PREVIEW: BTS PTD ON STAGE – SEOUL: LIVE VIEWING

The record-breaking, history-making K-pop boy band, BTS, is holding their first concert of 2022 this Saturday, March 12th. You can watch the BTS Permission To Dance ON STAGE – SEOUL: LIVE VIEWING at both 4:30pm or 8:30pm at Ann Arbor 20 + IMAX theater in Ypsilanti. The actual concert will be held in Seoul, South Korea, but broadcasted to select theaters around the world, only on Saturday, March 12th. The price of one ticket is $35.00 + service fee.

BTS is my favorite band. They’ve broken cultural barriers as a foreign group who have gained global popularity, despite singing mostly in Korean. I have been to one other BTS concert live viewing before, and the theater was loud. I anticipate that this Saturday, the theater will be filled with fellow ARMY’s (BTS fans), and for BTS lightsticks to be flicked on, waving in action.

The Ann Arbor theater added four separate shows for both viewing times – eight theaters total – after the first showing nearly sold out immediately. So there’s plenty of tickets to go around!

Something to note is that due to South Korea’s COVID restrictions, the audience is not allowed to make any noise, a quite hilarious request for fans at a concert. Instead, the venue will hand out clappers – yes, these things:

– for fans to clap with. 

Here are some priceless screenshots from official concert etiquette guides:

 

In the theater, there will be no such restraints. Cheer, dance, and sing all you want!

BTS (방탄소년단) PTD ON STAGE – SEOUL: LIVE VIEWING SPOT (trailer/ info video): 

https://www.youtube.com/watch?v=7BmDoOmLGDs

Get tickets here! https://www.btsptdlivecinemas.com

Featured image: https://twitter.com/bts_bighit/status/1493963389176999937/photo/1

‘things to know before attending the concert’ images: https://magazine.weverse.io/article/view?num=352&lang=en

https://www.weverse.io/bts/notices/2138

 

 

REVIEW: Disfluency

Michigan theater welcomed back alums who once worked on assignments for film classes in Ann Arbor but came back with beautiful and successful production. The Auditorium of Michigan theater was quite full of locals and friends of the production team. The audience enjoyed the live music from the film, the screening of ‘Disfluency’, and the Q&A that followed. Before we jump into the review about the movie itself, I just wanted to say that I appreciate the event because it felt as though I was glimpsing a page in the growth of people working in the production industry, how they made friends, who turned into colleagues and created something beautiful together.

Disfluency was a young, beautiful film. Its beauty was not a helpless sort – it ran with vitality through the lake of early summer, shimmering like the lake frequently shown on the screen. I had to mention ‘beautiful’ as the first word that came to my mind about the film because of the mise en scene. The way that the scenery and the characters were filmed had affection to it and the locations on camera were perfect depictions of a calm lake town and a summer that was not annoyingly humid. In the movie, Jane’s hometown had to be a place where Jane ran away from college, where she could, although she had doubts, reunite with her friends and family, digest what had happened to her, and find the courage to decide on what to do with it. The movie persuaded the audience that Jane’s hometown was a place where those things could happen with the visuals. Also, marking the scene where Jane was going through PTSD with bright fairy lights was not only visually satisfying but also clearly communicated what was going on; flashback to the past every time Jane is experiencing PTSD would have been consumed too much time and made things off focus, but short insert of lights did not hurt the flow of the story while focusing on Jane’s emotional state.

Although this movie was beautiful, its beauty was not something fragile that was there for the sake of examination. It had the horror of reality in it, but it did not let the sorrow eat up the whole story and character. Instead, it showed how a person may, even though they were not okay and stumble, manage to face the incident. I think this was possible because of the storyline. Although the storyline was emotionally sensitive, it was not too dramatic. The monologue where Jane breaks down crying in the bathroom of a police office and tells her sister about what happened, the doubts she had on what had actually happened, and on herself whether she was acting too dramatic was a great example. This was a sudden burst of emotion and information, but it was not excessive because people cope with too much stress like that in real life. We don’t build up and give out hints like in delicately structured operas. We break down at one point. Jane in the movie did, too. I also liked how the start and end of the story used the same narration and the same space but the position of Jane, first in the audience seats but later on the platform, would change in the end, symbolizing how her emotional state had changed.

For regrets, there were some scenes, especially near the start where the camera was shaking a bit, although I could not easily understand the purpose if they were done intentionally. But in all, it was a movie that I certainly don’t regret investing a weekday evening.

