PREVIEW: The Muppet Christmas Carol

I live under a rock. I’ve never seen the Muppets and don’t know much about them besides Kermit the frog being a meme. Luckily, the perfect chance for me to learn about them came up! On Sunday, December 18th, the Michigan Theater will be showing The Muppet Christmas Carol at 1:30 pm for free.

Some people may already be out of town, though, and it might be inconvenient timing since it’s during finals (if you have late finals, which…rip), but it might just be the Christmas cheer you need before getting back to grind time. At least that’s why I want to watch it. I need some happiness after finals.

I’m sick of Elf being the only Christmas movie that pops into my head too. I haven’t watched any Christmas movie musicals, so it’s time to expand my collection. I’ve heard good things about Michael Caine’s performance being funny, so that’s another aspect I look forward to.

Good luck with finals everybody, and I’m wishing you some Christmas cheer!

PREVIEW: Michigan Pops Orchestra Concert “Tick Tock, It’s Pops O’Clock”

This semester, the Michigan Pops Orchestra chose ‘Time’ as the concept for their concert, meaning the pieces they’ve selected have some kind of tie-in to that theme. On their instagram @michiganpops they’ve advertised OSTs from Harry Potter, Jurassic Park, and Star Trek, as well as pieces from classical composers like Beethoven and Tchaikovsky. I’m assuming that they chose timeless classics (heh) that everybody has heard alongside other iconic soundtracks, so it’ll be music familiar to the audience. Full orchestral symphonies aren’t as commonly heard though, so it’ll still be a new experience for a crowd not as well-versed in classical music.

The Michigan Pops Orchestra is one of the only (perhaps the only) ensemble on campus that is completely student run. This allows the performers much more artistic freedom, so each one of their concerts is unique. One aspect of Pops that differs the most from other ensembles is their inclusion of skits and films; I’m not sure what the skits will be, but the films they’ve created will be playing during Jurassic Park and Harry Potter!

Everybody is welcome to attend their concert: K-12 students get free entry, Adults pay $9 per ticket, and University students get discounted tickets for $5.

Tickets will be sold in the Posting Wall at Mason Hall from November 28th to December 2nd and at this MUTO link: mutotix.umich.edu/3688

Don’t worry if you missed these dates, though, because tickets are also being sold AT THE DOOR the day of the concert on December 3rd at 7:00pm in the Michigan Theater.

REVIEW: Black Panther: Wakanda Forever

*There won’t be any spoilers… at least not intentionally*

Black Panther: Wakanda Forever definitely did not unfold as I expected it to. I didn’t think it’d be as good as the first Black Panther, but I’m pretty disappointed in the quality. Letitia Wright (Shuri) truly got to shine in this film and her performance was phenomenal. In my opinion, though, the plot still held back what she is capable of. I look forward to seeing her acting in other films for sure.

I mentioned in my preview that I was curious if the directors might use Wakanda Forever to start building toward a driving plot for the new generation of Marvel, but that didn’t happen at all. None of the other recent Marvel films I’ve seen so far have done that either, though, besides the latest Spider-Man, so I’m not upset with Wakanda Forever in that regard.

What upset me is the storytelling, pacing, and characterization.

I wanted to see how the creators would effectively work around the hole left behind by Chadwick Boseman’s death but the resolution they came up with was very flat. The opening scene was definitely exhilarating and emotional but the transition to the next scene was rather anticlimactic and there wasn’t much explanation provided. Whenever the topic came back up, there weren’t any additional details either as I hoped there would be.

This relates to the problem of pacing I mentioned before: after the initial drama, the rising action was very slow and tedious. I didn’t feel like there was a steady buildup and so once the climax hit we were bombarded with a lot of rushed action and character development, leading to an unsatisfactory falling action as well. Not only that, though; the initial premise for the conflict was pretty promising, but then the conflict itself was rather… interesting. A new character that I thought would be vital didn’t play as impactful as a role that the premise hyped her up for, either, which I found surprising. The ending scenes did somewhat tie back to the opening, but there were a lot of holes left in the plot, especially in regards to the passage of time, and ambiguity for what comes after.

Something I did really like about the plot though is the dynamic difference between Shuri and the elders. We already saw some tension between them in the first film, but it played a bigger role this time as a recurring theme. I think lots of young adults would be able to relate to generational differences, such as scientific vs. spiritual beliefs and progression vs. tradition. I wish they showed more scenes of them interacting.

Overall, it’s not a film I’d recommend for its quality. I also don’t think it’s essential to the Marvel Universe, and perhaps watching it might even take away from the impact that the first Black Panther had. I do think my review sounds rather harsh: I don’t actually hate the film, but it’s just disappointing and not something I’d watch again or recommend to others.

