PREVIEW: Folk Festival

The annual Ann Arbor Folk Festival is a fundraiser for The Ark that takes place in Hill Auditorium with two entertaining nights filled with the best folk music around. For the 42nd Folk Fest, the first night on Friday, January 25 features Brandi Carlile, Gregory Alan Isakov, Haley Heynderickx, Sam Lewis, Parsonsfield, Michigan Rattlers, and Peter Mulvey. Then, the folk fun continues on Saturday, January 26 with the exciting lineup of Rufus Wainwright, I’m With Her, Pokey Lafarge, Ahi, The RFD Boys, and Peter Mulvey. Tickets can be bought at MUTO in the League Underground, at the Ark box office, or online at www.theark.org.

PREVIEW: Magic Giant

Orchestral drums, banjo, trumpet, saxophone, harmonica, synthesizers, electric bass, cello, viola, violin, dobro, lap steel, mandolin.

These are just a few of the favorite things that Magic Giant likes to play around with. The dynamic musical talent in this indie-folk trio is infinite and ineffable, and their passion carries through every instrument that calls to them.

From childhood passion to Acquired Savant Syndrome, Austin Bisnow, Zambricki Li, and Zang have joined forces to embrace nature in their debut album, In the Wind, as they traveled from Los Angeles to Colorado, coastal California, Snoqualmie Pass, and Crested Butte to record their songs outside to capture that true spirit.

Now, they bring their magical festivity to Ann Arbor on February 11. Performing at the Blind Pig, the Magic Giant is sure to captivate the crowd with their refined energy and distinct vibes.

Tickets are $15 as they take the stage at 7:30pm Sunday night.

REVIEW: The Milk Carton Kids

I thought when I went to The Ark for Tuesday’s Milk Carton Kids show that I was getting a low-key acoustic show. I got that, but also so much more. At times funny, ridiculous, and bittersweet, The Milk Carton Kids and their opener Sammy Miller and the Congregation defied description in a concert I won’t be forgetting any time soon.

The name Sammy Miller and the Congregation sounds like a throwback to the Jazz Age, but theirs wasn’t a traditional jazz show. In fact, they told us, they were banned from the genre of jazz for reasons that were implied to be related to their production of a “jopera:” a jazz opera that eschewed any genre. The band incorporated theatrical elements, humor, and even a little pop music into their set. Their jopera was weird and wonderful, incorporating costumes, singing, and even a nonsensical storyline (an essential part of any opera). They engaged the audience, sometimes leaving stage and returning via the seats, as actors often do. I’m still not sure how to describe what I saw, but I know I was entertained.

The Milk Carton Kids, a duo consisting of Kenneth Pattengale and Joey Ryan, couldn’t have been more different in style and substance from their opener. Their sole instruments were two acoustic guitars. They wore suits and stood around one mic while they performed a set of mostly melancholy folk songs. But they, too, injected a surprising amount of humor into their set in their pre-song introductions.

At the beginning of the set, for instance, Kenneth confessed that he was watching the World Series on a device hidden in his bag (I don’t blame him). That joke recurred throughout, and there were times when Joey would start introducing a song and Kenneth would stand at the back of the stage, tuning his guitar and clearly peering into his bag. The whole audience was laughing at their intros, which were at turns funny, awkward, and self-effacing. It was an odd juxtaposition; it was almost as if they were performing a comedy show in between their folk concert.

The music itself was entertaining for very different reasons. I was impressed by the band’s harmonies, particularly on their slower songs. The intimate setup of The Ark and the songs’ sparse arrangements really brought out those harmonies. One song I particularly enjoyed was “I Only See the Moon,” a song from their upcoming album. Their penultimate song “Michigan” was also a highlight. Luckily, they were lying when they sang “Michigan’s in the rearview mirror” and came out for an encore.

I also enjoyed listening to the lyrics of the songs they played. Many were about traditional topics of contemporary folk, such as melancholy memories and places of the past, but others were political or even happy and upbeat. I allowed myself to sit back and get lost in the imagery of the lyrics, something that’s not possible at other types of concerts.

