REVIEW: The Wild Party

This show unquestionably lived up to its name! I was so happy to be going to see live theater again after the height of the pandemic, and this was a fantastic show to begin on. I loved the music, vocals, outfits, and just the experience of being in a theater with a live audience after such a long time.

The first thing I think it is important to comment on is the fantastic vocals from both the lead actors. I was awed by their voices, and I realized that I have never really heard anyone from the SMTD program sing before. I enjoyed their solos as well as their duets, and I got a great sense of the major vocal ranges that both of them possessed. The music also provided many opportunities to impress, as it was complex and well written. I loved the sort of jazzy style of some of the music, and I thought each song sounded unique from the others. Also, this musical had basically no dialogue and was almost entirely singing. So I was doubly impressed that there was full voice singing and dancing the entire show, which was over 2 hours.

I also loved some of the more modern implements, the most interesting of which was the inclusion of “phones” as a prop. In many of the scenes, the characters were holding phone-shaped items that just let off enough light to be bright in the darkness. They used these props as phones, as a way to light up their faces, and as faux recording devices during exciting moments. I think this prop brought the show into a more modern “gossip girl” style, as it was advertised that it would do. However, I think it wasn’t enough to let me know that was the intent without me having known that beforehand. While I did really think this prop was cool, I was actually hoping they would do more with it. Perhaps a part of the show could have been in darkness with the phones as the only light, which could have looked very cool.

The only critique I really have for this show was the sparkly streamers that lined the back and sides of the stage. These reflected the light of the spotlights and were super distracting, especially during serious moments. I found them hard to look away from even when I wanted to be watching a scene that was going on between characters.

Pulp | Arts Around Ann Arbor

Finally, I want to mention the amazing performance by the male lead. His character’s steady progression from confident boyfriend to unhinged psycho was amazing to watch. He did a spectacular job with this slow descent into madness and I didn’t even notice how unstable he was becoming until he started really acting insane. His solo at the end of the show had crazy vocals and he really kept up his energy through the end.

I would definitely recommend this show to anyone who likes musicals. The vocalists were amazing, the dancing was quite impressive, and the storyline had me hooked. It also gave an important message about domestic violence, and I thought the director did a great job getting this message across. Not a show for children, but I would recommend this show highly.

PREVIEW: Hobo Johnson & The Lovemakers

If you don’t know who Hobo Johnson is, you’re missing out—Frank Lopes Jr., known for his stage name Hobo Johnson, has a repertoire of wacky, sometimes-political, spoken-word, hip-hop inspired music.

When I first heard Hobo Johnson’s music, it was on Twitter. A clip from his Tiny Desk Concert instantly intrigued me. It was rap, but it wasn’t—it was something that felt so raw, perfectly messy, encapsulating my frustration and amusement with the world and the lingering longing of heartbreak. I remember showing the Tiny Desk Concert to my friends. Some were into it, some didn’t like it at all. Hobo Johnson is definitely not everyone’s cup of tea, but its unapologetic character is what draws me so much to it.

Frank’s most recent two albums, dropped this year, have signified a change in sound and style for Hobo Johnson, a move away from melodramatic scream-singing towards more goofy punk. After recently starting his own record label, Hobo Johnson seems to be moving into a different stage of his artistic career, one focusing his angst into the politics of the music world as well as his music. 

UPDATE: Hobo Johnson & The Lovemakers were scheduled to appear at the Blind Pig on Monday, October 18th, but the show was cancelled due to COVID-19 concerns.

PREVIEW: The Holy Bones Festival

To all Halloween enthusiasts,

I will be the brave one to address what’s on everyone’s mind: Fall break is just around the corner and you don’t know what to do! Halloween season is about to start! Your midterm couldn’t have been scheduled at a worse time! AT&T stock drops toward 11-year low, as dividend yield rises further above 8%!

Fear not I have an event for you that will cast away your worries and give you the perfect, ghoul fuelled start to your fall break.*

*applies to folks free between 3 pm EST and 10 pm EST on the 16th October 2021 only Terms and Conditions apply.

Skeletons partying like there’s no tomorrow

Thee (with the special e sound) Holy Bones Festival!

If you were looking for a sign then here is the official start to Halloween season for you. This spooktacular event is held right in your backyard: Ypsilanti. A quick (did I mention free?) bus ride away from CCTC. Forget taking the bus to your North Campus 8ams this is where the groovy kids take the bus to. 

The festival will have over FORTY local artisans and tarot readers, live music, drag shows, an art show, an auction (c’mon have you ever been to a freaking auction?),  and an improv show.

So put on your Jack Skellington T-shirts and be ready to have fun in the sun like the skeletons in the poster. Do you see how much fun they’re having?! 

Also, their early tickets are prices devilishly at $6.66 so don’t wait too long. Grab a friend and let’s go!

 

PREVIEW: The Wild Party

This steamy prohibition tale, following a party-to-end-all-parties, was originally set in the 1920s but has been updated to reflect a more modern, gossip girl-style show. The show is filled with jealous lovers, violence, glamour and colorful party guests, and has won several different awards for its off-Broadway run. The Wild Party also features a score written by SMTD alumnus Andrew Lippa! There is a content warning that the show is really for mature audiences, and includes profanity, drug and alcohol use, and adult situations. Additionally, it contains strobe lights. So leave your kids with the babysitter for this one.

