is really hard to see her committing adultery. But these relationships seemed like snippets of the film. You don’t see her engaging in too many physical relationships, and furthermore relationships which as Reese Witherspoon said, “ Sometimes you just need to sleep with those boys.” Where was that?
Yes, it is a great feminist (and human) journey to take such a bold, unique, and incredibly hard journey through nature’s elements by yourself. At the same time, it would have been nice to see her show snippets of healthy female sexuality-especially when sexual elements like the orgasmic breathing intro or the men who watch her like prey on the trail- make the film a bit sexually charged. To have the environment be sexually charged and not see much actual sex scene tidbits, well makes parts of the film a bit of sexual tease.
Family and Redemption
The fourth and in my opinion, sweetest aspect of this film is family. Cheryl is really close with her mother Bobbie and while she was a child, her brother. Cheryl’s mother is a woman in an abusive relationship while Cheryl was growing up. In fact, from time to time there are flashbacks of Cheryl running into a drug store and running out with cotton pads and rubbing alcohol to wipe away her mother’s wounds. This sad family backdrop probably helped shape Cheryl into the feminist she became. But, it probably made all three of them very tight-knit because that is all they had. Her mother Bobbi (so brilliantly and lovingly played by Laura Dern) maintains her happiness despite what little material possessions and dilapidated house they have. At times, Cheryl resents her mother’s upbeat cheerfulness and questions on her how she can be so happy. Cheryl even challenges her mother’s ideas about the books they both have to read for a class. Cheryl’s source of annoyance at her mother isn’t always clear- but there is a feeling that it could stem from the age old saying which says, “We hurt the ones we love the most.” And it is clear that Cheryl deeply loves her mom. When her mother unexpectedly dies, Cheryl cries as if she is being burnt at the stake.
And at the end of the day, Cheryl feels that she lost her way in life because of the loss of her mother, and says, “I am going to walk back to the woman my mother was proud of.” Her redemptive journey is rooted in the reason of family.
Cheryl also seems to have found a family with her former husband. Even though they decide not to be together anymore, they decide to get tattoos which will connect them permanently in a way. While she is on the road, her only emergency contact and somebody who sends her care packages. He is the only family she has at times.
And at the end of the movie. Cheryl even mentions how after her journey is over that she ends up marrying somebody a few years later and has a son and then a daughter. So, her redemptive journey eventually led her to the reason why she did this on foot journey in the first place: family.

REVIEW: 93rd Annual All Media Exhibition

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I attended the opening reception for the 93rd Annual All Media Exhibition. The event was packed with art-lovers and the walls were decked out with works of art. The live music contributed to the classiness of the atmosphere and the free wine and appetizers satisfied the crowd. A few artists that captured my attention as I made my way through the gallery were Michael Reedy and Cathryn Amidei. All of the exhibited artists are based in the Great Lakes region and these artists in particular are based in Michigan.

Reedy’s piece in the exhibition, entitled The Kiss, is a mixed-media piece. It involves a naked female-figure and a child-figure in an ambiguous space. The naked female-figure sits and embraces the child-figure with closed eyes. Hauntingly, the child-figure is eyeless and skinless; the viewer sees its veins, organs, and skeletal structure. Both figures are vulnerable insofar as the female-figure is naked and the child-figure’s bodily insides are literally exposed. The relationship between the two figures suggests intimacy and the title, The Kiss, reinforces this perceived intimacy. The ambiguous space in the background highlights the all-consuming intensity of their intimacy. Nothing else exists.

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Amidei’s piece in the exhibition, entitled Receptor, is a hand-woven fabric piece. Its solitary female figure directly stares at the viewer and her gaze is longs for attention. A familiar-feeling pattern spreads across her face. The greens and purples add to the seductive quality of her gaze. The piece is quite hypnotic in-person because the texture is more perceptible. The title, Receptor, implies receiving and the state of openness. The piece invites its viewers to step into into its seductively-patterned world. The Kiss involves figures engaged with each other rather than with the viewer; Receptor, however, involves a solitary figure that directly and hypnotically engages the viewer.

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Several other artists participated in the exhibition and their works are worth experiencing in-person. Importantly, the exhibition included Great Lakes artists that work in a variety of media. Artists tend to concentrate within somewhat limited scopes of expertise. For example, an accomplished painter may know little about photography and likewise an accomplished photographer may know little about painting. The exhibition combines artists with differing scopes of expertise and celebrates their shared characteristics: firstly, their ability to create art and secondly, their ties to the Great Lakes region.

The 93rd Annual All Media Exhibition will run until the end of November.

Preview: Halloween Band Masquerade at The Blind Pig

It’s that time of the year when Ann Arbor is abuzz again with events taking over every minute of Halloween Weekend. The 7th Annual Band Masquerade is happening at The Blind Pig with five local bands performing covers of some of the most popular rock songs and artists of all time. Well, we all dress as our favorite characters and go around town, so these immensely talented artists decided to dress like their favorite bands! I am extremely excited for this event as I’ve heard these artists for years, wished to be teleported to the 70s and every time I listen to either of these, I get the chills – and this is perfect for the season of spooks, chills and thrills! Feel The Pigs and the Dogs as you take your trip up the Stairway to Heaven and take a Bullet in the Head because IT’S HALLOWEEN TIME! (if you don’t get these references, please take time to listen to a few of their songs or make your way to The Blind Pig because you are seriously missing out on some amazing music)

The line up for the night will be:

-PINK FLOYD’S “Animals” album as performed by Counter Cosby & Friends

-LED ZEPPELIN as performed by Scissor Now!

-RAGE AGAINST THE MACHINE as performed by Volcano Worshippers Hour!

-THE KINKS as performed by Cyrano Jones

-BJORK as performed by Junglefowl

This event is 18+ so bring all your friends and a valid ID for entry. Amazing wigs, trippy costumes and costumes are absolutely encouraged to get a blast of the past and well, have the most fabulous time jamming to this music. Come say hi to the girl in a Sriracha sauce costume if you spot me there! Tickets are $11 for 18+ and $8 for 21+.

You can find out more about the event on Facebook https://www.facebook.com/events/910215925724800/

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