REVIEW: Dance Mix

Dance Mix

Last Friday at The Power Center, Dance Mix took the stage and blew the audience away. The show was high energy, exciting, and full of variety. The program included dances from about ten student dance groups. The Dance Mix Core- comprised of Impact, FunKtion, Element 1, Encore, and Rhythm- organized the event. Earlier in the year, other dance groups auditioned to be featured. Among the groups selected, Cadance, Groove, Photonix, Outrage, Michigan Raas, Bhangra, and Manzil performed. From jazz, to tap, tap, from  lyrical to hip-hop,  from  traditional Indian dance to dance theater, from glow sticks to STOMP style drumming, the evening exhibited a vast array of techniques. Some groups were all female, others were all male. Some were athletic while others were dainty. No matter who showed what,  everyone brought great energy but with their own style. The audience was packed and, throughout the nearly three hour event, remained equally as hyped as the performers. It was a fantastic event and a wonderful culmination to a year of hard work for these dancers.

Review for Screening for Beasts of the Southern Wild

Well after hearing about this event, I had to go! And it turned out fantastically!!!!!! I will review it in 2 parts:
The movie
Someone else at the screening said that the movie was powerful, when I asked them how they felt. This is also one of the biggest feelings I felt after I saw this movie. I totally felt this at the end when Hushpuppy lights her father’s funerary pyre, says good bye to him, and then leads a group of people on a boardwalk back to the land. Hushpuppy I should point out is 6. But moreover, they were all wearing white on the boardwalk (which is very visually striking against the blue sky) and as the camera pulls back and pans on them leaving the boardwalk as a community- you can feel the strength they have, and this is immensely powerful.
I asked a few other people I knew at the screening what they thought and they said that they loved it, but they couldn’t offer too many reasons why. Which brings to another feeling I felt about this movie.. that it is beautifully done and seems deep, has so many eclectic pieces that it almost seems a bit dreamlike and hard to explain. Since it has so many eclectic pieces I sometimes felt that the movie was a bit “artsy” or confusing for me at times. I mean, I definitely felt that the whole movie was metaphorical and I understood parts of it. For instance, I understood that the bathtub (where Hushpuppy lived) was synonymous with the bayou. But there were many parts that seemed to eclectic/shrouded with fantasy, that I couldn’t quite make sense out of it.
For instance, the father (Wink) was at times, in my opinion, borderline abusive to Hushpuppy. He would yell at her, at times say that he didn’t want to take care of her, cussed at her, and asked her weird things like, “ Hushpuppy, do you want to know the story of your conception?” He was probably trying to protect her in a hard world where they had to be self -sufficient, especially light of the fact that he might not live. But still, I didn’t find it appealing the way he treated her.
Another time, Hushpuppy got upset at her father and tries to get back at him. She was already making some food on the stove by lighting up the stove with a blowtorch. But then puts it on a higher heat, to blow up the house. That act seems a bit harsh, and makes me wonder.. why did she take that route? I also don’t know where she got the blowtorch and where she got the football helmet she donned, when she used the blowtorch to light up the stove. After all.. she does live in the bayou.. And that wasn’t the first time.. throughout the movie there are all these random objects that can be found in her house.. where are they from? There are no stores nearby..
Don’t get me wrong, the main crux of the movie can be understood- Hushpuppy lives in the bathtub with her father, he is sick and at times is not there. She goes to school.. which was is basically a whole bunch of kids learning from their shop owner. They have a whole bunch of friends who live in the bayou and live off the crabs and seafood in the land. Hurricane Katrina comes and they want stay in the bayou- that’s their home. They resist being evacuated- it’s very awkward to see rescue/evacuation forces try to take them. They also go to a brothel/strip club where Hushpuppy meets a woman who might be her mother- who was thought to have left her/died. Then try to blow up a part of the levee ( I am a little confused here) and they end of going to the hospital. Wink is really not doing well.. but does not want to be at the hospital. He tells his daughter not to try the food- they are very distrustful of this world. Hushpuppy is dressed in a very conventional “goody-two-shoes” style dress and hairstyle and doesn’t like it. This is one metaphor I get—among others- they don’t like this world. The father manages to get her and the other kids out of the hospital. But he throws everyone else on the bus but doesn’t get on. Hushpuppy forces herself out of the bus, and gets mad at why he is leaving her. Eventually they come back and hushpuppy feeds him some fried gator meet.. which was a symbol of love.. and he dies. I had already mentioned what happens after he dies earlier—so powerful. So I do feel that it is a powerful rich story, just at times a little too eclectic and hazy for me. Overall I would give it a B+ ( it’s growing on me..).. when others would get it an A+.
The questions to the director and the comments afterward
The questioning was amazing.. people asked him about the context of the film, if he himself lived in Louisiana, what his next projects were etc.
At one point someone asked him if he thought that the movie went exactly as he planned it.. he said, “ When a movie has so fire, babies, children, in a swamp, and little money.. you cannot expect things to run smoothly!”
I will say that maybe this movie went a little over my head.. because I didn’t understand all the metaphors. BUT it was clear that some of the other people did- from their question!!!!
I think my favorite question or speaker was when a speaker came up to the computer and said, “ You may not remember me .. “ But then he said, “ Oh my god.. we went to high school together!!” Then a minute later he said while placing his hand on his head, “ Wait.. Eva??!!” She said, “Yes!”
So needless to say the questions were rather exhilarating and would take me a much longer time to get through…But they were good

PREVIEW: Last Word of Mouth StorySLAM of the Year!: Liberation

WORD OF MOUTH STORY SLAM

LIBERATION

Thursday, April 4th 2013

Hillel

Doors at 8:00 pm, stories at 8:30

Word of Mouth is back for our final event of 2013. Never been to our slams before? Audience members tell five-minute stories from their lives related to a theme. The friendly competition includes appetizers and live music.

