Review: Cyrus @ Sundance USA

Usually I’m running ten minutes late and only hoping to find a seat before the film starts – trying to find a red velvety chair rather than the lap of a stranger.  Thursday night at the Michigan Theater, however, was an event.  There are 1700 seats in the main theater because film going used to be an event – a night out at the cinema.  Unfortunately, Ann Arbor rarely packs the Michigan Theater full these days (recent sell outs have included Michael Moore’s Slacker Uprising and Fahrenheit 9/11 as well as a Lord of the Rings showing).  Thursday night held a sold out crowd, full of excitement.

Honored to be a part of the Sundance USA inaugural series, the crowd cheered Michigan Theater Executive Director, Russ Collins, announcement that we were making history as well as the pre-taped thank you message from Robert Redford.  Unfortunately, once the film started, the crowd’s energy quickly faded.

‘Cyrus’, a new movie from the Duplass Brothers (The Puffy Chair, Baghead), tells the story of Cyrus (Jonah Hill- Superbad, Funny People), Molly (Marisa Tomei- My Cousin Vinny, The Wrestler), and John (John C. Reilly- Chicago, Walk Hard: The Dewey Cox Story).  Cyrus is the 21-year-old son and life partner of Molly while John is Molly’s first boyfriend since Cyrus was born.  ‘Cyrus’ tells the struggles of this love triangle.  It is only about this relationship as it takes place.  We never receive information about Molly’s past or Cyrus’ childhood- we never even know what city we are in, just a generic American suburb.  ‘Cyrus’ is, at its core, an in-depth analysis of the power struggles between the three.  It makes us question the Oedipal suggestions of Cyrus and Molly’s relationship, the honesty of a divorced and depressed John, and the nature of innocence.  The movie, however, is about a power struggle that has been played out and examined in culture too many times to count.

The Duplass Brothers did not want to make another crass, vulgar humor movie – Jonah Hill’s specialty.  In the mostly-failed attempt to appeal to a wider, more mature audience, the opportunities to laugh with the whole theater were few. Instead of full on laughs, the movie tried to feed us awkward chuckles.  When the movie finally finished, I felt drenched in the soppy relationship humor that plagued the movie.

Jonah Hill saved himself a few points when he came on stage wearing the traditional, maize & blue, block M fitted cap.  His girlfriend, a Michigan student, gave it to him- he told the curious crowd.  The Duplass Brothers saved themselves a few points as they introduced their editor and friend, Jay Doobie- a Northville native.  Sundance USA, the idea, seemed to thrive in the Michigan Theater setting- ‘Cyrus’, the movie, failed to match the hype.

A ridiculous week of arts events awaits us- The Bad Plus on Thursday night, University Dance Company’s (Re)Visionary Dance on Friday Night, and Só Percussion on Saturday Night. That is truly absurd.
When will I do econ, Bennett

‘Cyrus’ Trailer:

Sort of weird, Sesame St. mustache video: