PREVIEW: Collage Concert

Collage_Poster

Collage Concert is an eclectic collection of performances representing all departments of the School of Music, Theater, and Dance. Unlike in other performances, all the acts in the Collage Concert are presented without pauses. Solo organ, dance pieces, jazz combo, theater company, choir… You name it, they’ll have it. If you are thinking of attending just one performance by SMTD this year, this is the one — it’s a night of virtuosic performances that would never fail to amaze you.

WHEN: Saturday, January 17 at 8pm

WHERE: Hill Auditorium

TICKETS: $10 with student ID; available online or in person at the League Ticket Office

 

PREVIEW: eighth blackbird

 

Image courtesy of amazon.com

What do you get when you combine a classical chamber music ensemble with the energetic verve of a rock band and a sprinkling of theatrical spunk? The enthusiastic, thought-provoking, and genre-bending genius of eighth blackbird, a Chicago-based ensemble of clarinet, cello, violin, percussion, flute, and piano! “The blackbirds are examples of a new breed of super-musicians. They perform the bulk of their new music from memory. They have no need for a conductor, no matter how complex the rhythms or balances… [They are] stage animals, often in motion, enacting their scores as they play them.” (Los Angeles Times). As part of the fantastic UMS series this winter, eighth blackbird is sure to blow us away. They even will feature two works by composers who made their mark with bands such as The National and Arcade Fire!

What: eighth blackbird

Where: Rackham Auditorium

When: Saturday, January 17 at 8:00 pm

How Much?: Student Half-Price Tickets are $21.00. Recommended to buy tickets ahead at the UMS Ticket Office in the Michigan League.

And while you wait for the show to begin, familiarize yourself with eighth blackbird on YouTube!

Still Life with Avalanche 

Philip Glass & eighth blackbird

 

 

PREVIEW: The Imitation Game

The Imitation Game tells the story of British mathematician and cryptologist, Alan Turing.  To dedicate oneself to solving the code of the Nazi’s encoding machine, Enigma, Turing and a secret group of cryptologists each possess a unique drive.  Featuring Benedict Cumberbatch and Keira Knightley, this movie tells the lesser known story of how the war was won and the difficulties that this seeming success drew out of the people who brought it about.

Michigan Theater
Showtimes can be found here.
Trailer.

REVIEW: Help! I’ve Fallen and I Can’t Turn Up!

Image Courtesy of giphy.com

Last Saturday night in the MLB Auditorium 3, I knew I was in for a treat when I noticed the marathon of “Infomercials” playing on the wall. The Dicks and Janes, one of the 15 renowned U-M A Cappella groups, were promising a night of fun, diverse musical choices, and perhaps just a teensy bit of harmless daytime TV-bashing. While we waited for the singing extravaganza to begin, the audience was subjected to awful real life horrors that I wish did not exist (I urge you to explore these hilarious videos, perhaps in private, so no one can make fun of you over your shoulder):

What a creative way to lift students’ finals week spirits!

But wait, there’s more…

If you come to the Dicks and Janes concert within the next 30 minutes, we’ll throw in two free performances featuring Sha Bop Shoppe A Cappella and Groove.  The Sha Bop Shoppe is an after-school all-girls ensemble at Pioneer High School. They specialize in performing popular songs, such as Fleet Foxes’ “White Winter Hymnal” which was hauntingly beautiful, as well as “Until the Morning” by Thievery Corporation, which they stopped mid-way through to “speed up a bit” and remix it with their own spunk and soul. If it isn’t impressive enough that they are already dipping their feet in a university venue, add in the fact that they are also sensational choreographers, which means that they create their own choreography movements to flow in sync with their singing. The Sha Bop Shoppe girls definitely will have a powerful vocal presence in a few years in whichever university they choose to attend, so hold on to your boots!