In collaboration with Hillel, this month focuses on stories of Liberation. In light of the recent Passover holiday, which recognizes a historic Liberation, we’ve chosen the theme. But it does not have to pertain to history, Judaism, or religion at all. Perhaps the theme is pertinent because graduation is on the horizon, or summer vacation.

If you have stories of release, renewal, letting go, or breaking free, come share them at our slam!

You should notice that we’ve moved! If you’re used to seeing us at Work Gallery on State Street, don’t fret. We are trying a new space. The UM Hillel is located just off campus. Click here for directions.

Can’t wait to see you there!

In the meantime, check us out online:

BLOG

FACEBOOK PAGE

SOUNDCLOUD

To get emails about more upcoming events and workshops or to join our planning crew, shoot us an email.

Preview for Screening for Beasts of the Southern Wild

Preview for Screening for Beasts of the Southern Wild
This seems like an amazing event to go to because not only do you get to see this amazing movie which was Oscar nominated for best picture, director, actress, and a fourth academy award, but also because you get to have a discussion with the director. Which is pretty amazing because he will skype in from Louisiana; and this is a big-time director!
The movie has been described by some as a fantasy-realism story tale! It is realistic because it is essentially about a little girl living in poverty in the Louisiana Bayou, almost orphan-less when… Hurricane Katrina comes. It is essentially her story about survival and coping in light of these events. It is also rumored to showcase the lifestyle of those living a life which is very different from what many of us in towns and cities are used to living.
But it has a flare of fantasy to it because from what I hear, the little girl’s name is Hushpuppy who lives in the Bathtub with her father Wink. These names seem to hint an air of fantasy and also a bit metaphorical/reference to actual places and events. Which adds a sense of intrigue.. That said, I am rather intrigued by this movie and would like to see it! So to all of you out there, go see it if you can- for free!!!!!!!!!!!

PREVIEW: Looking Back, Moving Forward

MFA Dance Performance: J. Lindsay Brown and Jessica Post

On Thursday, Friday, and Saturday (April 4th, 5th and 6th), two MFA candidates in the Dance Department will showcase their long-time-coming theses. I will be there for several reasons. One of which is that I love watching student dance performances, no matter who is dancing. And two, because these two lovely ladies are both instructors of mine. J. Lindsay Brown (who is crouched ever so gingerly  in the tree on the left) teaches a Composition/Improvisation class and Jessica Post, the lady in pink on the right, teaches Body Conditioning. Both are productive and challenging courses  in all the right ways, though  very different from each other. By the sound of it, that’s very how these two dancer/choreographers are, so their collaborative performances will be dynamic and interesting to watch.

Lindsay’s piece is an extension of her undergraduate BA performance, where she explored fairy tales and the untold stories behind them. Through an independent study of German and other European fairy  tales, she gathered inspiration and channeled it into movement. Imagining what Rapunzel’s heavy hair must feel like, or Sleepy Beauty’s groggy slumber, Lindsay choreographs a piece that tells  age old fairy tales in an unexpected way. And unike many classic  stories, this narrative features the female character instead of shunting her to the side to stand prettily in the shadow of the Knight in shining armor.

Jessica’s performance, called “Moving from the Inside Out,”  is less theatrical than Lindsays’, and perhaps more athletic and physically oriented. As a somatic study, this dance explores  how different bodies perform the same activity, or how the same movement looks different on every body. Using movement techniques which she perfected in her study abroad in Vienna, Jessica designed a three person piece that forces an interaction between muscle and mind. About her process, Jessica said, “It was not enough to make a dance just about movement, I had to include the mind and spirit as well.  A new question emerged: “How does one continuously shift between a quest for optimal and idealized movement and the reality of daily stresses and the messy nature of the human condition?”

One thing about this performance that is anomalous to most  is the stage. The first piece will be performed by three people (some undergraduate dancers) on a three sided stage and the second will  be performed by four dancers on a four sided stage. This non-traditional space reflects the boundaries that will certainly be pushed by the concepts and the movements addressed in these theses. Both Jessica and Lindsay will both perform in their choreographed productions alongside the dancers with whom they spent months collaborating.

Each evening, the show will be held in The Betty Pease Dance Studio in the Dance building. For more information, check out the press release. The show starts at 8pm but $5 tickets sold at the door go fast so get there by about 7pm if you mean business. Enjoy the show and see you there!

PREVIEW: UMMA’s 24-Hour Art21 Screening

UMMA’s 24-Hour Art21 Screening

If you find yourself at the UGLI this Staurday night, studying into the wee hours of the morn and, nearing dawn you need a study break, never fear! Entertainment is on the way. UMMA and the UGLI are teaming up to present a 24-hour marathon screening of Art21. PBS’s series features one hour pieces on famous twentieth century contemporary artists. The episodes to be aired this weekend will include celebrated  names such as Kara WalkerAi Weiwei, El Anatsui, Cindy ShermanMatthew Barney, Barry McGee, Laurie AndersonMarina AbramovićJeff KoonsJohn Baldessari, and many more (ninety, to be exact, because this event honors 100 working artists). The series invites viewers into the studios, homes, galleries, and creative spaces of these pioneering stylists. This behind-the-scenes look is inspiring to artist types and others alike.  So whether you intend to be at the library this weekend or not, you will certainly have something enjoyable to do!

For more information on Art21, click here. The Facebook event and the UMMA’s student blog The Annex will also tell you everything you need to know about the screening. See you there!