PREVIEW: Band-O-Rama

Photo courtesy of MMBs facebook page
Photo courtesy of MMB's facebook page

Who: The University of Michigan Marching Band, Symphony Band and Concert Band

What: Band-O-Rama concert

Where: Hill Auditorium

When: October 26, 7:30 p.m.

Price: $5-$18 for adults, $5 for students or free with a Passport
The University of Michigan Marching Band, Symphony Band and Concert Band will take the stage at Hill Auditorium this Saturday for their annual Band-O-Rama concert featuring music from half-time shows and Michigan fan favorites. All the bands on one bill will be rallying behind Michigan spirit in support of the theme, “This is Michigan.” Come to the Hill to hail blue at Band-O-Rama this Saturday night.

For a free ticket, pick up a Passport to the Arts at your residence hall community center or the Office of New Student Programs on the first floor of the LSA building to redeem at the Michigan League Ticket Office.
Like the Michigan Marching Band on Facebook, follow them on Twitter, watch performances on their official YouTube channel, or visit their official website. Purchase tickets for the show here.

Review: Blur the Lines

Blur the Lines was a collaborative effort sponsored by SMTD Collaborative Student Assembly (CSA).
SMTD CSA’s Facebook
The performance was on October 19th in the Arthur Miller Theater at the Walgreen Drama Center. The cast was made up of student volunteers from several majors in the School of Music Theater and Dance. The goal of the event was to create, and perform, a one hour show in 24 hours.
Through Facebook promotion, Blur the Lines rounded up two volunteer composers, two writers, a director, several musicians, dancers, and actors, as well as PAT majors and a MUSIC THEORY major, to donate around 24 straight hours of their time to creating this show. First, the script writers and composers met at 8pm and wrote the show until 8am, when the performers joined in order to rehearse until the show started at 8 pm. Apparently this was the first year Blur the Lines had been organized, but I had no idea because the show was so put together, but it explains why so few people knew about it despite the Facebook efforts. However, I have no doubt, as the semesters progress, this will become a widely attended event.
BLURDALINES
It is honestly difficult to review the show because it’s such a unique situation for people to perform under, and it doesn’t seem to allow for much editing, which is arguably the most important part of the creative process. The concept of the show was supposed to be a day in the life of a person, starting in the morning, and ending at night. Honestly, that concept did not really come across. The whole show was made up of several, individual scenes about extremely varied topics. There was a scene with young love at the beginning and a scene revolving around a funeral towards the end but most of the scenes in between didn’t seem to have a strictly chronological order or revolve around time, like the theme suggested they would. The scenes also varied from great hits to scenes which could have benefited from much more editing. However, the show still had many great moments.
One of my favorite scenes was a monologue about a “Magic Girl”. I enjoyed the writing, which was very memorable, and the staging, which was active enough to hold the audience’s attention, while still complimenting the text, and music, instead of distracting from them. The scene following was also enjoyable, and extremely relatable for anyone who has grown up in a religious family, but is atheist. This monologue described how a person, forced to attend Sabbath every weekend with their family, struggles with a lack of ability to spiritually relate to the ceremony in a life “measured in Sabbaths”. The most entertaining scene was a monologue spoken by a girl about her desire for emotional and physical contact. What made this scene so unique was her “duet” with the violinist, who would respond musically to her advances, and eventually broke up with her. The two dancers in the cast also had a modern dance segment, which was very beautiful.

Honestly, what I recommend even more than seeing Blur the Lines next semester is PARTICIPATING in it. Everyone involved had the absolute time of their life and learned so much about themselves, and the creation process, no matter their major. It was also a great way for students to bridge the gap in SMTD, which is a school very separated by majors. But, what will lead to an even better experience is that the organization is planning on expanding it’s reach to the whole school, not just SMTD. I urge you to like SMTD CSA on Facebook and keep in touch about when the next Blur the Lines will be. This is an event which can only be made better by a bigger variety of student involvement, so I really hope you keep this on your radar and at least attend the next performance to see if you would like to get involved in it!

REVIEW: Blue Jasmine

Jasmine refuses to accept her economic comedown by keeping her old habits as a socialite. She flies first class; she pays generous tips; she and her sumptuous designer clothes seem so incongruous with the noisy and messy streets market in San Francisco; and of course she would not accept her barbarous lower class admirer. From the intermittent flashbacks, we see her former extravagant life in New York, and slowly we scrape the fragments together and the reason of her irrevocable destitution unravels.

In order to be an interior designer, she takes computer classes and works as an assistant for a dentist. She meets her ideal partner, Dwight, but she instinctively lies about her situation. Dwight finally finds out about her lies and leaves her. In the end of the film, she moves out of her sister’s apartment and sits on a bench in the street, talking to herself and not knowing where to go.