REVIEW: Quilts in the DUDE

The Duderstadt Gallery located between the Duderstadt Library and Pierpont Commons has always caught my attention. With the school of art and design being one building and the school of music theater and dance being up a hill from the main part of North, it is an island of art in a sea of engineering. The Duderstadt Gallery has open doors that invite anyone walking past to wander in. Currently, the doors look more inviting than usual with quilts hanging inside ready to invite students into their warm embrace. 

From March 6th to 15th, the Duderstadt Center Gallery is filled with lovely hand stitched quilts made by the Faculty Women’s Club in the “Stitched Together” FWC Centennial Quilting Exhibition. It is slightly ironic that such traditionally feminine art is displayed at the heart of North Campus, where the majority of students are engineering students and engineering classes sometimes have more Stevens in a class than women. However, it is a wonderful display of handmade quilts that reminds anyone who walks through of a missed loved one who has wrapped them in a tight hug. 

 

I do not know the specifics of the Faculty Women’s Club. However, one quilt speaks of the closeness of the group. Angie Nagle Miller’s Birthday Signatures features squares made from the group for her 50th birthday. She then completed a quilt for her 70th birthday which is now on display. This quilt not only highlights how close and supportive the group is of each other, but of the longevity of the group. 

The size, themes, and colors of the quilts are as varied as a basket of fruit. Standing in front of these quilts is a lesson in color, texture, and pattern. Each of which has a unique personality and the heart of the maker sewn into it. The reason behind each of these quilts is different. For example, the Safe House Quilt was made by the group to be donated to people who come to the “Safe house”, Laura’s Quilt was made for Laura on her diagnosis of cancer, and some were made for a challenge. However all the quilts demonstrate the caring hand and passion of the maker.

 

There are so many beautiful quilts designed by talented artists and craftswomen on display that I have not mentioned. I would highly recommend checking out the “Stitched Together Exhibition”.

REVIEW: The Batman

Trigger Warning // mentions of Asian violence

! Discreet spoilers ahead !

9:45 pm. Our lone car sits in the theater parking lot, rain striking its windows. As we run in, puddles quiver under our feet, breaking the neon reflections cast against the pavement.

Despite the drizzly, late hour, there’s no damper to my mood. I’m home for spring break, watching a movie with my family, for the first time in forever. We prance into the theater fifteen minutes late, but thanks to the endless trailers and commercials, we don’t miss a thing. In the very last row, reclined as far back as we can go, we even catch a teaser for the animated D.C. League of Super-Pets, which features a cast of Dwayne Johnson and Kevin Hart, along with Keanu Reeves, voicing their own cartoonish Batman. I attempt a wordle as we wait for the lights to dim. A solid two minutes; I give up. I imagine this is how Batman must feel, going up against the Riddler.

But all throughout the film, he solves them with ease. Bruce probably has no problem guessing his way to green squares in six tries– even the ones after the New York Times took over. He’s just cool like that: the hero who uses fear as a tool and carries a Presence™ everywhere he goes. But like user @NebsGoodTakes on Twitter, it “took me an embarrassingly long time to realize [that] Batman was walking slowly to record everything, not just for the vibes.”

In the opening of the film, the mood immediately reads darker, more melancholy than your usual superhero-starring motion picture. The eery, tired rasp of Curt Kobain’s voice sets the scene seamlessly: his numb hum shapes the perfect song when I walk into a room for the perpetually dark circle-sporting Batman.

To gush a bit more about the film’s score and soundtrack:

It’s the last show of the night. As well as a new beginning and end for Gotham. I Have But One Heart, Dido’s Lament, and the familiar Ave Maria all heighten the apocalyptic atmosphere of the place. If I were a professional playlist curator, I’d also sneak in Cannibal Holocaust by Riz Ortolani and Where Did You Sleep Last Night by Nirvana, as they’d fit right in with the rest of the tracks.

Also to applaud: the camera work and elements of depth of space, movement, and lighting. The use of upside-down and wide shots, blur, and an unmoving camera were extremely effective and refreshing, especially for a superhero movie. This veers from the movement-heavy style of most Marvel films, which accommodates the need to follow the action, draw the audience in, and heighten the intensity. But utilizing still shots – which allow the action to unfold without ceremony – lays it all out for the audience to take in, somehow creating a greater sense of emotion, tension, and magnitude. I felt closer to the events plastered across the screen; it all seemed more raw. Visceral.

