REVIEW: M-Agination Film Festival

Going to any event at the Michigan Theater makes the event itself a hundred times more grand. Despite a tornado warning and wretched weather, the 14th Annual Festival put on the student group M-Agination Films was a smashing success.

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Each year 10-15 short student films are created with the help of M-Agination films and the results are shown together at the end of the year. I have seen this festival for the past three years, and every year the overall quality of films has improved.

And live music now too!
And live music now too!

As with many festivals, the genres of the films varied: “Oreo Therapy” was about a man getting over a recent breakup with the help of food-related gifts from his hall neighbor, while “Awaken Ann Arbor” was a documentary about a meditation group of the same name on U of M’s campus, and “Dreamer” was a full-on avant-garde piece that I will not even attempt to decipher.

This was a full event, with multiple half-hour films–“Co-Education” and “A Sense of Sound”–to end each block of the festival. There was a nice mix of comedies and dramas to take us on a subtle emotional roller coaster throughout the night. “Looking Back,” a depressing piece about a young student reminiscing about his lost lover, preceded “Babysitter,” a hilarious comedy about a young teen jumping through hoops to get the title job, and then we went to the documentary “Awaken.”

Vice President Anthony Kalil
Vice President Anthony Kalil

 

The second half of the festival was much the same. We opened with “Fortune Teller Gynecologist” which is a comedy that needs no further description, on to “A Study in Tokyo,” which was a documentary shot during a class trip. The best part about “Tokyo” was that, despite being shot almost entirely with a GoPro, it was entertaining and edited well enough to keep the audience focused.

“Legs” was a groovy music video shot literally below the waist. “Three” followed three individuals with various disorders (OCD, Anorexia, Social Anxiety) and used images, rather than words to describe their daily lives. To cap off the night was “A Sense of Sound,” which was a lot like Whiplash, but with elderly people.

Overall, amazing festival and something to attend in future years.

 

Festival Line Up

Oreo Therapy Directed by Monica Dollive (4 minutes)
Looking Back Directed by Leo Sheng (7 minutes)
Babysitter Directed by Jameson Duggan (8 minutes)
Awaken Ann Arbor Directed by Will Ellis (11 minutes)
Hero Directed by Claire Holloway (2 minutes)
Co-Education Directed by Anna Baumgarten (25 minutes)

Intermission 15 minutes

Fortune Teller Gynecologist Directed by Michael Wylie (6 minutes)
Dreamer Directed by Layne Simescu (6 minutes)
A Study in Tokyo Directed by Rachel Goldberg (9 minutes)
Three Directed by Karen Hua (7 minutes)
LEGS Directed by Jorge Gonzalez (4 minutes)
A Sense of Sound Directed by Jeremy Borison (30 minutes)

REVIEW: Gilberto Gil

Photo from Mundo Itapema

Gilberto Gil’s solo performance on Saturday was truly a treat. He has painted so many pictures for us, using just his voice and his acoustic guitar. By this simple setup, he made Hill Auditorium feel much more intimate. Listening to his music brought the audience members together — regardless of how much knowledge of Portuguese or Brazilian culture we had.

Walking into the seats of Hill Auditorium, I was struck by how the stage looked. The first thing that I saw was a black curtain draping over the majestic pipe organ. In the middle of the stage was a simple audio setup with a hookup for guitar, a stool, and a mic stand. That’s it. I’ve seen similar setup at The Ark or something, but not at Hill! This was truly a change from what I was used to.

Then, Gilberto Gil came on stage, and immediately engaged us in his music — using his voice and guitar to convey all the characters his repertoire had. Many were original songs written by Gil himself, while others were borrowed from other masters. His voice was smooth and calming at times, and exciting and colorful at other times.

Gil drew the audience to a more intimate experience, up until the very last minute of his performance. I was excited to see many audience members with Brazilian heritage — including one of the audience members a few rows before me that had two mini Brazilian flags, which she proudly waved towards the stage at the end of the performance. People sang along to what apparently was a very famous song in Brazil (too bad I couldn’t join in…), creating a sense of camaraderie in such a big auditorium. I was reminded once again that music has the power to connect many people.

PREVIEW: Me and Earl and the Dying Girl

Me and Earl and the Dying Girl is about an awkward high school senior and a gravely ill classmate who surprise themselves by becoming inseparable friends. It stars Thomas Mann, Olivia Cooke, and Jon Bernthal, and is not even scheduled to be released until June 2015!

Through Fox Searchlight pictures, there are free screening passes available to get a free viewing of the film (see below)!

When: April 14 at 7 PM

Where: State Theater

Cost: FREE (With Screening Pass, available here)

 

This drama premiered at Sundance 2015 to a standing ovation. If it is anything like The Fault in Our Stars, I would recommend you bring a box of tissues to the screening.

