Review: They’re Poets that Know It

Yes! Yes! Yes! Whoever said that poetry is boring had never attended a U-Club Poetry Slam! These students are amazing writers and performers. They had such imagery, detail, and emotion in poems written during hours of pain and happiness.
I arrived incredibly early with some family and friends and played hangman until the show started. We waited anxiously for the first poets to start reading in open mc.

They started the music that signaled the beginning of the show. The host got up on stage and explained the process of open mc and slamming for people who had never come before. It’s all rather simple. When a poet is performing, if you want to show appreciation for a certain statement or description, you snap quietly instead of applauding. After they finish you clap loudly and cheer enthusiastically. The open mc poets get up and perform poems they’ve written without being judged. After a few great performances by these skilled artist, the slam began!

The slam is an exhilarating experience. These poets take the stage and pour their hearts out to five volunteer judges from the audience. Each judge has a white board and gives a rating between 1 and 10, 10 being the best. The judges as this event were a lot meaner than normal slams. I had never seen a score below a 7, but at this slam they were giving scores below a 3. It was very strange and very rude. These poets are pouring their hearts and souls to this audience and these judges, and the low scores tell the poets that they suck. It is so rude and these judges should never be allowed to score again. In fact, they were scolded for it at the end of the show. When the scores are announced the audience can boo or cheer for the score. Our job was to make the judges feel bad about themselves for giving bad scores.

It is quite an experience hearing the poetry performed as opposed to reading it quietly. It is so much easier and so much more vivid to hear the passion in person.

The club advertises well, so you should see their signs everywhere. The next slam is November 19.

Adam Falkner
Adam Falkner
Jon Sands
Jon Sands

These slams are also famous for having great poets from around the country visiting to perform. This slam’s guest was Adam Falkner and Jon Sands. Both were amazing writers and performers with deep emotions and passion. Both were incredible and brought amazing works to the table. And both have Facebook pages with more info and videos of their performances. Feel free and encouraged to friend them. Also, don’t forget to come to the next U-Club Poetry Slam!

PREVIEW: Keith Terry and the SLAMMIN All-Body Band

When: November 6, 2009 7pm
Where: Hill Auditorium
Tickets: $10 (may be purchased at the League, leftover tickets sold on the night of the show)

Musicians
Bryan Dyer, Vocals
Zoe Ellis, Vocals
Steve Hogan, Beatboxing
Keith Terry, Body Music
Kenny Washington, Vocals
Destani Wolf, Vocals

Dancers
Evie Ladin
Nuria Bowart
Namita Kapoor

Apparently, Keith Terry and his band will perform a concert using themselves as the instruments in a concept known as “body music.” Feet stamping, fingerpopping, and chest whomping are just a few of the different actions used to create a percussion noises in this dance-like show. The program will be announced by the artists from the stage – I’m curious to see what the names of the dances/pieces will be called! What do you all think about this new “form” of art?

Arts and Incarcerated Bodies

Arts and Incarcerated Bodies

Arts and Bodies

Tuesday, November 3, 7:00pm
Stamps Auditorium
Walgreen Drama Center
1226 Murfin Avenue
North Campus

In the so-called “land of the free”, the United States of America, approximately 1 in 100 adults are currently behind bars — with emotional, psychological, intellectual, and physical effects on the individuals incarcerated. What role can the arts play in liberating the human spirit from the confinement of the body?

Prof. Buzz Alexander, Jon Deak, Janie Paul, and Josh White, Jr. will have a conversation about the work they do in the arts with prisoners, and others.

Here is a description/review of a previous arts event (from last Winter) at UM that also had to do with art and incarceration.

Below are some data showing the current state of the prison-industrial complex in the USA.

