REVIEW: A Night of Rakugo

Sitting on a 2’x2’ cushion on stage, in front of a large audience, telling a funny story — that is the 400-year-old art of Japanese storytelling, or rakugo.

Having some prior knowledge of rakugo, the moment I heard about a live performance in Ann Arborfree of charge — I knew. I was there. Doors opened at 6:30PM in U-M’s Modern Language Building Auditorium 4. The performance was planned for 7PM sharp. Although my friend and I arrived on time, we were greeted by a full house. In fact, it was so crowded, people were standing against the walls. We were handed a very nice program that was half in Japanese and half in English, detailing the night’s schedule.

Organized by the U-M Japanese Language Program and Center for Japanese Studies, I saw the faculty dressed in kimonos. In case you don’t know what kimonos are, they’re long, loose robes with wide sleeves and tied with a sash, originally worn as a formal garment in Japan.

Seeing beautiful and intricate patterns, colorful fabric, wooden sandals, I could feel my heart punch a hole through my chest. This was the real deal.

Well, thanks to my punctuality, my friend and I found front row seats…on the floor. The faculty handed us Japanese newspapers to sit on and apologized that there were no seats left. It was really no trouble, though. Sitting on the floor was a pain in the butt, but the show was free, and we had a great view of the stage. It was red, with a lush purple 2’x2’ cushion sitting on top of it. A paper lantern stood on each side.

The show began by first teaching the audience a little bit about rakugo and giving a short demonstration as to how a typical performance is done.


Rakugo
is a traditional comedic performance that definitely throws anyone for a loop the first time around, but it’s actually pretty easy to understand. Long story short, the performer sits on the cushion on stage and tells a story. They do this by enacting every character in the story, and using their only two props: a paper fan and a tenugui (Japanese towel). They may stand up on their knees but never on their feet, so the performance never leaves the cushion.

Because the performer has so much to act out, their creativity and skill shine through the performance. They can use the fan as a pair of chopsticks or as a pen, they can use the towel as a letter or a book! The performance really delivers the story.

After the crash course on rakugo, the performances came next. Because the show was organized by the university’s Japanese Language Program, students studying Japanese were able to participate in this unique art of storytelling. One by one, short stories a couple minutes long were told by each student.

One of the students told a story about a little girl greeting her father who had come home from a seaward trip. The girl urged to see his photos of the ocean, gushing over the fish swimming underwater. In one photo, the girl found a sea creature that was uglier than the rest and, disgusted, she asked her father what it was. Then the father scolded her, because it was not a fish — it was her mother!

In rakugo, the story typically leads up to a hilarious punch line at the very end. And honestly, they were really funny! I was cracking up on the floor, trying to hold in my hideous snorts.

After the students were the two Japanese rakugo performers, who had flown to the United States all the way from Japan as cultural envoys. Rakugo professionals.

Yanagiya Sankyo (柳家さん喬) and Yanagiya Kyonosuke (柳家喬之助) are two widely famous rakugo performers in Japan, and tickets to see their shows are priced usually over $30 per person! It was the biggest honor to be able to see their performances for free. I was just happy to be there. Even if I was sitting at eye level with people’s feet.

Unfortunately, photography was prohibited for the two famous rakugo performers. But I promise you, they were amazing. Sitting up there with their commanding presence, their expressions and voices varying with every character — it was truly an art. Just by a small turn of their torso, they suddenly became a different person! Their performances were definitely the highlight of the night.

Yanagiya Kyonosuke (柳家喬之助) performed first with the story Hatsu Tenjin (初天神, “First Tenjin Festival”), which was summarized in the program: “A precocious boy named Kinbou convinces his father to take him to the festival at the Tenjin shrine, on the condition that he won’t bother his father to buy him anything. At the festival, of course, Kinbou can’t help asking for everything he sees, causing problems for his father.”

It was a hilarious performance, and the room roared with laughter as Yanagiya Kyonosuke pouted and wailed as the child. Kinbou was one spunky child, and I loved every second of his character on stage. It was an incredible performance by an incredible performer!

