REVIEW: G’s Out for Harambe- G-men Fall 2016 Concert

If I didn’t already know from the title of tonight’s performance, “G’s Out for Harambe,” by the time I picked up the program at the front of the theater I knew that we were about to see what my friend lovingly described as “a comedy show disguised as an acapella concert.” Describing the G-Men as able to rock audiences with “the power of 100 raging Mark Ruffalo’s,” and suggesting a game with points awarded for catching members “visibly power-hungry,” laughing at their own jokes, or going cross-eyed, the program was representative of the G-Men’s unique sense of fun and levity.

The G-Men were cracking jokes the entire night in between songs, showing off their tangible camaraderie.  Sometimes it felt like the audience was privy to a big inside joke, that while none of us fully understood, we were fully entertained nonetheless.  However, the true star of the show was the amazing musicality displayed by the group.  They opened the performance with “Like Real People” by Hozier, which showcased both their singing and arranging skills.  The trend continued through to their next song, “Dust Bowl Dance” by Mumford and Sons.  I was most impressed by how skillfully they were able to alternate between powerful bursts of sound and quieter moments, moving together as a cohesive unit.  For a sample of this particular arrangement of “Dust Bowl Dance,” check out their performance of it at last year’s Charity Fest below.

 

The next two songs were “Color My World” by Chicago and “Sunday Morning(s)” by Maroon 5.  The soloists in each of these songs, as well as the entire set list, were fantastic and matched the tone of the song perfectly.  One member even did an impressive saxophone imitation, reflecting the mix of comedy and artistry that G-Men possess.  Check out the video of their performance of “Sunday Morning(s)” at this year’s MacFest below.

The last song before intermission was my favorite of the night, a stunningly emotive rendition of “Eleanor Rigby” by the Beatles.  After introducing the song with a joke of it being, “the 22nd best Beatles song,” they blew us away with the sheer power of their performance.  Below is a video of them performing the song last year.

After a brief intermission, the Sopranos came onto stage and sang two numbers, one of them “Lost in the World” by Kanye West, a video of their arrangement is attached below.  They then invited the G-Men back, who rushed onto the stage with renewed energy and fresh t-shirts, only to perform a stunning rendition of “Shadow of the Sun” together with the Sopranos.

They finished the show with three more songs, “Mr. Brightside” by The Killers, “Sandcastles” by Beyoncé, and “Ultralight Beam” by Kanye West. Each song was just as polished as the first half.

While snow was falling in blowing frigid air by the time we left the auditorium, my friends and I were filled with enough post-show energy to last for the entire walk home.  The conversation never left the fantastic performance we had just witnessed. If you are interesting in listening to more of the G-men and keeping track of their upcoming concerts, check out their Facebook page! https://www.facebook.com/themichigangmen/

REVIEW: MUSKET’s Avenue Q

Saturday evening I arrived out of the cold winter air of the first snowfall in Ann Arbor, to the warm lobby of the Power Center. The atmosphere of the crowd making their way to their seats for MUSKET’s Avenue Q was festive; joy at the first snowfall is precious and limited, as snow soon turns into a miserable obstacle to plans and getting places in later months.

But Saturday, the audience was still enthralled with snow and the good mood grew as the show began. The musical’s energy and satirical nature had the audience laughing from the first opening animation. The masterful use of puppets occasionally invoked giggles at the interactions between human characters and puppet characters, as the relatable struggles of being adults enfolded. Princeton, the main character, strives to discover his PURPOSE while he and his friends battle making rent, holding jobs, and finding love.

I was pleasantly surprised by the numerous touching moments this production teased out. Scenes showcased friends supporting each other, sad moments of disappointment that elicited “oohs’ of sympathy from the audience, and beautiful technicolor numbers about love. I came expecting the songs about topics like sex and “Schadenfreude” whose satirical tones seek to create discomfort to further prove their point about the changes each of us can make in society, but I was pleasantly surprised by the balance between satire and kindness. The audience was engaged and eager; you could feel the good energy all around your seat and we showed our appreciation for the laughs by standing at the curtain call. College students like myself, happy we have yet to face many of the difficulties awaiting us in adulthood as portrayed in the musical, and parental adults alike, both enjoyed MUSKET’s energetic romp along Avenue Q!

PREVIEW: MUSKET’S Avenue Q

Tonight is the opening evening of MUSKET’S Avenue Q! The musical explores coming of age stories as the characters navigate the struggles of entering adulthood. Robert Lopez and Jeff Marx created the concept that was eventually made into the Broadway musical familiar to us today. Featuring a combination of puppets, their puppeteers, and human actors the production reinvents the use of puppets in storytelling. Don’t let the idea of cute puppets fool you- this is not a children’s show. When buying my tickets for the show, the ticket master had to read me a warning: “The show is intended for mature audiences only”.

In recent years, Musket has brought the UofM community both loving classics and new edge theater; Into the Woods, Spring Awakening, and Big Fish are just examples of the diverse performance this organization has put on. I look forward to seeing how they’ve put their own unique touch on the 3 time Tony award winning musical, Avenue Q!