Graphs

Graphs

Preview: Poe’s Got Nothing on These Poets

The one and only U-Club Poetry presents another of their amazing slams. Whether you like poetry, your friend drags you to these events, or you are required to attend one for a class, U-Club Poetry Slams draw a very diverse and supportive crowd to the Michigan Union. Everyone should attend to see the wide range of talented writers and performers that hide in the masses of the U of M student body. Who knows, you may even see me, Danny Fob, up on stage performing in the slam (hint hint). Plus the entrance fee is only $3.00. Can you get better than that? Also bring a little extra to donate to the winnings jar. The best slammer wins a jar of cash donated by the audience! So don’t forget:

U-Club Poetry Slam
Thursday, November 5, 2009
8:30pm to 10:45pm
U-Club in the Union

This is also a very special slam because it features two, count em’, two key-note poets; Adam Falkner and Jon Sands. For more info, join the Facebook event. There are already 70 confirmed guests!

Danny Fob; Artist and Art Reviewer

Review: Robin Williams and His Talking Rectum

Twas quite a night for Hill Auditorium when Robin Williams and his raunchy brand of comedy came to town this past Friday.  Having waited since March (after Williams postponed most of his tour in order to have and recover from open-heart surgery) with expensive tickets in hand, the Hill Auditorium crowd was edging to laugh and laugh hard.  A sold-out crowd welcomed Williams, and the two jumbo screens streaming live video of his antics all night, with a long and loud ovation.

Early on, Williams showed he had done his homework.  While many comedians have an established nightly routine, Willliams spent his first 20 minutes clowning on local issues.  Among other topics, he commented on Rich Rodriguez and the Michigan football team (“Coach Rodriguez is having extra practice sessions – not that they’re really helping right now”), Detroit (Canada’s “neighbor with a meth lab”), as well as noting that  “Kwame Kilpatrick makes Marion Berry look like Nelson Mandela”.  This local flavor won the crowd over immediately.

From there, Williams physicality and character humor took center stage.  As we know from his many roles in film, Williams truly becomes his characters.  In his 90-minute set, he became celebrities (Gregory Peck reciting porno lines, Arnold Schwarzenegger failing to pronounce “California”, former MLB pitcher Dock Ellis who pitched a no-hitter on LSD, Joe Biden campaigning for “Barack America”, Walter Kronkite telling a sexual joke- to name a few), animals (Scottish raccoons protesting recycling, a cat antagonizing a dog, and more), and he was, often times, himself- speaking about his heart surgery, his alcoholism, his movies, and his family.

Unfortunately, Williams’s material lost its edge in the second half of the show.  Gone were the local references or the riffs on current events.  Instead, Williams took turns with “Fuck”, “Asshole” (usually referring to his actual ass hole), and “Rectum” to pull laughter from his audience.  His especially vulgar set- a slightly uncomfortable scene for this 19 year old surrounded by the 50+’ers that could afford the tickets- relied upon material that, although consistently drawing a strong response, is no longer fresh.  Along with his talking rectum, Williams continued to mock the already most-ridiculed person of the decade, former President George W. Bush, as well as prolonged rants on the 2008 presidential campaign and Sarah Palin, along with many other not-so-current events.  Yes, Williams has not toured since 2003 so this is perhaps new material for him, but, in the meantime, the rest of the stand-up world, not to mention Jon Stewart and Stephen Colbert have squeezed this material dry.

Williams left Hill Auditorium to a standing ovation and a pleased crowd.  He made funny faces, did impeccable impersonations, and shocked the crowd with his slew of obscenities and innuendos.  However, despite his early success in commentary on local issues, Williams’s material failed to showcase his status as a master of modern culture.

Bennett Stein.  Ann Arbor, MI. bstei@umich.edu. No Shirt, No Radio-Wednesdays @ Midnight-1:30am.  WCBN.

PREVIEW: Jamy Ian Swiss – Sleight of Hand: How Bodies Fool Minds

A part of the Penny W. Stamps Distinguished Visitors Series

When: November 5th, 2009 5:10pm

Where: Michigan Theater (603 East Liberty Street, near Starbucks)

Tickets: there are none, the event is free!

Can optical illusions and sleight of hand be considered art? Jamy Swiss has quite the topic to discuss at this Penny Stamps Lecture. Hear what he has to say about the “real work of a magician,” how body language affects deception, and how psychology can be more important than speed. Stop by for an out of the ordinary lecture!

If you would like to read more about Jamy Swiss, here is a link to Penny Stamps Lecture Series Website: http://art-design.umich.edu/stamps/detail/jamy_ian_swiss