REVIEW: Trombone Insurgency

Insurgency indeed! Steve Swell, Joe McPhee, and Dick Griffin captivated the room at Kerrytown Concert House with their flourishes and improvisations and craziness they called music. The venue itself was really small and cozy, seating no more than 100 people, giving the audience a homey, comfortable, intimate vibe with the musicians.

With Swell and Griffin on the trombone and McPhee on the valve trombone, the trio started off on stage together warming up…or playing their first song. I couldn’t really tell as each individual did their own thing and the warmup actually sounded like the rest of their sets. There was no melody. There was no set rhythm. There were only notes. And those notes came together to make music. Their skills were amazing, and it was clear all three of them were super talented musicians. At one point in the first song, all three blared on their trombones, and I literally got chills as it vibrated throughout the room.

After the first song, McPhee and Swell left the stage and Griffin solo-ed, exploring many different techniques and playing the entire range of notes. For the final number, McPhee and Swell joined back with Griffin and they did everything musically possible, playing with mutes at different tempos and dynamics. McPhee and Griffin played multiple notes on their trombone at the same time, which fascinated me. Afterwards, I learned from my friend who plays trombone that this technique was called multiphonics, which sounded really impressive.

I for one was really confused throughout the set. I wasn’t exactly sure what was happening during it, but everyone else seemed to understand the music. However, even though I was caught off guard by the music, I appreciated it and I thoroughly enjoyed it. What made my experience even better was the fact that the audience, which consisted mostly of older 50+ year olds, was completely into it. Heads were bopping the entire time, even when there was no beat to bop to. But, that didn’t matter to them, and they took out of the hodgepodge of notes exactly what they wanted and needed.

The three trombonists played well together, and they obviously understood what they were doing, both individually and as a group. At the end, Swell, McPhee, and Griffin received a standing ovation, and it was clear that the music, cacophonic and chaotic in nature, spoke to the audience in a way a symphony or concert band never could.

This was not a typical trombone performance. This was not normal music. This was an insurgence. And it was amazing in its own way.

PREVIEW: Trombone Insurgency

Trombone Insurgency is part of Edgefest, a series of avant-garde and jazz music performances at the Kerrytown Concert House that is taking place this week until Saturday. Three leading trombonists dedicate an evening of music to recently deceased jazz patron Craig Johnson. Trombone Insurgency takes place on Wednesday, October 18 at 7:00pm with student tickets for just $5. Come on out to the Kerrytown Concert House for a night of groundbreaking music to take you into the weekend of Edgefest!

PREVIEW: Amir ElSaffar’s Rivers of Sound

When/Where: October 18 2017 7:30pm, Power Center

What is it: Amir ElSaffar’s Rivers of Sound Orchestra, a 17-person orchestra showcasing different Middle Eastern and Western musical styles, is performing at the Power Center tomorrow. Prepare to be blown away.

Why this is supposed to be spectacular:

Watch ElSaffar’s explanation of maqam.

Watch this UMS promotional video of his orchestra playing.

Watch the process.

Now you know.

 

PREVIEW: Gook

Gook is a movie based on the Rodney King riots in LA, 25 years ago. It tells the story of two Korean shoe store employees and a young black girl they have befriended, as they attempt to navigate the day the riots broke out. The film is in black and white, and is supposed to have stunning cinematography. The movie will be playing at the Michigan Theater, Monday and Tuesday, at 9:45. Student tickets are $8.

REVIEW: L’etat de Siege (State of Siege)

I want to say I was mindblown. But I left the theater mostly confused and somewhat annoyed.  Some comments:

I liked the metaphors: “Black horses of love.” “Summer is here.”” Winter is coming. (wink wink) ” My brain wore new clothes each time a supertitle spat out a line of beautiful poetic imagery. Each of these metaphors added new dimension to my understanding of different concepts. I can taste the salt of the sea when I hold “freedom” in my mouth, for example. Whenever I hear “repression” in my polsci class, I’m reminded of the claustrophobia created by Plague’s rule over the people. “Love”, to me, clings like the primeval, earthy smell of manure.

