PREVIEW: Three Billboards Outside Ebbing, Missouri

An unsolved murder case. A grieving, demanding, unapologetic, bold mother. Controversial billboards. “Dim-bulb” police officers. Violence in the name of love, hatred, hope, rage, and forgiveness. Comedy. Crime. Drama. What more do you want in a movie? Three Billboards Outside Ebbing, Missouri features all these elements and more. Starring Academy Award winners Frances McDormand as Mildred Hayes and Woody Harrelson as William Willoughby, with Sam Rockwell as Officer Dixon, this dark comedic drama captures “something truthfully human.” The film opens at the Michigan Theater on Tuesday, November 21. Student tickets are $8, and it is also free with a Passport to the Arts voucher from November 22-29!

PREVIEW: Intergalactic Pops

Fan of the Star Wars movies? Never seen the films but like the iconic music in it? Just a lover of music?

If you’ve ever watched The Planets, E.T., or Star Trek, you’re also in for a treat.

The Michigan Pops Orchestra is putting on a concert that will put you over the moon. Intergalactic Pops will appeal to people of all ages as it explores the music that transcends space and time. And that’s not all! It will feature a unique combination of vocal performers, multimedia, stage antics, and special effects, which will be sure to engage and entertain the audience.

Comprised of students from all fields of study united with a common love for music, the Michigan Pops Orchestra is the country’s oldest collegiate Pops orchestra and is the only student-run, student-directed orchestra on campus.

I can’t wait to hear all the talent the Michigan Pops Orchestra has to offer. Get ready for this out-of-the-world performance on Sunday, November 19 at 7pm in the Michigan Theater. Student tickets are $5 at the door or it is free with a Passport to the Arts Voucher!

REVIEW: Loving Vincent

A painting in motion — Loving Vincent. Brushstrokes that mimicked the iconic artistry of Vincent van Gogh’s own paintings moved to tell the biography of Vincent in a never-before-seen feature film. An hour and thirty-four minutes of animated paint, in the style of Vincent van Gogh, was an exquisite film that I felt honored to behold with my own two eyes.

It was a rainy Sunday night, with the typical wind chills of early November in Ann Arbor, when I went to see the film with some of my colleagues. We had just come from a fantastic dinner of pizza, including margherita pizza — my favorite kind of pizza — and joined the ranks of Loving Vincent moviegoers lined up outside of Michigan Theater.

Luckily, we had arrived just in time not to miss the beginning of the film itself. The whole lot of us settled upstairs in the balcony, appreciating the extravagance of the Michigan Theater’s classic theater setting and ambience. As soon as we settled into our seats, the lights dimmed and the screen flitted between trailers of upcoming indie films and the like. And then, at long last, Loving Vincent painted itself across the screen.

In a word, Loving Vincent was…divine. Artistic. Exquisite. Every second of it, quite literally the epitome of a painting in motion, enraptured the audience with its imagery.

Honestly, the second the movie opened, I was already mesmerized by the names rolling on the screen through their careful and immaculate brushstrokes. I was watching the lines of colors, imitating Vincent’s illustrious and iconic style, move across the screen in unison to depict movement. It was enrapturing.

I felt chills go down my spine.

The movie opens with the most renowned and perhaps most well-known work by the artist: Starry Night — hooking every audience member with its fine brush work and celebrated imagery as one of the most historically reputable works of art. It was so meaningful to see that be the opening scene to a film revolving around the artist, to whom the film is dedicated for, I was just captivated and touched by it. And then, when that Starry Night picture began to actually move, animated brushstrokes depicting the scene, my heart melted. Such an extraordinary picture transformed into a setting for a narrative to take place. It was the most fitting way to tell the biography of Vincent van Gogh.

As for the narrative itself — the story follows Armand Roulin, who is to hand-deliver a letter from Vincent to Theo van Gogh, Vincent’s brother. In this narrative, Armand learns more and more about the late artist Vincent, who had been a new artistic sensation in Paris at 28 but took his life while at the verge of his own impending success as an artist. Although skeptical and critical of Vincent in the beginning, Armand slowly grows wistful and fond of him. In fact, Armand even comes to Vincent’s defense when bad gossip arises and surrounds his death and reputation.

I’ll spare you all the details, but basically — the film follows Armand, a man who seems far detached from having any relation or kinship with Vincent van Gogh, and Armand’s journey to find the truth behind Vincent’s death — whether it was a suicide or a murder, what his motives were, who Vincent van Gogh truly was.

Ultimately the film really is a biography of Vincent van Gogh, which doesn’t lend itself to having that much opportunity to deviate from reality and express creativity and imagination as wildly as possible, as one might expect from an animated film. I have heard criticisms of the writing in Loving Vincent that claim the story is hard to follow, but they heralded the artistry of the film itself. Animation is a breathtaking craft, and it’s painfully difficult, and being able to dedicate an entire feature film of animated oil paintings for Vincent van Gogh is truly the only way to express his biography, I’d say. I personally don’t have a bad opinion of this film, having been so mesmerized by the immaculate craft of the moving pictures.

Now, my colleagues and myself hail from the art and design school at the University of Michigan, and inevitably we were drawn by the uniquely beautiful craft of the film, especially because we all express an interest in the art of animation. Safe to say we were all very moved and absolutely amazed by the sheer amount of work and effort required to make Loving Vincent and transform his most distinguished and impactful works of art into moving pictures.

If you have not seen Loving Vincent, I hope you at least consider it! If not for the story or biography of the great artist Vincent van Gogh, then for the beautiful craft of the film and its hundreds of artists who carefully painted and animated each frame of the film.

Go and love Vincent!

 

REVIEW: The Rocky Horror Picture Show, Michigan Theatre.

