PREVIEW: Cece June, Big Chemical, and Jacob Sigman

This Friday at the Blind Pig you can catch a variety of great performances from Cece June, Big Chemical, and Jacob Sigman. I’ll be reviewing Cece June, or Cecelilia Durán’s act in particular, as she’s quickly become a staple in the Ann Arbor music scene. An LSA student herself, Durán has a new album in the works now–it’s a great time to catch some fresh music from her in preparation for her eventual full-length release. With a stacked lineup, there’s sure to be a variety of musical offerings as well.

 

Tickets are only $10, so make sure you find yourself at the Blind Pig this weekend!

REVIEW: Once on This Island

Once on This Island was everything it was hyped up to be and so much more. The joy and excitement in the audience when the musical began was palpable. It was a transporting experience. The music, the stage decorations, everything was phenomenal. I don’t know where to begin describing the event!

A good place would be the music. The live music was amazing. There were instruments used that I had never seen before but only heard. Iconic instruments from the Caribbean region. The audience was thrilled by the music before the musical even began and there was an atmosphere of cheer. Throughout the show, the music added a LOT. The authentic tunes helped transport us to a Caribbean island. The music brought an air of carefreeness and love. It also upped the tension a lot during tough scenes.

The actors took the musical to a whole new level. They were marvelous in their performances and the casting choice was just perfect. Every actor filled their role really well. There was a feeling of community when one saw them perform. The audience loved the actors. There were hoots and just a ton of general excitement all over.

I can’t write a review about this show and not mention the dances. The dances were amazing. Their energy was great. It brought the theme of family out really well. There were authentic dances of the region and the performers executed them so well. There was a tense scene where the main character was asked to perform at a party alone and dance for people. I couldn’t imagine how that scene would have progressed but oh my God, the main character did so well. She handled that scene like a boss and wowed everyone. It did not look forced and the reactions that the director of the musical had expected came out authentically from the audience. Everyone was in love. The performances used a lot of movement as well. The actor who played the devil mimicked a snake’s movement phenomenally.

The singing was great as well. It was joyous at times and sad at times but it was never not great. This was an overall amazing performance. MUSKET has done it yet again!

REVIEW: 26th Annual Exhibition of Art by Michigan Prisoners

Today I took a short trip over to the Duderstadt Center Gallery to witness the opening night of the 26th Annual Exhibition of Art by Michigan Prisoners. I invited my mom with me as well for some bonding time and a free car ride. There were guest speakers at the event, but unfortunately, I arrived too late for that. Nonetheless, all the pieces were still a sight to behold!

The art displayed was impressive, with both 2D portraits and 3D models. There were a few acrylic paintings that really held me entranced. The colors were so vibrant and the landscape was fairy-like. Then, something my mom really liked was the section featuring wildlife art. They were done in so many different styles, it was amazing to see the varying approaches. There were also Hulk models made out of toilet paper. 

As a whole, the event was fairly successful, based on the audience outcome. The lively atmosphere was definitely energizing. Luckily, the exhibit continues till April 5th, and each day seems to have its own unique segment. For instance, on the 26th there will be a public tour and critique writing, and the 27th has an artist panel at the Chrysler Center on North Campus. You can also purchase some artwork; the proceeds will go to the families of the artists. 

Overall, it was a fun and chill event that you all should check out. It goes on till April 5th!

PREVIEW: 26th Annual Exhibition of Art by Michigan Prisoners

The 26th Annual Exhibition of Art by Michigan Prisoners opens TODAY at the Duderstadt Center Gallery! There’s also an opening event celebration taking place from 5 PM to 8 PM today (March 22th).

The exhibition is on from Tuesday, March 22th to Tuesday, April 5th from 12:00 PM-6 PM on Sunday through Monday and 10 AM – 7 PM on Tuesday to Saturday. Cautions – the exhibit will close at 5 PM on April 5th, so try to visit before the last day to ensure that you have enough time.

