PREVIEW: Matisse Drawings

As someone interested in visual arts, Matisse has always presented somewhat of a predicament.  His works when viewed on their own have been criticized as lacking in artistic technique – harsh words to describe a world famous painter.  After taking a history of art class in which we briefly analyzed Matisse, I had to agree.  His work looked almost childish, shaky and unsure.  It wasn’t until we looked at “The Dance” that I changed my opinion.

It was the meaning behind the painting which made it beautiful… for me, anyway.  I’m sure a lot of people admire Matisse for his technique.  I, however, disagree.  I like to look at things in an almost backwards sort of way – how did the intended meaning influence the actual piece?  What did Matisse mean for “The Dance” and how does that meaning show up on the canvas?

That’s why I’m so interested in the UMMA exhibit, which opens tomorrow.  It’s from 11-5 until February 18th in the A. Alfred Taubman Gallery I.  It’s a collection of “forty-five rarely exhibited works by Matisse made in the first half of the 20th century, which reveal his process and range of creativity as a draftsman…” (according to the UMMA’s website).  Presented alongside Matisse’s work are drawings by Ellsworth Kelly (1923–2015).  Also taken from the website, “Kelly selected nine of his own lithographic drawings that derive from his time in France during the 1960s, when the American artist studied Matisse’s sketches and studies of nature and human figures.”

This exhibit will present a dialogue between two artists and will hopefully provide new insights regarding the meaning of each collection.

REVIEW: Victors for Art—Michigan’s Alumni Collectors

For some reason, I envisioned a collection of aged oil paintings and sculptures at the sound of the Victors for Art exhibit. I thought to myself, an exhibit of work owned by alumni? They probably have ancient sculptures and European paintings or something. 

And the exhibit did have that. I spent a good ten minutes marveling at an oil painting comprised of various shades of blue, featuring two men on a cliff. Another several minutes were spent admiring an oil painting of a woman who appeared to be deep in thought, pictured below; I took note of the wonderful shading and highlight that the artist captured in this piece, especially through the wrinkles and folds of the woman’s veil.

Photo courtesy of the UMMA

But Victors for Art went beyond one’s envision of a typical museum art gallery: I found myself looking at a stuffed rooster in a glass casing, standing across from one that was identical in appearance but was comprised of various materials. Other works included a set of figurines that represented the twelve zodiac animals ( dating back to several centuries), a painting of a nude woman leaning on a large pack of Lifesavers, and a large piece of a woman dazzled in embellishments, pictured below.

Photo courtesy of the UMMA

As the group of alums who made this exhibit possible was diverse, so were the works themselves. This gallery is presented along with the theme of figuration, going with the idea that this exhibit will “allow visitors to explore the variety of artistic responses and purposes encompassed…” and that’s exactly the kind of experience I had when visiting Victors for Art: Michigan’s Alumni Collectors—Part I: Figuration.

Photo courtesy of the UMMA
Photo courtesy of the UMMA

For those who have not yet seen this exhibit, it’s a must! Victors for Art provides the opportunity for one to view art that may not usually be available for the public to view. The exhibit is open Tuesdays through Saturdays, 11AM – 5PM and Sunday 12PM – 5PM!

PREVIEW: Victors for Art—Michigan’s Alumni Collectors

Among the plethora of special events and festivals that the University of Michigan is hosting for the 2017 Bicentennial, the UMMA is showcasing works of art collected by their very own alumni. These works, which range from oil paintings to sculptures to multimedia, come from a variety of artists such as Christo, Jean Dubeffet, and Gergia O’Keeffe. The gallery Victors for Art gives visitors the opportunity to view art that would otherwise not be seen by the public eye.

Take the chance to celebrate the university’s bicentennial and view these works while they are at display at the UMMA!

