Review: Amateur Eyes @ The Blind Pig

shAAka

When shAAka took the stage, there was no one in the pit and nearly no one at The Blind Pig. It was 9:30 on a Thursday night and while the bar next door had a line snaking down two flights of stairs, The Blind Pig was currently deserted. Still, shAAka started with an explosion not a whimper. They are a local band and entirely UM students. However, unlike many student-bands, they’ve moved past the hey-man-let’s-get-together-and-jam stage and have started to come into their own sound. While in terms of originality they still have room to grow, they certainly have the rock part down and they can hit it hard. But they aren’t entirely a bang-as-loud-and-fast-as-we-can kind-of band–they have their softer, mellower moments and they can sweet-talk you as quickly and deftly as they can blare their guitars. Not too long after they took the stage, more patrons poured in and were drawn towards the stage. By the time shAAka’s set had ended, The Blind Pig had several dozen patrons.

This being the night that it was (Thirsty Thursday, that is), most of that night’s crowd were sporting M’s on the backs of their hands and were here to enjoy some music. While the back part of The Blind Pig had began to somewhat fill, the bar part was devoid of anyone–except for, perhaps, the occasional individual getting a pop.

amateur eyes

We didn’t have to wait too long for amateur eyes to get on stage. Despite being the “headlining” act, they played second and the night had three more bands left. Now, listen, there was still not much of a crowd for reasons already stated–maybe 40 people, if I’m being generous–and it can be hard to play to a crowd so small, especially when you’re not a big name that everyone knows and loves, but instead just some band from Saline, Michigan–by all means, amateur eyes should have put on decent show, but not much more.

Instead, they killed it.

Their founder and vocalist is John Pederson, a former Michigan student and someone who clearly still has friends and connections in Ann Arbor. I was pleasantly surprised to find that within this meager crowd were individuals who obviously adored the amateur eyes and could sing along to every song. But even without them amateur eyes still would have put on an amazing show. For starters, John Pederson is clearly a guy currently doing what he loves and his gratitude for the audience simply being there and letting him continue to follow his passions was palpable. But it was more than even that–Pederson doesn’t just get into performing, he gets into the music, the crowd, the energy and he increases it exponentially. Many more times than I could count, Pederson jumped off the stage to hug someone or dance around or to hold his microphone out for someone to sing along. At one point, he managed to successfully crowd-surf, which is quite feat when an audience is that scattered and unpacked. And he wasn’t just everywhere off-stage; he was everywhere on-stage too. He was possibly the bounciest musician I’ve ever seen, always jumping and hopping from place to place. He’d twirl around with his microphone or sneak up behind the guitar player and hold the strings as the player strummed. He was burning like a sun in the furnace of a supernova.

John Pederson

Yet the show never lost its sense of intimacy. Part of this can be attributed to amateur eyes’ music, a style they call “honest rock.” With lyrics like “You’re going to find something you don’t like about yourself in me” and song titles like “how to convince yourself that you’re happier alone,” the music itself conveys a sense of opening up to the world and exposing your tender insides. Of course, also, like I already stated, the Pederson’s earnestness and desire to be one with the crowd kept the show feeling like we were all in this together. There were also moment like the one pictured above, where it was just Pederson playing an acoustic guitar and singing a new song that he wrote “after someone I cared about hurt me.” When the show finally, sadly ended, Pederson jumped off stage and to a stack of CDs against the wall, which he chucked into the crowd and then passed out each one individually to everyone there because, as he said, “nobody buys these anyway.”

If you ever have an opportunity to go to an amateur eyes show, take it. Even if you’re not big on their music (but how could you not be), you won’t regret it.

Dead Legs

Next up was another student band, a rock-duo called Dead Legs. Their loudness and the way they go all in on their instruments made them a bit of a shock after amateur eyes. I give them credit for accomplishing the sound that I presume they are going for, but that isn’t the sound for me. I could appreciate their music as something to head-nod to, but partially because we weren’t feeling it and mostly because we had 9 AMs, we decided to leave towards the end of their set. Unfortunately, we missed Fallow Land and Air is the Arche, the latter of which we were really looking forward to. Overall, a really great show despite the lack of crowd.