The movie handled difficult themes, yet felt easy to watch. Even for somebody who went in not knowing the first thing about Batman (me). Something that immediately stood out to me was the early-on subway attack scene, where Batman defends an Asian victim against a group of men who target and follow him out of the subway. It caught my eye as an Asian American person wondering whether this was a subtle call-out or acknowledgement towards real life events. However, many viewers found the scene “triggering” and insensitive to Asian Americans during a time of increased violence against the community, regardless of whether the attack was intended as racially motivated” (Yang). David Chen, who hosts the podcast “Culturally Relevant,” argued that “depicting such loaded imagery without making a larger point about the meaning behind it is disrespectful. “To me, this was an irresponsible and inflammatory use of this imagery that (knowingly or unthinkingly) gestured at real life horrific events” (Yang). It also feels notable to mention that this is the only Asian representation in the entire film; using this scene simply to portray Batman’s “I’m vengeance,” tagline and foreboding demeanor feels off-putting.

Aside from this controversial choice, I genuinely enjoyed the film and found it brilliant, well-casted, and visually dynamic. Running back out into the empty lot at one am, I happily splashed my way back to the car. It may have been raining, but hey, at least this city wasn’t treading in deep water.

sources:

Featured Image from Hollywood Reporter: https://www.hollywoodreporter.com/movies/movie-news/the-batman-box-office-opening-1235104983/

NBC News – ‘The Batman’ criticized for scene of attempted subway attack on Asian victim:

https://www.nbcnews.com/news/asian-america/-batman-criticized-scene-attempted-subway-attack-asian-victim-rcna19034

Twitter: https://twitter.com/nebsgoodtakes/status/1500619986208919553?s=21

PREVIEW: Disfluency

A film written and directed by U of M Alum(U-M Dept of Film, Television, and Media Alum ’15), Anna Baumgarten, is coming to the Michigan theater on March 8th, 7:30 pm. ‘Disfluency'(2021, 95 minutes, drama) is about a senior, Jane, who failed her final college class and returned home and her trauma. This film won the Jury Award for Narrative Feature in Austin Film Festival 2021 and was also nominated for Best Supporting Actress in Indiana Film Journalists Association, US 2021.

I am looking forward to this film for two reasons: first, there’s a power of seeing art that talks about Trauma and how to overcome them. The spring break just ended a while ago but I’m sure that a lot of people were feeling that they need a break, maybe a bit longer one than a week. Won’t it be nice to see a story where someone copes with their own trouble, learns, and muster the energy to fight the conflict, and use it to fights one’s own trouble? I feel like this would be a good time for me to get that sort of empowerment. Second, this was filmed in Southeastern Michigan. Yay for local production!

Finally, for all the creative people/film fans out there, this event will be even more special because the writer/director Anna Baumgarten and Producer Danny Mooney will be at the post-film discussion. Hearing from the production team is a rare and exciting chance, especially because you can not only understand the film better but also because you can get a glimpse of what it’s really like to be the person actually making the art, not bound to the audience seat which sometimes limits the scope of appreciation for the artwork.

 

Free tickets can be purchased from the Michigan theater website.

PREVIEW: The Batman

This Saturday at 8:30 pm, The Batman plays at Regal Stonestown Galleria ScreenX, 4DX, & RPX Theater in San Francisco. 

Freshly released this Friday, March 4th, this highly anticipated D.C. film features an exciting lineup of Robert Pattinson’s debut as Batman, along with Zoë Kravitz as Catwoman. 

I, personally, have never watched Twilight, nor any Batman movies. So this will be my first exposure to the Batman cinematic universe aside from well, The Lego Movie and Teen Titans Go!, both which I watched over half a decade ago. I’m looking forward to watching the two hour, fifty-six minute flick with fresh eyes. Director Matt Reeves describes this film as a look into the “early days of being Batman.” However it’s not an origin story– instead, the film navigates the struggles this untraditional superhero must endure, and how he endures them. The movie will also explore deeply psychological aspects of the corruption within Gotham City. 

The trailer seems promising– dark lighting, intense gazes, plenty of fires and explosions. With Nirvana’s Something in the Way crooning through the action, and heavy downpours littering the cityscape, returning to my hometown (San Francisco) to watch this movie, seems fitting.

If you’d prefer to wait it out and watch from home, the movie will also be available on HBO Max on April 19th.

Featured image is a screenshot from the Batman trailer: https://youtu.be/mqqft2x_Aa4