But…the creme de la creme, the reason we were all suffering through the commercials for, was to see…the Dicks and Janes! The minute that they ran on stage and began to sing, the room came alive. Throughout the show, the setlist alternated from hit songs of 2014 (Reflections, Clarity, Say Something, and Latch) to old classics (Happiness is a Warm Gun, Proud Mary, Don’t Mean a Thing). The variety showcased not only the collective group’s range in interest and amazing ability to creatively interpret the pieces (each of the songs are arranged by a Dick or Jane him/herself), but also displayed each individual soloist’s remarkable skills and talents.

I was especially impressed by the energy created in “Clarity.” Originally a high-speed electronic dance song, I was curious how the Dicks and Janes (DJ’s) could recreate that sound. But somehow they did! I’m not a singer myself, so I’m not sure how they accomplished the feat, but they did it stunningly. The crisp “kssss” of every accelerating percussive beat, the siren-like croon of the synthesizer, the pulsing bass…all imitated the feel of “Clarity,” with the voice of DJ member Hannah Sparrow at the center. Perhaps, the DJ’s were a little too good at the house music vibe, for sometimes they turned up the volume a little too much and I could barely hear Hannah. The DJ’s know how to make the MLB Auditorium into a good time, even if they can’t turn up!

Shine the spotlight on Austin Montgomery, another DJ member, and prepare to be amazed. He soloed twice, as he is the token falsetto of the group. He sung his soul out in “Latch,” with perhaps even more energy than Sam Smith himself. And he was able to take Helena Ratte’s playful arrangement of “Happiness is a Warm Gun,” and morph it into a 50’s barber shop sound.

Because I’ve never sung A Cappella, I look on with awe at how the DJ’s start with a silent stage and slowly build on each other with only their voices. They’re like an orchestra, I guess, something I’m more familiar with. But yet, because they are standing and have hands free (no bows or horns to hold), there is a special energy that is present. I literally got shivers when soloist Lyndsey Burke belted out Tina Turner’s “Proud Mary” and felt twinges in my heart just from the dramatic facial expressions shown in “Say Something.” I could feel every note, like the DJ’s were handing each one to me. Here you are, have another! their words seemed to say. The DJ’s gave me something that night that is special to a cappella singing. The sound of humanity, streaming through the voice to the ear. No phones, no instruments, no car horns to interrupt the experience; just good ole’ human to human connection. And maybe with a quick infomercial or two.

Call 1-800 999-2288 to get your DJ singer absolutely free! And while you wait, watch this hilarious infomercial video, Save a Suffering Freshman, that the Dicks and Janes made themselves!

 

 

 

REVIEW: Lightworks Fall 2014

In case you haven’t heard of this wonderful (and free) 2 day event, Lightworks is the biannual film fest that showcases student films made through the Screen Arts and Cultures (SAC) department.

That being said, the norm for student film fests goes something like: most films are not immaculate, and the quality can range from good to pretty awful. Fortunately for us, U of M students consistently churn out films that are at worst watchable, and at best better than many Hollywood films (that means you, Mike Bay).

You can’t have a film event without popcorn, and the hosting Film and Video Student Association (FVSA) was happy to oblige. I was pleasantly surprised to find that not only was the popcorn free, but it had just the right amount of flavoring to enjoy the array of films in the Natural Science Auditorium.

This year was Nicolas Cage themed, with his image, quotes, and movies in every nook and cranny. I thought it was a step in the right direction, as it provided comic relief to the festival and helped group the films into categories roughly based on the titles of Cage films.

Last semester was a particular good stretch of Lightworks films and this semester was able to keep up the pace. I was extremely happy to see that a couple of the 300 level films (intermediate production level) were able to keep up with the higher level films. In fact one of them, Jessie Micallef’s “Between the Lines” was runner-up for best drama.

Furthermore, the independent projects truly showcased what students can do with autonomy. The winner for best drama, and my personal favorite of the festival, was Anthony Khalil’s “Old Stones.” A fictional tale about a son trying to win his father’s favor by playing shuffleboard at a retirement home, it was quirky enough to be a fresh take on the banal sports film genre.

