REVIEW: The Haunted Belfry

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In the spirit of Halloween, students in the school of Music, Theatre, and the Dance hosted a performance in the uppermost room of the Lurie Tower on North Campus. As I was initially walking toward the tower, I heard the Game of Thrones theme echoing across North Campus. How I wish I could hear that every single day on my commute to classes! The sound was magnificent, the carillon is the ideal instrument to perform songs that demand a certain energy level. Game of Thrones on a piano is cool, but Game of Thrones on a carillon is as it should be: epic. I first was given a tour and history of the tower and carillon itself.

The Ann and Robert Lurie Tower was built as a dedication to alumni Robert Lurie, courtesy of a generous donation from his wife after his passing. The carillon housed within the tower is a grand carillon, meaning it has over 60 different bells. Another grand carillon is incidentally located on Central Campus, in the Burton Tower. This grand carillon allows for a wide variety of songs to be played, which may explain why I am sometimes fortunate enough to hear a Harry Potter theme being played on the Burton Tower.

Students that had been trained in the grand carillon lined up and played a selection of eerie songs, and I was incredibly impressed at how well they seemed to nail each song. The songs were executed perfectly, despite the only method of performing being hitting different wooden rods with their fists. Seriously, that is how one plays a carillon. I wished for a program, because there were a few songs I didn’t know off the top of my head and would have liked to have a name for.

The tower was decorated for the Haunted House that was to take place there later that evening, which added to the effect already given by the Halloween-esque music. Being a huge fan of fantasy, I was thrilled to hear some of my fantasy favorites being played including Game of Thrones, Harry Potter, and a song from a Tim Burton film. I was incredibly glad I went and I highly recommend it for others should the students put on another performance on the carillon. It’s an underrated instrument — especially being that two grand carillons exist on this campus — and for anyone who enjoys movie scores as I do it is a great opportunity to hear them in a truly eerie and epic setting.

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photo credits to: campusinfo@umich.edu & events@umich.edu

PREVIEW: Brett Dennen at the Blind Pig

If you haven’t heard of Brett Dennen, the singer-songwriter hailing from Oakland, CA, I invite you to listen to one of my favorite songs from him:

An oddly satisfying blend of pop and folk, right? Brett’s newest album, Por Favor, was released in May, and you can hear it live at The Blind Pig on Thursday, October 27th

Where: The Blind Pig

Time: Doors open at 8

Cost: $25

Satisfaction at seeing Brett Dennen perform live: Priceless

REVIEW: The Drowsy Chaperone

If you have yet to see a show done by University of Michigan’s School of Music, Theatre, & Dance, I highly recommend you start by seeing this show.  The seats weren’t completely full but by the laughter that filled the room, one would think it was oversold.

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Cast of The Drowsy Chaperone-Press Release Photo

The show begins in the dark with a monologue from the star of the show, Man in Chair (Alexander Sherwin).  He describes what it’s like waiting for a show to start and he captures it spot on.  The Man in Chair puts in his favorite record, The Drowsy Chaperone, and the show comes to life onstage.

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Janet Van de Graaff (Hannah Lynne Miller) and Robert Martin (Kyle McClellan)-Press Release Photo