What: Avenue Q
When: November 18th, 19th at 8pm AND November 20th at 2pm
Where: Power Center
Buy Tickets: Students $7/Adults $13 (at door $10/$15)

REVIEW: Battle Espresso Royale-Comco

The line to get into the show
The line to get into the show

I knew I was in the right place for yesterday’s Comco performance because of the gently rumbling din of voices in the distance. The line to get into the auditorium snaked around the corner and into the lobby, despite us having arrived over a half an hour early.  By the time my friend and I made it inside, there wasn’t a seat to be found. We ended up leaning against a wall for the entire performance while even more students packed into the aisles.  Even less-than-ideal “seats” couldn’t take away from how fun the performance was. I can’t remember a favorite skit or moment from the night, because I was laughing the entire time! At one point in the show I even shed a tear or two, it was genuinely that funny.

In the long run, the large crowd added to the excitement in the room.  Audience members were reacting to the jokes and shouting out suggestions with gusto.  For their part, the cast of Comco gave a wonderful performance, keeping the mood light and fun the entire hour and a half, bouncing off each other quick-wittedly, and recovering easily from the few jokes that fell flat.  For those who missed the performance, there is another one coming up December 9th, ready to give you that last jolt of energy right before finals!  To keep up with the latest updates from Comco, checkout their Facebook page, https://www.facebook.com/Comedy.Company/ .

 

REVIEW: Roméo et Juliette

Roméo et Juliette can be described in two words: beautifully tragic.  Staying true to Shakespeare’s original Romeo and Juliet, director Paul Curran took the audience on an extraordinary journey with his cast of the UMSMTD University Opera Theatre students.  And the University Symphony Orchestra led by conductor and music director Martin Katz certainly did not disappoint!

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Cast of Roméo et Juliette (taken from UMSMTD’s Facebook page)

I have never been to an opera before so I didn’t know what to expect.  All I knew going into it is that operas are extremely long and I’ve heard many stories of people falling asleep during them!  But that was not the case with Roméo et Juliette.  Sure, the opera was five acts with two intermissions, but the cast kept the show moving right along.  The audience was captivated by the French singing (subtitles in English), the elaborate costumes, and the incredible set.

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Janel Speelman and Tom Cilluffo as Romeo and Juliet (taken from UMSMTD’s Facebook page)

I honestly have nothing negative to say about the leading couple.  Juliette (played by Janel Speelman on 11/10 and 11/12, and Kara Mulder on 11/11 and 11/13) not only looked stunning, but her voice was stunning as well.  And Romeo (played by Tom Cilluffo on 11/10 and 11/12, and Darius Gillard on 11/11 and 11/13) was as charming and handsome as ever.  These two were hard not to fall in love with.  The talent between these two leads was out of this world.

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Ensemble (taken from UMSMTD’s Facebook page)

Not only were the characters of Romeo and Juliette wonderful, but the whole cast truly did not disappoint.  Juliette’s nurse, Gertrude (played by Helen Hass on 11/10 and 11/12, and Olivia Johnson on 11/11 and 11/13), helped Juliette run into the arms of her loved one.  Friar Lawrence (played by David Weigel on 11/10 and 11/12, and Samuel Kidd on 11/11 and 11/13) was loveable in every way.  His emotions were captured perfectly throughout the whole show.  Stephano (played by Isabel Signoret on 11/10 and 11/12, and Blair Whiteside 11/11 and 11/13) may have gotten the biggest applause after her solo that opened up Act III, scene 2.  And Mercutio (played by Yazid Pierce-Gray on 11/10 and 11/12, and John Daugherty on 11/11 and 11/13) found any humorous moment that he could and soaked it in, leaving the audience in lengths of laughter.  As I said before, the whole cast was truly phenomenal.

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Janel Speelman and Tom Cilluffo as Romeo and Juliet (taken from UMSMTD’s Facebook page)

The show of Roméo et Juliette runs on November 10 at 7:30pm, November 11 and 12 at 8:00pm, and November 13 at 2pm in the Power Center.  Student tickets are $12 each (or FREE with a passport voucher!) and general tickets are $22-$28.

http://tickets.music.umich.edu/single/EventDetail.aspx?p=2936

PREVIEW: Battle Espresso Royal- Comco

We could all take a cue from the age-old-adage “laughter is the best medicine.” After a long, long week14976815_10154609894388818_6795676064434312967_o of stresses and woes, loosen up and laugh for a bit with one of the University’s oldest and most well developed comedy groups, Comco, as they present Battle Espresso Royal. For those who have never attended an improv comedy show before, it’s a spontaneous, one-of-a-kind performance that features talented actors and comedians bouncing off one another with a quick wit and good comedic timing.

The show will be in Angell Hall Auditorium A starting at 8 PM Tomorrow, November 11th. Tickets are only $2 at the door, so for the price of a Starbuck’s (or Espresso Royale!) latte bring a friend or two and take some time to laugh together.