REVIEW: Dicks and Janes: “A Family Dinner”

Ahoy! This be the logo!

The lights went down and a sharp-looking a cappella group, half boys, half girls, danced onto the stage in a blend of black and teal. They got right to business and sang a beautiful rendition of Bjork’s “Who is it?”

I have to admit that at first I was disappointed by the program because I had been to the fall concert and had heard 7 of the 11 pieces. Couldn’t they learn new songs? Wouldn’t people remember them? Wasn’t the point of performances to enjoy new music?

But I quickly learned that I found a comfort in hearing the pieces again. They are DJ classics for a reason – because they are SO good at singing them! Each time you hear a song, it is indeed a different song. You, the audience member, have changed since last concert and might interpret the message of the song differently. You might pay attention to new aspects of the song. You might follow a certain singer through the piece’s journey or perhaps watch the group’s explosive body language, focusing in on how they move in sync and make the stage undulate with their shimmying shoulders. Plus, the singers changed up who was the soloist in many of the pieces, which shows how one song can differ depending on the style of the soloist. Some voices are soft and jazzy, while others are pitch perfect belts that ring out to the back of the auditorium and pierce our ears with pleasurable tickles.

My Highlights of the Night:

– Helena Ratté’s arrangement of The Beatles’ “Happiness is a Warm Gun” was such a great mix of nostalgic rock and soul. Danny Hensel’s performance was a true showcase of his spectacular range from the depths of baritone caves to sky-high falsetto.

-Kait Mulder’s sultry performance of Etta James’ “At Last.” I felt like I had been transported back to a club in 1960. The romantic calm made me close my eyes and I think we all sort of fell in love with the beauty of that piece.

-Mason Van Gieson was my pick for the star of the night. She had such stage presence and was such a joy to watch. You could tell that she was enjoying every minute up there, which really was communicated through her performance of Mister-Wives’ “Reflections.”

One thing that is really fun about the DJ’s programs is that they provide the OPB (Originally Performed By) information. I personally was not familiar with many of the pieces sung that night, so it was helpful to go on Spotify the next day and listen to the original piece. I was pleasantly surprised to find that I fully preferred the DJ interpretations of every song than the original! What an accomplishment – to improve on successful, published songs!

Oh, and what was that about a family dinner, you ask? Every two or three songs, a few of the singers performed short comedic skits that always centered around awkward family dinner gatherings and ended in horribly, ‘I-can’t-believe-I’m-laughing-this-is-so-bad’ punch lines. Yes, they were probably unnecessary (save for the one where they included a DJ marketing ploy), but the skits added a certain familiarity to the concert. We almost felt more of a connection to the singers – because of the shared awkward experience of a bad punch line or just because it lightened the mood and kept us engaged.

All around..it was a fantastic concert. The Dicks and Janes never fail to get your foot tapping and your mouth curling into a smile. They make you feel like, yes – even you Audience Member, are part of the family.

PREVIEW: Goodnight, Pops!

Image Courtesy Michigan Pops Facebook Page

You don’t have to be Freud to come enjoy the Michigan Pops Orchestra’s interpretations of popular songs all about dreams and nightmares. They will perform a mixture of modern and classics: including themes from “Avatar,” “Back to the Future,” “The Phantom of the Opera,” as well as Mendelssohn’s “A Midsummer Night’s Dream” and Debussy’s “Clair de Lune.”

You won’t want to sleep through this!

What: Michigan Pops Orchestra presents “Goodnight, Pops!”

When: Sunday, April 19 at 7 pm

Where: Michigan Theater on Liberty Street

How Much?: $5 Students, $8 Adults, free admission for students K-12

Tickets sold at Ticketmaster.com,
At Mason Hall: M-F 4/13-4/17 12pm-1pm,
At the Michigan Theater Box Office M-W-F 4/13, 4/15, 4/17 3-5pm, and at the door starting at 3pm.

Interested in finding out more about Michigan Pops? Follow them on Twitter at @michpopslove and check out their Facebook Event Page here!

PREVIEW: Dicks and Janes A Cappella Presents “A Family Dinner”

Image Courtesy Via Facebook

You are cordially

invited to

the Dicks and Janes Coed A Cappella’s

End of the Year

“Family Dinner” Performance

Courses included:

Appetizer: Detroit Voice performance (Gluten Free)

Entree: Covers of all your favorite songs, arranged by yours truly, the Dicks and Janes

BYOD (Bring Your Own Dessert)

Who: Dicks and Janes Coed A Cappella

Where: Modern Language Building, Auditorium 4

When: Friday, April 17 at 7:30 pm

How Much?: Tickets are $8 for students and $10 for adults. ($5 and $8 presale, respectively) and can be purchased at the door or from any DJ!

*Food and drink not included!!!

