PREVIEW: New Beat Happening Presents: Diet Cig and Palm

Like alternative rock/ indie pop? This Wednesday, April 4, at 7:30 PM, come to the Union for a FREE Diet Cig and Palm concert, presented by New Beat Happening, a student org committed to bringing music to campus. (Tickets are free to students with an MCARD, when purchased at MUTO. If you would like to buy them online, they are $5).

I have been listening to Diet Cig for a while, and am personally really psyched to be able to see them play live. If you are a fan of Girlpool, Frankie Cosmos, or Slutever, you will probably enjoy Diet Cig, too. Their sound is bouncy and fun, a true testament to the “indie pop” genre. Check them out on Spotify! My favorite songs by them include “Harvard” and “Link in Bio.”

I am not as familiar with Palm, who are listed as part of the “experimental rock” genre, and who describe themselves as “playing rock music backwards.” The New York Times hailed the band as being “one of the most ambitious and promising acts in today’s art-rock scene.” I recommend giving their EP, “Shadow Expert,” a listen.

The Facebook event can be found here, and more information about the artists can be found on their Spotify pages or Bandcamps (1, 2).

 

REVIEW: Who Can Relate

After an amazing week full of mental health awareness, it all led up to the Who Can Relate concert featuring not just Logic but many many more, as Hill Auditorium filled with people committed to destigmatizing and fighting mental illness.

With a surprising video greeting from Bill Clinton as the opener, the UM Men’s Glee Club took the stage with powerful vocalists to perform “Glory.” Then Glenn Close came out, talking about her work with her organization, Bring Change 2 Mind, changing the narrative around mental health after her sister was diagnosed with bipolar disorder (fittingly, yesterday, March 30, was national bipolar day) and her own struggles with depression. And as the stage worked on some server technical difficulties, we got treated to an impromptu performance by Glenn Close, which was amazing in itself.

Kevin Hines, a Golden Gate Bridge suicide survivor, led everyone in shouting “Be here tomorrow.” A phrase so simple, yet so powerful. As the auditorium rang with these three words, I felt the reassuring tension as they echoed into silence. Hakeem Rahim performed spoken word pieces that struck a chord about rising up again. As the founder of I Am Acceptance, his work is also changing the world, and having his presence onstage was truly special. Finally, NFL star Brandon Marshall and his wife Michi talked some more about the importance of support groups and getting help, as Marshall himself lives with borderline personality disorder. Seeing these prominent successful figures united around a common cause that affects all their lives personally is a reminder that, though it is a hard journey, the future is bright and worth fighting for.

By the time Logic took the stage (wearing a Zingerman’s shirt no less), everyone was on their feet and ready for a night of great music. This was the very first time he was performing his newest Bobby Tarantino II mixtape, and though it was only released earlier this month, everyone was singing every word. At the end, he performed his hit “1-800-273-8255.” Seeing everyone sing this song with their phone lights waving in the air was truly touching.

Logic’s story is also one of great admiration. He started on food stamps, and now he has a Netflix documentary and is about to start his summer tour. The first time he performed in Ann Arbor, it was at the Blind Pig as an opener for a small crowd, and yesterday he performed in front of a crowded Hill Auditorium where everyone was singing along. His journey is an emblem of hope for many others that started from nothing that the future will allow them to make something of themselves.

However, the concert did not end there. After Logic left the stage after his last song, Harris Schwartzberg, the man who put this all together, called Logic back to the stage as “You Will Be Found” from the amazing musical Dear Evan Hansen was performed as a thank you for Logic. This breathtakingly important song about mental health was a perfect ending to a night filled with inspirational people and songs.

The night was just amazing. Full of uniting strength and infinite support, it was a beautiful reminder that you truly are not alone. If you or someone you know is fighting with mental illness, there is hope and love. Stay strong <3

PREVIEW: Lost in Wonderland

There’s an extraordinary amount of talent on this campus, from singers to actors and dancers to speakers. Now, get ready for the best Chinese Yo-yo-ing and glowsticking you’ve ever seen! Photonix and Revolution present Lost in Wonderland, featuring many talented guests from around campus, including Groove, G-Men, Flowdom, and Funktion.

The Mendelssohn Theater at the Michigan League is about to be filled with wonder. If you want in on the action, get your tickets at the door for $7 on April 1. The performance starts at 7pm, so arrive early to get your tickets before they sell out!

REVIEW: Mo Lowda and the Humble

I sat down to write this review and realized I didn’t even know how to begin.

I pulled out my notebook, normally filled to the brim with detailed notes about each song. But this time, my notes were sparse, the specifics absent.

That’s the effect this show had on me.

The Quiet Hollers and Mo Lowda and the Humble — two little-known and criminally underrated indie bands — served as dual headliners. Both played for about an hour, and unlike some other groups I’ve seen at The Ark, they didn’t do a lot of talking in between songs in their set. Instead, they let the music speak for itself.

“This is a song you can dance to,” the lead singer of The Quiet Hollers said while introducing his song Medicine. “It’s about panic disorder.”

