Tag: Film

REVIEW: Guys and Dolls

Sappy Leave a comment

*Performances of Guys and Dolls took place in the Lydia Mendelssohn Theatre from October 5-8 and 12-15*

On the many websites promoting SMTD’s performance of Guys and Dolls, it was called a “true crowd pleaser,” and it truly was! Guys and Dolls is a brilliant romantic comedy built around lies and deceit with themes of religion and gambling. I found myself smiling the entire two hours of the show. Because I’m so accustomed to classical music where the audience only claps at the end, I was surprised when the crowd cheered after each song. That added to the excitement and joy in the theatre, and before I knew it time flew by.

The acting, singing, and dancing were the highlight of the show. Performers in this production were all students in the Department of Musical Theatre, but they embodied their characters so well I couldn’t see them as anybody but their character even as they were taking their bows. I loved how they never left their roles when the curtains dropped, the lights turned off, and they exited the stage. They captured the regional slang and accents perfectly while singing too! I had trouble understanding at times, but that just indicates the cast’s mastery in embodying New Yorkers in the 1950s.

The main characters were gambler Nathan Detroit, played by Chad Marge (Senior, BFA Musical Theatre); Nathan’s girlfriend and night club performer Adelaide, played by Catie Leonard (Junior, BFA Musical Theatre); gambler Sky Masterson, played by Diego Rodriguez (Senior, BFA Musical Theatre); and the straight-laced missionary Sarah Brown, played by Alex Humphreys (Senior, BFA in Musical Theatre).

The musical opened with the orchestra, and afterward, beautiful props such as neon store signs representative of Times Square were brought onto the stage. Following soon after was a charming dance hinting at the motif of flirtatious and sleazy love. The work of choreographer Mara Newbery Greer was just fantastic overall. The dances showed off the talent of the cast by incorporating full usage of the body through leaps and acrobatics as well as adding personality befitting of the song and scene. My favorite choreography was Luck Be a Lady featuring Sky & Crapshooters, which emphasized Sky’s charm. Sit Down, You’re Rockin’ the Boat by Nicely-Nicely & Company was super fun too, and definitely one of the comedic highlights.

My absolute favorite song was My Time of Day/I’ve Never Been in Love Before, a duet between Sky and Sarah that concluded Act I. Their voices had such gorgeous contrasts when harmonizing and responding to one another. Everyone’s singing was so stable and clear as if they were in a studio and not dancing, jumping, and running around.

I was surprised that the musical was being performed at the Lydia Mendelssohn Theatre since it’s small compared to other venues, but they made great use of space by incorporating the actual theatre exit and aisles into their play. Props to the Creative Team, Production Crew, Running Crew, and Orchestra for making it possible to have such a smooth showing of Guys and Dolls. I can see why it won so many awards and is so popular, and the experience made me determined to watch more musicals!

Review: Seoul Station

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*Played at the State Theatre on October 6th and 12th*

Despite being produced in the same year and by the same director, Seoul Station (2016) is the lesser-known prequel to the famous movie Train to Busan (2016). Interestingly enough, Seoul Station is an animation whereas the latter is a live-action film. The director Yeon Sang-ho is well known for his brutal stories, and while I haven’t seen Train to Busan yet, Seoul Station certainly did an excellent job of portraying not only the brutality of a zombie apocalypse but also the social disparities between income classes, especially emphasizing the discrimination against the homeless community.

There were three main characters: Hye-Sun, her boyfriend Suk-gyu, and her father Ki-woong (in the featured image, Suk-gyu is on the left and Ki-Woong is on the right). Like a typical zombie movie, the plot revolved around survival. However, Hye-Sun and Suk-Gyu were in the lower class and that was already enough of a struggle before being further exacerbated once hell broke loose. To me, what was most interesting wasn’t their endeavors to live, but rather the humorous character dynamics and the focus on economic differences, which I felt to be the true horror highlighted by the writers. The wealthy were rarely, if not never, featured. 

In Seoul Station the color palette was very grim and muted; even the bright pink of Hye-Sun’s dress appeared gray. I enjoy watching animated films, but I haven’t seen many Korean ones. The character designs were realistic and diverse, which I felt made the animation pop due to their facial expressions. The voice acting hit differently, too, because the characters had similar voices to people I know. However, the animation itself didn’t flow as smoothly as I expected. In the beginning, it felt clunky, but I quickly adjusted and didn’t pay much attention to it afterward. My favorite part was the incredible plot twists, which were so shocking I couldn’t stop talking about it with my friends after. In fact, a majority of the audience gasped at one specific scene and the excitement rose in the theater. 

I heard from others that although it’s meant to be a prequel, the two movies are surprisingly disconnected from each other. It apparently didn’t add much to the storyline of Train to Busan and would’ve been normal to be a separate world. Since I haven’t seen Train to Busan I unfortunately can’t compare the two very well, but I’ve always wanted to watch it. I’m excited to see more of Yeon Sang-ho’s work, especially since it’s such a praised movie. If you’re looking for a funny horror movie that also implies a deeper meaning, I recommend Seoul Station! It’s a shorter movie, around an hour and a half, so it’d be a good film to engross in during a busy time like midterm season!

 

REVIEW: Michigan Pops Orchestra “A Night at the Popscars”

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The featured image above was taken from their Instagram: @michiganpops

This semester’s Michigan Pops Concert has been my favorite out of all the concerts I’ve attended! There was a crazy line at the door and the crowd turnout was also the largest I’ve seen, so much so that the start time was postponed to accommodate more audience members. It’s always refreshing to see that both children and the elderly are present in addition to college students; it shows that this student organization is popular among locals too.

