REVIEW: together PANGEA

together Pangea delivered an exceptionally lively set last Friday at the Blind Pig, one that brought house show energy to a space that I’ve never seen so animated. The space itself was packed with fans ranging from loyal front-row occupants to casual enjoyers at the back– an impressive feat given the downpour happening that night. Cue the show itself, as the openers preceding together PANGEA were Sad Park and Skating Polly. I didn’t catch Sad Park (though I’m sure their work is worth a listen), but I was able to see the last few songs of Skating Polly and thought they were excellent. Accessing Riot Grrrl sounds with creative vocals and a dynamic stage presence, this band is definitely one I’ll be tuning into a lot more from here on out. The crowd clearly has similar sentiments, as it bopped and moved as one to the punk ensemble.

 

In terms of the main act, together PANGEA played a fantastic show. Playing a wide range of their discography, there was a clear control over the energy of the room as their set would effortlessly move between more intense, pit-stirring hits like “Badillac” and more popular rock in their newest songs. They also shifted the tone to a questionable “country” label, playing a personal favorite song of mine, “Love & Alcohol.” The change in tone and tempo was welcomed by the crowd, as the frontman’s voice had a chance to shine in this number.

 

That said, the moments where the set picked up were a blast, too. The pit was exhilarating and countless members of the crowd managed to crowdsurf during the set. It was a bit wild, but in the most perfect way. It was easy to see the band feeding off of the crowd’s energy as they stuck around for an encore, taking their time to really enjoy playing their instruments and show off their musical talents. In moments between songs or during solos, you could tell from the looks exchanged between band members that they still loved performing live, even after touring and making music as long as they have.

 

I highly recommend catching any of these bands on tour, in Ann Arbor or elsewhere, as their shows have the kind of quality that wake you up and remind you why live music is an experience like no other.

PREVIEW: together PANGEA

This Friday, Californian rock band together PANGEA will be performing at the Blind Pig. Offering a range of punk garage tunes, together PANGEA is sure to offer an energetic set, as they’ve been making music for over a decade. Come for highlights from their fantastic 2014 album, Badillac, alongside hits from their newest album, DYE.

 

Doors open at 7, and two openers will be playing: Skating Polly and Sad Park. Both openers have intriguing musical inspirations and will blend really well with the headliner. With a packed lineup, this show is definitely a great way to spend a Friday night in Ann Arbor.

REVIEW: Compartment No. 6

Compartment No. 6, a film by Finnish director Juho Kuosmanen was the kind of film that really makes you forget you’re sitting in a theater. The majority of the film consists of two travelers sharing a cabin on a sleeper train, heading from Moscow to Murmansk, Russia. Laura is a Finnish academic coping with the inevitable dissolution of her relationship while Lyokha is a Russian working-class man headed to make some money in the mines at their destination. Laura is conversely headed to see a set of petroglyphs as a historic endeavor, a trip that her sort-of-but-not-quite ex-partner dropped out from.

 

It feels a little tired to follow the arc of “they can’t stand each other” to “they have a snow ball fight, giggling and red-nosed,” but there’s a sense of sincerity to this film that is impossible to shake. This could very well be due to the fact that I’m not familiar with Eastern European culture and the lived realities of these places, but the setting felt as though it was constructed with a careful and affectionate eye.

 

The train as a center of activity and plot development was fantastic. In such a small space there seems to be an entire world constructed, as the two characters venture throughout various locations within the train. This kind of claustrophobia also lends itself to an accelerated intimacy, both in terms of the visual framing of the characters and the actual plot.

 

I’m still trying to decide how I feel about the ending of this film. I suppose I really mean the final act, as I’m wondering if it was entirely necessary. This section leaves the train and thus shifts contexts in a way that, yes, wraps everything up, but doesn’t quite align with the rhythm of the rest of the film. I think I also would have liked more ambiguity to the way their relationship ends, but at the same time I can’t be mad that this part of the movie finished the story off in a satisfying and sweet way.

 

At the end of the day, though, this film consists of every beat you hope to hit when travelling: interesting and frequent new characters, a feeling of imminent change, and an understanding that everything is so bittersweetly temporary. This movie is well worth a watch, and is sure to remain in viewers’ minds as we all wait for our next train to catch.

PREVIEW: Compartment No. 6

Now showing at the Michigan Theater, Compartment No. 6 is an award-winning film that is, at its core, a character study. The trailer seems excellent, offering a great visual vocabulary for the dreary train cabin and the building action leading us there. In addition to this, the plot device of two strangers getting to know each other through external forces, like a shared train car, is sure to offer an in-depth understanding of both these characters and their shared dynamic.

 

Spending some time in a theater is always a go-to for me when the weather gets as underwhelming as it is now. Grab a student ticket and check it out!

REVIEW: Cece June, Big Chemical, and Jacob Sigman

Last Friday at the Blind Pig, I had the pleasure of attending Cece June’s set, situated between performances by Big Chemical and Jacob Sigman. It was a cold trek out to the west side of downtown, but as I find with many shows I’ve attended at the Blind Pig, it was definitely worth it. Cece June’s presence in the University of Michigan music scene has grown immensely over this past year, and this set shows exactly why.

 

A mix of covers and originals, Cece Durán commanded the room as a solo act with her powerful voice and clear proficiency on both acoustic and electric guitar. She offered a fair amount of music from her excellent EP, and we were able to hear soon-to-be released material from her forthcoming LP. She also had a distinct grip on the mood of the room, offering both thoughtful, soulful moments and energetic, uplifting points throughout her set. Her ability to oscillate between the two and carry the room with her was a joy to witness.

 

Now a part of a group as well, Cece and the Crawlers, her ability to adapt between solo and collaborative performance shined through that evening. Speaking to this point, during her set she invited fellow act Jacob Sigman onstage and performed a touching duet of an unreleased song of his. Their voices complemented each other perfectly as the power and passion in their musical expression matched so well.

 

Another highlight included her cover of a song by Nothing But Thieves. This performance showed the way Durán was capable of filling the room with her voice, the ballad providing a certain emotional dimensionality to her set. In addition to her voice, Durán’s capabilities on the guitar were stellar, punctuating and accentuating her act in a highly effective way. The song she performed in her native language, Spanish, was also captivating and showed off yet another facet of her musical oeuvre.

 

Durán had natural stage presence, interacting with the crowd and encouraging participation in a way that didn’t feel forced or one-sided. It was easy to find oneself singing along, feeling the music just as much as others in the crowd.

PREVIEW: Cece June, Big Chemical, and Jacob Sigman

This Friday at the Blind Pig you can catch a variety of great performances from Cece June, Big Chemical, and Jacob Sigman. I’ll be reviewing Cece June, or Cecelilia Durán’s act in particular, as she’s quickly become a staple in the Ann Arbor music scene. An LSA student herself, Durán has a new album in the works now–it’s a great time to catch some fresh music from her in preparation for her eventual full-length release. With a stacked lineup, there’s sure to be a variety of musical offerings as well.

 

Tickets are only $10, so make sure you find yourself at the Blind Pig this weekend!