A picture of the cast:

REVIEW: Iphigenia at Aulis

Thursday began the 2 weekend run of Iphigenia at Aulis by Euripides presented by the University of Michigan Theatre Department. Written over 2,400 years ago, I was initially concerned that the play’s language would be difficult to understand and that the subject matter would be unrelatable to our modern age. However, within minutes my ears adjusted to the language, which was far less foreign than Shakespeare, and was drawn into a play which subtly stated its relevance through modern prop weaponry and costuming.

As the play begins, the Greek troops have become stuck at Aulis, impatiently waiting for the winds to change so that they may sack Troy and return Helen to her rightful husband. Agamemnon, the leader of the Greek troops, has been told that he must sacrifice his daughter to the goddess Artemis in order to change the winds. Using the false pretense of a marriage to Achilles, he summons his daughter to Aulis and to her death.

Blair Price (Clytemnestra, the wife of Agamemnon) commanded a powerful presence on stage and was the clear standout of the cast. From her first entrance, where she portrayed the dutiful wife and excited mother of the bride, to the final tableau of the piece Price became Clytemnestra and at no times allowed her true self to show. Her most powerful performance was during her daughter’s, Iphigenia (Anaztasia Zavitsanos), monologue. As Iphigenia accepted her fate as a human sacrifice, Price’s eyes darted across the theater while her body remained completely still except for her deep panting breaths. The panic which appeared on her face was genuine, not merely an actress playing “panicked”. As her eyes darted across the theatre the slow realization was made that there was no escape from the situation. Again, this transition from panic to despair was not forced, rather the natural progression of emotion as she realized the gravity of the situation. Her tears, red eyes and runny nose sacrificed beauty for realistic portrayal of desperation and grief and as her daughter was murdered by her father’s hand, her shriek left a haunting silence in the auditorium.

The Greek Chorus transitioned between their function as an ethereal chorus and mortal women with surprising ease. These transitions were assisted by dance like movement choreography that drastically changed their bodies’ shapes from a natural resting position to a contorted position, clearly showing that these were not mortal beings subscribing to human behavioral norms.

Director Malcolm Tulip in collaboration with Costume Designer Kayleigh Laymon gave this production a modern twist by outfitting the Greek soldiers not in tunics but in camouflage pants and green fitted t-shirts with hand guns and rifles rather than swords. These updates made the piece feel more modern but a no times felt awkward as there were no direct references to a prop gun as a sword etc.

Overall this was a solid production with a clear artistic vision that felt appropriate and natural throughout the entire piece. Performances will continue April 9 – 12 at the Arthur Miller Theatre.

Still Alice Preview

According to www.alz.org, a website dedicated to Alzheimer’s disease, as of 2015 5.3 million Americans have Alzheimer’s disease. Less than 200,000 of that number have early onset Alzheimer’s. The movie Still Alice is the story of one person who has this disease.
Alice is brilliant Columbia University professor ( And might I add played brilliantly by Julianne Moore) whose life unravels because of this monstrous ailment. She is unable to remember words when she lectures; she is unable to find her way around the house to the bathroom, and eventually she is unable to speak. Her life takes so many twists and turns it is heart wrenching.
But this movie shows us the power of the human spirit as Alice, does the best she can to fight her disease, and uses as many tactics that she can to fight her disease.
I understand that it is close to Finals season for many of us, so perhaps watching a woman losing her memory isn’t the most uplifting movie. But, if you are interested in seeing a woman fight for herself, her mind, and her family- then this is the movie. This movie is after all about strength, resolve, and determination- in the face of life’s troubles; and that type of inspiration is something we can use- at any time.

REVIEW: Pre-Hash Bash EDM Concert On the Diag

For better or for worse, this is the kind of event that depends on good weather to draw maximum crowds. With the cold, rainy weather that turned into a full rainstorm every 45 minutes, the weather was not ripe for large crowds on the Diag.

Not the largest crowd
Not the largest crowd

Despite the drizzle and the smaller than expected crowd, the music was nevertheless full of energy. The concert kicked off with Ann Arbor natives Brahj and currently based in Detroit. Everything they make is golden, and seeing them perform, however briefly, was the highlight of the night.

Even better, they’re offering a free single through Soundcloud right now. It sounds better live, but the mp3 is still fantastic.

One of my favorite things about EDM is that it’s easy and fun to listen to regardless of the artist. While each DJ has a specific sound and feel, there’s always a beat to dance to–and it’s usually infectious. Despite the cold, I found myself tapping along to the beat, shaking my head along with the others wearing their fluorescent gear.

The concert finished with Aash Mehta, who had a mellower sound than the others. This proved to be a perfect finish to the night, as I was tired and it was time to slip into pajamas. While Odesza was not at the concert (sadly), there was a nice remix of an Odesza piece. You can find this on Soundcloud, which I highly recommend.

Hash Bash EDM