The big opening number, Fancy Dress, drew the crowd in immediately.  All of the characters are introduced and you fall in love with them right away.  Mrs. Tottendale (Isabel Stein) is the sweet, confused hostess who can’t seem to remember that everyone is there for a wedding.  Her spit-take with her employee, Underling (Aidan Ziegler-Hansen), is priceless.  Robert Martin (Kyle McClellan), the dashing groom has a high-energy, fun tap number called “Cold Feets” with his frazzled best man George (Christopher Campbell), which was personally one of my favorite numbers!  Broadway producer Feldzeig (Riley McFarland) will do anything to stop the wedding from happening so he won’t lose his leading lady Janet Van de Graaff.  Kitty (Jo Ellen Pellman) is a ditzy wanna-be-star constantly trying to convince Feldzeig that she’s fit for the role of the leading lady.  Gangster #1 (Joseph Sammour) and Gangster #2 (Simon Longnight) stole the show every time they were onstage!  Both disguised as pastry chefs for the wedding, the gangsters were hilarious as they made pastry puns and starred in the exciting number of “Toledo Surprise”.  Adolpho (Charlie Patterson) was another audience favorite.  As a Latin “lover of ladies”, he was put on a mission by Feldzeig to seduce the bride, but amidst the chaos, ends up seducing the wrong lady.  Bride Janet Van de Graff (Hannah Lynne Miller) can’t seem to give up the spotlight, as we see her “Show Off” in her large number, doing cartwheels, high kicks, and smiling for any camera around.  Miller played a stunning leading lady.  The Drowsy Chaperone (Nkeki Obi-Melekwe) killed it in her song titled “As We Stumble Along”.  The chaperone is supposed to be making sure that Janet Van de Graaff doesn’t see Robert Martin on their wedding day, but always seems to be stumbling around with a drink in her hand.  She hits every comedic line perfectly and wows the audience in any and every song she sings.  Definitely another audience favorite.  Trix (Cydney Clark), the aviatrix, also has a stunning voice as she sings “I Do, I Do in the Sky”.  The Superintendent (Griffin Binnicker) makes an appearance at the end of the show.  He may have few lines, but he definitely makes the most of them!  And finally, you can’t forget about the ensemble (Spencer Crow, Audrey Kennedy, Carina Kay Louchiey, Christopher Washington)!  Their dancing was phenomenal and they seemed to have such a fun time onstage!  Whether they were news reporters, maids, or a plane, they helped make the show complete.

The Drowsy Chaperone (Nkeki Obi-Melekwe)-Press Release Photo
The Drowsy Chaperone (Nkeki Obi-Melekwe)-Press Release Photo

There were many people in the show within the show, but the Man in Chair was the true star.  He deserves a huge pat on the back for this role.  It must not have been easy to memorize the pages of lines, and to make sure he is continuously connecting with the audience.  A job well done on Sherwin’s part.

Man in Chair (Alexander Sherwin)-Press Release Photo
Man in Chair (Alexander Sherwin)-Press Release Photo

The music, choreography, and acting was simply spectacular.  As the Man in Chair says “Musicals take you into another world; they help you escape the dreary horrors of the real world.”  And that is exactly what this show did.  Whether you are an actor, a theatregoer, or someone who has never seen a show, I promise that you will form some sort of connection with this musical.  I highly recommend seeing this once, if not more.

Tickets are on sale online at http://tickets.music.umich.edu/single/eventDetail.aspx?p=2923, or you can get them at the door.  $12 for students with a valid ID and $22-$28 for others.  The show runs October 13-16 and October 20-23.  Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2pm.

PREVIEW: Layla and Majnun

Layla and Majnun is an “opera” based on a Persian poem about lovers who will never be allowed to unite. Alim Qasinov and Fargana Qasimova, singers from Azerbaijan, will be showcasing their majestic voices accompanied by the Silk Road Ensemble and Mark Morris Dance Group as they tell this emotional story.

Just looking at the photos and sneak-peek videos make me happy. There are so many colors, emotions, movements, and art.

Photo by Susana Miller
Photo by Susana Miller

Layla and Majnun, to me, seems like the epitome of performing arts: a skillful combination of poetry, dances, fashion design, visual art, and of course, music — both improvised and composed. And that’s what excites me about it. Collaboration among different art forms is something that I’m striving to achieve in my final year of undergraduate degrees, and I can’t think of a better example than Layla and Majnun.

The show will be on Thursday October 13 at 7:30pm, and Friday & Saturday October 14 & 15 at 8pm. Tickets are running out, so get yours ASAP from the Michigan League Ticket Office or ums.org/students.

