PREVIEW: Flint

Many people remember the Flint Water Crisis that occurred now 5 years ago, but it is simply that — a distant memory of the extensive news coverage that has slowly faded from our collective minds. However, though there are no more national news reports about it, the issue has not been resolved, as Flint residents have battled for clean water and answers for five years and counting.

José Casas, playwright and SMTD faculty member, has transformed this tragic event into a powerful play that documents the effects, aftermath, and current state of this once-avoidable crisis. Based on true stories of Flint residents collected personally by Casas, “Flint” gives power and strength to the city and combines the monologues of pain and reality into this educational, documentary play that will hit close to home and open people’s minds and eyes to what our neighbors have dealt with and continue to deal with.

SMTD’s play “Flint” premiers tonight and runs for eight nights. Taking place on the blackbox stage in the Arthur Miller Theatre, general admission is $30 or $12 for students. The showtimes are as follows:

April 4 and 11 at 7:30 PM

April 5, 6, and 8 at 8 PM

April 7 and 14 at 2 PM

PREVIEW: A Streetcar Named Desire

Rude Mechanicals is performing one of the greatest pieces of Southern Gothic literature and modern American theatre. “A Streetcar Named Desire” follows Blanche DuBois, a Southern belle coping with personal losses who goes to stay with her sister Stella in New Orleans. There, she witnesses the volatile relationship between Stella and her husband Stanley, and her involvement can only lead to pain. Tennessee Williams’ brilliant play is taking place in the Lydia Mendelssohn Theatre this weekend at 8 PM on April 5 and 6 and 2 PM on April 7. Tickets can be bought at MUTO in the League Underground, where a Passport to the Arts can be redeemed for a free ticket as well.

REVIEW: 21 Chump Street

I arrived at the Keene Theater at 7:55pm, only to find that the theater was already full and it was standing room only. I found a spot in the back along the wall where I could still mostly see the stage, and after a couple more people trickled in, they announced that the theater had reached max capacity and no more people could enter. One person involved with Room 6 Productions walked past me and exclaimed to her colleague setting up the video camera in the back, “I thought no one was going to come!”

Indeed, many students, and many people from the public as well, wanted to see this one-night only, 15-minute musical, making it a popular and successful hit. Since the musical was so short, there was a narrator who provided important commentary in the beginning and in between songs to set the stage and move the plot along. Bryan Chan played Justin, a high school student that sees this transfer student Naomi, played by Maya Balleste, and instantly tries to win her over, asking what the heck he’s gotta do. She tells him that she wants marijuana, and though Justin doesn’t smoke, he does everything he can to get it for her, in the name of love. Though, Naomi, an undercover cop, eventually turns him in, she reflects on the smart and innocent kids that need to be taught a lesson, yet she can’t get them out of her head, referring to Justin and her care for him. This somber ending to a relatively funny and entertaining musical tried to pinpoint the pains and struggles of drug use in schools.

The music was very characteristically Lin-Manuel Miranda. As Brian Heyman, Ani Keshamouni, and Karthik Ganapathy, who made up the ensemble, played the three cousins who used their networking skills to get Justin his marijuana, they rapped and sang in the style that evoked images of Hamilton and Maui from Moana. Since the musical was so short, there didn’t really seem to be anything substantial, but the music was still great, the characters had their distinct personalities and development, and the acting was on point and made the 15 minutes really entertaining.

PREVIEW: 21 Chump Street

If you’re a fan of 21 Jump Street and Lin-Manuel Miranda, this mini musical is for you. Even better, it’s only 15 minutes long, so even if you’re drowning in midterms and papers and stress, you can make the time for this refreshing and entertaining break. There’s love, drugs, and deceptions…think 21 Jump Street set to music and shortened. This free Room 6 Productions is taking place on Sunday, March 31 at 8pm in the Keene Theater in East Quad.

PREVIEW: Mystic Nights at Zal Gaz Grotto Club

Image result for magic clipart

The world is full of unknowable things, things that exist underneath reality: the supernatural, the magical, the mystic. Some are gifted with the ability to see into this plane of being, but most of us are offered mere glimpses, if any sight at all. Occupied by the ordinary world, we fail to see the extraordinary that lies just beyond our unseeing gaze.

But this Wednesday, March 27 the magician Misha Tuesday will be lifting back the curtain. He will be performing miracles in the form of hypnosis, mind reading, and magic to provide guests with a soul-changing evening. Your very understanding of reality will be tested and torn by the hands of this great illusionist. Perhaps you will be given the sight yourself. Anything can happen when mystery rules the night.

Doors are at 8:00 PM, and the show begins at 8:30, but the kitchen and bar are open beforehand. The experience will be priceless, but tickets are $10 at the door or at http://mishatuesday.wellattended.com.

 

REVIEW: Legally Blonde, the musical

Prior to hearing that Musket was putting on the show, I had no idea Legally Blonde was a musical. I knew the story from the 2001 movie starring Reese Witherspoon—which I have really enjoyed in the past. During the show, it was fun to compare the plot and scenes with ones in the movie. I was curious which one came first, so I did a quick search and found out that the movie was produced first. This mak            es the screenwriter’s and director’s artistic choices in the musical even more interesting. Fun fact, Legally Blonde was originally a book by Amanda Brown. The title is a play on the words “legally blind” and “legally bound”—because, you know, Elle is blinded by her binding love for Warner—Ha.  

For the most part, the musical followed the plot of the movie. There were, however, some noteworthy differences. A lot of the scenes were squished or condensed together in the interest of time—such as when Elle and Paulette conversed in the salon and when Vivian invited Elle to the ‘costume’ party.

There were other elements that were unique to the musical as well. Such as Paulette’s fascination with dating an Irish man, which I thought was kind of random. So was the song “There! Right There!” which was about determining if Enrique (the pool boy cross examined in court) was gay or European. Additionally, there was another scene where Elle took the people in the court to a bathroom to present her evidence against Chutney, which was bizarre, outrageous, and almost satirical. Because of these reasons, I thought the musical was much more dramatic and over-the-top than the movie.

I also noticed that Emmett had a much larger role. The storyline focused more on him and Elle falling in love, rather than Elle fighting to get Warner back. There was an entire scene dedicated to Elle taking Emmett shopping and giving him a makeover. In my opinion, it was a weird scene to add, considering that the “makeover” has become a cliche in rom-coms.

Anyway, my most anticipated moment was the bend-and-snap scene. And I wasn’t disappointed. It was infused with humor and amazing choreography. Once Paulette learned how to do the bend-and-snap, a group of boys suddenly appeared and responded to her movement. Their synchronicity with Paulette was delightful to watch. When the scene finally ended, it concluded with a bang: Paulette broke Kyle’s (the UPS guy’s) nose. Kyle fell dramatically and the audience roared with laughter.

Another scene I also really enjoyed was Brooke’s exercise routine/jump-rope choreography. The sequence was so creative. I was blown away by the actors’ athleticism; they basically danced and jump-roped at the same time. I have never seen anything like it.

And of course, I must comment on how much I appreciated having real dogs starring in the show. Reggie the campus corgi appeared, and the audience exploded in cheers and applause which was really funny. Bruiser Woods, the Chihuahua, was also adorable. I awwwed every time he appeared on stage. I was so impressed by how well both dogs behaved. If I was a dog (which is a weird thing to think about), I would have freaked out at the bright lights and loud noises.  

You can checkout behind the scenes videos on Musket’s Facebook page, under “videos.”