REVIEW: Pigpen Theatre Co.

Singer-songwriter David Luning entered the stage as the opening act. The audience came to a hush and the lights dimmed as he plugged in his acoustic-electric guitar and began picking away gently at the strings. The venue reminded me of The Listening Room Cafe in Nashville, Tennessee with its small stage, intimate lighting, and attentive audience. David stood on stage naturally, tuning his guitar and telling stories. He warmed the audience with his banter and humility. When he began to sing, you could feel the emotion in his voice and recognize the authenticity of his words. The personal stories he would tell between songs brought the audience into his life. He enraptured the audience with his adeptness on the guitar, his compelling voice, and his ability to engage people.

                                 10.20.17

The main act called themselves the Pigpen Theatre Co. and the group consisted of seven men and more instruments than I could count. Growing up, I was never a fan of boy bands. I didn’t have posters of the Jonas Brothers or One Direction on my walls. However, last night I think I learned what it feels like to be a so-called “fangirl.” Pigpen Theatre Co. is exactly what a boy band should look (and sound) like with their flannels, facial hair and folk music. Their harmonies were unparalleled and their musical prowess was inspiring. After each song, the band members would rotate instruments and start up again like it were nothing. They vibed really well with one another and with the music. A few songs into their performance, they all hopped off of the stage and found a place to stand in the middle of the audience. Without microphones or amplification, they brought the show to another level of intimacy. They played a few songs that way, and it felt like we were spectators looking in on their living room rehearsal. Pigpen Theatre Co. was an energetic and incredibly talented band, and I aspire to see them again! To check out their music, visit: http://www.pigpentheatre.com/

REVIEW: Amir ElSaffar’s Rivers of Sound Orchestra

Pretty UMS promotional picture
My view of the orchestra

I came into the auditorium not knowing what to expect. I was excited to watch the show but that was probably because I had never seen an orchestra play live before and I wanted to see what all the hype was about.

At the end of the show, I was definitely hooked. I’m not going to pretend to know how to describe ElSaffar’s musical genius using technical jargon, so instead I’m going to dump this perfectly phrased quote from the UMS performance booklet here.

“The highest ideal in maqam music is to reach a state of tarab, or “musical ecstasy,” which results from the melting away of borders between a notion of self and other, as performers and audience revel together in the music.”

These words are no exaggeration. I SWAM in musical ecstasy. Whatever physical barrier stood between me and the music was washed away by their compositions. Not only was I bopping my head and swishing my body to the music’s rhythm, my body would also act up to the music’s dynamics. Whenever the performance built up a crescendo or when all the performers started to madly improv, my throat would clench, my heartbeat would quicken, and my back would go rigid. I only realized these effects after the performers slowed down, when I started to be aware of my surroundings again. (And the midterm I needed to study for fast.)

In that auditorium, I lost my sense of form: I became a serpent lulled by 17 snake charmers; a marionette pulled by tendrils of tangled rhythms; a grain of sand carried by a roaring river of sound.

Random highlights of the show and some of their recordings:

Jason Adasiewicz playing the vibraphone (like watching the Mad Hatter play the vibraphone)

IMG_6960

Rajna Swaminathan and her mridangam (Whiplash vibes)

IMG_6946

Amir ElSaffar’s trumpet solos (I now see trumpets in a totally different light)

(I forgot to record this part)

Orchestrated madness

IMG_6964

PREVIEW: Ragamala Dance Company

The Ragamala Dance Company is a group that performs the South Indian classical dance bharatanatyam. This performance will be based around the game Paramapadam (from which Snakes and Ladders originated) as well as the 12th-century Persian epic The Conference of the Birds. The board game will be represented by paintings projected on the floor, done by Chennai-based visual artist Keshav. “The live music for Written in Water is composed and performed by Amir ElSaffar, interwoven with original South Indian Carnatic compositions by Prema Ramamurthy” (UMS).

I have never been to a bharatanatyam performance with live music before, and ElSaffar’s music is a really beautiful blend of different styles. Furthermore, the fact that they are blending visual arts, music, and dance is so exciting. I can’t wait to see how they blend those types of art into the Hindu and Sufi traditions that form the context of the performance. The performance is Friday, October 20, at 8pm in the Power Center. Tickets are available at ums.org.

(Photo credit: Bruce Palmer/UMS)

REVIEW: Trombone Insurgency

Insurgency indeed! Steve Swell, Joe McPhee, and Dick Griffin captivated the room at Kerrytown Concert House with their flourishes and improvisations and craziness they called music. The venue itself was really small and cozy, seating no more than 100 people, giving the audience a homey, comfortable, intimate vibe with the musicians.

With Swell and Griffin on the trombone and McPhee on the valve trombone, the trio started off on stage together warming up…or playing their first song. I couldn’t really tell as each individual did their own thing and the warmup actually sounded like the rest of their sets. There was no melody. There was no set rhythm. There were only notes. And those notes came together to make music. Their skills were amazing, and it was clear all three of them were super talented musicians. At one point in the first song, all three blared on their trombones, and I literally got chills as it vibrated throughout the room.

After the first song, McPhee and Swell left the stage and Griffin solo-ed, exploring many different techniques and playing the entire range of notes. For the final number, McPhee and Swell joined back with Griffin and they did everything musically possible, playing with mutes at different tempos and dynamics. McPhee and Griffin played multiple notes on their trombone at the same time, which fascinated me. Afterwards, I learned from my friend who plays trombone that this technique was called multiphonics, which sounded really impressive.

I for one was really confused throughout the set. I wasn’t exactly sure what was happening during it, but everyone else seemed to understand the music. However, even though I was caught off guard by the music, I appreciated it and I thoroughly enjoyed it. What made my experience even better was the fact that the audience, which consisted mostly of older 50+ year olds, was completely into it. Heads were bopping the entire time, even when there was no beat to bop to. But, that didn’t matter to them, and they took out of the hodgepodge of notes exactly what they wanted and needed.

The three trombonists played well together, and they obviously understood what they were doing, both individually and as a group. At the end, Swell, McPhee, and Griffin received a standing ovation, and it was clear that the music, cacophonic and chaotic in nature, spoke to the audience in a way a symphony or concert band never could.

This was not a typical trombone performance. This was not normal music. This was an insurgence. And it was amazing in its own way.

PREVIEW: Trombone Insurgency

Trombone Insurgency is part of Edgefest, a series of avant-garde and jazz music performances at the Kerrytown Concert House that is taking place this week until Saturday. Three leading trombonists dedicate an evening of music to recently deceased jazz patron Craig Johnson. Trombone Insurgency takes place on Wednesday, October 18 at 7:00pm with student tickets for just $5. Come on out to the Kerrytown Concert House for a night of groundbreaking music to take you into the weekend of Edgefest!

PREVIEW: Amir ElSaffar’s Rivers of Sound

When/Where: October 18 2017 7:30pm, Power Center

What is it: Amir ElSaffar’s Rivers of Sound Orchestra, a 17-person orchestra showcasing different Middle Eastern and Western musical styles, is performing at the Power Center tomorrow. Prepare to be blown away.

Why this is supposed to be spectacular:

Watch ElSaffar’s explanation of maqam.

Watch this UMS promotional video of his orchestra playing.

Watch the process.

Now you know.