REVIEW: Gilberto Gil

Photo from Mundo Itapema

Gilberto Gil’s solo performance on Saturday was truly a treat. He has painted so many pictures for us, using just his voice and his acoustic guitar. By this simple setup, he made Hill Auditorium feel much more intimate. Listening to his music brought the audience members together — regardless of how much knowledge of Portuguese or Brazilian culture we had.

Walking into the seats of Hill Auditorium, I was struck by how the stage looked. The first thing that I saw was a black curtain draping over the majestic pipe organ. In the middle of the stage was a simple audio setup with a hookup for guitar, a stool, and a mic stand. That’s it. I’ve seen similar setup at The Ark or something, but not at Hill! This was truly a change from what I was used to.

Then, Gilberto Gil came on stage, and immediately engaged us in his music — using his voice and guitar to convey all the characters his repertoire had. Many were original songs written by Gil himself, while others were borrowed from other masters. His voice was smooth and calming at times, and exciting and colorful at other times.

Gil drew the audience to a more intimate experience, up until the very last minute of his performance. I was excited to see many audience members with Brazilian heritage — including one of the audience members a few rows before me that had two mini Brazilian flags, which she proudly waved towards the stage at the end of the performance. People sang along to what apparently was a very famous song in Brazil (too bad I couldn’t join in…), creating a sense of camaraderie in such a big auditorium. I was reminded once again that music has the power to connect many people.

REVIEW: Pre-Hash Bash EDM Concert On the Diag

For better or for worse, this is the kind of event that depends on good weather to draw maximum crowds. With the cold, rainy weather that turned into a full rainstorm every 45 minutes, the weather was not ripe for large crowds on the Diag.

Not the largest crowd
Not the largest crowd

Despite the drizzle and the smaller than expected crowd, the music was nevertheless full of energy. The concert kicked off with Ann Arbor natives Brahj and currently based in Detroit. Everything they make is golden, and seeing them perform, however briefly, was the highlight of the night.

Even better, they’re offering a free single through Soundcloud right now. It sounds better live, but the mp3 is still fantastic.

One of my favorite things about EDM is that it’s easy and fun to listen to regardless of the artist. While each DJ has a specific sound and feel, there’s always a beat to dance to–and it’s usually infectious. Despite the cold, I found myself tapping along to the beat, shaking my head along with the others wearing their fluorescent gear.

The concert finished with Aash Mehta, who had a mellower sound than the others. This proved to be a perfect finish to the night, as I was tired and it was time to slip into pajamas. While Odesza was not at the concert (sadly), there was a nice remix of an Odesza piece. You can find this on Soundcloud, which I highly recommend.

Hash Bash EDM

 

REVIEW: Horse Feathers at the Blind Pig

IMG_1672

Last night I attended the Horse Feathers concert at the Blind Pig, featuring opening band River Whyless.  Both bands have a similar folksy, indie sound.  River Whyless I was less familiar with.  In one of the last songs, one of the violinists took her bow in her mouth so that she could knock on the wood of her violin to the beat.  Their songs were upbeat and a nice opener.

At one point, someone from the audience shouted, “Killer Jam!” and one of the band members responded with a laugh.  “Killer Jam?  That has to be a first.”  “Maybe ‘gentle jam’ but never ‘killer jam’.”  Gentle jam is an accurate description of the type of music Horse Feathers make.  Two of the band members kept interchanging between different instruments from acoustic guitar to banjo to instruments I am not knowledgeable enough to name (small banjo perhaps?).  One of the parts I was looking forward to most was listening to the fiddle music live.  Watching them dance and move around stage with their instruments made for a fun experience.  It thought it was really great how thankful the lead vocalist was during the show.  All the songs were very familiar to me, so I enjoyed staying for the whole performance.  It was a nice way to unwind at the end a day with listless vocals and tender tunes from Horse Feathers.  Their music always makes me feel really comfortable with life.

If you pay attention to the lyrics I often mind the tone of the words to be more somber than expected, only to be lulled by the gentleness of the sound.  One of my favorite songs:

Lover of things,
won’t you agree
how the winter could bring
the darkest spring?

With hell on your face,
dirt on the walls
in the back of the place,
you grew and complained.

Father of three,
won’t you believe,
that the ones in between,
the ones that are blamed.

Of fickle faith,
cynics that seethe,
how their children are cursed,
cursed to believe.

It’s like marrow without bone.
To live in a house with no home.
Where the son is the darkest seed.
He crawls with the curs in the weeds.

Where had you been son?
Not in the street, not in the yard.

Only once, I’ll call off the dogs, if you call off your guard.

Where had you gone?
Where had you been?

Lyrics credit to Horse Feathers.

Link to the video for their song ‘Curs in the Weeds’: https://www.youtube.com/watch?v=RBPO9Kun_9A