I liked the setup: The black garbage bag-like material that was spread across the stage created an eery sense of suspense: its supposed to CONCEAL something in or under the floor. And yes, Death and Plague showed up from underneath. The weirdly detached voice recording of a man in the beginning of the performance was a pleasant “addition” to the performance. He didn’t seem to show up after the first few seconds but it was entertaining for a while. The videos shown above the stage complemented the themes of the play. When the governor was speaking and the screens showed his silently screaming face, it gave a Big Brother-esque vibe to the play.

This is “Death” talking.

But I just didn’t enjoy the performance:

 (a) Maybe it’s just the times. I wasn’t able to enjoy it because it was not relevant to me. I don’t “see” the problems that the performance seemed to be harping about. But maybe that’s just because the play was written during World War 2 when totalitarian and fascist governments really did make cities feel more like coffins.

(b) Maybe it was just too “romantic” for me. I don’t know. One of the messages I got from the play was that one must be able to forget the fear of death to initiate regime change. Hm. It seems to particularly glorify this romantic martyr mentality instead of, I would say, the more important pragmatic coordination needed to create a successful revolution (it’s almost polsci midterms, so I’m reviewing my notes simultaneously). I know the play is not a handbook, but I’m also questioning its appropriateness in our time, when populists who appeal to emotion are starting to take the reins and terrorists are able to convince people to die for their cause by painting visions of heaven.

Diego can run away with Victoria, giving the city to Plague. Or he can die for Victoria to live.

(c) I didn’t understand the “jokes”. It made me salty.

 

Review- Maddman: The Steve Madden Story

I arrived early to the Michigan theater- nearly a full two hours before the event began- expecting the interest generated by this one of a kind experience to be more than overwhelming.  It was the premier of the Steve Madden documentary, “Maddman: the Steve Madden Story” by Ben Patterson featuring a live Q&A from the man himself after the movie was over.  Thankfully my friend and I got a spot near the front of the line, but as the line slowly grew and the drizzly rainy day chilled even further you could feel the sense of excitement mounting in the hubbub of the crowd outside.  I had been a long-time wearer of Madden’s shoes, coincidentally having thrown on a pair that very morning without realizing the connection.  Knowing next to nothing about the company or the man behind the company I was very excited to learn exactly how that well-loved pair of black “troopa” boots on my feet came into being.

Finally, it was time to file into the theater, walking by a mini photo op area where individuals dressed far better than I were taking photos, already making the event seem like the fashionable and flashy movie premier that I had expected it to be.  Generously, all attendees of the event receive free concessions (I picked some popcorn and a delicious mocha dark chocolate bar) along with a free goodie bag that featured a mug, a t shirt, stickers and much more.  For a free event this was far more than I expected and a more than welcome first impression. The screening room had a capacity of 200, and by the time the event was ready to begin nearly every seat was full.  A staff member told us to “pretend we were at sea world” and squeeze in so that no seat would be wasted

Finally the lights dimmed and the documentary began with snappy shots of the feet of New Yorkers as they bustled around the city.  The documentary itself was nothing short of fantastic. I thought the director did an extremely good job of capturing both elements of Steve’s life and career, and also the frenzied kinetic energy of the office.  Steve’s story  progressed naturally, one event flowing to another while weaving the overarching story of a dedicated and passionate man becoming the textbook example of “rags to richtes” through hard work and creativity.  They discussed sensitive topics, like Steve’s time in prison due to being caught up in the money laundering scheme made famous by “Wolf of Wall Street,” with special care,  while also maintaining focus on Steve’s dedication for his company and forward momentum.  I remember laughing out loud at more than one occasion and grinning from ear to ear by the time the movie was over.

Last but not least, it was time for the Q&A. Even from sitting near the back of the room, you could get a feel for Steve Madden’s natural charisma and force of personality.  He managed to exude an air of confidence without seeming haughty or arrogant, and seemed to earnestly answer all of the questions presented to him, even the less than comfortable ones about his time in prison.  I particularly liked that when asked why he chose Ann Arbor to premier the movie about his life story, he brought up that many people he know and a large number of people who work from his company were Umich alums themselves, and that the school had a special place in his company.  While the event was a once-in-a-lifetime experience I highly recommend the documentary to anyone interested in business, fashion or just an inspiring story of hard work and dedication.