Although the film depicts the tragedy of Jasmine and alludes to a rather serious theme, the script is full of humor. There are many funny scenes in the film that made me chuckle, although I failed to get the Park Street and Brooklyn part. Her impatient and absent-minded attitude to the indecisive patients at the dentist’s office and her harangue to the boys about tipping big in the restaurant were the two scenes I found most hilarious.

The acting of Cate Blanchett in this movie is just beyond perfect. She successfully portrays Jasmine’s decent and condescending attitude, her hypocritical and snobbish manner and her desperate and hysterical anxiety. Every single glance or posture convinces me that she is the real Jasmine. She definitely deserves the next best actress Oscar.

REVIEW: Taous

Taous

Just before Fall Break, The Center for World Performance Studies hosted an incredible guest artist by the name of  Taous Claire Khazem. The actress/activist performed a one-woman, self-starring theatrical performance called “Tizi Ouzou.” Named for the real life town in Algeria from which her father’s lineage descends, the play recounted the tales of ten imaginary emigrants or citizens of the mountainous village, exploring their struggles, values, dreams, disappointments, and distinctions. Taous created each character using simple props: a pair of shoes, a scarf, a coffee cup, a cane, or a pair of glasses, a cigarette. The set was bare, so the only way to enter the story  was through the performer’s movements, utterances, and expressive behaviors. It was astounding how developed each character became as Taous donned the accessories that defined the separate story lines. The cast included an old man who believed the cultural revolution of thirty years previous was current news; a young woman who wanted to move to America and find a basketball player for a husband; a sweet French girl who had fallen in love with an Algerian man; a grandmother who bakes bread and doles out unsolicited life advice; a religious teenager; a travel agent with strong opinions about Algerian men, and many more. In a question and answer session following the performance, Taous declared that each character had been adapted from real-life counter parts. Her personal history of immigration, multi-cultural values, language barriers, and even discrimination came alive in this animated narrative. Though the plot is specific to French-Algerian culture, it somehow felt relatable to the entire audience. The characters she developed are archetypal and familiar. Their challenges and triumphs are pertinent to nearly any group of people in the world, particularly those who have crossed country lines in their lifetime. The characters felt close to heart, though they are from a far off land called Tiz Ouzou.

For more about events hosted by The Center for World Performances, click here. For info on Taous, click here. See you next time!

REVIEW: Krewella at ROMT

Krewellas marquee for the October 20 show
Krewella's marquee for the October 20 show
Pretty lights abound rounded out the auditory and visual Krew experience
Pretty lights abound rounded out the auditory and visual Krew experience

As of last night, I truly understand why EDM is meant to be experienced live rather than heard blasting from my earphones on a run through campus, studying, or any other non-live avenue. Krewella’s Detroit stop on the Get Wet tour at the Royal Oak Music Theatre far exceeded my concert expectations for their music after listening to their new debut album “Get Wet” on repeat for the past few weeks.
Although their Sunday all ages show was not a sell out, the energy in the venue remained high in part to the two opening acts, Candyland and Seven Lions. Although not familiar with their music before, I was pretty happy with what they had to offer. Both DJs combined their beats and drops with intense strobe lighting techniques that added to an already trippy atmosphere. I don’t mean trippy in the drugged out sense, but in a way that leaves you feeling like you’re outside of your body and element by moving in the same environment and to the same base-y music as so many other people around you. That spirit is really at the heart of why ravers and ragers keep coming back and seeing their favorite artists pump up a crowd and getting them to let loose. Although some concert goers may also be on other substances to enhance their experience, you don’t need to be on something to have fun here.
Krewella’s ability to mix pop vocals with an electronic sound was reinforced for me at this concert. Attendees shouted along to the fun lyrics while getting rowdy as the base built to some truly epic drops. The anticipation for these drops was so much greater live than non-live, exaggerated by the atmosphere and everyone waiting to go crazy when the base dropped. Krewella’s lights too, were quite the spectacle and the friend I was with commented on how high blast they were tonight. My favorite songs they performed were “Killin’ It,” “Live for the Night” and “Alive” because of how intense they got into their performance, making people want to dance and go harder. The Krew ended their set with “Enjoy the Ride” only to come back by audience demand for an encore, “Come and Get It.” But that wasn’t the end of the show either. Jahan brought up a guy named Andrew from the front row, announcing that this was his seventh show he’s been to on their tour. For his birthday coming up soon, we all sang “Happy Birthday,” after which point he got caked in the face, a staple at many raves. Krewella’s dedication to their fans knows no bounds, and with their fan base growing I hope they’ll be able to come back to Detroit soon in a larger venue.
Even though their set only lasted an hour and fifteen minutes, I could not have asked for a better time. While many students Sunday night were getting their studying on at Club Ugli, I “got wet” with the Krew.