Joy Review

(Spoiler Alert, Although Not Everything is Explained in the Exact Order of the movie) Joy is a movie about a woman who’s family is on who nourished her, and yet at times destroyed her. Joy is one of two daughters of Rudy Mangano (played by the Great Robert DeNiro), and Terry (played by Virginia Madsen). Although Joy’s mother is in the picture, it is her grandmother who is truly the Matriarch of the family. Joy’s parents bicker and her mother has succumbed to a life of constantly watching daytime soap operas, and never getting out of bed. Joy is seen as an imaginative child who comes up with ideas about different gadgets and different worlds. Her parents eventually divorce, which needless to say was not easy for Joy.
Yet, needless to say Joy is able to thrive under her pressure cooker- of- a- family conditions. She goes on to be a valedictorian and even gets accepted Joy later falls for a man who is a charming musician, but not the most responsible type. They get married and have two children together. Eventually, however they divorce-but Tony just lives in the basement. We see Joy as she finds herself as an airline ticket attendant supporting her family and sometimes helping her father do his accounting and taxes for his company. And so happens that on her father’s new girlfriend’s boat that Joy’s ex Tony spill wine on- and which Joy has to mop up. And in dealing with the shards of glass through mop string—that Joy’s Miracle Mop idea is born. As far as what happens next, well you need to see the movie. Although I will say that it involves some serious rivalry all the way to the end, death of a matriarch, a father who-brings you up and down, a best friend who trips us up on the notion that blood-is-thicker than water, a husband who is a better friend confidant, business cheatings, and a hell of handsome QVC executive-turned-friend known as Neil Walker and brilliantly played by Bradley Cooper. Now that synopsis has ended, let the review begin!
Jennifer Lawrence does an amazing job acting, from the way she tells Neil Walker that she wants to change one thing in her outfit, when she changes the entire look by wearing a simple blouse and pair of pants. Or when her mother floods the floor of her bedroom and Joy works to fix the plumbing issues. The way she holds the tools on the floor it is both natural, yet fierce, and very real. Her simple gesture of putting the flowers on top of a grave, the look of her eye as she cuts her hair.. are all so powerful! It is a joy to see her act- even in the most gut wrenching scenes. But apparently I am in the minority on this sentiment. I was like, “Ouch!”
A woman in the Ann Arbor area I was talking to was telling me that she liked the other David O. Russell, Jennifer Lawrence, and Bradley Cooper combinations. But that she did not like this one. She said that it was completely Joyless.
Then again in a very, very faint way, I can kind of see why this woman feels this way.
I am a person who loves biopics. I think I fell in love with them in the mid-2000s with movies like Ray and Walk the Line. Both these movies, especially Ray had an amazing way of making the most humorous and heart wrenching scenes of the movie entertaining. It has been a while since I have seen both of those films, but I remember watching them over and over on DVD because they were just captivating yet easy to follow. Joy, has a great story line- about a woman who had very palpable yet overwhelming struggles who lived at times a mundane life, but thanks to her genius twist on a mundane product- the mop- she changes her life trajectory. But, although Joy Mangano’s life story is fascinating and makes you do a double take, next time you spot her on QVC—the movie does not have the fully cohesive feel-good-ness that movies likes Ray and Walk the Line did.
I cannot quite but my finger on it. Perhaps, it is because the movie puts a little bit too much attention on Jennifer Lawrence, and not as much on the characters- thus making it a little less cohesive.
Not that the other characters did not have anything to say; they had plenty. First there was the narrator Grandmother, then the TV bound mother, and who can forget Robert DeNiro’s character’s quips?? I love how he said that his ex-wife was someone who we did not hear or see, or smell but was killing us all.
I also loved when Jennifer had lost a lot of blood on the boat, and then later felt sick because of it- DeNiro mentions the idea of drugging her and laying her down for a nap. And goes on to say, “ Can we drug her with some cough syrup? It’s completely natural.. “ In other words, the other characters had great lines—but their performances seemed to be jutting out at weird angles and not in harmony with Jennifer Lawrence’s performance. The way this movie was written, perhaps gave Jennifer a little too much weight. But it’s not entirely clear if that is the full reason as to why this biopic didn’t have that classic movie- I could see over-and-over feel that Ray and Walk the Line had.
I will say what my beef what the movie is- I did not like a few of the story changes they made, compared to Joy’s real life. First of all, Joy had three children and not two children as portrayed in the movie. Joy apparently had no duplicitous half-sister that was portrayed in the movie. And probably most unforgivable to me was that, they showed Joy struggling to make it WITHOUT A COLLEGE DEGREE. In the movie she said something to the effect of, she was valedictorian, got into a good school, but stayed to help out her parents after their divorce. The truth of the matter is that she DID go to college, and did not forgo her own plans because of her parents’ divorce. She actually graduated her college and later tried her hand at wait-ressing ( not shown in the movie), being an airline ticket attendant/agent, and other jobs. I wish this was shown because it inspires many people ( especially people graduating from college) that even if you are struggling to find your place, eventually you too can find it- as long as you hold onto your dreams, your passions, and know yourself. Many people need to see this. Alas..
That said, it is still a good movie. A movie about rags-to-riches, and holding onto dreams- no matter what life throws at you. And if you are looking for something magical.. well, that is offered at the end. The poster for this movie showing a woman wearing sunglasses, and a leather jacket with the snow falling on her face, showcases that magical end of this movie. Go see it.