They had a large and impressive list of repertoire (most were already familiar to the audience thanks to the theme they chose) and I appreciated how well they balanced the amount and order of classical and contemporary music. My favorite and most anticipated piece was Howl’s Moving Castle, but I wished it was longer. I felt that the arrangement could’ve been better too, though that doesn’t mean the Pops Orchestra didn’t play it well.

It seemed like there were more featured soloists in this concert than in the previous ones, but I think it still showcased the orchestra as a group pretty well without being overshadowed. Unfortunately, there were some balance issues and at times it was hard to hear the soloists.

The winner of this year’s high school concerto competition was a Sophomore from Huron High School, which is so impressive since the winners have historically mostly been Seniors. She played the Lalo Violin Concerto, and she exuded so much power and charisma as she performed. Shoutout to the violist who gave an amazing show of Bohemian Rhapsody and the pianist who shined during La La Land! You can watch them on Youtube, but nothing will beat the live music so pull up next year!

As for the skits, the most memorable part for me was when some students wore paper swans on their heads as they performed swan lake. It impressed me how well-made the swans looked!

It appears lots of members will be graduating, which is a little sad, but I’m looking forward to what changes the remaining and new Pops board and members will bring us next year.

 

PREVIEW: Michigan Pops Orchestra Concert “A Night at the Popscars”

Sappy Leave a comment

As we approach the end of the semester, the time for the Michigan Pops Orchestra’s concert approaches too! This semester’s theme is “A Night at the Popscars,” meaning they’ve selected a variety of music that’s related to Oscar and other award-winning films.

Many pieces they have selected are teased on their poster (the featured image above) which can be found around campus and on their Instagram @michiganpops. It looks like Howl’s Moving Castle, Star Wars, and West Side Story will be featured, with Howl’s being my most anticipated one!

I’m wondering how the Pops members will have done justice to the Oscar-winning films with their own directing and acting. I’m sure they won’t disappoint though, and I’m looking forward to which movies they’ve chosen to recreate (Star Wars probably being the most likely one).

The concert is at 7:00 PM at the Michigan Theater on Saturday, April 8th. Tickets can be bought online, at the ticket office, and sometimes at Mason Hall, or you can even get a free ticket with a passport of the arts!

PREVIEW: Cocaine Bear

Sappy Leave a comment

Cocaine Bear is a film notorious for its origin: the true story of a bear having found and eaten cocaine. I personally don’t know much about the movie or how much of it is based on true events, but my friends have been very excited to watch it for its goofy nature.

The genre of Cocaine Bear is thriller and comedy, and it’s a relatively short movie (or at least what I felt was short: 95 minutes). I tend to stay away from both of these genres because I don’t have the confidence to watch thriller movies and lack interest in watching comedies (in theaters at least), so I’m curious about how I’ll feel about this film in terms of quality, history, and personality.

The movie is soon to stop showing, so either check it out yourself or wait to see if it’s worth based on others’ or my review!

REVIEW: Ant-Man and the Wasp: Quantumania

Nellie Shih Leave a comment

Ant-Man and the Wasp: Quantumania is the 31st film in the Marvel Cinematic Universe, and it is only one of two MCU movies to receive a rotten score on Rotten Tomatoes. While it is fair Quantumania was rated rotten, I would argue there are MCU films that deserve to be rated more rotten. 

The film follows Paul Rudd as Scott Lang/Ant-Man, who is now famous for saving the world alongside the Avengers, and has written a biography about his experiences. He has lost five years of time with his daughter – played by Kathryn Newton reprising her role from Big Little Lies – during the events of Avengers: Infinity War and Endgame, and is doing his best to reconnect with her. Cassie reveals that she has been working on a device that allows her to study the Quantum Realm – where Michelle Pfeiffer’s Janet van Dyne was trapped for 30 years – from Earth. However, Janet immediately tries to shut down the device, causing it to malfunction, sending Scott, Cassie, Janet, her husband, and her daughter down into the Quantum Realm. There, Janet reveals a dangerous threat looms in the form of Kang the Conqueror, played by Jonathan Majors. 

The stakes in the film are almost ridiculously high with how powerful Kang is, however the film is very much not serious. Scott and Cassie befriend an ensemble cast of gooey, blobby, and strangely proportioned supporting characters, and Michael Douglas clearly wanted to be on set as little as possible. It would be safe to assume that when Douglas’ character shows up after not being in the film for a bit and says “Sorry I’m late,” that is simply footage of him showing up to set every day. There is an interview of Douglas at the premiere of the film, where he states he would come back for a fourth Ant-Man film only if they kill his character off. 

On the other hand, Jonathan Majors and Michelle Pfeiffer seemed to be in a completely different state of mind, demonstrating such careful and expert acting. I would have much preferred a film just about their characters, because every time Kang and Janet were on screen together, I was enthralled. What kept me going throughout the rest of the lackluster film was the anticipation of their characters interacting again. I am not sure what kind of spirit possessed them on set. Majors was so charismatic and suave while harboring a deep sadness that came through the look in his eyes and the myriad facial expressions he was able to portray. Pfeiffer was mysterious and anxious, yet warm, and these two forces on screen together seemed to be acting in a completely different film. 

Ultimately, Quantumania is an enjoyable popcorn movie, but it is probably only enjoyable if you do not go in with a serious mindset. The comedy in the film was weaker than in the first two, however what made this movie funny was probably not intentional. The film is ridiculous in tone, premise, and writing – and also how good Majors and Pfeiffer are. I hope they’ll star in a different, better film together sometime. 

Ant-Man and the Wasp: Quantumania is playing at the State Theater.