 

PREVIEW: Black Panther: Wakanda Forever

It’s been a long time since the first Black Panther film came out in 2018; the next film had already been teased at the end of the first movie, and after rewatching it two times I grew increasingly antsy about the release of Black Panther 2. I actually haven’t watched any of the movie trailers and I’ve done a pretty good darn job staying away from spoilers, so I’ll be going into the movie theaters completely blind.

The unfortunate passing of Chadwick Boseman has definitely left a huge hole in both the audience’s hearts and the plot itself. His phenomenal acting as T’challa was one of the highlights for me, and so I feel like the entire time I watch Wakanda Forever I’ll dearly miss him and his character. Although movies tend to take a few years to release anyway, I wonder how much his absence has affected the filming process and how the directors have decided to work around it.

So much has happened in the Marvel Universe with the main turning point being Avengers: Endgame. I’m curious to see how this new movie will drive the direction they will go now after the end of the first generation.

REVIEW: Simona

2:40 pm • Saturday, November 5, 2022 • State Theater

Simona was a lovely and in-depth documentary exploring the life of Simona Kossak and the marks she left on family, friends, and the broader Polish environmentalist community. A biologist and environmental activist who spent most of her life secluded in the Białowieża* Forest, one of Europe’s last old-growth wildernesses, Kossak’s story is told through conversations among family members, friends, and former colleagues, accompanied by archival photos taken by her life partner, Lech Wilczek.

I appreciated the candidness with which most of the interviewees discussed Kossak’s life. In particular, the ongoing conversation between Ida Matysek (the film’s main narrator) and her mother, Kossak’s niece, created an overarching narrative for the film that focused more on Kossak’s personal relationships with her family than her scientific career or activism. By balancing this narrative with insights from Kossak’s professional acquaintances and friends, not only did I gain a holistic understanding of how Kossak engaged with the world around her, but I learned about the dark as well as light sides of her history.

One of my favorite themes throughout the film was Kossak’s emotional connection with the animals in her care, which the film often  represented as intensely maternal. I came to understand that history would be remiss to say Kossak had no children–the devotion she demonstrated for the animals she raised was no less than that of a mother for a human child. In one heartbreaking story, Kossak raised a lynx she named Agata, who was killed in an domestic accident when Kossak’s partner, Lech Wilczek, lost his balance and dropped a bundle of firewood on top of her. Kossak canceled all engagements and grieved for months, and the incident also strained her relationship with Wilczek as if they had experienced the loss of a child.

Photo by Lech Wilczek; from Opowieść o Niezwyczajny Życiu Simony Kossak by Anna Kamińska, published by Wydawnictwo Literackie, Krakow 2015.

I am left with questions about Kossak’s affection for animals as compared with her love for the forest at large. As a biologist, her interest was in animal behavior, and in her activism much of her work dealt with preserving the diversity of animal species existing in the Białowieża Forest. I am curious about whether she was equally devoted to the conservation of plant life in the forest. One of the stories included in the film was about her efforts to save dying chestnut trees around the school where she worked, but the film framed these efforts more based on her partiality to the trees for sentimental reasons than for environmental reasons. Much of my reading on the subject of forestry and conservation lately has dealt with the importance of trees in global ecosystems, and I know research on the social relationships between trees is gaining more traction in the scientific community as of late. I wish I could hear Kossak’s take on these issues, and see how she would engage in activism against the accelerating deforestation of her beloved Białowieża Forest today. If I can ever find English editions, I hope to add her books about the forest and her experiences there to my shelf.

 

*pronounced bee-ah-wo-vee-EDGE-ah

PREVIEW: Czarna owca (Black Sheep)

What: a Polish comedy/drama film, brought to Ann Arbor by this weekend’s annual Polish Film Festival

When: Saturday, November 5, 9:00pm

Where: State Theater

Tickets: available on the State Theater website, $9.25 for students

Czarna owca, or Black Sheep, is a Polish drama and comedy about a family falling apart at the seams. Magda and Arek have had a successful marriage of 25 years, and are now living with their adult son, Tomek, and his girlfriend Asia, while taking care of their aging father. However, a series of secrets and revelations soon cause chaos, prompting each character to confront their own closely-held desires and fears, while finding ways to mend the tears ripping apart their family. At least, that’s as much as I could find out from the few online synopses available for this film in English. Much of the plotline remains a mystery to me, and I look forward to discovering this family’s secrets alongside the characters this Saturday night.