REVIEW: blackbear w/ Roy Wood$

I’m not sure where to even begin. March 23, 2018 — it was the warmest night of the week in Ann Arbor, and I had driven to my friend’s place so we could walk to Hill Auditorium together. As two notorious procrastinators, we decided to meet up at 7:30PM, so we weren’t quite ready to be makin’ our way downtown to the concert just yet.

Well, I mean, I was ready, I was so ready to see blackbear — who has risen as a popular R&B and Hip Hop artist, with hits like “do re mi” and “idfc” — which basically represent my mentality about the world: I have trust issues, I hate people, I don’t care, but with more profanities sprinkled in between.

I discovered blackbear once upon a time, when I still used Pandora’s online music player, which had its own R&B/Hip Hop station. blackbear popped up every so often, and I’d jammed hard to his music, which pushed me to look for more. His album “digital druglord” is my favorite, by the way. Long story short, I’m hardcore into his music.

Once my friend and I had finished powdering our noses and saying goodbye to the house cats, we started walking with my impatient and brisk pace, to my friend’s dismay. On the way, we laughed and chatted it up, chewing on candy hearts with very aggressively forward flirtatious phrases on them. It was colder than we’d anticipated, trusting the Weather App’s warmer predictions, but that didn’t stop the excitement from bubbling underneath.

Hill Auditorium was in sight, and we were all chattering teeth and goosebumps through the doors, where security guards were scanning for tickets. I was carrying both of our tickets, so I hastily shuffled through my purse to find only one. My heart immediately sank, and I could feel my friend laughing nervously and looking ominously at me. In a panic, we held each other, and I frantically searched my pockets and dug further into my bag, where I discovered the other ticket was hiding. My heart was pounding, but the two of us laughed at the ridiculousness of the moment. Mind you, if I had left the ticket at her place, that was at least a twenty minute walk away from Hill Auditorium, and we’d barely even made Michigan Time to the 8:00PM start of the concert.

Nevertheless, our tickets put us on the very top floor, the balcony, overlooking the hundreds of others seated ahead of us. On our way up the steps, I could already feel my knees buckling from walking so fast, from almost losing our tickets, and of course, from my overwhelming excitement. My friend had her arm hooked around mine, laughing as she helped me up. The floor was vibrating with the heavy beats blasting through the entire auditorium, and we hadn’t even gotten to the top floor.

The moment we opened the doors to the actual auditorium, we were greeted by extremely dim lighting and extremely loud music. Another security guard saw us blindly walking in the darkness and asked what seat numbers we had, to which we replied 410 and 411, and he pointed us in that direction. Eventually, one way or another, we settled into our seats and drowned in the noise.

Roy Wood$ was already performing by the time we had arrived, and neither of us were quite familiar with him, but I was grateful I had the chance to see him perform — I was definitely going to give his music a try later. Roy Wood$ is more R&B/Soul, which I’m fond of, and besides that, the enthusiasm around me was contagious. I felt I became a fan of Roy Wood$ in that concert, along with the throngs of fans screaming his name and his lyrics.

My friend and I fell into conversation here and there, gossiping about people we knew, swaying and grooving to the music. At this point of my emotional roller coaster, I was not quite at the peak, which was saved for blackbear’s appearance on stage.

Once Roy Wood$ was finishing up, a short intermission followed, and the lights came on and flooded the auditorium. I realized how many young faces I saw in the crowd, some even accompanied by one or two parental-looking figures. My friend assured me that they were the same age, other college kids like us, but for some reason, it freaked me out a little — a grim reminder that I’m 21 years old and not getting any younger.

My tiny mid-life crisis ended when the lights dimmed to black again, and the familiar vibrations of the floor returned, beating and pounding.

A familiar beat came on, and I instantly jumped up, following suit to countless other silhouettes around us. My only thought was he’s here, he’s here, he’s really here and it’s him, it’s him, it’s really him, barely containing my excitement. The intro blasted through the auditorium, blackbear’s most famous “do re mi” line, pulling and drawing the eager audience in before it smoothly transitioned into a different song — “Dirty Laundry.” (Spoiler alert: blackbear closes with “do re mi.”)

blackbear walked on stage and greeted the outstretched hands reaching for him, waving to the countless screaming fans. He did a little dance as he got into the song’s melody, pulling a couple poses here and there, while everyone wholeheartedly belted out the lyrics with him. Of course, so did I, but it was difficult when I could hardly hear myself think. The realization dawned on me that the teeny tiny figure on stage, obscured by various arms waving in front of me, was really blackbear and at that moment, I was caught in pure, unadulterated excitement and hysteria.