2016, freshman year: I, fresh-faced and a virgin to the world of The Rocky Horror Picture Show, emerged from Michigan Theatre as a slightly less virginal, still very impressionable, but a bit more cultured freshman. One year ago, I had the expectation that I was going to see a film with a great story line and amazing musical numbers.

If watching a calm, visually pleasant movie in an idle theatre is your kind of night, maybe a kind of film that’s musically show-stopping and rendered so beautifully that it’ll likely make you shed a tear or two – then I hear Once is a pretty good pick.

Because going to Rocky Horror is much less about seeing a magnificent film then it is going to experience a magnificent movement – a cult classic in all its chaotic vibrancy. This was immediately evident even in the line-up outside of Michigan Theatre as show time approached, with countless people floating by in a variety of costumes: pink wigs, fishnet tights, gold spandex.

2017, I’ve matured; I’m seasoned, having taken The Rocky Oath and done The Time-Warp before.

Introducing the show.

This year, I went into Rocky Horror not to watch a movie. Instead, I went for the callbacks, the sing-alongs, the endless amount cheering through the night. Perhaps it’s unusual within the realm of theatre-going, but audience interaction with the film is a significant part of the experience. With a repertoire of callbacks timed in sync with the movie script, (someone memorably shouting “Hey, what do you like to eat for breakfast?” just as an on-screen character replied “Come,” for example), each time the experience is new, different depending on the audience itself.

There are more corporal traditions, however, such as standing up and dancing to The Time Warp, snapping rubber gloves as Frank N. Furter does in the laboratory, yelling “Asshole” and “Slut” every time Brad and Janet are uttered. The clever, sometimes absurd traditions are my absolute favourite part of Rocky Horror, bringing a local culture into the theatre.

The lips.

With a shadow cast this year, another dimension was added to the film. A cast interpreted the plot playing on screen, acting out the script along with the movie. Sometimes the attention shifted off-screen entirely, the crowd cheering as the cast did something particularly funny or racy – even more so than what was happening on film. Something like this bridges the gap between film and audience even more. And unlike a lot of successful movies, Rocky Horror isn’t held in a pristine prestige; it’s steeped in and shaped by the layperson.

A generally good time, and an interesting cultural phenomenon, The Rocky Horror Picture Show at Michigan Theatre isn’t something to be missed. It only gets better year after year of attending, and I’m looking forward to the next Halloween weekend!

Review- Maddman: The Steve Madden Story

I arrived early to the Michigan theater- nearly a full two hours before the event began- expecting the interest generated by this one of a kind experience to be more than overwhelming.  It was the premier of the Steve Madden documentary, “Maddman: the Steve Madden Story” by Ben Patterson featuring a live Q&A from the man himself after the movie was over.  Thankfully my friend and I got a spot near the front of the line, but as the line slowly grew and the drizzly rainy day chilled even further you could feel the sense of excitement mounting in the hubbub of the crowd outside.  I had been a long-time wearer of Madden’s shoes, coincidentally having thrown on a pair that very morning without realizing the connection.  Knowing next to nothing about the company or the man behind the company I was very excited to learn exactly how that well-loved pair of black “troopa” boots on my feet came into being.

Finally, it was time to file into the theater, walking by a mini photo op area where individuals dressed far better than I were taking photos, already making the event seem like the fashionable and flashy movie premier that I had expected it to be.  Generously, all attendees of the event receive free concessions (I picked some popcorn and a delicious mocha dark chocolate bar) along with a free goodie bag that featured a mug, a t shirt, stickers and much more.  For a free event this was far more than I expected and a more than welcome first impression. The screening room had a capacity of 200, and by the time the event was ready to begin nearly every seat was full.  A staff member told us to “pretend we were at sea world” and squeeze in so that no seat would be wasted

Finally the lights dimmed and the documentary began with snappy shots of the feet of New Yorkers as they bustled around the city.  The documentary itself was nothing short of fantastic. I thought the director did an extremely good job of capturing both elements of Steve’s life and career, and also the frenzied kinetic energy of the office.  Steve’s story  progressed naturally, one event flowing to another while weaving the overarching story of a dedicated and passionate man becoming the textbook example of “rags to richtes” through hard work and creativity.  They discussed sensitive topics, like Steve’s time in prison due to being caught up in the money laundering scheme made famous by “Wolf of Wall Street,” with special care,  while also maintaining focus on Steve’s dedication for his company and forward momentum.  I remember laughing out loud at more than one occasion and grinning from ear to ear by the time the movie was over.

Last but not least, it was time for the Q&A. Even from sitting near the back of the room, you could get a feel for Steve Madden’s natural charisma and force of personality.  He managed to exude an air of confidence without seeming haughty or arrogant, and seemed to earnestly answer all of the questions presented to him, even the less than comfortable ones about his time in prison.  I particularly liked that when asked why he chose Ann Arbor to premier the movie about his life story, he brought up that many people he know and a large number of people who work from his company were Umich alums themselves, and that the school had a special place in his company.  While the event was a once-in-a-lifetime experience I highly recommend the documentary to anyone interested in business, fashion or just an inspiring story of hard work and dedication.

 

Preview: Maddman: The Steve Madden Story

For any fans of fashion, business, documentaries or any combination of the three, this coming Wednesday go to the premier of  “Maddman: The Steve Madden Story” at the Michigan Theater and attend a live Q&A with Steve Madden himself.  The Madden Company, whose products can be seen adorning the feet and bodies of many students walking around campus has had a tumultuous and interesting history, and this documentary will track their history along with Steve Madden’s own rags-to-riches story.

The event will take place at the Michigan Theater, October 11th.  The doors will open at 7:15 and the screening itself will begin at 8:00.  I anticipate a fair amount of interest in this event so if you want good seats make sure to get there early! The event will be free to the public with limited free concessions.