Details
When: Now until June 11th
Time: Monday through Saturday 11:00AM to 5:00PM, Sunday 12:00PM to 5:00PM
Location: UMMA

REVIEW: Spectra: Voicing Our Experience A Night of Spoken Art & Music

Walking into the museum space, the former white, marble-esque floor was covered by carpets, pillows, and tea lights’ electronic flicker. It looks like it could be the second floor of your favorite local-coffee-shop-poetry-reading, if they too were surrounded by renowned works of art. Often, UMMA’s space can appear a bit aloof, a bit austere and refined, but for this night it was transformed into a warmer, more intimate atmosphere. People mingled in, munching away on their biscotti and hot chocolate (again, your local coffee-shop-vibes), and ArtsX opened with emphasizing the importance of sharing our experiences through the various forms of art. I loved that all the different forms of art and expression flowed together, as if they were created with the intention to work in succession. With the spoken word and poetry pieces, voices and words filled the space. Perhaps it is a bit contrived, but I liked to imagine that these intangible words, pieces of art themselves, hung in the art alongside the paintings, student contributions adding to a recording of human experience.

The first few pieces, a musical duo that may have changed my mind towards jazz music and spoken word poetry that painted a picture of the museums of the future looking make on today’s society’s mistakes, served to set the tone of students sharing their experiences and voices for other students. One of my favorite pieces of the night, an unexpected form amongst the more customary fields of song and poetry, was the work of Sarah Baruch titled Here I Am, How Did I Get Here and Where am I Going?. Chronicling her path from high school to the present, through undergrad and med school, she wove what is a common story for anyone traveling through university in a way that felt like an engaging conversation with a friend over coffee. It was saturated in her own voice and humour and caused me to think and contemplate over the inevitable moment I am standing in a similar position.

The performance was longer than most at UMMA, though that is likely just the nature of the number of performers. I never felt as though it became too long or repetitive; the constant changing and difference in performance styles kept each work feeling new and exciting. Some people chose to stay for a piece or two while others were there for the entirety; it was very much a “come as you are, go as you please” feel. If you get the opportunity to attend any performances at UMMA, I would highly recommend it on the space alone. ArtsX UMMA’s Spectra proved to stand out by its casual and inclusive nature, and I’m up for hearing other’s stories genuinely poured out anytime.

PREVIEW: Spectra: Voicing Our Experience A Night of Spoken Art & Music

ArtsX UMMA will be putting on Spectra: Voicing Our Experience  A Night of Spoken Art & Music, featuring a wide array of participating student groups and individuals performing music, poetry, and song. Giving voice to the students’ stories, this event aims to display the diversity of experiences through art forms. Performances hosted at UMMA situated in the middle of the gallery spaces always prove to be beautiful; the sound echoes off the walls, amplifying and reverberating back at the audience to immerse the senses. If an event hosted in UMMA’s Apse surrounded by art and performance can’t tempt you enough, perhaps the hot cocoa bar will.

Thursday, February 16  /  7-10pm

University of Michigan Museum of Art

Free and open to the public

REVIEW: Japanese Prints of Kabuki Theater

Photo courtesy of the UMMA

Although the UMMA houses many intriguing exhibits, the Japanese Prints of Kabuki Theater has become a favorite for visitors of the museum. The art of kabuki theater, which is a classical form of Japanese drama that dates as far back as the 17th century, has been captured by colorful woodblock prints for the public to view. The exhibit currently showcases a collection of these prints, including those made by admired print-artists such as Utagawa Toyokuni and Toyohara Kunichika.

When I first stepped into the exhibit, I was greeted by oriental music and a large wall colored in blue, with text that described the art of kabuki theater. After reading the text, I make my way around the room—it was spacious, with clean white walls that had splashes of color from prints. These depictions of theater showcased famous actors and actresses in scenes from actual plays, as well as fictional ones. Some of the scenes included actors in disguise from enemies, lovers who were reunited, and battle scenes.

Photo courtesy of the UMMA
Photo courtesy of the UMMA

Among the collection of prints was a showcase for a bright red kimono with gold embroidery in the shape of various animals. This kimono was iconic for a specific kabuki actress, who was rarely seen wearing kimonos of other colors.
Next to the kimono was a TV that played a video recording of a kabuki theater performance from the late 1900s, a visual that seemed to bring the prints to life.

Overall, visiting the exhibit was a wonderful experience. I was enlightened of an aspect of Japanese culture that I did not know existed. Don’t miss the chance to view the exhibit for yourself—it will be at the UMMA until the 29th of this month, from 11AM – 5PM on Tuesdays through Saturdays, 12PM – 5PM on Sundays!