REVIEW: Penny Stamps Speaker Series — Performance Animation

One of the many wonderful things about new technology is that it can lead to entirely new genres of art. Performance animation is one of those genres.

First, we were introduced to two blank screens. Then, a flash of light and color as animated landscapes splashed across the screens. A silhouette stepped into view, and we watched it interact with the buildings and plants and animals that appeared. At times the message was a clear narrative, while at others it was more of a series of dreams transposed on top of one another. If that makes the show sound trippy in any way, then good, because it absolutely was trippy.

Miwa Matreyek is a multi-talented artist currently on tour performing the two pieces that formed this week’s Penny Stamps event. “This World Made Itself” seemed to be more of a love story, although love was by no means the only theme. The juxtaposition of her gigantic form with a city skyline, and her interaction with a tiny animated figure, had strong allusions to King Kong.

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Her second piece, “Myth + Infrastructure,” dealt with the biggest themes possible: the birth and death of the world, modernization, death, life, and the interaction of mankind with the natural world.

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Time and again we watched Miwa swirl through bodies of water, capture and free flying insects, blend in and become one with the Earth.

Several times it was like a magic show. The audience and I reacted with awe when Miwa sprouted wings out of thin air and her arm melted away into a swarm of white petals. “How did she do that?!” the people next to me exclaimed as they recorded the performance for their Snapchat stories. I wondered the same thing as I too recorded a clip for my story.

Shows like this are rare opportunities, and I strongly encourage you to see the show in Ypsilanti on Friday, October 7 if you can.

You can get a small taste of the performance in this TED video here.

REVIEW: Concert on the Hill is Where Dreams Go Blue

Walking out of Hill Auditorium, I couldn’t believe I’d never been to the University of Michigan Women’s Glee Club before. Their show on Friday was a fun mix of classic choral scores, Disney music, and school spirit! I will definitely be attending some of their concerts next year! Audience members at Friday’s show also got to hear songs that they will be singing later this summer in a tour to Florida that, yes, includes Disney World!

The first half of the performance focused on the more classic choral pieces. These songs really showed off the strength and range of the choir’s voice. “To Be Sung on the Water” was a beautiful piece and the women’s voices sounded like they were gliding peacefully through the very water they sang about. “The Seal Lullaby” also made an appearance, which is often the staple of many female choirs. The music is beautiful but can be tricky because it features a lot of “oooh”ing instead of words, so vowel formation has to be spot on. In the hands, or should I say vocal chords, of the Women’s Glee Club though there was nothing to worry about and they performed this classic with an air of sweet energy. “Chindia,” the last song the Club performed in the first act, was upbeat and lively. The rest of that act had been slow, and beautiful, pieces and as an audience member I would have liked to see more variety in the tempo of the pieces selected.

Just before intermission the Glee Club filed off and Midnight Blue treated us to a few songs. Midnight Blue is an a cappella group made up of some of the members of Women’s Glee who get together and sing on their own. Their selection of pieces included pop songs, a mash-up, and a song sung in the barbershop style. This combination made for a perfect set-up for the second half of the Glee concert.

The second half featured some Disney music along with some good old school pride. Leading off was “Eatnemen Vuelie” which is featured as an opening number in Frozen. This song received immediate recognition from the audience; part of their excitement could also be that this song featured Ellen Cealey on the drum which added to the fun! For their Disney Princess Medley, each princess song had props that the Glee members used such as bubbles, streamers, and sheets. This was only mildly successful as some club members were better at incorporating them than others; but I have yet to see a choir use props in a way that I love. To honor their seniors, during the song “Seize the Day,” seniors stood in the a group at the front of the stage. I thought this was a nice tribute and a creative way to frame the song. They even had coordinated movements, which were very together!

Closing the concert, they had a series of songs promoting the UofM school spirit. Some of them I hadn’t heard before! Alumni that were in the audience were invited onstage to sing these songs and I enjoyed that touch. It was nice to see multiple generations of Women’s Glee Club members singing together and a great way to end a wonderful concert!