As soon as blackbear got into the swing of his music, everyone was losing their minds, delirious to the sound of heavy beats and the husky tone of blackbear’s voice. An electrifying energy flooded the room, putting the audience in a chilling, exhilarating trance. I was in that feverish crowd of fans, high on blackbear’s music, hypnotized by the thrill of the experience.

Still, I must admit, it was deafeningly loud in there, so noisy and so excruciatingly loud, the words blackbear was singing often came out as muffled noises, like those from a rusty, old radio. Between the songs, sometimes he had things to say to the audience, which I was desperate to hear, but every word was gibberish to me. Maybe this was because I was seated so far from the front, but hey, I’m not made of money. Priority seating was a little out of my price range, okay?

I’m not complaining. I had the opportunity to see blackbear perform live! I’m honestly still processing it, and I’m absolutely honored and beyond ecstatic to be able to blog about it for [art]seen — my experience is memorialized, in a way. Definitely treasuring this.

This photo shows blackbear performing one of his biggest hits, “idfc,” which encouraged everyone to swing their flashlights in the air. Obviously, the photo was taken by blackbear’s photographer, who was taking photos from on-stage. From my perspective, the concert looked a little more like:

Still — not complaining. The entire experience was the takeaway for me. I will be eternally grateful to have had the chance to see blackbear perform here in Ann Arbor, of all places, and dedicate a blog post to [art]seen about it. Words cannot describe how absolutely amazing it was to me, and I’m honestly in awe at how they transformed Hill Auditorium, where my sister had her graduation ceremony, gowns and all, into a blackbear R&B/Hip Hop venue. Lights streamed in every direction, bringing life to the stage, the crowd, and the performer. I was in the same building, the same room, as blackbear — just wow.

Special thanks to Hill Auditorium for hosting this unique and special event at the heart of Ann Arbor — I will cherish it forever. And a special shoutout to my friend, who isn’t even that big of a blackbear fan but loved me enough to come with me! I hope you had as much fun as I did, or at least some fraction of it, I had a looooooot of fun. Maybe even too much fun, really. Shoutout to blackbear’s photographer and instagram for posting these awesome photos of the concert, S.O. to the poor dad sitting uncomfortably in front of us, S.O. to the people who caught the articles of clothing blackbear threw — I am and will be forever jealous of you — and shoutout to the couple dancing hysterically a couple rows in front of us. Not even darkness can hide your dance moves.

The concert is over, but in my heart, it will live on forever! Thank you so much for coming to Ann Arbor, blackbear!!!

PREVIEW: Mo Lowda

Senior year of high school, a friend texted me a Spotify link.

This was par for the course with this particular friend; we had similar music tastes and we would always send each other the songs we obsessed over. This time, he sent me a song I had never heard of: Curse the Weather by Mo Lowda and the Humble.

So I put on my headphones and gave the song a listen. I figured it would be the traditional indie rock we both listened to. I was wrong.

Curse the Weather was, and still is, one of the most unique songs on my playlists and I love it. I love the guitar riff that makes up most of the chorus. I love the lyrics — “I always listen to the optimistic spirit in me” is always running through my head. I love Mo Lowda’s raspy voice.

So, as has happened several times this year, I was browsing through the calendar for The Ark when I saw an artist I recognized.

A band I know and like at my favorite venue in town? Sign me up.

Mo Lowda and the Humble — with opening act The Quiet Hollers, an indie songwriter band who sing about the social landscape — will bring a different sound to The Ark than the venue is traditionally associated with. That’s my favorite thing about The Ark — even if I know the band, I’ve learned that I never really know what to expect. Every show is unique, and every show leaves me in awe.

Mo Lowda and the Humble with The Quiet Hollers come to The Ark tomorrow, March 26, at 8 PM. Tickets are $15 online, at The Ark or at the Michigan Union Ticket Office.