4 out of 5 stars

REVIEW: Don’t Think I’ve Forgotten

On January 27th Don’t Think I’ve Forgotten, a documentary about the history of Cambodian rock and roll, was screened at The University of Michigan Art Museum. The event was hosted by the Center for South Asian Studies and the student-run radio station WCBN.

This documentary was produced in 2014 and directed by John Pirozzi. Going into the film, I expected it to be no more than a detailed summary of the Cambodian rock scene. But it proved to be much more vital, thoroughly interweaving Cambodia’s music history with the history of its people, politics, and national hardship.

The documentary picked up from the 1950s, a time in which the Cambodian music scene thrived and musicians were experimenting with different styles. Latin, American, and French music in particular had a huge impact on the musicians of this time, particularly on those rooted in rock music.

Although the film’s title refers exclusively to rock and roll, it presents a variety of types of Cambodian music. The musicians interviewed described how Cambodia’s pop music often has a yearning, melancholy tone. The lyrics are poetic and incorporate cultural and self-reflective meanings, despite seeming purely romantic on the surface.

However, Cambodia’s music scene transformed entirely during the Vietnamese War in the late 1960s, when the US began to bomb neutral Cambodia in an effort to weaken North Vietnamese supply lines. The rock music became more raw and unruly. Cambodians lived in fear and many did not dare to leave their homes to attend live performances, so several popular musicians lost their audience. Later on, as Cambodia became involved in the Vietnamese War, their music became increasingly dominated by nationalistic sentiments.

Immediately after the war, Cambodia’s Communist regime Khmer Rouge took over the nation and killed millions of intellectuals and artists who were considered to be a possible threat. This included the majority of Cambodian musicians and their families. “If you have to eliminate the values from a society,” said one of the musicians, “you have to eliminate the artist.”

The regime was overthrown in 1979, and the documentary finished on a hopeful note by playing singer Cheam Chansovannary’s “Oh! Phnom Penh,” a song about Cambodia’s capital which was emptied by Khmer Rouge, while showing footage of people returning to their homes in Phnom Penh.

The documentary did a wonderful job portraying the legacy and resilience of musicians through these historical events.  It was thorough without indulging in excess detail. The combination of live performance videos from the time and recent interviews brought the history to life with a remarkably personal narrative. Additionally, the film was beautifully shot and edited. Its smooth transitions into different topics and time periods offered a seamless and continuously engaging narrative. Although the film was only two hours long, it brought three significant decades of Cambodia’s music and history to life.