That sentence was a good summation of their set. The band’s lyrics referenced social issues ­— toxic masculinity, the prison-industrial complex — and mental illness. But their sound was loud and full. Their instruments were typical of those used in a rock band, except for one thing: they had a violinist.

The violin added depth to many of their numbers, and its parts were often the highlight of their numbers for me. The unique acoustics of The Ark only added to the experience.

Watching Mo Lowda and the Humble was like watching a jam session. I’m not sure I’ve ever seen a band get more physically into their music. So it’s no surprise that their instrumental breaks were the highlight of their set. They also varied the vibe of their songs — playing something louder and harder one minute, and a more mellow, acoustic piece the next. The variation added depth to their show. Not all bands can make both loud and soft stuff work; Mo Lowda and the Humble could.

Normally, this is the place where I’d describe my favorite songs from both sets or where I’d do in-depth analysis on their structure or lyricism. But that’s the thing. I enjoyed the show so much that the idea that I had to write down the details slipped my mind. By the time I realized, it was too late. I can’t tell you why I enjoyed each part of the set, only that I did. That I enjoyed it so much, I neglected my duties as a reviewer.

The thing about music is that it’s easy to get lost in it. Sometimes I sit down fully intending to do homework, but I make the mistake of putting on a good song first. I get wrapped up in the harmonies and carried away by the melodies. And when it’s live, that effect is only magnified. I was sitting there for two and a half hours, my sole job to watch this concert and review it. Take some notes. Remember which songs I liked. But I forgot what music does, and I got lost.

And that’s the best compliment I could give.

REVIEW: blackbear w/ Roy Wood$

I’m not sure where to even begin. March 23, 2018 — it was the warmest night of the week in Ann Arbor, and I had driven to my friend’s place so we could walk to Hill Auditorium together. As two notorious procrastinators, we decided to meet up at 7:30PM, so we weren’t quite ready to be makin’ our way downtown to the concert just yet.

Well, I mean, I was ready, I was so ready to see blackbear — who has risen as a popular R&B and Hip Hop artist, with hits like “do re mi” and “idfc” — which basically represent my mentality about the world: I have trust issues, I hate people, I don’t care, but with more profanities sprinkled in between.

I discovered blackbear once upon a time, when I still used Pandora’s online music player, which had its own R&B/Hip Hop station. blackbear popped up every so often, and I’d jammed hard to his music, which pushed me to look for more. His album “digital druglord” is my favorite, by the way. Long story short, I’m hardcore into his music.

Once my friend and I had finished powdering our noses and saying goodbye to the house cats, we started walking with my impatient and brisk pace, to my friend’s dismay. On the way, we laughed and chatted it up, chewing on candy hearts with very aggressively forward flirtatious phrases on them. It was colder than we’d anticipated, trusting the Weather App’s warmer predictions, but that didn’t stop the excitement from bubbling underneath.

Hill Auditorium was in sight, and we were all chattering teeth and goosebumps through the doors, where security guards were scanning for tickets. I was carrying both of our tickets, so I hastily shuffled through my purse to find only one. My heart immediately sank, and I could feel my friend laughing nervously and looking ominously at me. In a panic, we held each other, and I frantically searched my pockets and dug further into my bag, where I discovered the other ticket was hiding. My heart was pounding, but the two of us laughed at the ridiculousness of the moment. Mind you, if I had left the ticket at her place, that was at least a twenty minute walk away from Hill Auditorium, and we’d barely even made Michigan Time to the 8:00PM start of the concert.

Nevertheless, our tickets put us on the very top floor, the balcony, overlooking the hundreds of others seated ahead of us. On our way up the steps, I could already feel my knees buckling from walking so fast, from almost losing our tickets, and of course, from my overwhelming excitement. My friend had her arm hooked around mine, laughing as she helped me up. The floor was vibrating with the heavy beats blasting through the entire auditorium, and we hadn’t even gotten to the top floor.

The moment we opened the doors to the actual auditorium, we were greeted by extremely dim lighting and extremely loud music. Another security guard saw us blindly walking in the darkness and asked what seat numbers we had, to which we replied 410 and 411, and he pointed us in that direction. Eventually, one way or another, we settled into our seats and drowned in the noise.

Roy Wood$ was already performing by the time we had arrived, and neither of us were quite familiar with him, but I was grateful I had the chance to see him perform — I was definitely going to give his music a try later. Roy Wood$ is more R&B/Soul, which I’m fond of, and besides that, the enthusiasm around me was contagious. I felt I became a fan of Roy Wood$ in that concert, along with the throngs of fans screaming his name and his lyrics.

My friend and I fell into conversation here and there, gossiping about people we knew, swaying and grooving to the music. At this point of my emotional roller coaster, I was not quite at the peak, which was saved for blackbear’s appearance on stage.

Once Roy Wood$ was finishing up, a short intermission followed, and the lights came on and flooded the auditorium. I realized how many young faces I saw in the crowd, some even accompanied by one or two parental-looking figures. My friend assured me that they were the same age, other college kids like us, but for some reason, it freaked me out a little — a grim reminder that I’m 21 years old and not getting any younger.