The last performance carries the most prestige in a rakugo show. After a brief intermission, Yanagiya Sankyo (柳家さん喬) delivered the last performance, telling the story of Shinigami (死神, “The God of Death”). In the program, it was summarized: “The God of Death tells a man who has decided that he wants to die that it’s not his time yet and teaches him a way to make a living as a doctor. He grants the man the ability to see the God of Death and teaches him a spell. If the God of Death is sitting by the patient’s feet, then the patient will recover. He simply has to recite the spell and the sick person will get well. If the God of Death is at the patient’s head, there’s nothing that can be done for him. The man becomes very wealthy but spends lavishly on trips and ends up broke. When patients stop coming, he becomes desperate to regain his fortune. But is it possible to trick the God of Death?”

Shinigami (死神, “The God of Death”) is one of the most popular and famous rakugo stories out there, and although it’s a little on the scarier side, it has its funny moments. Shinigami was beautifully told by Yanagiya Sankyo. Everyone was plunged straight into the story as he acted out the God of Death and the cheating doctor. As the God of Death, Yanagiya Sankyo held the fan like a cane under his hands, chuckling at the man’s misfortune. I was enraptured by his performance, visualizing the elements that weren’t there. It was a wonderful story told by a wonderful performer to end a wonderful night.

If you ever catch the word rakugo keep your ears peeled. A story will be told!

PREVIEW: Consent by De-Zine Release Party

Consent. Relationships. Although these two topics occupy a certain space on university campuses, Valentine’s Day makes these subjects more relevant than ever. SAPAC — the sexual assault prevention and awareness center of the University of Michigan — will be addressing these topics through a zine that has compiled student art and written work showcasing these topics. The release party will be celebrating the publication of this zine.

SAPAC has been working all year to compile this zine of artwork and poetry, and is proud to celebrate its release. Come support SAPAC and attend the event! Details are on the image above, but also in text below!

Details
When: Monday, February 13th
Time: 7:00 to 9:00PM
Location: North Quad Room 2435

REVIEW: David Zinn Workshop

Photo courtesy of Viral Forest

The Ann Arbor District Library hosted local artist and University of Michigan alum David Zinn for his workshop—Drawing from Your Imagination with David Zinn—on January 5th in order to share his artistic techniques with those who attended. Although Zinn is well-known for his chalk and charcoal works on city streets and buildings, this artist used the Thursday afternoon to delve into the creative thought process of his artwork.

The workshop took place in the library’s multi-purpose room, located in the basement. I arrived five minutes past one and found myself in a room bustling with locals both young and old, all enthusiastic to hear from the artist. After they found their seats and chatter hummed down to faint whispers, Zinn introduced himself to us through light jokes and references. His words were accompanied by a slideshow of his latest street art pieces, which were certainly entertaining to look at.

One of the works that Zinn featured in his slideshow. Photo courtesy of Demilked

Zinn’s introduction eventually transitioned to demonstrations of his creative thought process. The artist first explained to his audience how blank canvases were intimidating to him, as ideas for art were limitless and therefore overwhelming. Having a canvas with a mark, however, gave Zinn a starting point for his ideas, even if that canvas happened to be a sidewalk with a line of grass. Zinn then elaborated this point by having attendees engage in drawing exercises where everyone would make a scribble, swap papers with someone else, and see what they could draw from that scribble. After everyone saw the products of this exercise, Zinn facilitated another drawing exercise where one person would draw on a folded sheet of paper and another person would complete the drawing on the other side. By viewing art that was created from canvases with a mark, everyone, including me, had a better understanding of where Zinn was coming from.

One of the drawings made from the second exercise of the workshop. The top half was drawn by me, while the bottom half was drawn by another attendee

The workshop ended ten minutes after two, with applause from attendees. I was content with what I learned from the workshop, and am considering on attending future workshops by Zinn in the Ann Arbor District Library.
If you happened to miss out on this opportunity with a local artist, be sure to check the AADL website to see when the next David Zinn workshop will be!