I am excited to see this show because I have never heard of it, even when it was on Broadway, and it sounds like a lot of fun. And I love to support the SMTD program! I have missed seeing in-person theater performances, and I am eager to get back into the theater world here at U of M. The show is playing at the Lydia Mendelssohn Theatre, which is in the League, from October 14th through October 17th.

Tickets and more information can be found here: https://tickets.smtd.umich.edu/5207

REVIEW: Donnie Darko

Donnie Darko is a sci-fi psychological thriller and coming of age movie starring a young Jake Gyllenhaal at the start of his career. The film follows a high-schooler who narrowly escapes being killed by a plane turbine crashing into his room when a giant rabbit-like figure convinces him to leave his home in the middle of the night. Feeling indebted to the rabbit for saving his life, Donnie is convinced to commit a series of crimes.

I was under the impression that the film would lean more towards the psychological thriller side and and delve into the horror genre, however the bizarre premise is translated into a surprisingly goofy film that my friend describes as a mix between Joker and Mean Girls: the character arcs of Donnie and Joaquin Phoenix’s portrayal of the Joker follow similar trajectories, and both Mean Girls and Donnie Darko feature high schools as primary settings with quirky teachers and humorous health classes and all-school gatherings. Despite the unusual nature of this pairing, the tone of the film is well-balanced between the darker subject matter and the dark humor. 

The strange plot itself is never too ridiculous, except perhaps the very end. Even so, the conclusion of the film is still satisfying, though it is a little confusing, which admittedly could be frustrating. However, I think the film does a good job of explaining what you need to know, and not leaving the entire storyline up for interpretation and therefore overly vague. I did not initially realize how sci-fi the film really was, but all of the sci-fi elements had a place in the overall story – the elements did not distract from the story, rather, they enhanced the plot. 

Gyllenhaal again shows that he is a great actor, but watching this film 20 years after it came out shows that he has always been a great actor. Gyllenhaal is eerily good at playing Donnie Darko. He plays the character as quiet and calm, but with something sinister lurking beneath – and a killer smile. The role of Donnie falls into the type of borderline deranged character Gyllenhaal often plays, however this performance sticks out because of the two-sided creepy and collected aura that the character possesses. Gyllenhaal expertly portrays Donnie’s inner conflict and nervousness, yet he exudes confidence and is menacing at the same time. 

Overall, with lesser directing or acting, Donnie Darko could have been a bizarre mess and over-ambitious effort, but it is clear director Richard Kelly and all of the actors in the film cared about the project and were fully committed. Donnie Darko was a surprisingly good watch, and a perfect film to kick off October. 

crossroads-cover-and-author

REVIEW: Jonathan Franzen Releases “Crossroads”

Acclaimed author Jonathan Franzen recently released his latest novel, Crossroads and is also presenting an accompanying virtual book tour in partnership with local bookstores around the country. Last Thursday, local bookstores around the midwest including Ann Arbor’s Literati Books co-hosted an online book tour event where Franzen read excerpts from Crossroads and discussed the book in conversation with Kathy Wang, author of the novels Impostor Syndrome and Family Trust.

The concept of an “online” version of the classic local bookstore book tour is a bit odd at first glance, but it proved to be a rewarding substitute for the pre-covid format. The event began with Franzen reading an excerpt from Crossroads. The novel itself focuses primarily on a single family over the course of a single day around Christmastime in the 1970s. To open, he chose a segment which at times felt deliberately uncomfortable, dealing with complex issues of religion, maternal roles and responsibilities, and the concept of the “ideal body” and dieting for women in the 1970s (when the novel is set). The prose isn’t terribly complex, but the associated emotion in the excerpt is compelling and palpable.

The excerpt serves as a springboard for Franzen and Wang to discuss just how this book and its characters came to be. Franzen chooses to inhabit the consciousness of each family member, a decision that arrived slowly over the course of the creation of the novel. He discusses how originally he thought the matriarch, Marion, would be “just a mom”—a character without much depth or her own perspective. Yet she grew so much during the three years of the book’s gestation that she ultimately became a character so important that the multi-paragraph opening excerpt was focused entirely on her and her internal conflict.

Not only did Marion change throughout the novel’s creation, but Franzen and Wang also discuss how Franzen’s attitude towards his characters has changed with time, over the course of his previous novels up until now. Franzen admits that he’s not trying to be “kinder to his characters”, although in his eyes, he sees that as a potential loss of comedy. The inextricable partnership of anger and comedy is something I had never seriously considered before, but Franzen and Wang put it into sharp perspective. They discuss how, in Franzen’s eyes, it’s impossible to have comedy without also having anger, and how his choice to treat his characters in Crossroads with greater kindness—although never forgoing honesty—may have sacrificed some comedy in the interest of having deeper, truer characters.

The “peek behind the curtain” about the creation of Crossroads and Franzen’s literary process only increased my excitement about reading the novel. If you’re a fan of Franzen or just generally interested in reading the novel, I would recommend attending a book tour date! The tour is virtual and future tour dates can be viewed here: https://fsgworkinprogress.com/2021/08/18/jonathan-franzens-crossroads/. 

Stay tuned for an upcoming review of the full novel!