PREVIEW: A Fantastic Woman

The Oscars may be over, but some of its awardees are still trickling into theaters. Hailing from Chile and the winner of Best Foreign Film, A Fantastic Woman has finally arrived in Ann Arbor. The film concerns the experiences of Marina (Daniela Vega), a transgender woman, after her lover dies suddenly.  Daniela Vega’s performance, especially, promises to bring something special to the film. She is one of few trans actresses being cast in a trans role. It will be fascinating to see if her closeness of experience will translate to the screen. All in all, A Fantastic Woman seems to be a thoroughly unique insight into one woman’s life. It is currently showing in the State Theater. Purchase tickets ($8 for students with ID), online at the Michigan Theater website or at the box office.

PREVIEW: The Marriage of Figaro

Last night, the University of Michigan School of Music’s production of Mozart’s Le Nozze de Figaro (The Marriage of Figaro) opened in the Lydia Mendelssohn Theatre. Michigan’s music students always bring their best to the opera stage and pit, and I am looking forward to seeing the fruits of this semester’s collaborations. Luckily there are still three more chances for you to see this beloved, classic opera this weekend!

Friday, March 23rd at 8pm

Saturday, March 24th at 8pm

Sunday, March 25th at 2pm

Student tickets are just $12 and can be purchased here or at the Michigan League.

PREVIEW: Nederlands Dans Theater

One of the world’s most popular dance companies is coming to Ann Arbor this weekend! This Nederlands Dans Theater will be performing March 23rd and 24th at the Power Center at 8pm. This Dutch company’s shows are full of bold repertory and breathtaking movement by some of the worlds most talented dancers. The program includes three works, two of them being Shoot the Moon and Singuliére Odyssée which were created by the artistic director Paul Lightfoot and Sol León and the third being Statement by Crystal Pite. As this company is known for its progressive and creative works this is a show you don’t want to miss!

Tickets are still available so head over to https://ums.org/performance/nederlands-dans-theater/ to get the few that are left! Come out and enjoy an incredible performance and escape in to the world of dance.

REVIEW: A Wrinkle in Time

Adaptations come in all qualities. Some are blamed for adhering too closely to their source material, some for veering too far. Fortunately, A Wrinkle in Time had neither of these problems. Unfortunately, it was also not an entertaining or even comprehensible movie. It attempts rousing and achieves mild curiosity.

Image result for a wrinkle in time

The character who must suffer through the brunt of the inspirational speeches is Meg (Storm Reid). Her father, a supposed scientist, disappeared four years ago, leaving Meg adrift in a sea of mean girls. The situation is portrayed so unrealistically though, that it is difficult to summon too much sympathy. No character seems to exhibit recognizable, human behavior. Meg’s classmates are cartoon bullies that have only ever existed in movies. Her brother, Charles Wallace (Deric McCabe), is a precocious, all-knowing genius. When Meg’s classmate, Calvin (Levi Miller), joins the adventure, his sudden interest is swept away in a single line. This lack of any explanation occurs regularly, but never ceases to be frustrating. It is not just that the movie fails to explain its more obscure science fiction elements. These can be difficult to articulate even for more sophisticated films. Perhaps I do not need to know exactly how one travels through time and space. But the film also fails at the most basic levels: character and plot. The characters could be interesting, but the plot whisks them from point to point without any pause for development. Most of the time, Meg is not given enough information to grant her agency. It is hard to cheer for Mrs. Which (Oprah) when she urges Meg to be a warrior when we barely know what Meg is fighting against or how she can fight. Instead, the antagonist is ambiguously named ‘It’ and given no backstory. If that sounds familiar, it is because I am running out of ways to describe my frustration with this film. For a movie with a budget of 103 million dollars, there simply isn’t much there.

Perhaps more interesting is the conversation around the movie and what it represents. You cannot separate A Wrinkle in Time from the fact that it features a young black woman, directed by a black woman. The film is inherently empowering simply by existing. The context, thus, becomes inextricably tied to the film’s message. Ava DuVernay sets out to create a film as unique, as legitimizing of black womanhood. She doesn’t quite succeed. She is hampered by her own goal and overreaches. But it is history, itself, that forcers DuVernay’s hand. There has never been a movie like A Wrinkle in Time. Blockbuster movies with budgets over 100 million dollars are not handed over to black women. Until now. DuVernay stuffs her movie full of platitudes, but it is her chance to reach out to those young girls in the audience, her chance to influence the narrative. If the movie veers too much toward the falsely inspirational, it is because it tries to distill hundreds of years of self-care and female empowerment into two hours. Hopefully, we won’t have to wait another hundred for the next leap forward.