I think the best part about “Old Stones” however, was that it never tried to be some esoteric analysis of the human condition. Unlike a lot of the upper-level projects, “Old Stones” didn’t attempt to go unnecessarily deep in the father-son relationship, nor did it waste time exploring the lead character’s fall from grace as an Olympic curler. Oh, and did I mention the gorgeous color throughout the film? Check it out.

“Cold Cut Comedy Shorts” was basically a live-action Robot Chicken. It was a delightfully incomprehensible collection of random shorts that drew laughs from the audience. The only fault with this project is that, like Robot Chicken, I was left wanting more.

Below is the list of winners from the festival. I recommend the winners from each category. However, one that didn’t even make it onto the list was Brian Collins’ horror flick “Closet,” which I was shocked to see did not even make honorable mention.

Ligthworks Winners
Drama: Old Stones, Anthony Khalil
Runner-Up: Between the Lines, Jessie Micallef
Honorable Mention: Nonna, Sam Gioia
Comedy: Cold Cuts Comedy Shorts, Joe Biglin
Runner-Up: You Can’t Sit With Us, Emily Browning & Jamie Dean
Honorable Mention: A Little Time Away, David Olonoff
Experimental: Easy, Alex Holmes
Runner-Up: The Golden Apple, Andrea Rivera
Honorable Mention: Time Space, Yunzhi Ou
Alternative Narrative: I’m a Wicked Child, Jingru Yang
Runner-Up: Pace of Life, Yihong Chen
Honorable Mention: A Flower to Pick, Jeremy Borison
Animation: Little People, James Reslier-Wells
Runner-Up: Living on the Earth, Layne Austin Simescu
Honorable Mention: Copy Cat, Sam Barnett
Documentary: Cooley Reuse Project Teaser, Jennifer Larson
Runner-Up: SALT, Phillip Wachowiak
Mary Lou Honorable Mention: Unsocial Media, Al Smith
Feroz Honorable Mention: Meta, Charlotte Lichtman
Josh Honorable Mention: Candy Ball, Yunzhi Ou

REVIEW: The Nutcracker

Has anyone managed to think of Christmas without thinking of the Nutcracker? Because I know I certainly have not. I grew up hearing the music of Tchaikovsky, knowing the story of the little girl whose gift came to life, and romanticizing about the dance of the Sugar Plum Fairy. The whole performance is something out of a dream, and it seems to bring out the child in everyone, longing for a christmas of miracles.

 

This performance of the Nutcracker by the Ann Arbor Ballet Theatre was phenomenal. I was unsure of the age range of the ensemble, or of the size of the cast, but was amazed when I realized how many people came together to put on this performance and the variety in the age range. There were children no older than 3 or 4 as well as adults in the company. This made the performance really beautiful in getting to see dancers who are just growing up in a community of performing arts as well as those who can appreciate it later in life. Also, knowing that the whole thing had to be perfectly orchestrated in order to smoothly transition between scenes (given the large amount of people involved and the fantastical props used), I have to say it was a remarkable feat to pull off this show. The stage production must be one of the defining features of the Nutcracker. The costumes glitter, the props are nothing less than extravagant, and the snow at the end of the first act bedazzled the audience. The lavish sets are truly what brought the audience into this dream world.

 

Of course, the set would be nothing without the cast. Clara and her Nutcracker had great precision in their movements as well as flow in the outline of their dances. They were both high school students, and for that I applaud them greatly. Many of the other performers, such as the Mouse Queen, also executed their roles pristinely. One of my favorite parts of watching a performance is forgetting I am sitting in the audience, and there were definitely times in this performance when I believed I was part of Clara’s dream. Now that I know this performance is put on every year by the same theatre, I am tempted to make it tradition to go back every year I am here. It was the perfect way to ring in the holiday season, get a bit of culture, and enjoy the great music of Tchaikovsky. No matter which form of the performing arts you prefer, there is definitely something for everyone in this production.

 

Nutcracker-Ballet-Olympia