PREVIEW: David Zinn Workshop

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A local to Ann Arbor and University of Michigan alum, David Zinn will be holding a workshop at the Ann Arbor District Library this Thursday, the 5th of January. Zinn has been making his mark on the city with artwork through  murals, business logos, posters, and cartoons, but he is well known for the chalk art he makes on the streets and sidewalks of Ann Arbor, Manhattan, and other locations. In recent years, Zinn has recieved global attention from outlets such as Facebook and the Huffington Post. This local artist is now sharing some of his artistic experience through the workshop, Drawing from Your Imagination with David Zinn, where he will be demonstrating illustration techniques with color pencils. Take the opportunity to meet and learn from David Zinn this week, one of Ann Arbor’s local artists!

Details
When: Thursday, January 5th
Time: 1:00 -2:00PM
Location: Ann Arbor District Library, Multi-Purpose Room

Workshop is intended for kids grade six to adults, free admission.

REVIEW: Peter and the Starcatcher

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Photo taken from https://www.facebook.com/umichsmtd/?fref=ts

Have you ever wondered what life was like for Peter Pan before he actually was Peter Pan?  How the Lost Boys, Tinkerbell, and Neverland came to be?  How Captain Hook lost his hand?  Your questions are bound to be answered in the tale of Peter and the Starcatcher; directed by Gillian Eaton, assistant directed by Martin McGuire, and musically directed by Brian E. Buckner, James Fischer, and Riley Palmer.

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Jeffrey James Fox as Black Stache (photo taken from https://www.facebook.com/umichsmtd/?fref=ts)

This lighthearted show swept the audience off their feet and into the adventure-filled life of Molly (Kourtney Bell), a young girl who is on a secret mission with her father (David Newman) to destroy what is called “starstuff”.  On Molly’s ship, The Never Land, she comes across three orphans, one of which is unnamed (Brooks Inciardi), and immediately befriends them.  Pirates, island natives, a crocodile, and mayhem are all prevelant throughout the journey.  The story of Peter Pan magically unfolds before your eyes in this easy-to-love show.

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Kourtney Bell as Molly and Brooks Inciardi as Boy (photo taken from https://www.facebook.com/umichsmtd/?fref=ts)

Shows run in the Power Center on December 8 @ 7:30pm, December 9 & 10 @ 8:00pm, and December 11 @ 2:00pm.  Reserved seating is $22 and $28, and students $12 with an ID.

Tickets can be purchased online at http://www.music.umich.edu/performances_events/productions/2016-2017/starcatcher.htm

 

REVIEW: Jake Shimabukuro, ukulele

Ukulele player Jake Shimabukuro (photo taken from http://www.jakeshimabukuro.com/home/photos/)

On Wednesday night, the University Musical Society (UMS) had ukulele player Jake Shimabukuro at Hill Auditorium.  Shimabukuro wowed the crowd as he strummed so fast that his hands were a blur.  Him and his bass player Nolan Verner played original songs off of his new album titled Nashville Sessions such as “F Minor”, “Celtic Tune”, and “Blue Haiku”.  They also played popular songs such as the Beatles song “Come Together” and Queen’s “Bohemian Rhapsody”.  Shimabukuro took the stage alone as he paid tribute to Leonard Cohen by playing “Hallelujah”.

Bass player Nolan Verner and ukulele player Jake Shimabukuro (taken from http://www.jakeshimabukuro.com/home/photos/)

My friend and I ended up getting the opportunity to meet Jake after the concert and get a picture and autograph.  He was so sweet and extremely down to earth, even thanking us for coming to his concert!  I told him about how I started playing the ukulele a year ago and as I was leaving he said, “Good luck on the uke!”  Definitely an experience that I’ll never forget!

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Upcoming performances through UMS can be found at http://ums.org/season/.