REVIEW: The Draft

I was first introduced to The Draft exhibition by African-Canadian artist Esmaa Mohamoud just around a year ago.  I was far from the familiar, quaint Ann Arbor, in the bustling international hub entirely different country to be precise!  While that statement exaggerates what was essentially a weekend jaunt to Toronto, there is no exaggeration when describing how impressive this series of work was when I first saw it.  Thankfully our campus was bestowed the privilege earlier this fall to host Mohamoud’s amazing series of work, and I was eager to compare my experience viewing it in a local setting to how it was displayed at the prestigious AGO in Toronto.

When I first arrived, although the gallery door was firmly locked, I was officially within the 10am-5pm time period that the gallery should be open to the public.  Thankfully after quickly asking the front office about gallery they were more than willing to unlock it for me, so don’t be discouraged if you find yourself in a similar position.

The pieces were spread out between two rooms, with the first room being a dedicated space to show the exhibit, complete with both  various sculptures and photographs. The second being a conference room with three of the large scale photographs hanging on the wall. The space in the first room was very well utilized, with a low sculpture placed in the middle activating and working in harmony with the pieces around the room. On the other hand, while the large-scale photography works certainly elevated the conference room they were hanging in, I couldn’t help but feel slightly disappointed at how these meaningful photographs felt relegated to the same level as the generic abstract paintings used to spice up mid-tier hotels.

 

While I wouldn’t have guessed many of Mohamoud’s intentions with each piece without reading the description, her passion for basketball shines through in the way she handles this series.  As for what I did glean from the description posted outside, the series meant to explore themes of “gender, race, empowerment and disillusionment” within the world of basketball. The white, deflated basketballs in the main sculpture are meant to represent the 30 NBA draft picks every year and the rusted chain hoop is meant to “suggest the weird allure and enmeshment of the past.”  The photos of men in basketball jerseys and large ballroom-esque hoop skirts is a representation of Mohamoud’s complex feelings growing up as a girl immersed and in love with what was considered a “men’s sport,” and I also argue could be a statement on perceived masculinity in today’s sports world as well.

When the work was displayed in the AGO in Toronto, Mohamoud had the original models from the photographs in the series wear the same outfits and perform in the space.  While I was not able to attend the performance itself, I did get a chance to see the dress in person, which we were not able to display here at UM. I found this to be truly unfortunate as the dress was, by far my favorite part of her work.  It’s sheer size and volume are unable to be captured by the cropped photographs shown in the exhibit. Below is an image of the models wearing the dresses so viewers can get an idea of what they were like. While I would have loved to see one of the dresses on display in conjunction with the other pieces, I know that there were probably a long list of complications that kept from UM being able to do so, and the gallery space itself would have nearly been dominated by the dress’s physical size and presence even if it was somehow able to be displayed.

The Gallery is often rotating new and exciting exhibits, available right on campus free to students and the general public alike. The exhibit is the first door to your left upon entering the South Thayer building, and the building itself is directly across the street from the MLB and North Quad. Be sure to check out the upcoming exhibition as well, as the gallery is constantly rotating shows. I highly recommend taking the five to ten minutes that it takes to hop into the gallery any any day you need a quick artistic pick-me-up or shot of inspiration while walking around campus. 

Review – True Blue: A Tribute to Michigan!

If you have ever felt the pride of being a Michigan Wolverine, being at this event magnified that feeling by 100%.  True Blue!  A Tribute to Michigan brought together those who share the love and passion of two colors: maize and blue.  Some of the biggest celebrities were on the stage of Hill Auditorium, telling their stories of their time at the University of Michigan, and everything that they have accomplished after graduating with a U of M diploma.

Tribute to Ann Arbor squirrels (Photo Credit: Matt Weigand)

There were so many amazing performances that I will do an overview.  Many videos were played throughout the night including ones of the history of U of M, the Diag, the Ann Arbor squirrels (my personal favorite), U of M couples, Bo Schembechler’s “The Team” speech, U of M professors, and the alumni.

“The Victors” performed by the Department of Musical Theatre Majors (Photo Credit: Scott C. Soderberg)

The Jazz Ensemble played a nice medley of “Michigan Through the Ages”.  The Department of Musical Theatre Majors did a stunning rendition of “The Victors” that definitely made me tear up a little as I felt the pride of being a Michigan wolverine.  The Department of Theatre & Drama Acting Majors performed multiple pieces such as “Catholepistemiad Rap” about the history of U of M, “Clarence Darrow and the Ossian Sweet Trial” alongside Emeritus Professor of Voice George Shirley, and “Tribute to Activism”.  The Michigan Men’s Glee Club sang a chilling “Glory” from the movie Selma and “I Remember, My Michigan”.  The Contemporary Directions Ensemble played multiple pieces such as “The Little Victors”, “Concerto for Two Violins”, “Back to Michigan”, and the cellists played a “Tribute to Raoul Wallenberg”.

The Friars and Theatre & Drama Acting Majors in the tribute to the Engineering Arch (Photo Credit: Matt Weigand)

The Friars made an appearance to sing “In the Still of the Night” as a hilarious tribute to the Engineering Arch, in which Theatre & Drama Acting majors acted out couples walking through the “arch”.  The Department of Dance Troupe performed “The Little Victors”.  The RFD Boys, alumni of U of M, played a “Michigan Medley”.  Multiple professors spoke such as Ralph Williams, Kathleen Sienko, and also the chair of the Department of Neurosurgery Dr. Karin Muraszko.  “The University” was sung by the University Chamber Choir.  Shortly after, the Michigan Marching Band flooded the stage performing all of the classics: “Victors Valiant”, “The Yellow and Blue”, and “Michigan Fanfare and The Victors”.

Emcee Darren Criss (Photo Credit: Robert Buechler)

The emcees included actors Darren Criss and Jacqueline Tobini, neurosurgeon and medical correspondent Dr. Sanjay Gupta, and NBC sportscaster Andrea Joyce, all of which are U of M alumni.  Other famous alumni speakers included: Civil Rights activist Cecilia Munoz, mayor of Ann Arbor Christopher Taylor, sports legends Desmond Howard and Jim Harbaugh, Broadway producer

Alumni and football legend Desmond Howard with other U-M sports legends onstage (Photo Credit: Scott C. Soderberg)

Jeffrey Seller, space explorers Afred Worder, Kiko Dontchev, Steve Walton, Mike Hess, and Hashmita Koka, Zingerman’s co-founder Ari Weinzweig, co-founder of Americans Committed to World Responsibility Judy Guskin, and of course U of M’s President Dr. Mark Schlissel.

This event was absolutely extraordinary and I couldn’t be more proud to be a wolverine!  Go Blue!!!

Football coach and alumni Jim Harbaugh (Photo Credit: Matt Weigand)

Upcoming Bicentennial events include:

June 26 & October 26: President’s Bicentennial Colloquia

June 26-27: UMich200 Summer Festival

August 26: U-M’s 200th Birthday

September 15: Detroit Festival

October 26-28: UMich200 Fall Festival

For more information: bicentennial.umich.edu