This program is part of the Prison Creative Arts Project at the University of Michigan. The artists who created 714 pieces of artwork displayed this year are people living in Michigan’s prisons, 25 men’s prisons, and 1 women’s prison. The exhibition includes diverse forms of subjects: portraits, tattoo imagery, landscapes, fantasy, wildlife, incarceration, and others. The artworks are also for sale and the majority of the profit from the proceeds of the sale will go to the artists.

This surely is a big-scale art project involving the prison community. It’s surely an art exhibition that you can not see every day and it will also provide a lot to think about, about the society, people, and art as a bridge between those notions.

Virtual gallery, the artist’s art statement, and more information about the event can be found at this link.

PREVIEW: 60th Ann Arbor Film Festival

Nestled into the predictable hustle-and-bustle of a Midwest college town, nearly swallowed by the indifference of overworked students, March Madness, and the encroaching doom of finals, a week-long event brings a lucky glimpse of worldwide talent to Michigan Theatre. The Ann Arbor Film Festival is the oldest experimental and avant-garde film festival in North America, reaching all the way back to 1963.  Each year, thousands of film submissions compete for less than two hundred spots in the six-day event. As prestigious of an honor it is to even secure a spot in the lineup, AAFF competitors are even eligible to qualify for Academy Awards, illuminating a world of possibility beyond the big screens. This showcase of creative talent annually sets up shop in our own backyard at the Michigan Theatre, so why not make the walk to witness a couple of hours of rare genius? The week of film screenings extends from March 22nd to the 27th; each day features a schedule of special screenings and “Films in Competition” that compete for awards. The festival wraps up on Sunday with screenings of the winning films. Attendees can choose from a range of events to attend, from experimental shorts to animated features and grim documentaries. There’s something for everyone at AAFF.

I am attending the third night of film screenings on Thursday the 24th, specifically the special program titled A Lantern Through Your Labyrinth: Out Histories of the Ann Arbor Film Festival. This program focuses on experimental LGBTQ cinema throughout the film festival’s history; going into this with very little knowledge of the film festival or its queer artists, I hope to be enlightened about the intersectionality of film and its role in this distinguished event.

Student tickets are only $8 for any event of your choice! Find more information, buy tickets, and view the full schedule at https://www.aafilmfest.org/.

REVIEW: How to Build a Disaster Proof House

How to Build a Disaster Proof Home is the latest installation at the Institute for the Humanities on campus. Artist Tracey Snelling transforms the space into an explosion of color, sound, and texture as various home interiors occupy the room. Working both on a life-scale and a miniature scale, Snelling presents an exploration of what home really means and how one mentally and physically finds refuge in the contemporary world.

I’d like to examine this exhibit in a bit of a fractured way, pinpointing and elaborating upon various aspects as these come together to create the complete multisensory experience of Snelling’s work. Firstly–the aural. Before you even enter the space, you can hear a variety of monologues, sound effects, and music. This is because almost every section, or constructed home, has accompanying audio materials. Whether that’s a series of films being played all at once, or Duran Duran filling up a corner of the space, there’s a sense of the place being alive. The weaving together of sounds (the less delicate may call it a cacophony) create an entirely new sonic experience, one where the simulation of human presence is achieved. This simulation has both the comfort of a TV left on in the living room and eeriness of interacting with Siri or other faux-human presences. 

The same kind of aural complexity exists in the textures of the space. You find the tactile, familiar comfort of a worn rug juxtaposed with the tackiness, insincerity, and flatness of an idealized sunset-rainbow-beach wallpaper. There’s a dedication to different temporalities here, as a portrait in 70’s fashion hangs above a cherry red plush carpet circa the year 2000. The melange of these tributes to homes of past decades is fun and very carefully coordinated to maintain coherency, but there’s also a deeper, more touching and humanistic idea at the core of how we maintain familiarity and keep the things that we treasure most close to us (even if that’s the flimsy metaphor of hope behind a rainbow).

 

Finally, the color is alluring. Bright tones, eye-catching patterns, and iridescent touches are not only attractive, but add a very specific voice to the message of this exhibition. Ultimately, How to Build a Disaster Proof House is a sensory delight that makes you appreciate wherever you call home.