My tiny mid-life crisis ended when the lights dimmed to black again, and the familiar vibrations of the floor returned, beating and pounding.

A familiar beat came on, and I instantly jumped up, following suit to countless other silhouettes around us. My only thought was he’s here, he’s here, he’s really here and it’s him, it’s him, it’s really him, barely containing my excitement. The intro blasted through the auditorium, blackbear’s most famous “do re mi” line, pulling and drawing the eager audience in before it smoothly transitioned into a different song — “Dirty Laundry.” (Spoiler alert: blackbear closes with “do re mi.”)

blackbear walked on stage and greeted the outstretched hands reaching for him, waving to the countless screaming fans. He did a little dance as he got into the song’s melody, pulling a couple poses here and there, while everyone wholeheartedly belted out the lyrics with him. Of course, so did I, but it was difficult when I could hardly hear myself think. The realization dawned on me that the teeny tiny figure on stage, obscured by various arms waving in front of me, was really blackbear and at that moment, I was caught in pure, unadulterated excitement and hysteria.

As soon as blackbear got into the swing of his music, everyone was losing their minds, delirious to the sound of heavy beats and the husky tone of blackbear’s voice. An electrifying energy flooded the room, putting the audience in a chilling, exhilarating trance. I was in that feverish crowd of fans, high on blackbear’s music, hypnotized by the thrill of the experience.

Still, I must admit, it was deafeningly loud in there, so noisy and so excruciatingly loud, the words blackbear was singing often came out as muffled noises, like those from a rusty, old radio. Between the songs, sometimes he had things to say to the audience, which I was desperate to hear, but every word was gibberish to me. Maybe this was because I was seated so far from the front, but hey, I’m not made of money. Priority seating was a little out of my price range, okay?

I’m not complaining. I had the opportunity to see blackbear perform live! I’m honestly still processing it, and I’m absolutely honored and beyond ecstatic to be able to blog about it for [art]seen — my experience is memorialized, in a way. Definitely treasuring this.

This photo shows blackbear performing one of his biggest hits, “idfc,” which encouraged everyone to swing their flashlights in the air. Obviously, the photo was taken by blackbear’s photographer, who was taking photos from on-stage. From my perspective, the concert looked a little more like:

Still — not complaining. The entire experience was the takeaway for me. I will be eternally grateful to have had the chance to see blackbear perform here in Ann Arbor, of all places, and dedicate a blog post to [art]seen about it. Words cannot describe how absolutely amazing it was to me, and I’m honestly in awe at how they transformed Hill Auditorium, where my sister had her graduation ceremony, gowns and all, into a blackbear R&B/Hip Hop venue. Lights streamed in every direction, bringing life to the stage, the crowd, and the performer. I was in the same building, the same room, as blackbear — just wow.

Special thanks to Hill Auditorium for hosting this unique and special event at the heart of Ann Arbor — I will cherish it forever. And a special shoutout to my friend, who isn’t even that big of a blackbear fan but loved me enough to come with me! I hope you had as much fun as I did, or at least some fraction of it, I had a looooooot of fun. Maybe even too much fun, really. Shoutout to blackbear’s photographer and instagram for posting these awesome photos of the concert, S.O. to the poor dad sitting uncomfortably in front of us, S.O. to the people who caught the articles of clothing blackbear threw — I am and will be forever jealous of you — and shoutout to the couple dancing hysterically a couple rows in front of us. Not even darkness can hide your dance moves.

The concert is over, but in my heart, it will live on forever! Thank you so much for coming to Ann Arbor, blackbear!!!

PREVIEW: Mo Lowda

Senior year of high school, a friend texted me a Spotify link.

This was par for the course with this particular friend; we had similar music tastes and we would always send each other the songs we obsessed over. This time, he sent me a song I had never heard of: Curse the Weather by Mo Lowda and the Humble.

So I put on my headphones and gave the song a listen. I figured it would be the traditional indie rock we both listened to. I was wrong.

Curse the Weather was, and still is, one of the most unique songs on my playlists and I love it. I love the guitar riff that makes up most of the chorus. I love the lyrics — “I always listen to the optimistic spirit in me” is always running through my head. I love Mo Lowda’s raspy voice.

So, as has happened several times this year, I was browsing through the calendar for The Ark when I saw an artist I recognized.

A band I know and like at my favorite venue in town? Sign me up.

Mo Lowda and the Humble — with opening act The Quiet Hollers, an indie songwriter band who sing about the social landscape — will bring a different sound to The Ark than the venue is traditionally associated with. That’s my favorite thing about The Ark — even if I know the band, I’ve learned that I never really know what to expect. Every show is unique, and every show leaves me in awe.

Mo Lowda and the Humble with The Quiet Hollers come to The Ark tomorrow, March 26, at 8 PM. Tickets are $15 online, at The Ark or at the Michigan Union Ticket Office.