 

 

Preview: Protomartyr @ The Blind Pig

Photo Credit: Protomartyr

When’s the last time you listened to something mind-blowing? And I mean, really mind-blowing, not just wow-these-warm-chocolate-chip-cookies-are-pretty-amazing. I’m talking about the kind mind-blowing that haunts, that buzzes in and out and in and out of your head again and again and again until suddenly daylight is creeping in through your blinds and you realize you just spent the entire night staring up at the dark with why does it shake the body the body the body echoing in that cavern you call a cranium.

Okay. Maybe not that bad.

But still, Protomartyr is something special. They are probably best described as post-rock, but even that label hardly fits. Listening to them is an experience involving a semi-ominous voice rising above your standard rock instruments to tell you things that you’ve probably thought, but not quite in this way. They aren’t the easiest to describe, honestly.

They will be joined by Rebel Kind and Deadbeat Beat.

When: Friday, January 29th. Doors open at 9:00pm.

Where: The Blind Pig

Cost: $12 adv./$14 day of

Preview: Amateur Eyes @ The Blind Pig

Photo Credit: Amateur Eyes

Amateur Eyes is a self-described “post punk indie rock group.” Take that to mean whatever you want, but first, give them a listen. They won’t disappoint. To me, they sound like the regretted love-child from a night when The Front Bottoms and Twenty-One Pilots got a little too drunk. I mean that in a good way, probably. Their lyrics are bare and bracing, as if someone dared John Pederson (their frontman) to tell the world the truth about himself and everyone else that he had hidden up his sleeve and he complied by ripping off that sleeve and whispering everything urgently into the nearest microphone.

Joining them will be Air is the Arche, shAAka, Dog Leg, and Fallow Land. I’ve had the pleasure of seeing Air is the Arche before and I’m sure the other opening acts won’t disappoint. It’ll be a long and wonderful night of music.

When: Thursday, January 28th (tomorrow!). Doors open at 9:00pm.

Where: The Blind Pig

Cost: $5 21+/$8 18+

Joy Preview

Many people on U of M campus might wonder, “Why the hell should I see the movie Joy?” Let us not forget that this is a school where some might say the activist student life was born (although some might give this title to Berkley, but let us not forget about the teach-ins regarding Vietnam); and those in the more activist liberal mindset who live in the halls of RC or protest around The Diag might see the channel QVC, a channel devoted for shopping, and a woman who basically lives there and sells a product symptomatic of our bourgeoisie capitalistic society- a mop- something they would never see!
Even those who don’t find these elements annoyingly capitalistic might think who cares about a mop? Others might think, what the hell is a miracle mop? QVC? My mom watches that channel! A lot of this is so foreign to our world on campus. So, I was thinking, how can you possibly right a review/preview which will appeal to others?
Don’t get wrong, I wanted to see this movie! I want to see it because it deals with a woman dealing with a lot, including the weight of family problems, which at times hinder her dreams. Plus, I wanted to see Jennifer Lawrence a bit more. I haven’t seen Silver Linings Playbook fully, so I am not a Jennifer Lawrence groupie yet. But, I hear that she is a dedicated actress – so why not see her work? But most importantly for me, this is ultimately a rags to riches story- and you cannot go wrong with that!
But, I can assure you after watching this film- that this story has a lot to do with college students. So, David O Russell slightly changed the story of this movie. He made it seem that Joy does not go to college, because life got in her way. When in reality Joy, did go to college. But with 3 young children, family troubles, and crappy jobs, she struggled post- college. And the film shows this. It shows her as a airline ticket attendant. In real life, Joy was even a waitress post college.
The struggle post college. Being underemployed; The struggle with our families. Dealing with perhaps, struggles in the houses we came from. We might get lost. All of this is something that we sooner or later might deal with. But we have to remember to not lose our way. Joy clearly does not.
For those reluctant to see this movie on U of M campus, keeping this mind might be the most appealing motivation.