Though the Milk Carton Kids aren’t the kind of band I regularly listen to, and their concert wasn’t the kind of concert I usually attend, I was glad I went. The music was beautiful and the spoken interludes were entertaining. I’d never seen anything like this concert before, and I have a feeling I won’t ever again. But I’ll remember every bit: the humor and the harmonies, the beautiful and the weird.

PREVIEW: The Milk Carton Kids

I used to think I didn’t like folk music, but that was before I went to The Ark. From my first show, I was hooked. Folk is usually centered around simple instrumentation and exquisite harmonies, which combined with the venue’s exceptional acoustics is a match made in heaven. The Ark only seats 400, so even the introduction to a song can feel like an intimate conversation with the band. After the show, you can often meet them.

This Halloween, if costumes and haunted houses aren’t your thing, here’s an alternative: come to The Ark to see The Milk Carton Kids! They’re an indie folk duo that has been nominated for a Grammy, toured with The Lumineers, and been praised by Sara Bareilles, and they even have a song called Michigan. The Ark’s website sums them up using the phrase “haunting vocal harmonies” and that alone is enough to make me want to drop everything and come to The Ark Tuesday night.

The Milk Carton Kids with opening act Sammy Miller and the Congregation come to The Ark Tuesday, October 31 at 8:00 PM. You can buy general admission tickets for $35 at The Ark, at the Michigan Union Ticket Office, or online at theark.org.

REVIEW: Brett Dennen at the Blind Pig

Seeing any show at the Blind Pig, known for bringing relatively famous acts to Ann Arbor, is bound to be an experience.

Even before the opening act took the stage, the place was filled with people ranging from the minors on one side of me to the thirty/forty something couple on the other side. There were no fans running and little ventilation, so people were shedding outer layers like crazy as we waited.

Then Lily & Madeleine took the stage. As the couple next to me put it so well:

“Are they sisters?”

“I don’t know, but they’re cute as pie”

lily-madeleine

A quick Google search for this blog confirmed that they are in fact sisters hailing from Indiana, and they are definitely Midwestern–from “almost went to U of M” to writing a song about the city of Chicago.

The announcer mistakenly announced the venue as the Ark, and Lily & Madeleine’s music would have been a much better fit for that more relaxed atmosphere. I enjoyed listening to their music–I’m downloading a couple albums Flume as I write this–but the acoustic and piano-heavy set was probably not the way to go opening for Brett Dennen at the Blind Pig.

The audience was one of rudest I’ve ever experienced. As you can probably hear in this video, it was hard to hear the music over the sound of everything talking and making noise. Most people weren’t paying attention to Lily & Madeleine, and one woman next to me kept texting in a phone that was on full brightness. It would have been one thing if the music was bad, but Lily & Madeleine proved themselves to be talented artists that didn’t deserve such a treatment.

Luckily the crowd calmed down by the time Brett took the stage.

Somehow Brett Dennen turned 36 the day of the concert, even though he looks like he stopped aging after 25. Brett’s boyish looks and figure make his music all the more endearing. Switching between two acoustic guitars, his crooned slower favorites like “Ain’t No Reason” and “Where We Left Off.” For the faster numbers, he brought out the electric guitar and shredded the heck out of it.

brett-dennen-jams

The crowd sang along to hits like “Wild Child,” “Comeback Kid,” and my personal favorite “Make You Crazy.” Singers like Brett Dennen make it impossible to stand in the crowd and not shake your head or shake your hips along to the music. Performers like Brett know when to point the microphone out to the audience, when to stand at the very front of the stage and jam with his tongue out, and when to take a break and ask the audience for their birthdays.

I freely admit that I am only a casual Brett Dennen fan, but I could easily become of the devoted fans that sang along to every one of his songs at the concert if I let myself. If you get a chance to see Brett in concert, I highly recommend it.

PREVIEW: Brett Dennen at the Blind Pig

If you haven’t heard of Brett Dennen, the singer-songwriter hailing from Oakland, CA, I invite you to listen to one of my favorite songs from him:

An oddly satisfying blend of pop and folk, right? Brett’s newest album, Por Favor, was released in May, and you can hear it live at The Blind Pig on Thursday, October 27th

Where: The Blind Pig

Time: Doors open at 8

Cost: $25

Satisfaction at seeing Brett Dennen perform live: Priceless